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  <title>纽约客</title>
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  <updated>2026-03-07T11:07:28.288Z</updated>
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  <subtitle>用中文浏览纽约客报道</subtitle>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_07__698b57bf76325a249f7ac3e1/</id>
    <title>世界上最漂亮的冷冻柜——南极烘焙笔记</title>
    <updated>2026-03-07T11:07:28.288Z</updated>
    <published>2026-03-07T11:07:28.288Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69977db51ed4cb638a3349c0/master/pass/a_001.jpg" alt="media.newyorker.com image"></div><div>The Most Beautiful Freezer in the World - Notes on baking at the South Pole. (<a href="https://www.newyorker.com/culture/the-weekend-essay/the-most-beautiful-freezer-in-the-world">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_07__698b57bf76325a249f7ac3e1/"><time class="dt-published published" datetime="2026-03-07T11:00:00.000Z">19:00</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-weekend-essay/the-most-beautiful-freezer-in-the-world"/>
    <summary>The Most Beautiful Freezer in the World - Notes on baking at the South Pole.</summary>
    <category term="Culture"/>
    <category term="The Weekend Essay"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_07__69a70c9f1e91037cd066b0c3/</id>
    <title>令人着迷的容貌至上主义运动之癫狂——无处不在的网红锁骨君及其同伙，正以扭曲而荒谬的方式，执意要揭穿自然美理想的神秘面纱。</title>
    <updated>2026-03-07T11:07:28.285Z</updated>
    <published>2026-03-07T11:07:28.285Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a71abc9ca7a12f74a9d769/master/pass/The_New_Yorker_looksmaxxx_HR3.jpg" alt="media.newyorker.com image"></div><div>The Captivating Derangement of the Looksmaxxing Movement - In their warped and wrongheaded way, the omnipresent influencer Clavicular and his compatriots are intent on demystifying the ideal of natural beauty. (<a href="https://www.newyorker.com/culture/critics-notebook/the-captivating-derangement-of-the-looksmaxxing-movement">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_07__69a70c9f1e91037cd066b0c3/"><time class="dt-published published" datetime="2026-03-07T11:00:00.000Z">19:00</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/critics-notebook/the-captivating-derangement-of-the-looksmaxxing-movement"/>
    <summary>The Captivating Derangement of the Looksmaxxing Movement - In their warped and wrongheaded way, the omnipresent influencer Clavicular and his compatriots are intent on demystifying the ideal of natural beauty.</summary>
    <category term="Culture"/>
    <category term="Critic’s Notebook"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_07__69aa0976a9e3d6cb326ae8f4/</id>
    <title>《邻居》捕捉随你回家的人生戏剧——这部HBO新纪录片系列聚焦业主间的琐碎纠纷，每个人都手握枪支、怀揣怨恨，还装有监控摄像头。</title>
    <updated>2026-03-07T02:52:27.170Z</updated>
    <published>2026-03-07T02:52:27.170Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69ab2b8d3984cf3431ec6ed6/master/pass/Foggatt-victoria-rohn-melissa-lovasco.jpg" alt="media.newyorker.com image"></div><div>“Neighbors” Captures the Drama That Follows You Home - In the new HBO docuseries, about petty disputes between homeowners, everyone has a gun, a grievance, and a security camera. (<a href="https://www.newyorker.com/culture/on-television/neighbors-captures-the-drama-that-follows-you-home">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_07__69aa0976a9e3d6cb326ae8f4/"><time class="dt-published published" datetime="2026-03-07T02:30:00.000Z">10:30</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/on-television/neighbors-captures-the-drama-that-follows-you-home"/>
    <summary>“Neighbors” Captures the Drama That Follows You Home - In the new HBO docuseries, about petty disputes between homeowners, everyone has a gun, a grievance, and a security camera.</summary>
    <category term="Culture"/>
    <category term="On Television"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_07__69a668cd7ac367a7931ee4c9/</id>
    <title>《山之达波》重现一位逝去的伟大电影人——伊德里萨·韦德拉戈的首部剧情长片现已上线，这部政治背景下展开的紧张爱情剧作，在电影形式上实现了惊人的突破。</title>
    <updated>2026-03-07T00:12:29.971Z</updated>
    <published>2026-03-07T00:12:29.971Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69ab1e40f7c368ec295301e1/master/pass/BRODY_YamDaabo_image_01.jpg" alt="media.newyorker.com image"></div><div>“Yam Daabo” Reintroduces a Late, Great Filmmaker - Idrissa Ouédraogo’s first feature, now streaming, is a tense drama of romance amid politics and a striking advance in cinematic form. (<a href="https://www.newyorker.com/culture/the-front-row/yam-daabo-reintroduces-a-late-great-filmmaker">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_07__69a668cd7ac367a7931ee4c9/"><time class="dt-published published" datetime="2026-03-06T23:57:32.000Z">07:57</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-front-row/yam-daabo-reintroduces-a-late-great-filmmaker"/>
    <summary>“Yam Daabo” Reintroduces a Late, Great Filmmaker - Idrissa Ouédraogo’s first feature, now streaming, is a tense drama of romance amid politics and a striking advance in cinematic form.</summary>
    <category term="Culture"/>
    <category term="The Front Row"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_06__69aa4aa398ff18da180f1aaa/</id>
    <title>克里斯蒂·诺姆的可解雇罪行——这位前国土安全部部长因滥用资金、优先考虑自我宣传，以及对特朗普政府驱逐行动中最为残酷的行径都本能地辩护而受到批评。</title>
    <updated>2026-03-06T20:28:33.485Z</updated>
    <published>2026-03-06T20:28:33.485Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69aa4abe37167aceb2bb28cd/master/pass/Blitzer-GettyImages-2264818653.jpg" alt="media.newyorker.com image"></div><div>Kristi Noem’s Fireable Offenses - The former Secretary of D.H.S. faced criticism for misspending funds, prioritizing her own self-promotion, and reflexively defending even the most brutal acts of the Trump Administration’s deportation efforts. (<a href="https://www.newyorker.com/news/the-lede/kristi-noems-fireable-offenses">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_06__69aa4aa398ff18da180f1aaa/"><time class="dt-published published" datetime="2026-03-06T20:19:27.000Z">04:19</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/kristi-noems-fireable-offenses"/>
    <summary>Kristi Noem’s Fireable Offenses - The former Secretary of D.H.S. faced criticism for misspending funds, prioritizing her own self-promotion, and reflexively defending even the most brutal acts of the Trump Administration’s deportation efforts.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_06__69a88e08319607fdd67391be/</id>
    <title>瑞恩·库格勒谈《罪人》：一部关于种族、音乐与亡灵的史诗巨制——这位导演与《纽约客》特约撰稿人杰拉尼·科布畅谈其电影创作，该片创纪录地获得十六项奥斯卡奖提名。</title>
    <updated>2026-03-06T19:24:57.958Z</updated>
    <published>2026-03-06T19:24:57.958Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/master/pass/Radio-Hour-Secondary-Segment.png" alt="media.newyorker.com image"></div><div>Ryan Coogler on “Sinners,” His Epic Film about Race, Music, and the Undead - The director talks with the New Yorker staff writer Jelani Cobb about his movie, which has been nominated for a record-setting sixteen Academy Awards. (<a href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/ryan-coogler-on-sinners-his-epic-film-about-race-music-and-the-undead">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_06__69a88e08319607fdd67391be/"><time class="dt-published published" datetime="2026-03-06T19:00:00.000Z">03:00</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/ryan-coogler-on-sinners-his-epic-film-about-race-music-and-the-undead"/>
    <summary>Ryan Coogler on “Sinners,” His Epic Film about Race, Music, and the Undead - The director talks with the New Yorker staff writer Jelani Cobb about his movie, which has been nominated for a record-setting sixteen Academy Awards.</summary>
    <category term="Podcast"/>
    <category term="The New Yorker Radio Hour"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_06__69a88ce07af12809936505cc/</id>
    <title>特朗普对伊朗开战的全球影响——随着冲突迅速蔓延至整个中东地区，《纽约客》撰稿人德克斯特·菲尔金斯与罗宾·赖特探讨了这场战争对伊朗、美国及世界其他地区的影响。</title>
    <updated>2026-03-06T19:24:57.954Z</updated>
    <published>2026-03-06T19:24:57.954Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69aaf39983080d8019455168/master/pass/RADIO_HOUR_IranWar_FINAL_2026_03_05.jpg" alt="media.newyorker.com image"></div><div>The Global Fallout of Donald Trump’s War on Iran - As the conflict rapidly spreads throughout the Middle East, the New Yorker writers Dexter Filkins and Robin Wright discuss the stakes for Iran, the U.S., and the rest of the world. (<a href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/the-global-fallout-of-donald-trumps-war-on-iran">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_06__69a88ce07af12809936505cc/"><time class="dt-published published" datetime="2026-03-06T19:00:00.000Z">03:00</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/the-global-fallout-of-donald-trumps-war-on-iran"/>
    <summary>The Global Fallout of Donald Trump’s War on Iran - As the conflict rapidly spreads throughout the Middle East, the New Yorker writers Dexter Filkins and Robin Wright discuss the stakes for Iran, the U.S., and the rest of the world.</summary>
    <category term="Podcast"/>
    <category term="The New Yorker Radio Hour"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_06__69aaf99231d99736e4963549/</id>
    <title>每日漫画：3月6日星期五——一幅以最新新闻和事件为灵感创作的漫画。</title>
    <updated>2026-03-06T16:29:16.171Z</updated>
    <published>2026-03-06T16:29:16.171Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/cartoons/69aaf7fb86c284bcc483912e/master/pass/A61795.jpg" alt="media.newyorker.com image"></div><div>Daily Cartoon: Friday, March 6th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/friday-march-6th-trump-ballroom-candlestick">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_06__69aaf99231d99736e4963549/"><time class="dt-published published" datetime="2026-03-06T16:22:32.000Z">00:22</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/friday-march-6th-trump-ballroom-candlestick"/>
    <summary>Daily Cartoon: Friday, March 6th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_06__69a8b9883f814c85e4e41ab3/</id>
    <title>巴里·布利特的《战争湖》——诺贝尔和平奖遥遥无期。</title>
    <updated>2026-03-06T15:09:41.091Z</updated>
    <published>2026-03-06T15:09:41.091Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69aa0d324f9915e480a0301c/master/pass/CoverStory-web_box_Blitt_Iran.jpg" alt="media.newyorker.com image"></div><div>Barry Blitt’s “War-a-Lago” - No Nobel Peace Prize in sight. (<a href="https://www.newyorker.com/culture/cover-story/cover-story-2026-03-16">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_06__69a8b9883f814c85e4e41ab3/"><time class="dt-published published" datetime="2026-03-06T15:00:00.000Z">03-06</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/cover-story/cover-story-2026-03-16"/>
    <summary>Barry Blitt’s “War-a-Lago” - No Nobel Peace Prize in sight.</summary>
    <category term="Culture"/>
    <category term="Cover Story"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_06__69a8c37362be8bbd3ec72777/</id>
    <title>斯蒂芬·肖尔，瑞安·麦金莱在《硬拷贝纽约》中的复印作品——另见：乔纳森·里奇曼的轻柔触感，肖恩·海斯在戏剧《未知》中的流动魅力，《新娘！》相关文化精选，以及更多内容。</title>
    <updated>2026-03-06T11:25:05.210Z</updated>
    <published>2026-03-06T11:25:05.210Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a9d61037167aceb2bb22bf/master/pass/r48741%20Final.jpg" alt="media.newyorker.com image"></div><div>Stephen Shore, Ryan McGinley’s Xeroxes in “Hard Copy New York” - Also: Jonathan Richman’s soft touch, Sean Hayes’s liquid charm in the play “The Unknown,” “The Bride!”-related culture picks, and more. (<a href="https://www.newyorker.com/culture/goings-on/stephen-shore-ryan-mcginleys-xeroxes-in-hard-copy-new-york">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_06__69a8c37362be8bbd3ec72777/"><time class="dt-published published" datetime="2026-03-06T11:00:00.000Z">03-06</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/goings-on/stephen-shore-ryan-mcginleys-xeroxes-in-hard-copy-new-york"/>
    <summary>Stephen Shore, Ryan McGinley’s Xeroxes in “Hard Copy New York” - Also: Jonathan Richman’s soft touch, Sean Hayes’s liquid charm in the play “The Unknown,” “The Bride!”-related culture picks, and more.</summary>
    <category term="Culture"/>
    <category term="Goings On"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_06__6994968d08473ac7738c60f5/</id>
    <title>“活体药物”能否治愈自身免疫性疾病？——CAR-T疗法最初是为癌症治疗而研发，如今在狼疮、多发性硬化症等长期被视为不治之症的领域展现出希望。</title>
    <updated>2026-03-06T11:25:05.208Z</updated>
    <published>2026-03-06T11:25:05.208Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699499296ffa7def36d2c643/master/pass/The-New-Yorker-CAR-T-2000X1125px-GIF_64_01.gif" alt="media.newyorker.com image"></div><div>Can a “Living Drug” Cure Autoimmune Diseases? - CAR-T was developed as a cancer treatment. Now it is showing promise for conditions that have long been considered incurable, such as lupus and multiple sclerosis. (<a href="https://www.newyorker.com/culture/annals-of-inquiry/can-a-living-drug-cure-autoimmune-diseases">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_06__6994968d08473ac7738c60f5/"><time class="dt-published published" datetime="2026-03-06T11:00:00.000Z">03-06</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/annals-of-inquiry/can-a-living-drug-cure-autoimmune-diseases"/>
    <summary>Can a “Living Drug” Cure Autoimmune Diseases? - CAR-T was developed as a cancer treatment. Now it is showing promise for conditions that have long been considered incurable, such as lupus and multiple sclerosis.</summary>
    <category term="Culture"/>
    <category term="Annals of Inquiry"/>
    <category term="Science"/>
    <category term="Annals of Medicine"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_06__69a9d0c8f06a7488637093ff/</id>
    <title>伊朗的绝望高风险生存策略——德黑兰政权深知自己很可能无法赢得战争，但它完全有能力将冲突的痛苦全球化——即便最终代价将由其自身承担。</title>
    <updated>2026-03-06T11:25:05.204Z</updated>
    <published>2026-03-06T11:25:05.204Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a9fe17a9e3d6cb326ae7a8/master/pass/Tharoor_Iran_AP26059794068552.jpg" alt="media.newyorker.com image"></div><div>Iran’s Desperate, High-Risk Survival Strategy - The regime in Tehran knows it likely can’t win the war, but it can certainly globalize the pain of the conflict—even if it’s ultimately at its own expense. (<a href="https://www.newyorker.com/news/the-lede/irans-desperate-high-risk-survival-strategy">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_06__69a9d0c8f06a7488637093ff/"><time class="dt-published published" datetime="2026-03-06T11:00:00.000Z">03-06</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/irans-desperate-high-risk-survival-strategy"/>
    <summary>Iran’s Desperate, High-Risk Survival Strategy - The regime in Tehran knows it likely can’t win the war, but it can certainly globalize the pain of the conflict—even if it’s ultimately at its own expense.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_06__69a83e8c996617fa68fae74e/</id>
    <title>《机器人总动员》是皮克斯的一次快乐飞跃——在这部丹尼尔·钟执导的欢快荒诞科幻喜剧中，机器人技术让一位环保活动家得以与动物们行走交谈。</title>
    <updated>2026-03-06T11:25:05.200Z</updated>
    <published>2026-03-06T11:25:05.200Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a858b1815021c849542812/master/pass/r48646.png" alt="media.newyorker.com image"></div><div>“Hoppers” Is a Happy Leap Forward for Pixar - In Daniel Chong’s cheerfully ludicrous science-fiction comedy, robot technology enables an environmental activist to walk and talk with the animals. (<a href="https://www.newyorker.com/magazine/2026/03/16/hoppers-movie-review">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_06__69a83e8c996617fa68fae74e/"><time class="dt-published published" datetime="2026-03-06T11:00:00.000Z">03-06</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/16/hoppers-movie-review"/>
    <summary>“Hoppers” Is a Happy Leap Forward for Pixar - In Daniel Chong’s cheerfully ludicrous science-fiction comedy, robot technology enables an environmental activist to walk and talk with the animals.</summary>
    <category term="Magazine"/>
    <category term="The Current Cinema"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_05__69a84fa5b1bb45109f290f5d/</id>
    <title>伊朗战争蔓延至黎巴嫩——随着该地区局势动荡，以色列与真主党之间的冲突正不断升级。</title>
    <updated>2026-03-05T22:25:51.273Z</updated>
    <published>2026-03-05T22:25:51.273Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a8bdcb85783cc4bb6a21f1/master/pass/Abouzeid_Beirut_2026-03-03T065529Z_1739087105_RC2SWJA0HBCG_RTRMADP_3_IRAN-CRISIS-ISRAEL-LEBANON.jpg" alt="media.newyorker.com image"></div><div>The Iran War Spreads to Lebanon - As the region spasms, the clash between Israel and Hezbollah is gathering force. (<a href="https://www.newyorker.com/news/the-lede/the-iran-war-spreads-to-lebanon">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_05__69a84fa5b1bb45109f290f5d/"><time class="dt-published published" datetime="2026-03-05T22:17:01.000Z">03-06</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/the-iran-war-spreads-to-lebanon"/>
    <summary>The Iran War Spreads to Lebanon - As the region spasms, the clash between Israel and Hezbollah is gathering force.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_05__69a9a4fb17ae93d180834ba8/</id>
    <title>每日漫画：3月5日星期四——一幅以最新新闻和事件为灵感创作的漫画。</title>
    <updated>2026-03-05T17:29:15.845Z</updated>
    <published>2026-03-05T17:29:15.845Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/cartoons/69a9b61a5530de911612b75d/master/pass/A61794.jpg" alt="media.newyorker.com image"></div><div>Daily Cartoon: Thursday, March 5th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/thursday-march-5th-war-tolstoy-book">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_05__69a9a4fb17ae93d180834ba8/"><time class="dt-published published" datetime="2026-03-05T17:12:46.000Z">03-06</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/thursday-march-5th-war-tolstoy-book"/>
    <summary>Daily Cartoon: Thursday, March 5th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_05__69a84faea22a174d9411f6b4/</id>
    <title>总统发动战争的限制终结——历史冲突已逐步削弱国会决定开战时机的权力。而特朗普对伊朗的袭击则彻底摧毁了这一权力。</title>
    <updated>2026-03-05T17:29:15.841Z</updated>
    <published>2026-03-05T17:29:15.841Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a8a5a789695ae869fa4ebb/master/pass/Marcus_WarPowers_h_16440457.jpg" alt="media.newyorker.com image"></div><div>The End of Limits on a President’s Wars - Past conflicts eroded Congress’s ability to decide when to go to war. Donald Trump’s attack on Iran destroyed it. (<a href="https://www.newyorker.com/news/the-lede/the-end-of-limits-on-a-presidents-wars">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_05__69a84faea22a174d9411f6b4/"><time class="dt-published published" datetime="2026-03-05T16:13:15.000Z">03-06</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/the-end-of-limits-on-a-presidents-wars"/>
    <summary>The End of Limits on a President’s Wars - Past conflicts eroded Congress’s ability to decide when to go to war. Donald Trump’s attack on Iran destroyed it.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_05__69a723871274182698d66cc4/</id>
    <title>佐兰·马姆达尼与筹款之道——新任市长的计划需要资金支持。他将如何筹措资金？</title>
    <updated>2026-03-05T11:15:57.440Z</updated>
    <published>2026-03-05T11:15:57.440Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a8766e4e1095fed2c6c462/master/pass/NYT_Mamdani%20Money_R3.jpg" alt="media.newyorker.com image"></div><div>Zohran Mamdani and the Art of the Ask - The new mayor’s plans require funding. How will he get it? (<a href="https://www.newyorker.com/news/new-york-journal/zohran-mamdani-and-the-art-of-the-ask">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_05__69a723871274182698d66cc4/"><time class="dt-published published" datetime="2026-03-05T11:00:00.000Z">03-05</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/new-york-journal/zohran-mamdani-and-the-art-of-the-ask"/>
    <summary>Zohran Mamdani and the Art of the Ask - The new mayor’s plans require funding. How will he get it?</summary>
    <category term="News"/>
    <category term="New York Journal"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_05__69a869db1cf69b2541046b37/</id>
    <title>无解释战争——特朗普政府已决定无需为军事行动辩护。在当前的媒体环境下，这种做法竟显得合情合理，令人不安。</title>
    <updated>2026-03-05T11:15:57.436Z</updated>
    <published>2026-03-05T11:15:57.436Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a8a2a0815021c849542c4e/master/pass/Kang_FaultLines_h_16441782.jpg" alt="media.newyorker.com image"></div><div>The No-Explanation War - The Trump Administration has decided that it need not make a case for military action. In the current media environment, that approach makes a disturbing kind of sense. (<a href="https://www.newyorker.com/news/fault-lines/the-no-explanation-war">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_05__69a869db1cf69b2541046b37/"><time class="dt-published published" datetime="2026-03-05T11:00:00.000Z">03-05</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/fault-lines/the-no-explanation-war"/>
    <summary>The No-Explanation War - The Trump Administration has decided that it need not make a case for military action. In the current media environment, that approach makes a disturbing kind of sense.</summary>
    <category term="News"/>
    <category term="Fault Lines"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_05__69a8a50889695ae869fa4eb6/</id>
    <title>温米·莫萨库的神圣能量——这位在《罪人》中饰演巫毒治疗师的奥斯卡提名演员，造访布鲁克林药房时谈及怀孕经历、学习约鲁巴语的点滴，以及为迈克尔·B·乔丹的随身物品施加祝福。</title>
    <updated>2026-03-05T11:15:57.432Z</updated>
    <published>2026-03-05T11:15:57.432Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a884667af128099365053e/master/pass/r48788.png" alt="media.newyorker.com image"></div><div>The Sacred Vibes of Wunmi Mosaku - The Oscar nominee, who plays a hoodoo healer in “Sinners,” stops at a Brooklyn apothecary and reflects on pregnancy, learning Yoruba, and blessing Michael B. Jordan’s bag. (<a href="https://www.newyorker.com/magazine/2026/03/16/the-sacred-vibes-of-wunmi-mosaku">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_05__69a8a50889695ae869fa4eb6/"><time class="dt-published published" datetime="2026-03-05T11:00:00.000Z">03-05</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/16/the-sacred-vibes-of-wunmi-mosaku"/>
    <summary>The Sacred Vibes of Wunmi Mosaku - The Oscar nominee, who plays a hoodoo healer in “Sinners,” stops at a Brooklyn apothecary and reflects on pregnancy, learning Yoruba, and blessing Michael B. Jordan’s bag.</summary>
    <category term="Magazine"/>
    <category term="The Pictures"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_05__6995fa8b47caaf35f607e4df/</id>
    <title>我问了ChatGPT，它这样回答——关注健康真的很重要，你能主动检查真是聪明！</title>
    <updated>2026-03-05T11:15:57.429Z</updated>
    <published>2026-03-05T11:15:57.429Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a73b9e20db40f70d6ba79b/master/pass/0_Lobanova_ChatGPT.jpg" alt="media.newyorker.com image"></div><div>I Asked ChatGPT and This Is What It Said - It’s so important to care about your health, and you’re so clever to check! (<a href="https://www.newyorker.com/humor/shouts-murmurs/i-asked-chatgpt-and-this-is-what-it-said">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_05__6995fa8b47caaf35f607e4df/"><time class="dt-published published" datetime="2026-03-05T11:00:00.000Z">03-05</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shouts-murmurs/i-asked-chatgpt-and-this-is-what-it-said"/>
    <summary>I Asked ChatGPT and This Is What It Said - It’s so important to care about your health, and you’re so clever to check!</summary>
    <category term="Humor"/>
    <category term="Shouts &amp; Murmurs"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_05__69a8a3a3815021c849542c56/</id>
    <title>奥斯卡主持人的荣耀与耻辱殿堂——即便是经验最丰富的表演者也难以完美驾驭。为何如此难以做到恰到好处？</title>
    <updated>2026-03-05T11:15:57.425Z</updated>
    <published>2026-03-05T11:15:57.425Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/650b59e2f49b447c4924fa7b/master/pass/CAL-WEB.png" alt="media.newyorker.com image"></div><div>The Hall of Fame—and of Shame—of Oscars Hosts - Even the most seasoned performers have had trouble nailing the gig. Why is it so hard to get right? (<a href="https://www.newyorker.com/podcast/critics-at-large/the-hall-of-fame-and-of-shame-of-oscars-hosts">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_05__69a8a3a3815021c849542c56/"><time class="dt-published published" datetime="2026-03-05T11:00:00.000Z">03-05</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/critics-at-large/the-hall-of-fame-and-of-shame-of-oscars-hosts"/>
    <summary>The Hall of Fame—and of Shame—of Oscars Hosts - Even the most seasoned performers have had trouble nailing the gig. Why is it so hard to get right?</summary>
    <category term="Podcast"/>
    <category term="Critics at Large"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_05__6996103b9328c3bff315dafd/</id>
    <title>《弗拉基米尔》剧评——这部Netflix新剧由瑞秋·薇兹主演，饰演一位教授。她对年轻同事的欲望不仅重燃了对生活的热忱，更将她推向了令人震惊的极端境地。</title>
    <updated>2026-03-05T11:15:57.421Z</updated>
    <published>2026-03-05T11:15:57.421Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699610adeb19ee2bce4cedac/master/pass/INKOO-KANG-VLADIMIR-TV.jpg" alt="media.newyorker.com image"></div><div>“Vladimir” TV Review - The new Netflix series stars Rachel Weisz as a professor whose lust for a younger colleague renews her lust for life itself—and drives her to alarming extremes. (<a href="https://www.newyorker.com/culture/on-television/the-self-serving-seduction-of-vladimir">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_05__6996103b9328c3bff315dafd/"><time class="dt-published published" datetime="2026-03-05T11:00:00.000Z">03-05</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/on-television/the-self-serving-seduction-of-vladimir"/>
    <summary>“Vladimir” TV Review - The new Netflix series stars Rachel Weisz as a professor whose lust for a younger colleague renews her lust for life itself—and drives her to alarming extremes.</summary>
    <category term="Culture"/>
    <category term="On Television"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_05__69a864a0d10ec00067c5e866/</id>
    <title>华盛顿伊朗战争圆桌会议——美国是否重蹈伊拉克战争覆辙？</title>
    <updated>2026-03-05T02:14:14.049Z</updated>
    <published>2026-03-05T02:14:14.049Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/65496ea9e960b0ea67668dc7/master/pass/The%20Political%20Scene%20B%20Glasser%20Mayer%20Osnos%20From%20Washington.jpg" alt="media.newyorker.com image"></div><div>The Washington Roundtable on the Iran War - Is the U.S. repeating the mistakes of the invasion of Iraq? (<a href="https://www.newyorker.com/podcast/political-scene/the-washington-roundtable-on-the-iran-war">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_05__69a864a0d10ec00067c5e866/"><time class="dt-published published" datetime="2026-03-05T02:00:00.000Z">03-05</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/political-scene/the-washington-roundtable-on-the-iran-war"/>
    <summary>The Washington Roundtable on the Iran War - Is the U.S. repeating the mistakes of the invasion of Iraq?</summary>
    <category term="Podcast"/>
    <category term="The Political Scene Podcast"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_05__69a66776fc2def66f72021c5/</id>
    <title>《新娘！》惊叹却未阐释——玛吉·吉伦哈尔对《科学怪人》故事的奇思改编，由杰西·巴克利与克里斯蒂安·贝尔主演，其立意与核心理念皆未充分展开。</title>
    <updated>2026-03-05T01:26:26.038Z</updated>
    <published>2026-03-05T01:26:26.038Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a751a620db40f70d6ba97a/master/pass/Brody_TheBride_rev-1-BRD-FP-209r_High_Res_JPEG.jpg" alt="media.newyorker.com image"></div><div>“The Bride!” Exclaims but Never Explains - Maggie Gyllenhaal’s imaginative adaptation of the Frankenstein story, starring Jessie Buckley and Christian Bale, leaves its premise and its principles undeveloped. (<a href="https://www.newyorker.com/culture/the-front-row/the-bride-exclaims-and-never-explains">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_05__69a66776fc2def66f72021c5/"><time class="dt-published published" datetime="2026-03-05T01:00:27.000Z">03-05</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-front-row/the-bride-exclaims-and-never-explains"/>
    <summary>“The Bride!” Exclaims but Never Explains - Maggie Gyllenhaal’s imaginative adaptation of the Frankenstein story, starring Jessie Buckley and Christian Bale, leaves its premise and its principles undeveloped.</summary>
    <category term="Culture"/>
    <category term="The Front Row"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_04__69a720e2d676a35de6e4591c/</id>
    <title>尤瓦尔·沙龙重塑经典——这位歌剧导演的纽约大都会歌剧院首秀《特里斯坦与伊索尔德》将于下周首演，他谈及了若干影响其创作的艺术源泉。</title>
    <updated>2026-03-04T21:26:18.659Z</updated>
    <published>2026-03-04T21:26:18.659Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6851c4bc2e50bf4f03899837/master/pass/BookCurrents_SocialSite.jpg" alt="media.newyorker.com image"></div><div>Yuval Sharon Reimagines the Canon - The opera director—whose Met début, “Tristan und Isolde,” premières next week—discusses a few of his influences. (<a href="https://www.newyorker.com/books/book-currents/yuval-sharon-reimagines-the-canon">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_04__69a720e2d676a35de6e4591c/"><time class="dt-published published" datetime="2026-03-04T21:00:00.000Z">03-05</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/book-currents/yuval-sharon-reimagines-the-canon"/>
    <summary>Yuval Sharon Reimagines the Canon - The opera director—whose Met début, “Tristan und Isolde,” premières next week—discusses a few of his influences.</summary>
    <category term="Books"/>
    <category term="Book Currents"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_04__69a70c4bacf3c1a7950ab17a/</id>
    <title>为何民主党众议员支持特朗普对伊朗开战——众议员格雷格·兰兹曼阐述其期望：冲突虽受限制，却将重塑中东格局。</title>
    <updated>2026-03-04T19:35:53.467Z</updated>
    <published>2026-03-04T19:35:53.467Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a863d4815021c849542841/master/pass/Chotiner_Iran_AP26063382514865.jpg" alt="media.newyorker.com image"></div><div>Why a Democratic Congressman Is Supporting Trump’s War with Iran - Representative Greg Landsman explains his hope that the conflict remains limited but also creates an entirely new Middle East. (<a href="https://www.newyorker.com/news/q-and-a/why-a-democratic-congressman-is-supporting-trumps-war-with-iran">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_04__69a70c4bacf3c1a7950ab17a/"><time class="dt-published published" datetime="2026-03-04T19:17:13.000Z">03-05</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/q-and-a/why-a-democratic-congressman-is-supporting-trumps-war-with-iran"/>
    <summary>Why a Democratic Congressman Is Supporting Trump’s War with Iran - Representative Greg Landsman explains his hope that the conflict remains limited but also creates an entirely new Middle East.</summary>
    <category term="News"/>
    <category term="Q. &amp; A."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_04__69a7356248640981a1eaedc2/</id>
    <title>拍摄完美照片是否毁了“奇观”中的旅游业？——雅斯敏·范·多普的短片展现了美丽目的地，以及涌入其中的手机摄影爱好者人潮。</title>
    <updated>2026-03-04T18:16:01.223Z</updated>
    <published>2026-03-04T18:16:01.223Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a73f2ddaf3ee854d50e71e/master/pass/TNY_The_Spectacle_preGIF_2-ezgif.com-video-to-gif-converter.gif" alt="media.newyorker.com image"></div><div>Has Taking the Perfect Photo Ruined Tourism in “The Spectacle”? - Yasmin van Dorp’s short film depicts beautiful destinations—and the crowds of cell-phone photographers who inundate them. (<a href="https://www.newyorker.com/culture/the-new-yorker-documentary/has-taking-the-perfect-photo-ruined-tourism-in-the-spectacle">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_04__69a7356248640981a1eaedc2/"><time class="dt-published published" datetime="2026-03-04T18:02:10.000Z">03-05</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-new-yorker-documentary/has-taking-the-perfect-photo-ruined-tourism-in-the-spectacle"/>
    <summary>Has Taking the Perfect Photo Ruined Tourism in “The Spectacle”? - Yasmin van Dorp’s short film depicts beautiful destinations—and the crowds of cell-phone photographers who inundate them.</summary>
    <category term="Culture"/>
    <category term="The New Yorker Documentary"/>
    <category term="Video Dept."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_04__69a8561e5d6ddf32d2971c23/</id>
    <title>每日漫画：3月4日星期三——一幅以最新新闻和事件为灵感创作的漫画。</title>
    <updated>2026-03-04T16:24:07.654Z</updated>
    <published>2026-03-04T16:24:07.654Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/cartoons/69a85569b1bb45109f290f62/master/pass/A61792.jpg" alt="media.newyorker.com image"></div><div>Daily Cartoon: Wednesday, March 4th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/wednesday-march-4th-strikes-message">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_04__69a8561e5d6ddf32d2971c23/"><time class="dt-published published" datetime="2026-03-04T16:05:55.000Z">03-05</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/wednesday-march-4th-strikes-message"/>
    <summary>Daily Cartoon: Wednesday, March 4th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_04__699c6299a6e6d5f50c3e325b/</id>
    <title>真实睫毛夹测评——天啊，这款睫毛夹连根不漏，连眼角细小的睫毛都能轻松夹到。卷翘、分离——样样精通。而且第一次用它时，我简直看到了上帝。</title>
    <updated>2026-03-04T11:05:44.355Z</updated>
    <published>2026-03-04T11:05:44.355Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a5eaaf7e8f2a5156ca68e5/master/pass/Landers-Shouts-GettyImages-1686423505.jpg" alt="media.newyorker.com image"></div><div>Honest Eyelash-Curler Reviews - Dang, no lashes left behind with this curler. It even reaches those tiny corner lashes. Lifts, separates—the works. Also, the first time I used this curler, I saw God. (<a href="https://www.newyorker.com/humor/shouts-murmurs/honest-eyelash-curler-reviews">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_04__699c6299a6e6d5f50c3e325b/"><time class="dt-published published" datetime="2026-03-04T11:00:00.000Z">03-04</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shouts-murmurs/honest-eyelash-curler-reviews"/>
    <summary>Honest Eyelash-Curler Reviews - Dang, no lashes left behind with this curler. It even reaches those tiny corner lashes. Lifts, separates—the works. Also, the first time I used this curler, I saw God.</summary>
    <category term="Humor"/>
    <category term="Shouts &amp; Murmurs"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_04__699fa63da10062fdd82b1704/</id>
    <title>恐怖电影的未来在YouTube——随着《铁肺》《暗室》等作品的问世，好莱坞正将目光投向该平台，寻求新一代恐怖电影大师的崛起。</title>
    <updated>2026-03-04T11:05:44.351Z</updated>
    <published>2026-03-04T11:05:44.351Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a611d6d28a4d83be5d03b7/master/pass/Barasch-Iron-Lung---MCDIRLU_EC006-copy.jpg" alt="media.newyorker.com image"></div><div>The Future of Horror Movies Is on YouTube - With releases like “Iron Lung” and “Backrooms,” Hollywood is looking to the platform for the next generation of horror auteurs. (<a href="https://www.newyorker.com/culture/infinite-scroll/the-future-of-horror-movies-is-on-youtube">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_04__699fa63da10062fdd82b1704/"><time class="dt-published published" datetime="2026-03-04T11:00:00.000Z">03-04</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/infinite-scroll/the-future-of-horror-movies-is-on-youtube"/>
    <summary>The Future of Horror Movies Is on YouTube - With releases like “Iron Lung” and “Backrooms,” Hollywood is looking to the platform for the next generation of horror auteurs.</summary>
    <category term="Culture"/>
    <category term="Infinite Scroll"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_04__69a2092635ccdc8b54ddb97c/</id>
    <title>克里斯·弗莱明蹦蹦跳跳、蹿蹿溜溜、扭扭摆摆登上HBO——在这部新脱口秀中，这位喜剧演员运用古怪的肢体语言，在日常琐事中发掘荒诞趣味。</title>
    <updated>2026-03-04T11:05:44.348Z</updated>
    <published>2026-03-04T11:05:44.348Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a209a40b583316213be7ad/master/pass/SYME-chris-fleming.jpg" alt="media.newyorker.com image"></div><div>Chris Fleming Prances, Scuttles, and Undulates Onto HBO - In a new standup set, the comedian uses oddball physicality to locate the weird in the everyday. (<a href="https://www.newyorker.com/culture/on-television/chris-fleming-prances-scuttles-and-undulates-onto-hbo">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_04__69a2092635ccdc8b54ddb97c/"><time class="dt-published published" datetime="2026-03-04T11:00:00.000Z">03-04</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/on-television/chris-fleming-prances-scuttles-and-undulates-onto-hbo"/>
    <summary>Chris Fleming Prances, Scuttles, and Undulates Onto HBO - In a new standup set, the comedian uses oddball physicality to locate the weird in the everyday.</summary>
    <category term="Culture"/>
    <category term="On Television"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_04__698632f9b23d9e5ca4d74606/</id>
    <title>兰波与魏尔伦在华盛顿广场公园——朋克先驱理查德·赫尔的《神性》将十九世纪法国诗人间的绯闻搬至1970年代的纽约，见证了朋克与历史的悖论式关系。</title>
    <updated>2026-03-04T11:05:44.344Z</updated>
    <published>2026-03-04T11:05:44.344Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698a53dc7dd6e2f651b551bc/master/pass/X%20Edit%205-New%20Yorker_Richard%20Hell_Black%20BG%20Final_bleed_black.jpg" alt="media.newyorker.com image"></div><div>Rimbaud and Verlaine in Washington Square Park - “Godlike,” by the seminal punk musician Richard Hell, transposes a notorious affair between nineteenth-century French poets to nineteen-seventies New York—and testifies to punk’s paradoxical relationship with the past. (<a href="https://www.newyorker.com/books/under-review/rimbaud-and-verlaine-in-washington-square-park">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_04__698632f9b23d9e5ca4d74606/"><time class="dt-published published" datetime="2026-03-04T11:00:00.000Z">03-04</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/under-review/rimbaud-and-verlaine-in-washington-square-park"/>
    <summary>Rimbaud and Verlaine in Washington Square Park - “Godlike,” by the seminal punk musician Richard Hell, transposes a notorious affair between nineteenth-century French poets to nineteen-seventies New York—and testifies to punk’s paradoxical relationship with the past.</summary>
    <category term="Books"/>
    <category term="Under Review"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_04__69a5ed3f8b31b7c92109c88a/</id>
    <title>在德克萨斯州初选中，詹姆斯·塔拉里科迎来良宵，约翰·科宁却遭遇寒夜——三十余年来民主党从未在德州赢得全州性选举，但周二夜间他们似乎发现了一位颇具潜力的候选人。</title>
    <updated>2026-03-04T06:50:02.278Z</updated>
    <published>2026-03-04T06:50:02.278Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a7b73fe6e901826b76081e/master/pass/BWW-GettyImages-2264635560.jpg" alt="media.newyorker.com image"></div><div>In the Texas Primaries, a Good Night for James Talarico, and a Bad One for John Cornyn - Democrats have not won a statewide race in Texas in more than thirty years, but on Tuesday night they seemed to have found an interesting prospect. (<a href="https://www.newyorker.com/news/the-lede/in-the-texas-primaries-a-good-night-for-james-talarico-and-a-bad-one-for-john-cornyn">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_04__69a5ed3f8b31b7c92109c88a/"><time class="dt-published published" datetime="2026-03-04T06:28:32.000Z">03-04</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/in-the-texas-primaries-a-good-night-for-james-talarico-and-a-bad-one-for-john-cornyn"/>
    <summary>In the Texas Primaries, a Good Night for James Talarico, and a Bad One for John Cornyn - Democrats have not won a statewide race in Texas in more than thirty years, but on Tuesday night they seemed to have found an interesting prospect.</summary>
    <category term="News"/>
    <category term="The Lede"/>
    <category term="Election 2026"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_03__69a724ca9b0479032e6948b3/</id>
    <title>美国总统是否有权宣战？——从宪法条文看，宣战权属于国会专属。但《东京湾决议》却将这项宪法要求变成了国会视而不见的立法惯例。</title>
    <updated>2026-03-03T22:35:55.907Z</updated>
    <published>2026-03-03T22:35:55.907Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a72a0df55d24845ebcae3f/master/pass/Lepore-3CC02JG.jpg" alt="media.newyorker.com image"></div><div>Do U.S. Presidents Have the Power to Declare War? - On paper, declaring war is reserved for Congress. The Tonkin Gulf Resolution turned a constitutional requirement into a legislative habit of looking away. (<a href="https://www.newyorker.com/news/the-lede/do-us-presidents-have-the-power-to-declare-war">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_03__69a724ca9b0479032e6948b3/"><time class="dt-published published" datetime="2026-03-03T22:20:19.000Z">03-04</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/do-us-presidents-have-the-power-to-declare-war"/>
    <summary>Do U.S. Presidents Have the Power to Declare War? - On paper, declaring war is reserved for Congress. The Tonkin Gulf Resolution turned a constitutional requirement into a legislative habit of looking away.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_03__69a6fc0020535ba3e1431ec5/</id>
    <title>每日漫画：3月3日星期二——一幅以最新新闻和事件为灵感创作的漫画。</title>
    <updated>2026-03-03T15:56:13.709Z</updated>
    <published>2026-03-03T15:56:13.709Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/cartoons/69a6fb74363dacaca259b804/master/pass/A61791.jpg" alt="media.newyorker.com image"></div><div>Daily Cartoon: Tuesday, March 3rd - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/tuesday-march-3rd-creature-from-mar-a-lago">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_03__69a6fc0020535ba3e1431ec5/"><time class="dt-published published" datetime="2026-03-03T15:31:30.000Z">03-03</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/tuesday-march-3rd-creature-from-mar-a-lago"/>
    <summary>Daily Cartoon: Tuesday, March 3rd - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_03__69a19f98134d1e033041f25f/</id>
    <title>北卡罗来纳州初选地图：实时选举结果——该州3月3日的初选将决定11月众议院和参议院选举的候选人名单，这对国会权力格局具有重大影响。</title>
    <updated>2026-03-03T11:24:14.859Z</updated>
    <published>2026-03-03T11:24:14.859Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a5e02830b5fc3cb51336eb/master/pass/NC.png" alt="media.newyorker.com image"></div><div>North Carolina Primary Map: Live Election Results - The state’s primaries on March 3rd will determine candidates for House and Senate races in November, with major implications for the balance of power in Congress. (<a href="https://www.newyorker.com/news/election-2026/north-carolina-primary-map-live-election-results">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_03__69a19f98134d1e033041f25f/"><time class="dt-published published" datetime="2026-03-03T11:00:00.000Z">03-03</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/election-2026/north-carolina-primary-map-live-election-results"/>
    <summary>North Carolina Primary Map: Live Election Results - The state’s primaries on March 3rd will determine candidates for House and Senate races in November, with major implications for the balance of power in Congress.</summary>
    <category term="News"/>
    <category term="Election 2026"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_03__69722b636d2d57609ae59332/</id>
    <title>为何女人宁愿爱雕像也不爱男人——在《闭馆之时》中，八木惠美将女性物化研究推向了新的、字面意义上的极致。</title>
    <updated>2026-03-03T11:24:14.855Z</updated>
    <published>2026-03-03T11:24:14.855Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69722b77b88729c5a5628e93/master/pass/CA_Whenthemuseumisclosed_final.jpg" alt="media.newyorker.com image"></div><div>Why a Woman Would Rather Love a Statue Than a Man - In “When the Museum Is Closed,” Emi Yagi takes her study of female objectification to a new, literal extreme. (<a href="https://www.newyorker.com/books/page-turner/why-a-woman-would-rather-love-a-statue-than-a-man">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_03__69722b636d2d57609ae59332/"><time class="dt-published published" datetime="2026-03-03T11:00:00.000Z">03-03</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/page-turner/why-a-woman-would-rather-love-a-statue-than-a-man"/>
    <summary>Why a Woman Would Rather Love a Statue Than a Man - In “When the Museum Is Closed,” Emi Yagi takes her study of female objectification to a new, literal extreme.</summary>
    <category term="Books"/>
    <category term="Page-Turner"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_03__69961a6e055a737c67fef984/</id>
    <title>作为现代人烤饼干——等等……你连烤箱手套都没有吗？</title>
    <updated>2026-03-03T11:24:14.852Z</updated>
    <published>2026-03-03T11:24:14.852Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a1bf23a1a3b52d04942305/master/pass/0_Horberg_bakingcookies.jpeg" alt="media.newyorker.com image"></div><div>Baking Cookies as a Modern Human - Hold up . . . do you even own an oven mitt? (<a href="https://www.newyorker.com/humor/shouts-murmurs/baking-cookies-as-a-modern-human">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_03__69961a6e055a737c67fef984/"><time class="dt-published published" datetime="2026-03-03T11:00:00.000Z">03-03</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shouts-murmurs/baking-cookies-as-a-modern-human"/>
    <summary>Baking Cookies as a Modern Human - Hold up . . . do you even own an oven mitt?</summary>
    <category term="Humor"/>
    <category term="Shouts &amp; Murmurs"/>
    <category term="Sketchbook"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_03__69a0b0b80c72ae7197eee246/</id>
    <title>德克萨斯州初选地图：实时选举结果——两党参议员初选竞争激烈，州长格雷格·阿博特则有望迈出实现史无前例第四任期的第一步。</title>
    <updated>2026-03-03T11:24:14.848Z</updated>
    <published>2026-03-03T11:24:14.848Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a5e028ac8b5c191f9fb6af/master/pass/TX.png" alt="media.newyorker.com image"></div><div>Texas Primary Map: Live Election Results - Both parties’ primaries for U.S. Senate have been fiercely competitive, while Governor Greg Abbott looks to take a first step toward securing an unprecedented fourth term. (<a href="https://www.newyorker.com/news/election-2026/texas-primary-map-live-election-results">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_03__69a0b0b80c72ae7197eee246/"><time class="dt-published published" datetime="2026-03-03T11:00:00.000Z">03-03</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/election-2026/texas-primary-map-live-election-results"/>
    <summary>Texas Primary Map: Live Election Results - Both parties’ primaries for U.S. Senate have been fiercely competitive, while Governor Greg Abbott looks to take a first step toward securing an unprecedented fourth term.</summary>
    <category term="News"/>
    <category term="Election 2026"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_03__699f4ff57d08393b79c5ed6f/</id>
    <title>马丁·帕尔洞悉人类愚行——这位英国摄影师毕生致力于审视人类的欲望及其引发的矛盾。</title>
    <updated>2026-03-03T11:24:14.844Z</updated>
    <published>2026-03-03T11:24:14.844Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a224d36e57d3dad938a664/master/pass/Parr-NN11501865.jpg" alt="media.newyorker.com image"></div><div>Martin Parr’s Eye for Human Folly - The British photographer spent his career examining appetites and the contradictions they engender. (<a href="https://www.newyorker.com/culture/photo-booth/martin-parrs-eye-for-human-folly">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_03__699f4ff57d08393b79c5ed6f/"><time class="dt-published published" datetime="2026-03-03T11:00:00.000Z">03-03</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/photo-booth/martin-parrs-eye-for-human-folly"/>
    <summary>Martin Parr’s Eye for Human Folly - The British photographer spent his career examining appetites and the contradictions they engender.</summary>
    <category term="Culture"/>
    <category term="Photo Booth"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_03__69a5e2b926eac90abffd5ced/</id>
    <title>特别报道：伊朗战事——伊尚·塔鲁尔指出，美以空袭已击毙伊朗最高领袖，引发地区战火，并为一场"战略性灾难"埋下伏笔。</title>
    <updated>2026-03-03T00:45:05.364Z</updated>
    <published>2026-03-03T00:45:05.364Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/master/pass/The%20Political%20Scene%20In%20Conversation.jpg" alt="media.newyorker.com image"></div><div>Special Episode: War in Iran - U.S. and Israeli air strikes have killed the Iran’s Supreme Leader, sparked a regional conflagration, and set the stage for a “strategic shit show,” Ishaan Tharoor says. (<a href="https://www.newyorker.com/podcast/political-scene/special-episode-war-in-iran">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_03__69a5e2b926eac90abffd5ced/"><time class="dt-published published" datetime="2026-03-03T00:30:00.000Z">03-03</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/political-scene/special-episode-war-in-iran"/>
    <summary>Special Episode: War in Iran - U.S. and Israeli air strikes have killed the Iran’s Supreme Leader, sparked a regional conflagration, and set the stage for a “strategic shit show,” Ishaan Tharoor says.</summary>
    <category term="Podcast"/>
    <category term="The Political Scene Podcast"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__69a5c2876b155cdea2c61d2a/</id>
    <title>如果连开战理由都说不清，特朗普真能打赢对伊朗的战争吗？——迄今为止，解释寥寥无几，而目标却五花八门：从推翻政权到终结核计划（总统此前已宣称该计划已被"彻底摧毁"）。</title>
    <updated>2026-03-02T23:56:57.427Z</updated>
    <published>2026-03-02T23:56:57.427Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a61126d28a4d83be5d03b1/master/pass/Glasser_Iran_GettyImages-2263888027.jpg" alt="media.newyorker.com image"></div><div>Can Donald Trump Win a War with Iran If He Can’t Explain Why He Started It? - So far, explanations are few and the goals—from regime change to ending a nuclear program the President already claimed to have “obliterated”—are many. (<a href="https://www.newyorker.com/news/letter-from-trumps-washington/can-donald-trump-win-a-war-with-iran-if-he-cant-explain-why-he-started-it">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__69a5c2876b155cdea2c61d2a/"><time class="dt-published published" datetime="2026-03-02T23:36:41.000Z">03-03</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/letter-from-trumps-washington/can-donald-trump-win-a-war-with-iran-if-he-cant-explain-why-he-started-it"/>
    <summary>Can Donald Trump Win a War with Iran If He Can’t Explain Why He Started It? - So far, explanations are few and the goals—from regime change to ending a nuclear program the President already claimed to have “obliterated”—are many.</summary>
    <category term="News"/>
    <category term="Letter from Trump’s Washington"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__69a08fd31b695e5a0dea709e/</id>
    <title>共和党在得州自找麻烦——在选区重划争议、约翰·科宁与肯·帕克斯顿的激烈参议员初选，以及对唐纳德·特朗普日益不满的背景下，该党是否已越界？</title>
    <updated>2026-03-02T21:49:17.918Z</updated>
    <published>2026-03-02T21:49:17.918Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a5970fcfb754a1155904bc/master/pass/Slevin-GettyImages-2263397538.jpg" alt="media.newyorker.com image"></div><div>The Republicans Are Messing with Texas - Amid the controversy over redrawn district maps, a bitter senatorial primary race between John Cornyn and Ken Paxton, and growing dissatisfaction with Donald Trump, has the Party overreached? (<a href="https://www.newyorker.com/news/the-lede/the-republicans-are-messing-with-texas">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__69a08fd31b695e5a0dea709e/"><time class="dt-published published" datetime="2026-03-02T21:23:58.000Z">03-03</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/the-republicans-are-messing-with-texas"/>
    <summary>The Republicans Are Messing with Texas - Amid the controversy over redrawn district maps, a bitter senatorial primary race between John Cornyn and Ken Paxton, and growing dissatisfaction with Donald Trump, has the Party overreached?</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__699f03be041478c91ee334b8/</id>
    <title>《呼吸》，戴维·贝克 -"当时机成熟，请让我走向那灰月微光足以引路之处。"</title>
    <updated>2026-03-02T11:15:14.164Z</updated>
    <published>2026-03-02T11:15:14.164Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/5d484a88ad738a0008f2bf98/master/pass/hp-poetryspots3.jpg" alt="media.newyorker.com image"></div><div>“Breath,” by David Baker - “When it’s time, let me walk where the grey moon / is light enough to lead.” (<a href="https://www.newyorker.com/magazine/2026/03/09/breath-david-baker-poem">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__699f03be041478c91ee334b8/"><time class="dt-published published" datetime="2026-03-02T11:00:00.000Z">03-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/09/breath-david-baker-poem"/>
    <summary>“Breath,” by David Baker - “When it’s time, let me walk where the grey moon / is light enough to lead.”</summary>
    <category term="Magazine"/>
    <category term="Poems"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__699e2cf72d62dcb9cf6e6832/</id>
    <title>纽约城市芭蕾舞团"无王时代"首演——贾斯汀·佩克演绎贝多芬《英雄》交响曲，阿列克谢·拉曼斯基将《皇帝的新装》故事改编为反特朗普讽刺剧。</title>
    <updated>2026-03-02T11:15:14.160Z</updated>
    <published>2026-03-02T11:15:14.160Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a084b58e44fb4bdec468c4/master/pass/r48728_rd.jpg" alt="media.newyorker.com image"></div><div>New York City Ballet Premières for the “No Kings” Era - Justin Peck takes on Beethoven’s “Eroica” symphony, while Alexei Ratmansky turns the tale of the Emperor’s new clothes into an anti-Trump satire. (<a href="https://www.newyorker.com/magazine/2026/03/09/new-york-city-ballet-premieres-for-the-no-kings-era">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__699e2cf72d62dcb9cf6e6832/"><time class="dt-published published" datetime="2026-03-02T11:00:00.000Z">03-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/09/new-york-city-ballet-premieres-for-the-no-kings-era"/>
    <summary>New York City Ballet Premières for the “No Kings” Era - Justin Peck takes on Beethoven’s “Eroica” symphony, while Alexei Ratmansky turns the tale of the Emperor’s new clothes into an anti-Trump satire.</summary>
    <category term="Magazine"/>
    <category term="Dancing"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__699e2a4aa32bc8a7187afec4/</id>
    <title>《从贝尔法斯特如何上天堂》：献给中年友谊的颂歌这部由《德里女孩》主创打造的剧集，聚焦一群爱尔兰女性调查死亡事件。但它更像一部闺蜜喜剧，而非传统悬疑剧。</title>
    <updated>2026-03-02T11:15:14.156Z</updated>
    <published>2026-03-02T11:15:14.156Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a072e00aa08fe164405cdd/master/pass/Russell-How-to-Get-to-Heaven-from-Belfast-HTGTHFB_101_Unit_00118_RT2.jpg" alt="media.newyorker.com image"></div><div>“How to Get to Heaven from Belfast” Is an Ode to Middle-Aged Friendship - The series, from the creator of “Derry Girls,” focusses on a group of Irish women investigating a death. But it feels less like a murder mystery and more like a buddy comedy. (<a href="https://www.newyorker.com/culture/on-television/how-to-get-to-heaven-from-belfast-is-an-ode-to-middle-aged-friendship">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__699e2a4aa32bc8a7187afec4/"><time class="dt-published published" datetime="2026-03-02T11:00:00.000Z">03-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/on-television/how-to-get-to-heaven-from-belfast-is-an-ode-to-middle-aged-friendship"/>
    <summary>“How to Get to Heaven from Belfast” Is an Ode to Middle-Aged Friendship - The series, from the creator of “Derry Girls,” focusses on a group of Irish women investigating a death. But it feels less like a murder mystery and more like a buddy comedy.</summary>
    <category term="Culture"/>
    <category term="On Television"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__69a25d2816fb0c6f49e658fb/</id>
    <title>认识这位用幼儿牙牙学语创作音乐的爸爸——史蒂芬·斯宾塞是大学音乐讲师，但他的副业是制作三岁儿子创作的歌曲。《苹果小凳子》能成为年度最佳唱片吗？</title>
    <updated>2026-03-02T11:15:14.153Z</updated>
    <published>2026-03-02T11:15:14.153Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a22ac0678d64cbc9ac4b81/master/pass/r48743.png" alt="media.newyorker.com image"></div><div>Meet the Dad Making Music from Toddler Twaddle - Stephen Spencer is a college music lecturer, but his side gig is producing songs written by his three-year-old. “Apple The Stoola,” Record of the Year? (<a href="https://www.newyorker.com/magazine/2026/03/09/meet-the-dad-making-music-from-toddler-twaddle">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__69a25d2816fb0c6f49e658fb/"><time class="dt-published published" datetime="2026-03-02T11:00:00.000Z">03-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/09/meet-the-dad-making-music-from-toddler-twaddle"/>
    <summary>Meet the Dad Making Music from Toddler Twaddle - Stephen Spencer is a college music lecturer, but his side gig is producing songs written by his three-year-old. “Apple The Stoola,” Record of the Year?</summary>
    <category term="Magazine"/>
    <category term="Innocence Dept."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__699f03b9d709b54a117c4536/</id>
    <title>越狱者——纳什维尔一名刑事司法活动家犯下令人费解的罪行。</title>
    <updated>2026-03-02T11:15:14.149Z</updated>
    <published>2026-03-02T11:15:14.149Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a06f4a134d1e033041edb0/master/pass/r48491.jpg" alt="media.newyorker.com image"></div><div>The Man Who Broke Into Jail - In Nashville, a criminal-justice activist commits a baffling crime. (<a href="https://www.newyorker.com/magazine/2026/03/09/alexander-friedmann-profile-prison-reform">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__699f03b9d709b54a117c4536/"><time class="dt-published published" datetime="2026-03-02T11:00:00.000Z">03-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/09/alexander-friedmann-profile-prison-reform"/>
    <summary>The Man Who Broke Into Jail - In Nashville, a criminal-justice activist commits a baffling crime.</summary>
    <category term="Magazine"/>
    <category term="Letter from Tennessee"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__69a25d1c368ab3d85d9664c2/</id>
    <title>贾法·帕纳西走出阴影——这位《只是个意外》的导演在奥斯卡颁奖礼后返回伊朗将面临逮捕。但眼下，他正物色一副新墨镜。</title>
    <updated>2026-03-02T11:15:14.146Z</updated>
    <published>2026-03-02T11:15:14.146Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a22abd368ab3d85d966222/master/pass/r48740.png" alt="media.newyorker.com image"></div><div>Jafar Panahi Steps Out of the Shadows - The director of “It Was Just an Accident” will face arrest upon his return to Iran after the Oscars. But for now he’s looking for a new pair of shades. (<a href="https://www.newyorker.com/magazine/2026/03/09/jafar-panahi-steps-out-of-the-shadows">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__69a25d1c368ab3d85d9664c2/"><time class="dt-published published" datetime="2026-03-02T11:00:00.000Z">03-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/09/jafar-panahi-steps-out-of-the-shadows"/>
    <summary>Jafar Panahi Steps Out of the Shadows - The director of “It Was Just an Accident” will face arrest upon his return to Iran after the Oscars. But for now he’s looking for a new pair of shades.</summary>
    <category term="Magazine"/>
    <category term="Dept. of Stealth"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__699f03c42e09775a45b9f1ff/</id>
    <title>系好安全带，迎接更颠簸的天空——随着气候变化，飞行环境正变得愈发颠簸。当今的飞机还能保障我们的安全吗？</title>
    <updated>2026-03-02T11:15:14.142Z</updated>
    <published>2026-03-02T11:15:14.142Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699de373656ca2394c1a2b6a/master/pass/r48489.jpg" alt="media.newyorker.com image"></div><div>Buckle Up for Bumpier Skies - With climate change, the skies are becoming more turbulent. Can today’s planes still keep us safe? (<a href="https://www.newyorker.com/magazine/2026/03/09/buckle-up-for-bumpier-skies">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__699f03c42e09775a45b9f1ff/"><time class="dt-published published" datetime="2026-03-02T11:00:00.000Z">03-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/09/buckle-up-for-bumpier-skies"/>
    <summary>Buckle Up for Bumpier Skies - With climate change, the skies are becoming more turbulent. Can today’s planes still keep us safe?</summary>
    <category term="Magazine"/>
    <category term="A Reporter Aloft"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__699e2cabbdf1e4bd5b08c258/</id>
    <title>卡迪尔·尼尔森的《寒意》——努力保持温暖。</title>
    <updated>2026-03-02T11:15:14.138Z</updated>
    <published>2026-03-02T11:15:14.138Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699f39d6aec2c851e0c25838/master/pass/CoverStory-web_box_kadir_coldchill.jpg" alt="media.newyorker.com image"></div><div>Kadir Nelson’s “Cold Chill” - Trying to stay warm. (<a href="https://www.newyorker.com/culture/cover-story/cover-story-2026-03-09">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__699e2cabbdf1e4bd5b08c258/"><time class="dt-published published" datetime="2026-03-02T11:00:00.000Z">03-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/cover-story/cover-story-2026-03-09"/>
    <summary>Kadir Nelson’s “Cold Chill” - Trying to stay warm.</summary>
    <category term="Culture"/>
    <category term="Cover Story"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__699f03d44d69701402fa1f14/</id>
    <title>欧仁·阿杰的时空史诗——美国摄影学会展出的这位法国艺术家作品，展现了他如何赋予摄影以独特性。</title>
    <updated>2026-03-02T11:15:14.135Z</updated>
    <published>2026-03-02T11:15:14.135Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a092400c72ae7197eee0a4/master/pass/r48648_rd.png" alt="media.newyorker.com image"></div><div>Eugène Atget’s Epic Record of Time and Place - An exhibit of the French artist’s work at the I.C.P. shows how he taught photography to be specific. (<a href="https://www.newyorker.com/magazine/2026/03/09/eugene-atgets-epic-record-of-time-and-place">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__699f03d44d69701402fa1f14/"><time class="dt-published published" datetime="2026-03-02T11:00:00.000Z">03-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/09/eugene-atgets-epic-record-of-time-and-place"/>
    <summary>Eugène Atget’s Epic Record of Time and Place - An exhibit of the French artist’s work at the I.C.P. shows how he taught photography to be specific.</summary>
    <category term="Magazine"/>
    <category term="The Art World"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__699de62bbdf1e4bd5b08be13/</id>
    <title>简评书评——《战争中的战争》《好莱坞末代王者》《改造》与《纯朴之心》</title>
    <updated>2026-03-02T11:15:14.131Z</updated>
    <published>2026-03-02T11:15:14.131Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699cca131d0ba2c09c28f949/master/pass/r48692.jpg" alt="media.newyorker.com image"></div><div>Briefly Noted Book Reviews - “The War Within a War,” “The Last Kings of Hollywood,” “The Renovation,” and “Simple Heart.” (<a href="https://www.newyorker.com/magazine/2026/03/09/the-war-within-a-war-the-last-kings-of-hollywood-the-renovation-simple-heart">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__699de62bbdf1e4bd5b08be13/"><time class="dt-published published" datetime="2026-03-02T11:00:00.000Z">03-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/09/the-war-within-a-war-the-last-kings-of-hollywood-the-renovation-simple-heart"/>
    <summary>Briefly Noted Book Reviews - “The War Within a War,” “The Last Kings of Hollywood,” “The Renovation,” and “Simple Heart.”</summary>
    <category term="Magazine"/>
    <category term="Books"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__699f03ccdfc091bdbd4f5c3a/</id>
    <title>解锁女性高潮的性学家——五十年前，一位名叫谢尔·海特的争议作家教会我们如何谈论性与愉悦，其著作销量突破千万册。为何如今鲜有人知晓她的名字？</title>
    <updated>2026-03-02T11:15:14.128Z</updated>
    <published>2026-03-02T11:15:14.128Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a06f4b559a820da712e390/master/pass/r48644.jpg" alt="media.newyorker.com image"></div><div>The Sexologist Who Unlocked the Female Orgasm - Fifty years ago, a controversial writer named Shere Hite taught us how to talk about sex and pleasure, selling books by the millions. Why do so few people know her name today? (<a href="https://www.newyorker.com/magazine/2026/03/09/shere-hite-and-the-hite-report-rosa-campbell-book-review">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__699f03ccdfc091bdbd4f5c3a/"><time class="dt-published published" datetime="2026-03-02T11:00:00.000Z">03-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/09/shere-hite-and-the-hite-report-rosa-campbell-book-review"/>
    <summary>The Sexologist Who Unlocked the Female Orgasm - Fifty years ago, a controversial writer named Shere Hite taught us how to talk about sex and pleasure, selling books by the millions. Why do so few people know her name today?</summary>
    <category term="Magazine"/>
    <category term="A Critic at Large"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__699f03b1d1fff487053dd966/</id>
    <title>丑闻、抗议、滑稽与盛况——美国建国二百五十周年庆典今年正值美国建国二百五十周年。而两百年前的建国周年庆典，可谓波折不断。</title>
    <updated>2026-03-02T11:15:14.124Z</updated>
    <published>2026-03-02T11:15:14.124Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a06f4c06119a155b3b023c/master/pass/r48356.jpg" alt="media.newyorker.com image"></div><div>Scandal, Protest, Goofiness, and Grandeur at the U.S. Bicentennial - This year marks the two-hundred-and-fiftieth anniversary of the nation’s founding. The two hundredth wasn’t exactly smooth sailing. (<a href="https://www.newyorker.com/magazine/2026/03/09/scandal-protest-goofiness-and-grandeur-at-the-us-bicentennial">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__699f03b1d1fff487053dd966/"><time class="dt-published published" datetime="2026-03-02T11:00:00.000Z">03-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/09/scandal-protest-goofiness-and-grandeur-at-the-us-bicentennial"/>
    <summary>Scandal, Protest, Goofiness, and Grandeur at the U.S. Bicentennial - This year marks the two-hundred-and-fiftieth anniversary of the nation’s founding. The two hundredth wasn’t exactly smooth sailing.</summary>
    <category term="Magazine"/>
    <category term="American Chronicles"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__699f03c84d69701402fa1f10/</id>
    <title>《“我或许不在此处”》，蕾切尔·伊莱莎·格里菲斯 - “我们正在结婚 / 且感觉像婚姻，我们的生活在欢笑中滑行。”</title>
    <updated>2026-03-02T11:15:14.120Z</updated>
    <published>2026-03-02T11:15:14.120Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/5d484cadad738a0008f2bf9a/master/pass/hp-poetryspots4.jpg" alt="media.newyorker.com image"></div><div>“‘I Might Not Be Here,’” by Rachel Eliza Griffiths - “We were being married / &amp; it felt like marriage, our lives gliding in laughter.” (<a href="https://www.newyorker.com/magazine/2026/03/09/i-might-not-be-here-rachel-eliza-griffiths-poem">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__699f03c84d69701402fa1f10/"><time class="dt-published published" datetime="2026-03-02T11:00:00.000Z">03-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/09/i-might-not-be-here-rachel-eliza-griffiths-poem"/>
    <summary>“‘I Might Not Be Here,’” by Rachel Eliza Griffiths - “We were being married / &amp;amp; it felt like marriage, our lives gliding in laughter.”</summary>
    <category term="Magazine"/>
    <category term="Poems"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__69a20a50c522dd94efd18e50/</id>
    <title>人工智能能成为劳动者的帮手吗？——随着对大规模失业的担忧日益加剧，三位顶尖经济学家提出若干政策建议，旨在将关注点从岗位替代转向岗位提升。</title>
    <updated>2026-03-02T11:15:14.117Z</updated>
    <published>2026-03-02T11:15:14.117Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a2173a678d64cbc9ac4add/master/pass/Cassidy_AI_GettyImages-2204928658.jpg" alt="media.newyorker.com image"></div><div>Can A.I. Be Pro-Worker? - As fears of mass unemployment grow, three leading economists advocate some policies to shift the focus from job displacement to job enhancement. (<a href="https://www.newyorker.com/news/the-financial-page/can-ai-be-pro-worker">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__69a20a50c522dd94efd18e50/"><time class="dt-published published" datetime="2026-03-02T11:00:00.000Z">03-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-financial-page/can-ai-be-pro-worker"/>
    <summary>Can A.I. Be Pro-Worker? - As fears of mass unemployment grow, three leading economists advocate some policies to shift the focus from job displacement to job enhancement.</summary>
    <category term="News"/>
    <category term="The Financial Page"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__699f03b5cffb84b663b37981/</id>
    <title>树屋与输油管道——在应对气候变化的斗争中，有时你必须孤注一掷。</title>
    <updated>2026-03-02T11:15:14.113Z</updated>
    <published>2026-03-02T11:15:14.113Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a084b61171b78a60db5dd2/master/pass/r48647_rd.jpg" alt="media.newyorker.com image"></div><div>The Tree House and the Oil Pipeline - In the fight against climate change, sometimes you have to go out on a limb. (<a href="https://www.newyorker.com/magazine/2026/03/09/the-tree-house-and-the-oil-pipeline">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__699f03b5cffb84b663b37981/"><time class="dt-published published" datetime="2026-03-02T11:00:00.000Z">03-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/09/the-tree-house-and-the-oil-pipeline"/>
    <summary>The Tree House and the Oil Pipeline - In the fight against climate change, sometimes you have to go out on a limb.</summary>
    <category term="Magazine"/>
    <category term="The Control of Nature"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__69a25d31b0d87868c8b952c7/</id>
    <title>《High Times》再起航——这本大麻杂志于2024年停刊。如今，Raw卷烟纸的创始人正让它重新焕发光芒。</title>
    <updated>2026-03-02T11:15:14.110Z</updated>
    <published>2026-03-02T11:15:14.110Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a22abbb2a82d1ceb59c970/master/pass/r48745.png" alt="media.newyorker.com image"></div><div>High Times, Flying Once More - The stoner magazine stopped publishing in 2024. Now the founder of Raw Rolling Papers is lighting it up again. (<a href="https://www.newyorker.com/magazine/2026/03/09/high-times-flying-once-more">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__69a25d31b0d87868c8b952c7/"><time class="dt-published published" datetime="2026-03-02T11:00:00.000Z">03-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/09/high-times-flying-once-more"/>
    <summary>High Times, Flying Once More - The stoner magazine stopped publishing in 2024. Now the founder of Raw Rolling Papers is lighting it up again.</summary>
    <category term="Magazine"/>
    <category term="The Wayward Press"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__699dea53599a70348c4bf60c/</id>
    <title>现代病症——“持续咳嗽”、“治疗性耳鸣”，还有，哦，对了，“小儿麻痹症”：罗伯特·肯尼迪小时代常见的病症。</title>
    <updated>2026-03-02T11:15:14.106Z</updated>
    <published>2026-03-02T11:15:14.106Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699de73b29a0c59456d1f307/master/pass/r48678.png" alt="media.newyorker.com image"></div><div>The Modern Conditions - “Keeping Cough,” “Theraphonia,” and, oh, yes, “polio”: common ailments in the age of R.F.K., Jr. (<a href="https://www.newyorker.com/magazine/2026/03/09/the-modern-conditions">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__699dea53599a70348c4bf60c/"><time class="dt-published published" datetime="2026-03-02T11:00:00.000Z">03-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/09/the-modern-conditions"/>
    <summary>The Modern Conditions - “Keeping Cough,” “Theraphonia,” and, oh, yes, “polio”: common ailments in the age of R.F.K., Jr.</summary>
    <category term="Magazine"/>
    <category term="Shouts &amp; Murmurs"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__699f8431f8230c4b60b8e060/</id>
    <title>每日漫画：3月2日星期一——一幅以最新新闻和事件为灵感创作的漫画。</title>
    <updated>2026-03-02T11:15:14.102Z</updated>
    <published>2026-03-02T11:15:14.102Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/cartoons/699f83ae8e44fb4bdec46749/master/pass/A61776.jpg" alt="media.newyorker.com image"></div><div>Daily Cartoon: Monday, March 2nd - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/monday-march-2nd-wind-chill">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__699f8431f8230c4b60b8e060/"><time class="dt-published published" datetime="2026-03-02T11:00:00.000Z">03-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/monday-march-2nd-wind-chill"/>
    <summary>Daily Cartoon: Monday, March 2nd - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__69a1bdf4a1a3b52d049422c1/</id>
    <title>《行业》第四季震撼结局——雅丝敏在HBO剧集中的虚无主义轨迹跌至恐怖低谷。</title>
    <updated>2026-03-02T02:29:02.754Z</updated>
    <published>2026-03-02T02:29:02.754Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a1f7640c72ae7197eeeb41/master/pass/Kang-marisa-abela_3.jpg" alt="media.newyorker.com image"></div><div>The Shocking Season 4 Finale of “Industry” - Yasmin’s nihilistic trajectory on the HBO show arrives at a horrific low point. (<a href="https://www.newyorker.com/culture/on-television/the-shocking-season-4-finale-of-industry">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/10/en_newyorker_2026_03_02__69a1bdf4a1a3b52d049422c1/"><time class="dt-published published" datetime="2026-03-02T02:00:00.000Z">03-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/on-television/the-shocking-season-4-finale-of-industry"/>
    <summary>The Shocking Season 4 Finale of “Industry” - Yasmin’s nihilistic trajectory on the HBO show arrives at a horrific low point.</summary>
    <category term="Culture"/>
    <category term="On Television"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_03_01__69a46f23e32846470c32d1c8/</id>
    <title>哈梅内伊对伊朗的意义及其未来走向——这位统治伊斯兰共和国近四十年的最高领袖已被以色列和美国击毙。失去他的政权能否存续？</title>
    <updated>2026-03-01T22:44:59.725Z</updated>
    <published>2026-03-01T22:44:59.725Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a49a011d2e33eb13d67fed/master/pass/Wright-h_16440136.jpg" alt="media.newyorker.com image"></div><div>What Ayatollah Ali Khamenei Meant to Iran, and What Comes Next - The Supreme Leader, who ruled the Islamic Republic for nearly four decades, has been killed by Israel and the United States. Can the regime survive without him? (<a href="https://www.newyorker.com/news/the-lede/what-ayatollah-ali-khamenei-meant-to-iran-and-what-comes-next">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_03_01__69a46f23e32846470c32d1c8/"><time class="dt-published published" datetime="2026-03-01T22:22:54.000Z">03-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/what-ayatollah-ali-khamenei-meant-to-iran-and-what-comes-next"/>
    <summary>What Ayatollah Ali Khamenei Meant to Iran, and What Comes Next - The Supreme Leader, who ruled the Islamic Republic for nearly four decades, has been killed by Israel and the United States. Can the regime survive without him?</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_03_01__69a4547a99c1b3a65495032e/</id>
    <title>特朗普是否深思过伊朗局势的终局？——该国最高领袖阿亚图拉·阿里·哈梅内伊虽遭美以空袭身亡，但冲突远未结束，中东地区已陷入国家间暴力冲突的剧烈震颤之中。</title>
    <updated>2026-03-01T17:25:00.705Z</updated>
    <published>2026-03-01T17:25:00.705Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a4548e99c1b3a654950333/master/pass/Tharoor-GettyImages-2264183936.jpg" alt="media.newyorker.com image"></div><div>Has Trump Thought Through the Endgame in Iran? - The country’s Supreme Leader, Ayatollah Ali Khamenei, was killed by U.S. and Israeli strikes, but the conflict is far from over, and has convulsed the Middle East in a spasm of interstate violence. (<a href="https://www.newyorker.com/news/the-lede/has-trump-thought-through-the-endgame-in-iran">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_03_01__69a4547a99c1b3a65495032e/"><time class="dt-published published" datetime="2026-03-01T17:13:26.000Z">03-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/has-trump-thought-through-the-endgame-in-iran"/>
    <summary>Has Trump Thought Through the Endgame in Iran? - The country’s Supreme Leader, Ayatollah Ali Khamenei, was killed by U.S. and Israeli strikes, but the conflict is far from over, and has convulsed the Middle East in a spasm of interstate violence.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_03_01__699de64029a0c59456d1f302/</id>
    <title>《平静的海与艰难的旅程》，李翊云 -孩子们两个两个地走入森林，神情庄重，风灯摇曳，光影时隐时现。</title>
    <updated>2026-03-01T11:17:49.952Z</updated>
    <published>2026-03-01T11:17:49.952Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699f1cf2a32bc8a7187b0163/master/pass/r48636.jpg" alt="media.newyorker.com image"></div><div>“Calm Sea and Hard Faring,” by Yiyun Li - The children, two by two, walked into the woods solemnly, the hurricane lamp swinging, the light vanishing and then returning. (<a href="https://www.newyorker.com/magazine/2026/03/09/calm-sea-and-hard-faring-fiction-yiyun-li">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_03_01__699de64029a0c59456d1f302/"><time class="dt-published published" datetime="2026-03-01T11:00:00.000Z">03-01</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/09/calm-sea-and-hard-faring-fiction-yiyun-li"/>
    <summary>“Calm Sea and Hard Faring,” by Yiyun Li - The children, two by two, walked into the woods solemnly, the hurricane lamp swinging, the light vanishing and then returning.</summary>
    <category term="Magazine"/>
    <category term="Fiction"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_03_01__69a0666fa3c3405219138cee/</id>
    <title>李翊云谈《两次发生的故事》——作者探讨其作品《平静的海与艰难的航程》</title>
    <updated>2026-03-01T11:17:49.948Z</updated>
    <published>2026-03-01T11:17:49.948Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a062afcffb84b663b3823e/master/pass/TNY_This_Week_In_Fiction_Yiyun-Li.jpg" alt="media.newyorker.com image"></div><div>Yiyun Li on Stories That Happen Twice - The author discusses her story “Calm Sea and Hard Faring.” (<a href="https://www.newyorker.com/books/this-week-in-fiction/yiyun-li-on-stories-that-happen-twice">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_03_01__69a0666fa3c3405219138cee/"><time class="dt-published published" datetime="2026-03-01T11:00:00.000Z">03-01</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/this-week-in-fiction/yiyun-li-on-stories-that-happen-twice"/>
    <summary>Yiyun Li on Stories That Happen Twice - The author discusses her story “Calm Sea and Hard Faring.”</summary>
    <category term="Books"/>
    <category term="This Week in Fiction"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_03_01__699794607e7a6d3845ed389d/</id>
    <title>李翊云朗读《平静的海与艰难的航程》——作者朗读其发表于2026年3月9日杂志的短篇小说。</title>
    <updated>2026-03-01T11:17:49.945Z</updated>
    <published>2026-03-01T11:17:49.945Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699de82b29a0c59456d1f30d/master/pass/TNY_Writers_Voice_Template_Yiyun-Li.jpg" alt="media.newyorker.com image"></div><div>Yiyun Li Reads “Calm Sea and Hard Faring” - The author reads her story from the March 9, 2026, issue of the magazine. (<a href="https://www.newyorker.com/podcast/the-writers-voice/yiyun-li-reads-calm-sea-and-hard-faring">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_03_01__699794607e7a6d3845ed389d/"><time class="dt-published published" datetime="2026-03-01T11:00:00.000Z">03-01</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/the-writers-voice/yiyun-li-reads-calm-sea-and-hard-faring"/>
    <summary>Yiyun Li Reads “Calm Sea and Hard Faring” - The author reads her story from the March 9, 2026, issue of the magazine.</summary>
    <category term="Podcast"/>
    <category term="The Writer’s Voice"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_03_01__699d2dde3d0551a44abaed70/</id>
    <title>丹尼尔·穆恩丁阅读彼得·泰勒作品——作者与黛博拉·特雷斯曼共同朗读并探讨发表于1963年《纽约客》的《两位朝圣者》。</title>
    <updated>2026-03-01T11:17:49.941Z</updated>
    <published>2026-03-01T11:17:49.941Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699f2d78dfc091bdbd4f5fc6/master/pass/FICTION-PODCAST-Daniyal-Mueenuddin-Credit-Chris-Blonk----Nov.-17,-25.jpg" alt="media.newyorker.com image"></div><div>Daniyal Mueenuddin Reads Peter Taylor - The author joins Deborah Treisman to read and discuss “Two Pilgrims,” which was published in The New Yorker in 1963. (<a href="https://www.newyorker.com/podcast/fiction/daniyal-mueenuddin-reads-peter-taylor">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_03_01__699d2dde3d0551a44abaed70/"><time class="dt-published published" datetime="2026-03-01T11:00:00.000Z">03-01</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/fiction/daniyal-mueenuddin-reads-peter-taylor"/>
    <summary>Daniyal Mueenuddin Reads Peter Taylor - The author joins Deborah Treisman to read and discuss “Two Pilgrims,” which was published in The New Yorker in 1963.</summary>
    <category term="Podcast"/>
    <category term="Fiction Podcast"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_03_01__69a1e41b8d457191e708994d/</id>
    <title>梅赫迪·马哈茂迪安亲历伊朗监狱体系内幕——这位活动家兼奥斯卡提名影片《只是个意外》的联合编剧，讲述了他亲眼目睹并亲身经历的虐待行径、美伊战争，以及影片背后的真实故事。</title>
    <updated>2026-03-01T11:17:49.937Z</updated>
    <published>2026-03-01T11:17:49.937Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a2fb40d0dca8115fe0badd/master/pass/TNY_Mahmoudian_FINAL.jpg" alt="media.newyorker.com image"></div><div>What Mehdi Mahmoudian Saw Inside the Iranian Prison System - The activist and Oscar-nominated co-writer of “It Was Just an Accident” speaks about the abuses he’s witnessed and endured, war between the U.S. and Iran, and the true stories behind the film. (<a href="https://www.newyorker.com/news/the-new-yorker-interview/what-mehdi-mahmoudian-saw-inside-the-iranian-prison-system">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_03_01__69a1e41b8d457191e708994d/"><time class="dt-published published" datetime="2026-03-01T11:00:00.000Z">03-01</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-new-yorker-interview/what-mehdi-mahmoudian-saw-inside-the-iranian-prison-system"/>
    <summary>What Mehdi Mahmoudian Saw Inside the Iranian Prison System - The activist and Oscar-nominated co-writer of “It Was Just an Accident” speaks about the abuses he’s witnessed and endured, war between the U.S. and Iran, and the true stories behind the film.</summary>
    <category term="News"/>
    <category term="The New Yorker Interview"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_03_01__69a2392bd0dca8115fe0b527/</id>
    <title>民主党能团结一致吗？——围绕2028年初选日程的争斗，是关于该党未来走向及寻找最佳候选人这场更广泛斗争的若干代理战场之一。</title>
    <updated>2026-03-01T11:17:49.933Z</updated>
    <published>2026-03-01T11:17:49.933Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a22abc6e57d3dad938a6a9/master/pass/r48735.png" alt="media.newyorker.com image"></div><div>Can the Democrats Get It Together? - The fight over the 2028 primary calendar is one of several proxies for a broader battle about the future of the Party—and the search for the best nominee. (<a href="https://www.newyorker.com/magazine/2026/03/09/can-the-democrats-get-it-together">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_03_01__69a2392bd0dca8115fe0b527/"><time class="dt-published published" datetime="2026-03-01T11:00:00.000Z">03-01</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/09/can-the-democrats-get-it-together"/>
    <summary>Can the Democrats Get It Together? - The fight over the 2028 primary calendar is one of several proxies for a broader battle about the future of the Party—and the search for the best nominee.</summary>
    <category term="Magazine"/>
    <category term="Comment"/>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_03_01__699df368fb3d36e3961dca02/</id>
    <title>餐厅评论：金牛餐厅——这家餐厅尝试了从赌城拉斯维加斯逆向迁徙至纽约的罕见之举。</title>
    <updated>2026-03-01T11:17:49.929Z</updated>
    <published>2026-03-01T11:17:49.929Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a0711b4d0f71437bcf40cd/master/pass/Food-Scene-Golden-Steer-Dolly-Faibyshev-1144.jpg" alt="media.newyorker.com image"></div><div>Restaurant Review: The Golden Steer - The Golden Steer has attempted a rare reverse migration from Sin City to the Big Apple. (<a href="https://www.newyorker.com/culture/the-food-scene/a-las-vegas-steak-house-tries-its-luck-in-new-york">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_03_01__699df368fb3d36e3961dca02/"><time class="dt-published published" datetime="2026-03-01T11:00:00.000Z">03-01</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-food-scene/a-las-vegas-steak-house-tries-its-luck-in-new-york"/>
    <summary>Restaurant Review: The Golden Steer - The Golden Steer has attempted a rare reverse migration from Sin City to the Big Apple.</summary>
    <category term="Culture"/>
    <category term="The Food Scene"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_28__69a32422c522dd94efd19283/</id>
    <title>唐纳德·特朗普对伊朗发动"史诗级怒火"战争——美国和以色列已点燃推翻伊朗伊斯兰共和国的战火，却鲜少考虑战后局势。</title>
    <updated>2026-02-28T20:29:06.465Z</updated>
    <published>2026-02-28T20:29:06.465Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a3236fd2868c6e34eb8311/master/pass/Chotiner_Iran_2026-02-28T151206Z_632956939_RC22VJAPDUBG_RTRMADP_3_IRAN-CRISIS-USA.jpg" alt="media.newyorker.com image"></div><div>Donald Trump Launches a War of “Epic Fury” on Iran - The U.S. and Israel have ignited a campaign to topple the Islamic Republic—with little thought to what comes after. (<a href="https://www.newyorker.com/news/the-lede/donald-trump-launches-a-war-of-epic-fury-on-iran">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_28__69a32422c522dd94efd19283/"><time class="dt-published published" datetime="2026-02-28T20:08:27.000Z">03-01</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/donald-trump-launches-a-war-of-epic-fury-on-iran"/>
    <summary>Donald Trump Launches a War of “Epic Fury” on Iran - The U.S. and Israel have ignited a campaign to topple the Islamic Republic—with little thought to what comes after.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_28__69a324528d457191e708a4e1/</id>
    <title>特朗普鲁莽决定推动伊朗政权更迭——以及民主党若未能强烈反对其战争将面临的风险</title>
    <updated>2026-02-28T19:57:11.173Z</updated>
    <published>2026-02-28T19:57:11.173Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a32371e1b8a824e85b8631/master/pass/Wright_Iran_AP26059240652017.jpg" alt="media.newyorker.com image"></div><div>Trump’s Reckless Decision to Pursue Regime Change in Iran - And the risks Democrats face if they fail to strongly oppose his war. (<a href="https://www.newyorker.com/news/q-and-a/trumps-reckless-decision-to-pursue-regime-change-in-iran">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_28__69a324528d457191e708a4e1/"><time class="dt-published published" datetime="2026-02-28T19:36:54.000Z">03-01</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/q-and-a/trumps-reckless-decision-to-pursue-regime-change-in-iran"/>
    <summary>Trump’s Reckless Decision to Pursue Regime Change in Iran - And the risks Democrats face if they fail to strongly oppose his war.</summary>
    <category term="News"/>
    <category term="Q. &amp; A."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_28__69a25d119652c6b9a867b585/</id>
    <title>最新一名哥伦比亚大学学生遭移民局拘留——埃尔米娜（艾莉）·阿加耶娃于周四从其大学公寓被带走，距离马哈茂德·哈利勒事件已近一年。社区如何应对？</title>
    <updated>2026-02-28T11:09:28.274Z</updated>
    <published>2026-02-28T11:09:28.274Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a22aba16fb0c6f49e6582b/master/pass/r48755.png" alt="media.newyorker.com image"></div><div>The Latest Columbia Student Detained by ICE - Elmina (Ellie) Aghayeva was taken from her university apartment on Thursday, almost one year after Mahmoud Khalil. How is the community coping? (<a href="https://www.newyorker.com/magazine/2026/03/09/the-latest-columbia-student-detained-by-ice">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_28__69a25d119652c6b9a867b585/"><time class="dt-published published" datetime="2026-02-28T11:00:00.000Z">02-28</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/09/the-latest-columbia-student-detained-by-ice"/>
    <summary>The Latest Columbia Student Detained by ICE - Elmina (Ellie) Aghayeva was taken from her university apartment on Thursday, almost one year after Mahmoud Khalil. How is the community coping?</summary>
    <category term="Magazine"/>
    <category term="“Police” Dept."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_28__69a1e410559a820da712eb5c/</id>
    <title>英国电影学院奖与自由派娱乐界的虚伪说教——BBC耗费资源对颁奖典礼转播进行政治阉割，这些资源本应用于保护脆弱的嘉宾。</title>
    <updated>2026-02-28T11:09:28.270Z</updated>
    <published>2026-02-28T11:09:28.270Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a20aecb2a82d1ceb59c42e/master/pass/StFelix-GettyImages-2263039592.jpg" alt="media.newyorker.com image"></div><div>The BAFTAs, and the Sloppy Pieties of Liberal Entertainment - The BBC spent resources politically castrating its awards-show broadcast that would have been better spent protecting vulnerable guests. (<a href="https://www.newyorker.com/culture/critics-notebook/the-baftas-and-the-sloppy-pieties-of-liberal-entertainment">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_28__69a1e410559a820da712eb5c/"><time class="dt-published published" datetime="2026-02-28T11:00:00.000Z">02-28</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/critics-notebook/the-baftas-and-the-sloppy-pieties-of-liberal-entertainment"/>
    <summary>The BAFTAs, and the Sloppy Pieties of Liberal Entertainment - The BBC spent resources politically castrating its awards-show broadcast that would have been better spent protecting vulnerable guests.</summary>
    <category term="Culture"/>
    <category term="Critic’s Notebook"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_28__699e18a3dfc091bdbd4f5adf/</id>
    <title>高功率激光器如何成为特朗普边境安防体系的重要组成部分——国会围绕移民执法措施的拨款之争虽已落幕，但特朗普政府仍在南部边境投入前所未有的巨额资金采购军用级装备。</title>
    <updated>2026-02-28T11:09:28.267Z</updated>
    <published>2026-02-28T11:09:28.267Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a0b3d7f8230c4b60b8e485/master/pass/border_patrol.jpg" alt="media.newyorker.com image"></div><div>How High-Powered Lasers Became Part of Donald Trump’s Border-Security Complex - The funding debate in Congress is over immigration-enforcement practices, but the Administration is still spending unprecedented sums on military-grade equipment at the southern border. (<a href="https://www.newyorker.com/news/the-lede/how-high-powered-lasers-became-part-of-donald-trumps-border-security-complex">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_28__699e18a3dfc091bdbd4f5adf/"><time class="dt-published published" datetime="2026-02-28T11:00:00.000Z">02-28</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/how-high-powered-lasers-became-part-of-donald-trumps-border-security-complex"/>
    <summary>How High-Powered Lasers Became Part of Donald Trump’s Border-Security Complex - The funding debate in Congress is over immigration-enforcement practices, but the Administration is still spending unprecedented sums on military-grade equipment at the southern border.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_28__699cd97be99f400e59de9e55/</id>
    <title>伊斯兰国在叙利亚崛起的真实故事——反抗阿萨德的起义带来了突如其来的自由，但也滋生了犯罪与不平等。伊斯兰国趁机崛起。</title>
    <updated>2026-02-28T11:09:28.263Z</updated>
    <published>2026-02-28T11:09:28.263Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a1e7e21b695e5a0dea7bb5/master/pass/GOPAL---DAYS-OF-LOVE-AND-RAGE-manbij-2016-01058.jpg" alt="media.newyorker.com image"></div><div>The True Story of ISIS’s Rise in Syria - The rebellion against Assad led to sudden freedom, but also to crime and inequality. The Islamic State took advantage. (<a href="https://www.newyorker.com/news/the-weekend-essay/the-true-story-of-isiss-rise-in-syria">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_28__699cd97be99f400e59de9e55/"><time class="dt-published published" datetime="2026-02-28T11:00:00.000Z">02-28</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-weekend-essay/the-true-story-of-isiss-rise-in-syria"/>
    <summary>The True Story of ISIS’s Rise in Syria - The rebellion against Assad led to sudden freedom, but also to crime and inequality. The Islamic State took advantage.</summary>
    <category term="News"/>
    <category term="The Weekend Essay"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_28__69a23571d0dca8115fe0b512/</id>
    <title>斯蒂芬·弗拉德克称关税裁决引发“全民过度反应”——最高法院是否真在制约特朗普权力？</title>
    <updated>2026-02-28T05:17:22.030Z</updated>
    <published>2026-02-28T05:17:22.030Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/65496ea9e960b0ea67668dc7/master/pass/The%20Political%20Scene%20B%20Glasser%20Mayer%20Osnos%20From%20Washington.jpg" alt="media.newyorker.com image"></div><div>“Everyone is Overreacting” on the Tariff Ruling, Stephen Vladeck Says - Is the Supreme Court really checking Trump’s power? (<a href="https://www.newyorker.com/podcast/political-scene/everyone-is-overreacting-on-the-tariff-ruling-stephen-vladeck-says">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_28__69a23571d0dca8115fe0b512/"><time class="dt-published published" datetime="2026-02-28T04:59:00.000Z">02-28</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/political-scene/everyone-is-overreacting-on-the-tariff-ruling-stephen-vladeck-says"/>
    <summary>“Everyone is Overreacting” on the Tariff Ruling, Stephen Vladeck Says - Is the Supreme Court really checking Trump’s power?</summary>
    <category term="Podcast"/>
    <category term="The Political Scene Podcast"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_27__69a1abc4d0dca8115fe0ab63/</id>
    <title>埃里森传媒帝国再度扩张——在阻挠奈飞收购华纳兄弟后，派拉蒙与天空舞影业即将掌控多家主流新闻机构。</title>
    <updated>2026-02-27T22:39:23.954Z</updated>
    <published>2026-02-27T22:39:23.954Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a1d1370aa08fe164406588/master/pass/Allsop_Merger_GettyImages-2261716704.jpg" alt="media.newyorker.com image"></div><div>The Ellison Media Empire Grows Again - After torpedoing Netflix’s bid to buy Warner Bros., Paramount Skydance is poised to have multiple major news organizations under its control. (<a href="https://www.newyorker.com/news/the-lede/the-ellison-media-empire-grows-again">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_27__69a1abc4d0dca8115fe0ab63/"><time class="dt-published published" datetime="2026-02-27T22:24:37.000Z">02-28</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/the-ellison-media-empire-grows-again"/>
    <summary>The Ellison Media Empire Grows Again - After torpedoing Netflix’s bid to buy Warner Bros., Paramount Skydance is poised to have multiple major news organizations under its control.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_27__699f43e2d8f8bb35de7376ae/</id>
    <title>等待战争甚至期盼战争的伊朗人——与美国开战对伊朗而言将是灾难性的。但部分伊朗人认为，这或许是推翻政权的唯一途径。</title>
    <updated>2026-02-27T19:27:26.745Z</updated>
    <published>2026-02-27T19:27:26.745Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/master/pass/Radio-Hour-Secondary-Segment.png" alt="media.newyorker.com image"></div><div>The Iranians Waiting, and Even Hoping, for War - A war with the U.S. would be catastrophic for Iran. But some Iranians believe it may be the only way to topple the regime. (<a href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/the-iranians-waiting-and-even-hoping-for-war">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_27__699f43e2d8f8bb35de7376ae/"><time class="dt-published published" datetime="2026-02-27T19:00:00.000Z">02-28</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/the-iranians-waiting-and-even-hoping-for-war"/>
    <summary>The Iranians Waiting, and Even Hoping, for War - A war with the U.S. would be catastrophic for Iran. But some Iranians believe it may be the only way to topple the regime.</summary>
    <category term="Podcast"/>
    <category term="The New Yorker Radio Hour"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_27__699f42b8d1fff487053ddc16/</id>
    <title>与伊朗开战可能出现哪些变数——外交政策分析师卡里姆·萨贾德普尔解析美国再度推动伊朗政权更迭的潜在影响</title>
    <updated>2026-02-27T19:27:26.741Z</updated>
    <published>2026-02-27T19:27:26.741Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a1bbf9411793b0cb357ec9/master/pass/RADIO_HOUR_AttackOnIran_FINAL_2026_02_26.jpg" alt="media.newyorker.com image"></div><div>What Could Go Wrong, or Right, in a War with Iran - The foreign-policy analyst Karim Sadjadpour on what it would mean for the United States to pursue regime change in Iran, once again. (<a href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/what-could-go-wrong-or-right-in-a-war-with-iran">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_27__699f42b8d1fff487053ddc16/"><time class="dt-published published" datetime="2026-02-27T19:00:00.000Z">02-28</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/what-could-go-wrong-or-right-in-a-war-with-iran"/>
    <summary>What Could Go Wrong, or Right, in a War with Iran - The foreign-policy analyst Karim Sadjadpour on what it would mean for the United States to pursue regime change in Iran, once again.</summary>
    <category term="Podcast"/>
    <category term="The New Yorker Radio Hour"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_27__699f3f904576c7d364ebef83/</id>
    <title>失败的"金融兄弟"在HBO《行业》中找到成功——该金融剧的创作者米基·唐与康拉德·凯解析"金融兄弟"对资本主义魅力的误解。</title>
    <updated>2026-02-27T19:27:26.737Z</updated>
    <published>2026-02-27T19:27:26.737Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/master/pass/Radio-Hour-Secondary-Segment.png" alt="media.newyorker.com image"></div><div>Failed “Finance Bros” Find Success with HBO’s “Industry” - Mickey Down and Konrad Kay, the creators of the financial drama, explain what “finance bros” misunderstand about capitalism’s allure. (<a href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/failed-finance-bros-find-success-with-hbos-industry">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_27__699f3f904576c7d364ebef83/"><time class="dt-published published" datetime="2026-02-27T19:00:00.000Z">02-28</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/failed-finance-bros-find-success-with-hbos-industry"/>
    <summary>Failed “Finance Bros” Find Success with HBO’s “Industry” - Mickey Down and Konrad Kay, the creators of the financial drama, explain what “finance bros” misunderstand about capitalism’s allure.</summary>
    <category term="Podcast"/>
    <category term="The New Yorker Radio Hour"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_27__699e188ed709b54a117c40d0/</id>
    <title>Mitski的新专辑是一首关于孤立的暗黑颂歌——在《Nothing''s About to Happen to Me》中，一位隐居女子直面门外世界的冷漠无情。</title>
    <updated>2026-02-27T18:55:31.932Z</updated>
    <published>2026-02-27T18:55:31.932Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a0b92f0c72ae7197eee2af/master/pass/Hanif_Mitski_Look2_DU8A3638-Edit_c_LexieAlley.jpg" alt="media.newyorker.com image"></div><div>Mitski’s New Album Is a Dark Ode to Isolation - On “Nothing’s About to Happen to Me,” a reclusive woman confronts the inhospitality of the world beyond her door. (<a href="https://www.newyorker.com/culture/pop-music/mitskis-new-album-is-a-dark-ode-to-isolation">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_27__699e188ed709b54a117c40d0/"><time class="dt-published published" datetime="2026-02-27T18:34:12.000Z">02-28</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/pop-music/mitskis-new-album-is-a-dark-ode-to-isolation"/>
    <summary>Mitski’s New Album Is a Dark Ode to Isolation - On “Nothing’s About to Happen to Me,” a reclusive woman confronts the inhospitality of the world beyond her door.</summary>
    <category term="Culture"/>
    <category term="Pop Music"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_27__699f03de63e8b437d0aed8af/</id>
    <title>两部新纪录片被令人不安的自然奇观所笼罩——詹弗兰科·罗西的《庞贝：云层之下》与维尔纳·赫尔佐格的《幽灵象》呈现出一个环境剧变的世界，既惊心动魄又令人忧心忡忡。</title>
    <updated>2026-02-27T11:27:43.980Z</updated>
    <published>2026-02-27T11:27:43.980Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a084b60aa08fe164405cf2/master/pass/r48677_rd.jpg" alt="media.newyorker.com image"></div><div>Two New Documentaries Are Haunted by Unsettling Natural Wonders - Gianfranco Rosi’s “Pompei: Below the Clouds” and Werner Herzog’s “Ghost Elephants” offer thrilling but troubled visions of a world in environmental flux. (<a href="https://www.newyorker.com/magazine/2026/03/09/pompei-below-the-clouds-movie-review-ghost-elephants">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_27__699f03de63e8b437d0aed8af/"><time class="dt-published published" datetime="2026-02-27T11:00:00.000Z">02-27</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/09/pompei-below-the-clouds-movie-review-ghost-elephants"/>
    <summary>Two New Documentaries Are Haunted by Unsettling Natural Wonders - Gianfranco Rosi’s “Pompei: Below the Clouds” and Werner Herzog’s “Ghost Elephants” offer thrilling but troubled visions of a world in environmental flux.</summary>
    <category term="Magazine"/>
    <category term="The Current Cinema"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_27__69a07b554d69701402fa236a/</id>
    <title>春季文化预览——本季必看必听必体验戏剧、电影、电视、艺术、舞蹈、古典与当代音乐领域的新动向</title>
    <updated>2026-02-27T11:27:43.976Z</updated>
    <published>2026-02-27T11:27:43.976Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699f73abc6b5d3d87ce71445/master/pass/image25.jpeg" alt="media.newyorker.com image"></div><div>Spring Culture Previews—What to Do, See, and Hear This Season - What’s new in theatre, movies, television, art, dance, classical, and contemporary music. (<a href="https://www.newyorker.com/culture/goings-on/spring-culture-preview-2026">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_27__69a07b554d69701402fa236a/"><time class="dt-published published" datetime="2026-02-27T11:00:00.000Z">02-27</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/goings-on/spring-culture-preview-2026"/>
    <summary>Spring Culture Previews—What to Do, See, and Hear This Season - What’s new in theatre, movies, television, art, dance, classical, and contemporary music.</summary>
    <category term="Culture"/>
    <category term="Goings On"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_27__699f80cf4576c7d364ebf2b4/</id>
    <title>每日漫画：2月27日星期五——一幅以最新新闻和事件为灵感创作的漫画。</title>
    <updated>2026-02-27T11:27:43.973Z</updated>
    <published>2026-02-27T11:27:43.973Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/cartoons/699f7d9fc6b5d3d87ce71476/master/pass/A61702.jpg" alt="media.newyorker.com image"></div><div>Daily Cartoon: Friday, February 27th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/friday-february-27th-six-seven">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_27__699f80cf4576c7d364ebf2b4/"><time class="dt-published published" datetime="2026-02-27T11:00:00.000Z">02-27</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/friday-february-27th-six-seven"/>
    <summary>Daily Cartoon: Friday, February 27th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_27__6998c27a70e0942017cddd75/</id>
    <title>《那自然对你说什么》：别见父母——韩国导演洪尚秀在女子男友与她家人的偶然相遇中，挖掘出戏剧张力与哲思洞见。</title>
    <updated>2026-02-27T11:27:43.969Z</updated>
    <published>2026-02-27T11:27:43.969Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699dd8250d01ac82e5ddff55/master/pass/5-Kang-Soyi_Ha-Seongguk_Cho-Yunhee_Kwon-Haehyo.jpg" alt="media.newyorker.com image"></div><div>“What Does That Nature Say to You”: Don’t Meet the Parents - The South Korean director Hong Sangsoo finds high drama and philosophical insights in the chance encounter of a woman’s boyfriend with her family. (<a href="https://www.newyorker.com/culture/the-front-row/what-does-that-nature-say-to-you-dont-meet-the-parents">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_27__6998c27a70e0942017cddd75/"><time class="dt-published published" datetime="2026-02-27T11:00:00.000Z">02-27</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-front-row/what-does-that-nature-say-to-you-dont-meet-the-parents"/>
    <summary>“What Does That Nature Say to You”: Don’t Meet the Parents - The South Korean director Hong Sangsoo finds high drama and philosophical insights in the chance encounter of a woman’s boyfriend with her family.</summary>
    <category term="Culture"/>
    <category term="The Front Row"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_27__6998745836bad7ecb34837aa/</id>
    <title>为美国生日奉上右翼非营利组织的AI垃圾——普拉格大学，这个犹太-基督教教育娱乐的源泉，如今已成为特朗普政府"公民教育"运动的核心合作伙伴。</title>
    <updated>2026-02-27T11:27:43.965Z</updated>
    <published>2026-02-27T11:27:43.965Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69a0ae5ca1a3b52d04941a83/master/pass/Prager_Final%20(2).jpg" alt="media.newyorker.com image"></div><div>The Right-Wing Nonprofit Serving A.I. Slop for America’s Birthday - PragerU, a fount of Judeo-Christian edutainment, is now a key partner in the Trump Administration’s “civic education” campaign. (<a href="https://www.newyorker.com/news/the-lede/the-right-wing-nonprofit-serving-ai-slop-for-americas-birthday">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_27__6998745836bad7ecb34837aa/"><time class="dt-published published" datetime="2026-02-27T11:00:00.000Z">02-27</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/the-right-wing-nonprofit-serving-ai-slop-for-americas-birthday"/>
    <summary>The Right-Wing Nonprofit Serving A.I. Slop for America’s Birthday - PragerU, a fount of Judeo-Christian edutainment, is now a key partner in the Trump Administration’s “civic education” campaign.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_26__699f1414dfc091bdbd4f5ded/</id>
    <title>《呼啸山庄》（小说）永恒的挑衅——埃默拉尔德·芬奈尔的时代错位改编引发轩然大波，但艾米莉·勃朗特那部冷酷无情的文本终将拥有最终话语权。</title>
    <updated>2026-02-26T16:03:47.513Z</updated>
    <published>2026-02-26T16:03:47.513Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699f7cbcf8230c4b60b8e050/master/pass/Jones_WutheringHeights_BAL_11714076.jpg" alt="media.newyorker.com image"></div><div>The Timeless Provocations of “Wuthering Heights” (the Novel) - A great fuss surrounds Emerald Fennell’s anachronistic adaptation, but Emily Brontë’s ruthless text will always have the last word. (<a href="https://www.newyorker.com/books/page-turner/the-timeless-provocations-of-wuthering-heights-the-novel">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_26__699f1414dfc091bdbd4f5ded/"><time class="dt-published published" datetime="2026-02-26T15:39:17.000Z">02-26</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/page-turner/the-timeless-provocations-of-wuthering-heights-the-novel"/>
    <summary>The Timeless Provocations of “Wuthering Heights” (the Novel) - A great fuss surrounds Emerald Fennell’s anachronistic adaptation, but Emily Brontë’s ruthless text will always have the last word.</summary>
    <category term="Books"/>
    <category term="Page-Turner"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_26__699e1862dfc091bdbd4f5adb/</id>
    <title>美洲原住民奴役的隐秘历史——持续数世纪的原住民奴隶制曾有诸多称谓。一项新的公共历史项目旨在让我们正视其真实面目。</title>
    <updated>2026-02-26T11:23:19.131Z</updated>
    <published>2026-02-26T11:23:19.131Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699f4a898e44fb4bdec463fa/master/pass/The%20New%20Yorker%20Navive%20American%20Slavery.jpg" alt="media.newyorker.com image"></div><div>The Hidden History of Native American Enslavement - Indigenous slavery, which lasted for centuries, has gone by many names. A new public history project wants us to see it for what it was. (<a href="https://www.newyorker.com/books/page-turner/the-hidden-history-of-native-american-enslavement">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_26__699e1862dfc091bdbd4f5adb/"><time class="dt-published published" datetime="2026-02-26T11:00:00.000Z">02-26</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/page-turner/the-hidden-history-of-native-american-enslavement"/>
    <summary>The Hidden History of Native American Enslavement - Indigenous slavery, which lasted for centuries, has gone by many names. A new public history project wants us to see it for what it was.</summary>
    <category term="Books"/>
    <category term="Page-Turner"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_26__699f03dbb19e92ffab66af29/</id>
    <title>《仇恨电台》摒弃剧本——一部关于卢旺达大屠杀的震撼戏剧，为揭示黑暗真相而大胆突破常规。</title>
    <updated>2026-02-26T11:23:19.127Z</updated>
    <published>2026-02-26T11:23:19.127Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699f1cf2041478c91ee3351a/master/pass/r48625.jpg" alt="media.newyorker.com image"></div><div>“Hate Radio” Chucks the Transcript - A jolting play about the Rwandan genocide takes liberties in order to capture dark truths. (<a href="https://www.newyorker.com/magazine/2026/03/09/hate-radio-theatre-review">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_26__699f03dbb19e92ffab66af29/"><time class="dt-published published" datetime="2026-02-26T11:00:00.000Z">02-26</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/09/hate-radio-theatre-review"/>
    <summary>“Hate Radio” Chucks the Transcript - A jolting play about the Rwandan genocide takes liberties in order to capture dark truths.</summary>
    <category term="Magazine"/>
    <category term="The Theatre"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_26__699d260c30e1ed4149931205/</id>
    <title>你真正该关注的媒体合并案——一桩低调的、获得特朗普背书的交易，可能催生出掌控四十余州地方新闻台的广播巨头。为何部分"让美国再次伟大"的铁杆支持者对此持反对态度？</title>
    <updated>2026-02-26T11:23:19.124Z</updated>
    <published>2026-02-26T11:23:19.124Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699f471f0dbe9b47ab2990dc/master/pass/TheNewYorker_Feb26_A_rt_bleed.jpg" alt="media.newyorker.com image"></div><div>The Media Merger You Should Actually Care About - An under-the-radar, Trump-approved deal could create a broadcasting behemoth that controls local news stations across more than forty states. Why do some MAGA diehards oppose it? (<a href="https://www.newyorker.com/news/the-lede/the-media-merger-you-should-actually-care-about">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_26__699d260c30e1ed4149931205/"><time class="dt-published published" datetime="2026-02-26T11:00:00.000Z">02-26</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/the-media-merger-you-should-actually-care-about"/>
    <summary>The Media Merger You Should Actually Care About - An under-the-radar, Trump-approved deal could create a broadcasting behemoth that controls local news stations across more than forty states. Why do some MAGA diehards oppose it?</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_26__699f78d7977487405ac9aeba/</id>
    <title>每日漫画：2月26日星期四——一幅以最新新闻和事件为灵感创作的漫画。</title>
    <updated>2026-02-26T11:23:19.120Z</updated>
    <published>2026-02-26T11:23:19.120Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/cartoons/699f70bf2f804e2a9e1478f5/master/pass/A61701.jpg" alt="media.newyorker.com image"></div><div>Daily Cartoon: Thursday, February 26th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/thursday-february-26th-winter-burnout">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_26__699f78d7977487405ac9aeba/"><time class="dt-published published" datetime="2026-02-26T11:00:00.000Z">02-26</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/thursday-february-26th-winter-burnout"/>
    <summary>Daily Cartoon: Thursday, February 26th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_26__699f55590dbe9b47ab2992c0/</id>
    <title>《风暴之巅》及其余波——埃默拉尔德·芬内尔对这部经典作品的大胆诠释令观众既振奋又愤怒。改编作品究竟该对原作怀有怎样的敬意？</title>
    <updated>2026-02-26T11:23:19.117Z</updated>
    <published>2026-02-26T11:23:19.117Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/650b59e2f49b447c4924fa7b/master/pass/CAL-WEB.png" alt="media.newyorker.com image"></div><div>Critics at Large Live: “Wuthering Heights” and Its Afterlives - Emerald Fennell’s brazen take on the classic has both exhilarated and infuriated viewers. What does an adaptation owe to its source material? (<a href="https://www.newyorker.com/podcast/critics-at-large/critics-at-large-live-wuthering-heights-and-its-afterlives">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_26__699f55590dbe9b47ab2992c0/"><time class="dt-published published" datetime="2026-02-26T11:00:00.000Z">02-26</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/critics-at-large/critics-at-large-live-wuthering-heights-and-its-afterlives"/>
    <summary>Critics at Large Live: “Wuthering Heights” and Its Afterlives - Emerald Fennell’s brazen take on the classic has both exhilarated and infuriated viewers. What does an adaptation owe to its source material?</summary>
    <category term="Podcast"/>
    <category term="Critics at Large"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_26__699c63a3f9fc87e9a1495487/</id>
    <title>《鲸鱼俱乐部：终极学堂》——今年正值《白鲸》问世一百七十五周年，亦即半七百五十周年。（省去计算过程。）拥有一周七天每天不同的《白鲸》主题T恤，这样可以吗？</title>
    <updated>2026-02-26T11:23:19.112Z</updated>
    <published>2026-02-26T11:23:19.112Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699ddd1c201632a555d8e3a5/master/pass/Norris_MobyDickClub_GettyImages-588890781.jpg" alt="media.newyorker.com image"></div><div>Finishing School: The Moby-Dick Club - This year marks the hundred-and-seventy-fifth anniversary, or demisemiseptcentennial, of “Moby-Dick,” originally published in 1851. (Saving you the math.) Is it O.K. to have a “Moby-Dick” T-shirt for every day of the week? (<a href="https://www.newyorker.com/humor/shouts-murmurs/finishing-school-the-moby-dick-club">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_26__699c63a3f9fc87e9a1495487/"><time class="dt-published published" datetime="2026-02-26T11:00:00.000Z">02-26</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shouts-murmurs/finishing-school-the-moby-dick-club"/>
    <summary>Finishing School: The Moby-Dick Club - This year marks the hundred-and-seventy-fifth anniversary, or demisemiseptcentennial, of “Moby-Dick,” originally published in 1851. (Saving you the math.) Is it O.K. to have a “Moby-Dick” T-shirt for every day of the week?</summary>
    <category term="Humor"/>
    <category term="Shouts &amp; Murmurs"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_26__699f5303a3c3405219138954/</id>
    <title>《爱泼斯坦档案》如何迫使人们直面权力——数千份文件的公开非但未能带来终结，反而加剧了人们的恐惧：真相或许永远无法完全揭示，而机构也无法被指望来提供真相。</title>
    <updated>2026-02-26T04:42:38.812Z</updated>
    <published>2026-02-26T04:42:38.812Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/master/pass/The%20Political%20Scene%20In%20Conversation.jpg" alt="media.newyorker.com image"></div><div>How the Epstein Files Are Forcing a Reckoning with Power - Instead of providing closure, the release of thousands of documents has intensified the fear that the full truth may be unknowable—and that institutions cannot be relied on to provide it. (<a href="https://www.newyorker.com/podcast/political-scene/how-the-epstein-files-are-forcing-a-reckoning-with-power">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_26__699f5303a3c3405219138954/"><time class="dt-published published" datetime="2026-02-26T04:30:00.000Z">02-26</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/political-scene/how-the-epstein-files-are-forcing-a-reckoning-with-power"/>
    <summary>How the Epstein Files Are Forcing a Reckoning with Power - Instead of providing closure, the release of thousands of documents has intensified the fear that the full truth may be unknowable—and that institutions cannot be relied on to provide it.</summary>
    <category term="Podcast"/>
    <category term="The Political Scene Podcast"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_26__699f8366041478c91ee3392c/</id>
    <title>卡什·帕特尔抑制不住内心的激动——胜利的喜悦如此美妙。</title>
    <updated>2026-02-26T00:43:19.782Z</updated>
    <published>2026-02-26T00:43:19.782Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699f83c4cffb84b663b381a3/master/pass/2026_02_25_blitt_kash%20final2.jpg" alt="media.newyorker.com image"></div><div>Kash Patel Can’t Contain Himself - So much winning to enjoy. (<a href="https://www.newyorker.com/cartoons/blitts-kvetchbook/kash-patel-cant-contain-himself">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_26__699f8366041478c91ee3392c/"><time class="dt-published published" datetime="2026-02-26T00:22:34.000Z">02-26</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/blitts-kvetchbook/kash-patel-cant-contain-himself"/>
    <summary>Kash Patel Can’t Contain Himself - So much winning to enjoy.</summary>
    <category term="Cartoons"/>
    <category term="Blitt’s Kvetchbook"/>
    <category term="Culture"/>
    <category term="Culture Desk"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_25__699dfd9956d81e2f9624677d/</id>
    <title>迈克尔·波伦如何拓展意识——作者探讨了几部影响其新作《世界显现》的著作。</title>
    <updated>2026-02-25T21:15:20.259Z</updated>
    <published>2026-02-25T21:15:20.259Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6851c4bc2e50bf4f03899837/master/pass/BookCurrents_SocialSite.jpg" alt="media.newyorker.com image"></div><div>How Michael Pollan Expanded His Consciousness - The writer discusses a few of the works that influenced his new book, “A World Appears.” (<a href="https://www.newyorker.com/books/book-currents/how-michael-pollan-expanded-his-consciousness">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_25__699dfd9956d81e2f9624677d/"><time class="dt-published published" datetime="2026-02-25T21:00:00.000Z">02-26</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/book-currents/how-michael-pollan-expanded-his-consciousness"/>
    <summary>How Michael Pollan Expanded His Consciousness - The writer discusses a few of the works that influenced his new book, “A World Appears.”</summary>
    <category term="Books"/>
    <category term="Book Currents"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_25__69979019e966cd6ed131ef52/</id>
    <title>阿德里安·马泰卡朗读C·D·赖特作品——诗人与凯文·杨共同朗读并探讨C·D·赖特的《对抗侵袭的灰暗》，以及马泰卡本人的诗作《近在咫尺的家》。</title>
    <updated>2026-02-25T18:35:48.602Z</updated>
    <published>2026-02-25T18:35:48.602Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699cb80c4393157c66afe827/master/pass/Adrian-Matejka-Poetry-podcast.jpg" alt="media.newyorker.com image"></div><div>Adrian Matejka Reads C. D. Wright - The poet joins Kevin Young to read and discuss “Against the Encroaching Grays,” by C. D. Wright, and his own poem “Almost Home.” (<a href="https://www.newyorker.com/podcast/poetry/adrian-matejka-reads-cd-wright">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_25__69979019e966cd6ed131ef52/"><time class="dt-published published" datetime="2026-02-25T18:00:00.000Z">02-26</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/poetry/adrian-matejka-reads-cd-wright"/>
    <summary>Adrian Matejka Reads C. D. Wright - The poet joins Kevin Young to read and discuss “Against the Encroaching Grays,” by C. D. Wright, and his own poem “Almost Home.”</summary>
    <category term="Podcast"/>
    <category term="Poetry Podcast"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_25__699f0ee49e96b61454ae591c/</id>
    <title>每日漫画：2月25日星期三——一幅以最新新闻和事件为灵感创作的漫画。</title>
    <updated>2026-02-25T15:55:50.897Z</updated>
    <published>2026-02-25T15:55:50.897Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/cartoons/699f0ecb0dbe9b47ab299098/master/pass/A61775.jpg" alt="media.newyorker.com image"></div><div>Daily Cartoon: Wednesday, February 25th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/wednesday-february-25th-what-did-he-do">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_25__699f0ee49e96b61454ae591c/"><time class="dt-published published" datetime="2026-02-25T15:34:01.000Z">02-25</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/wednesday-february-25th-what-did-he-do"/>
    <summary>Daily Cartoon: Wednesday, February 25th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_25__699ee3d5bd5b85653842ecd0/</id>
    <title>唐纳德·特朗普的国情咨文冗长且错误百出——但至少总统本人认为一切进展顺利。</title>
    <updated>2026-02-25T14:51:48.175Z</updated>
    <published>2026-02-25T14:51:48.175Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699eec3abd5b85653842ecd5/master/pass/Glasser_SOTU_AP26056109755823.jpg" alt="media.newyorker.com image"></div><div>Donald Trump’s State of the Union Was Long and Wrong - But at least the President thinks everything is going great. (<a href="https://www.newyorker.com/news/letter-from-trumps-washington/donald-trumps-state-of-the-union-was-long-and-wrong">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_25__699ee3d5bd5b85653842ecd0/"><time class="dt-published published" datetime="2026-02-25T14:19:26.000Z">02-25</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/letter-from-trumps-washington/donald-trumps-state-of-the-union-was-long-and-wrong"/>
    <summary>Donald Trump’s State of the Union Was Long and Wrong - But at least the President thinks everything is going great.</summary>
    <category term="News"/>
    <category term="Letter from Trump’s Washington"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_25__6998a47bfcee519105ae9cf8/</id>
    <title>我们究竟何时才算真正长大成人？——科学家们从生物学、社会学和时间维度定义了人生阶段，但这些定义都未能完全捕捉成长的真谛。</title>
    <updated>2026-02-25T11:07:36.268Z</updated>
    <published>2026-02-25T11:07:36.268Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699e1651a85d0c103d3e096d/master/pass/Final_GraceJKim_edit.jpg" alt="media.newyorker.com image"></div><div>When Do We Become Adults, Really? - Scientists define the stages of life in biological, societal, and chronological terms—but none of them quite capture what it’s like to grow up. (<a href="https://www.newyorker.com/culture/annals-of-inquiry/when-do-we-become-adults-really">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_25__6998a47bfcee519105ae9cf8/"><time class="dt-published published" datetime="2026-02-25T11:00:00.000Z">02-25</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/annals-of-inquiry/when-do-we-become-adults-really"/>
    <summary>When Do We Become Adults, Really? - Scientists define the stages of life in biological, societal, and chronological terms—but none of them quite capture what it’s like to grow up.</summary>
    <category term="Culture"/>
    <category term="Annals of Inquiry"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_25__69976d377e7a6d3845ed3524/</id>
    <title>“TBPN”与科技友好型脱口秀的崛起——硅谷对主流媒体日益不满。两位科技圈内人决定打造属于自己的版本。</title>
    <updated>2026-02-25T11:07:36.264Z</updated>
    <published>2026-02-25T11:07:36.264Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699d05e330e1ed41499311db/master/pass/NY_TBPN_final_v09_pw.jpg" alt="media.newyorker.com image"></div><div>“TBPN” and the Rise of the Tech-Friendly Talk Show - Silicon Valley had grown to resent the mainstream media. Two tech insiders decided to build their own version of it. (<a href="https://www.newyorker.com/culture/the-lede/tbpn-and-the-rise-of-the-tech-friendly-talk-show">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_25__69976d377e7a6d3845ed3524/"><time class="dt-published published" datetime="2026-02-25T11:00:00.000Z">02-25</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-lede/tbpn-and-the-rise-of-the-tech-friendly-talk-show"/>
    <summary>“TBPN” and the Rise of the Tech-Friendly Talk Show - Silicon Valley had grown to resent the mainstream media. Two tech insiders decided to build their own version of it.</summary>
    <category term="Culture"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_25__69713b9c5583fcb02382ea36/</id>
    <title>挚友的背叛：虚假证词的代价——在审讯者的压力下，一名少年协助将三位好友送进监狱，罪名竟是谋杀。他该如何弥补这份过错？</title>
    <updated>2026-02-25T11:07:36.261Z</updated>
    <published>2026-02-25T11:07:36.261Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699deadabd5b85653842ea5c/master/pass/Nash%20buffalo%20five%20(1).jpg" alt="media.newyorker.com image"></div><div>The Betrayal of a Friend’s False Testimony - Under pressure from interrogators, a teen-ager helped send three of his friends to prison for murder. How could he ever make amends? (<a href="https://www.newyorker.com/news/american-chronicles/the-betrayal-of-a-friends-false-testimony">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_25__69713b9c5583fcb02382ea36/"><time class="dt-published published" datetime="2026-02-25T11:00:00.000Z">02-25</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/american-chronicles/the-betrayal-of-a-friends-false-testimony"/>
    <summary>The Betrayal of a Friend’s False Testimony - Under pressure from interrogators, a teen-ager helped send three of his friends to prison for murder. How could he ever make amends?</summary>
    <category term="News"/>
    <category term="American Chronicles"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_25__6998e57f0e87f249b9df0616/</id>
    <title>何为性感之物？——一部关于另类亚文化的纪实作品，揭示了“偏离常轨的欲望”如何既能超越凡俗，又可全然平凡。</title>
    <updated>2026-02-25T11:07:36.257Z</updated>
    <published>2026-02-25T11:07:36.257Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699e12c4fb3d36e3961dcbd5/master/pass/kink_final_new.png" alt="media.newyorker.com image"></div><div>What Makes an Object Sexy? - A book of reportage on kinky subcultures describes how “deviant desire” can be transcendent —and completely mundane. (<a href="https://www.newyorker.com/books/under-review/what-makes-an-object-sexy">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_25__6998e57f0e87f249b9df0616/"><time class="dt-published published" datetime="2026-02-25T11:00:00.000Z">02-25</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/under-review/what-makes-an-object-sexy"/>
    <summary>What Makes an Object Sexy? - A book of reportage on kinky subcultures describes how “deviant desire” can be transcendent —and completely mundane.</summary>
    <category term="Books"/>
    <category term="Under Review"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_25__699cd42e55739042d5ce5e1e/</id>
    <title>非职业演员是电影的灵魂——今年奥斯卡奖的热门候选人中，多位以独特个性与多元成就著称的表演者为影片注入了鲜活活力。</title>
    <updated>2026-02-25T00:45:46.264Z</updated>
    <published>2026-02-25T00:45:46.264Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699ddf5a0868d66557ef17c7/master/pass/Brody-rev-1-GCH209A_117659_High_Res_JPEG.jpg" alt="media.newyorker.com image"></div><div>Nonprofessional Actors Are the Heart of the Movies - This year’s leading Oscar contenders are invigorated by performers notable for their personalities and wider-world accomplishments. (<a href="https://www.newyorker.com/culture/the-front-row/nonprofessional-actors-are-the-heart-of-the-movies">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_25__699cd42e55739042d5ce5e1e/"><time class="dt-published published" datetime="2026-02-25T00:34:44.000Z">02-25</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-front-row/nonprofessional-actors-are-the-heart-of-the-movies"/>
    <summary>Nonprofessional Actors Are the Heart of the Movies - This year’s leading Oscar contenders are invigorated by performers notable for their personalities and wider-world accomplishments.</summary>
    <category term="Culture"/>
    <category term="The Front Row"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_24__699c72ebbedc5b9659359425/</id>
    <title>俄军家属借助谷歌地图寻找失踪士兵——自俄罗斯全面入侵乌克兰四年来，约有百万俄军士兵伤亡。家属们往往无法获知亲人下落，如今正将最后的希望寄托于数字化追踪平台。</title>
    <updated>2026-02-24T18:23:32.778Z</updated>
    <published>2026-02-24T18:23:32.778Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699cb9bf4b4ff6822f208a34/master/pass/FF_02.jpg" alt="media.newyorker.com image"></div><div>The Russians Turning to Google Maps In Search of Missing Soldiers - Around a million Russian soldiers have been killed or wounded since Russia’s full-scale invasion of Ukraine began, four years ago. Family members, who often aren’t informed of their loved ones’ fates, have been relying on a digital place of last resort. (<a href="https://www.newyorker.com/news/the-lede/the-russians-turning-to-google-maps-in-search-of-missing-soldiers">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_24__699c72ebbedc5b9659359425/"><time class="dt-published published" datetime="2026-02-24T17:55:47.000Z">02-25</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/the-russians-turning-to-google-maps-in-search-of-missing-soldiers"/>
    <summary>The Russians Turning to Google Maps In Search of Missing Soldiers - Around a million Russian soldiers have been killed or wounded since Russia’s full-scale invasion of Ukraine began, four years ago. Family members, who often aren’t informed of their loved ones’ fates, have been relying on a digital place of last resort.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_24__699dbdba4b7a33083966a70e/</id>
    <title>每日漫画：2月24日星期二——一幅以最新新闻和事件为灵感创作的漫画。</title>
    <updated>2026-02-24T15:43:39.732Z</updated>
    <published>2026-02-24T15:43:39.732Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/cartoons/699dbdaccaeec06f24a3e9fd/master/pass/A61774.jpg" alt="media.newyorker.com image"></div><div>Daily Cartoon: Tuesday, February 24th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/tuesday-february-24th-friggin-mind">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_24__699dbdba4b7a33083966a70e/"><time class="dt-published published" datetime="2026-02-24T15:19:00.000Z">02-24</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/tuesday-february-24th-friggin-mind"/>
    <summary>Daily Cartoon: Tuesday, February 24th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_24__69962901f0d9cefb657b150d/</id>
    <title>我们是否正生活在杰弗里·爱泼斯坦的时代？——这场丑闻表明，我们曾经认为的所有可怕之事都是真实的。</title>
    <updated>2026-02-24T11:12:21.620Z</updated>
    <published>2026-02-24T11:12:21.620Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699cb6cad28f4c1e848c2cfa/master/pass/OpenQuestions_Epstein_final-4.png" alt="media.newyorker.com image"></div><div>Are We Living in the Age of Jeffrey Epstein? - The scandal suggests that everything awful we’ve ever believed is true. (<a href="https://www.newyorker.com/culture/open-questions/are-we-living-in-the-age-of-epstein">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_24__69962901f0d9cefb657b150d/"><time class="dt-published published" datetime="2026-02-24T11:00:00.000Z">02-24</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/open-questions/are-we-living-in-the-age-of-epstein"/>
    <summary>Are We Living in the Age of Jeffrey Epstein? - The scandal suggests that everything awful we’ve ever believed is true.</summary>
    <category term="Culture"/>
    <category term="Open Questions"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_24__698ccea062157b9014ef9a7c/</id>
    <title>微塑料的更多藏身之处情绪低落：他们不禁注意到，网络讨论的整体氛围都充满负面情绪。</title>
    <updated>2026-02-24T11:12:21.616Z</updated>
    <published>2026-02-24T11:12:21.616Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69976c0d7e7a6d3845ed351c/master/pass/Redmond_Microplastics_GettyImages-2196800609.jpg" alt="media.newyorker.com image"></div><div>More Places Microplastics Can Be Found - In a funk: They couldn’t help but notice that the over-all vibe of the online chatter was negative. (<a href="https://www.newyorker.com/humor/shouts-murmurs/more-places-microplastics-can-be-found">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_24__698ccea062157b9014ef9a7c/"><time class="dt-published published" datetime="2026-02-24T11:00:00.000Z">02-24</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shouts-murmurs/more-places-microplastics-can-be-found"/>
    <summary>More Places Microplastics Can Be Found - In a funk: They couldn’t help but notice that the over-all vibe of the online chatter was negative.</summary>
    <category term="Humor"/>
    <category term="Shouts &amp; Murmurs"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__698b76992a72153117fd6690/</id>
    <title>《城中热话》专访——"世界上最有趣的男人"为《城中热话》评点创意。</title>
    <updated>2026-02-23T16:33:52.496Z</updated>
    <published>2026-02-23T16:33:52.496Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6998e665b37dc93dd2eb4fa6/master/pass/TOTT_3-ezgif.com-video-to-gif-converter.gif" alt="media.newyorker.com image"></div><div>A Visit with The Talk of the Town - The Most Interesting Man in the World judges ideas for The Talk of the Town. (<a href="https://www.newyorker.com/humor/shorts-and-murmurs/a-visit-with-the-talk-of-the-town">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__698b76992a72153117fd6690/"><time class="dt-published published" datetime="2026-02-23T16:13:07.000Z">02-24</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shorts-and-murmurs/a-visit-with-the-talk-of-the-town"/>
    <summary>A Visit with The Talk of the Town - The Most Interesting Man in the World judges ideas for The Talk of the Town.</summary>
    <category term="Humor"/>
    <category term="Shorts &amp; Murmurs"/>
    <category term="Shouts &amp; Murmurs"/>
    <category term="Culture"/>
    <category term="Video Dept."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__698b697fdba336df0ace3414/</id>
    <title>纽约最时髦狗狗竞艳——泽弗·麦克唐纳带您探访年度"南瓜犬"服装大赛，并采访参赛的奇趣狗狗们。</title>
    <updated>2026-02-23T16:33:52.492Z</updated>
    <published>2026-02-23T16:33:52.492Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6998e5fd6bf67cc9c018bd20/master/pass/Dogshow_2-ezgif.com-video-to-gif-converter.gif" alt="media.newyorker.com image"></div><div>New York’s Best-Dressed Dogs Compete - Zeph McDonough takes a tour through the Annual Great PUPkin Dog Costume Contest, and talks to its quirky participants. (<a href="https://www.newyorker.com/humor/shorts-and-murmurs/new-yorks-best-dressed-dogs-compete">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__698b697fdba336df0ace3414/"><time class="dt-published published" datetime="2026-02-23T16:12:44.000Z">02-24</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shorts-and-murmurs/new-yorks-best-dressed-dogs-compete"/>
    <summary>New York’s Best-Dressed Dogs Compete - Zeph McDonough takes a tour through the Annual Great PUPkin Dog Costume Contest, and talks to its quirky participants.</summary>
    <category term="Humor"/>
    <category term="Shorts &amp; Murmurs"/>
    <category term="Shouts &amp; Murmurs"/>
    <category term="Culture"/>
    <category term="Video Dept."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__698b70b82a72153117fd6679/</id>
    <title>或许是与生俱来的天赋。或许是……某种其他特质——有些女人似乎拥有一切。她们为何能让一切显得如此轻松自如？</title>
    <updated>2026-02-23T16:33:52.489Z</updated>
    <published>2026-02-23T16:33:52.489Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6998e6206bf67cc9c018bd26/master/pass/BornWithIt_3-ezgif.com-video-to-gif-converter.gif" alt="media.newyorker.com image"></div><div>Maybe She’s Born With It. Maybe It’s . . . Something Else - Some women seem to have it all. How do they make it look so effortless? (<a href="https://www.newyorker.com/humor/shorts-and-murmurs/maybe-shes-born-with-it-maybe-its-something-else">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__698b70b82a72153117fd6679/"><time class="dt-published published" datetime="2026-02-23T16:12:30.000Z">02-24</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shorts-and-murmurs/maybe-shes-born-with-it-maybe-its-something-else"/>
    <summary>Maybe She’s Born With It. Maybe It’s . . . Something Else - Some women seem to have it all. How do they make it look so effortless?</summary>
    <category term="Humor"/>
    <category term="Shorts &amp; Murmurs"/>
    <category term="Shouts &amp; Murmurs"/>
    <category term="Culture"/>
    <category term="Video Dept."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__698b5cd3108d89889478fc75/</id>
    <title>我脑补男友前女友们此刻的模样——你伴侣的前任们总能钻进你的脑海，而她们可能正惬意地啜饮着几杯含羞草鸡尾酒。</title>
    <updated>2026-02-23T16:33:52.485Z</updated>
    <published>2026-02-23T16:33:52.485Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6998e56a70e0942017cde0fc/master/pass/Girlfriends_2-ezgif.com-video-to-gif-converter.gif" alt="media.newyorker.com image"></div><div>What I Imagine My Boyfriend’s Ex-Girlfriends Are Doing Right Now - Your partner’s exes can get inside your head—and they might just enjoy a few mimosas while they’re in there. (<a href="https://www.newyorker.com/humor/shorts-and-murmurs/what-i-imagine-my-boyfriends-ex-girlfriends-are-doing-right-now">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__698b5cd3108d89889478fc75/"><time class="dt-published published" datetime="2026-02-23T16:09:14.000Z">02-24</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shorts-and-murmurs/what-i-imagine-my-boyfriends-ex-girlfriends-are-doing-right-now"/>
    <summary>What I Imagine My Boyfriend’s Ex-Girlfriends Are Doing Right Now - Your partner’s exes can get inside your head—and they might just enjoy a few mimosas while they’re in there.</summary>
    <category term="Humor"/>
    <category term="Shorts &amp; Murmurs"/>
    <category term="Shouts &amp; Murmurs"/>
    <category term="Culture"/>
    <category term="Video Dept."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__698b5a63dba336df0ace33ff/</id>
    <title>卡通警示故事——爱德华·斯蒂德用动画演绎人生至关重要的教训。</title>
    <updated>2026-02-23T16:33:52.482Z</updated>
    <published>2026-02-23T16:33:52.482Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6998e4f51173e591eafa8e0a/master/pass/Cautionary_Tales_2-ezgif.com-video-to-gif-converter.gif" alt="media.newyorker.com image"></div><div>Cartoon Cautionary Tales - Edward Steed animates some of life’s most crucial lessons. (<a href="https://www.newyorker.com/humor/shorts-and-murmurs/cartoon-cautionary-tales">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__698b5a63dba336df0ace33ff/"><time class="dt-published published" datetime="2026-02-23T16:07:56.000Z">02-24</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shorts-and-murmurs/cartoon-cautionary-tales"/>
    <summary>Cartoon Cautionary Tales - Edward Steed animates some of life’s most crucial lessons.</summary>
    <category term="Humor"/>
    <category term="Shorts &amp; Murmurs"/>
    <category term="Shouts &amp; Murmurs"/>
    <category term="Culture"/>
    <category term="Video Dept."/>
  </entry>
  <entry>
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    <title>震撼登场：我们的虚拟现实应用——以为你懂阅读？再想想吧。试驾《纽约客》最新科技突破。</title>
    <updated>2026-02-23T16:33:52.478Z</updated>
    <published>2026-02-23T16:33:52.478Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6998e4232a8319ef0b993864/master/pass/VR_2-ezgif.com-video-to-gif-converter.gif" alt="media.newyorker.com image"></div><div>Introducing Our Mind-Blowing Virtual-Reality App - Think you know what reading is? Think again. Test-driving The New Yorker’s newest technological breakthrough. (<a href="https://www.newyorker.com/humor/shorts-and-murmurs/introducing-our-mind-blowing-virtual-reality-app">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__698b57e69b7d967c03171c85/"><time class="dt-published published" datetime="2026-02-23T16:07:22.000Z">02-24</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shorts-and-murmurs/introducing-our-mind-blowing-virtual-reality-app"/>
    <summary>Introducing Our Mind-Blowing Virtual-Reality App - Think you know what reading is? Think again. Test-driving The New Yorker’s newest technological breakthrough.</summary>
    <category term="Humor"/>
    <category term="Shorts &amp; Murmurs"/>
    <category term="Shouts &amp; Murmurs"/>
    <category term="Culture"/>
    <category term="Video Dept."/>
  </entry>
  <entry>
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    <title>《Wordle背后的狡黠之脑》——在这部喜剧短片中，新任Wordle制作人从旁观者失败的过程中获得了无穷乐趣。</title>
    <updated>2026-02-23T16:33:52.474Z</updated>
    <published>2026-02-23T16:33:52.474Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6998e2716bf67cc9c018bccd/master/pass/Wordle_1-ezgif.com-video-to-gif-converter.gif" alt="media.newyorker.com image"></div><div>The Devious Mind Behind Wordle - In this comedic short, the new Wordle producer derives immeasurable joy from watching people fail. (<a href="https://www.newyorker.com/humor/shorts-and-murmurs/the-devious-mind-behind-wordle">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__698b557376325a249f7ac3dd/"><time class="dt-published published" datetime="2026-02-23T16:06:43.000Z">02-24</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shorts-and-murmurs/the-devious-mind-behind-wordle"/>
    <summary>The Devious Mind Behind Wordle - In this comedic short, the new Wordle producer derives immeasurable joy from watching people fail.</summary>
    <category term="Humor"/>
    <category term="Shorts &amp; Murmurs"/>
    <category term="Culture"/>
    <category term="Video Dept."/>
    <category term="Shouts &amp; Murmurs"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__699c6a25d28f4c1e848c2af4/</id>
    <title>每日漫画：2月23日星期一——一幅以最新新闻和事件为灵感创作的漫画。</title>
    <updated>2026-02-23T15:45:49.316Z</updated>
    <published>2026-02-23T15:45:49.316Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/cartoons/699c6a19c174988c02f07d8a/master/pass/A61771.jpg" alt="media.newyorker.com image"></div><div>Daily Cartoon: Monday, February 23rd - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/monday-february-23rd-summer-clothes">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__699c6a25d28f4c1e848c2af4/"><time class="dt-published published" datetime="2026-02-23T15:24:12.000Z">02-23</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/monday-february-23rd-summer-clothes"/>
    <summary>Daily Cartoon: Monday, February 23rd - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__6995d7e47f0024cd8d14d522/</id>
    <title>《墓守者思及自身之死》，马修·谢诺达作——“纵使我从未言及法老之名我知他就在那里。”</title>
    <updated>2026-02-23T11:29:32.821Z</updated>
    <published>2026-02-23T11:29:32.821Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/5d484bf0773ec90008696e12/master/pass/hp-poetryspots2.jpg" alt="media.newyorker.com image"></div><div>“The Tomb Attendant Contemplates His Own Death,” by Matthew Shenoda - “Though I’ve never uttered the name pharaoh / I knew he was there.” (<a href="https://www.newyorker.com/magazine/2026/03/02/the-tomb-attendant-contemplates-his-own-death-matthew-shenoda-poem">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__6995d7e47f0024cd8d14d522/"><time class="dt-published published" datetime="2026-02-23T11:00:00.000Z">02-23</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/02/the-tomb-attendant-contemplates-his-own-death-matthew-shenoda-poem"/>
    <summary>“The Tomb Attendant Contemplates His Own Death,” by Matthew Shenoda - “Though I’ve never uttered the name pharaoh / I knew he was there.”</summary>
    <category term="Magazine"/>
    <category term="Poems"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__69988c7c9332eeaf22640f39/</id>
    <title>最高法院对特朗普关税的复杂裁决——共有七份独立意见书，甚至持相同观点的大法官们在某些方面也存在分歧。</title>
    <updated>2026-02-23T11:29:32.817Z</updated>
    <published>2026-02-23T11:29:32.817Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6998cca336f9510558839bb8/master/pass/Sorkin-GettyImages-2262691792.jpg" alt="media.newyorker.com image"></div><div>The Supreme Court’s Complicated Takedown of Trump’s Tariffs - There are seven separate opinions—and even the Justices who agree with one another are in some ways at odds. (<a href="https://www.newyorker.com/news/the-lede/the-supreme-courts-complicated-takedown-of-trumps-tariffs">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__69988c7c9332eeaf22640f39/"><time class="dt-published published" datetime="2026-02-23T11:00:00.000Z">02-23</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/the-supreme-courts-complicated-takedown-of-trumps-tariffs"/>
    <summary>The Supreme Court’s Complicated Takedown of Trump’s Tariffs - There are seven separate opinions—and even the Justices who agree with one another are in some ways at odds.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__6995d83ef0d9cefb657b116d/</id>
    <title>《沃尔特·本雅明：珍珠潜水者》书评——这部关于柏林哲学家的新传记着重展现了他固执的世外超脱与惊人的先见之明。</title>
    <updated>2026-02-23T11:29:32.814Z</updated>
    <published>2026-02-23T11:29:32.814Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69972fa8eb19ee2bce4cf2e5/master/pass/r48574.jpg" alt="media.newyorker.com image"></div><div>“Walter Benjamin: The Pearl Diver,” Reviewed - A new biography of the Berlin-born philosopher emphasizes his combination of stubborn unworldliness and startling prescience. (<a href="https://www.newyorker.com/magazine/2026/03/02/the-pearl-diver-peter-gordon-book-review">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__6995d83ef0d9cefb657b116d/"><time class="dt-published published" datetime="2026-02-23T11:00:00.000Z">02-23</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/02/the-pearl-diver-peter-gordon-book-review"/>
    <summary>“Walter Benjamin: The Pearl Diver,” Reviewed - A new biography of the Berlin-born philosopher emphasizes his combination of stubborn unworldliness and startling prescience.</summary>
    <category term="Magazine"/>
    <category term="Books"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__6995d836f0d9cefb657b1169/</id>
    <title>世界杯为何宛如战争——足球场常被暴力、部落主义、沙文主义和近乎宗教般的狂热所笼罩，这些情绪因旧怨的记忆和仪式的力量而被点燃。</title>
    <updated>2026-02-23T11:29:32.810Z</updated>
    <published>2026-02-23T11:29:32.810Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69974923aab936f99db08009/master/pass/r48536.jpg" alt="media.newyorker.com image"></div><div>Why the World Cup Can Feel Like War - Soccer stadiums can be dominated by violence, tribalism, chauvinism, and near-religious fervor‚ animated by the memory of old hostilities and the power of ritual. (<a href="https://www.newyorker.com/magazine/2026/03/02/world-cup-fever-simon-kuper-book-review">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__6995d836f0d9cefb657b1169/"><time class="dt-published published" datetime="2026-02-23T11:00:00.000Z">02-23</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/02/world-cup-fever-simon-kuper-book-review"/>
    <summary>Why the World Cup Can Feel Like War - Soccer stadiums can be dominated by violence, tribalism, chauvinism, and near-religious fervor‚ animated by the memory of old hostilities and the power of ritual.</summary>
    <category term="Magazine"/>
    <category term="Books"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__6995d7e023facf91e24cd89d/</id>
    <title>詹姆斯·塔拉里科寄望德州选民——这位参议员候选人坚信民主党可通过倡导崇高价值观赢得选举。在特朗普时代，他能否成功？</title>
    <updated>2026-02-23T11:29:32.807Z</updated>
    <published>2026-02-23T11:29:32.807Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69972fa51c573e1254fe961a/master/pass/r48527.jpg" alt="media.newyorker.com image"></div><div>James Talarico Puts His Faith in Texas Voters - The Senate candidate believes that Democrats can win by appealing to higher values. Can he succeed in the age of Trump? (<a href="https://www.newyorker.com/magazine/2026/03/02/james-talarico-profile">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__6995d7e023facf91e24cd89d/"><time class="dt-published published" datetime="2026-02-23T11:00:00.000Z">02-23</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/02/james-talarico-profile"/>
    <summary>James Talarico Puts His Faith in Texas Voters - The Senate candidate believes that Democrats can win by appealing to higher values. Can he succeed in the age of Trump?</summary>
    <category term="Magazine"/>
    <category term="Profiles"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__6995d8421c573e1254fe9178/</id>
    <title>纽约歌曲节上的声乐抗争——本届活动主题：逃亡者。</title>
    <updated>2026-02-23T11:29:32.803Z</updated>
    <published>2026-02-23T11:29:32.803Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69972fa5794abe05fcc0b47e/master/pass/r48537.jpg" alt="media.newyorker.com image"></div><div>Vocal Resistance at the New York Festival of Song - The event’s theme: Fugitives. (<a href="https://www.newyorker.com/magazine/2026/03/02/new-york-festival-of-song-music-review">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__6995d8421c573e1254fe9178/"><time class="dt-published published" datetime="2026-02-23T11:00:00.000Z">02-23</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/02/new-york-festival-of-song-music-review"/>
    <summary>Vocal Resistance at the New York Festival of Song - The event’s theme: Fugitives.</summary>
    <category term="Magazine"/>
    <category term="Musical Events"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__69990a631b34f0406896d326/</id>
    <title>简·斯塔勒，影像建造者——这位摄影师镜头下的主角是建筑工地的螺栓与横梁。他最新关注的对象？正是特朗普政府重点推进的关闸隧道工程。</title>
    <updated>2026-02-23T11:29:32.799Z</updated>
    <published>2026-02-23T11:29:32.799Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6998e0661b34f0406896d09a/master/pass/r48702.png" alt="media.newyorker.com image"></div><div>Jan Staller, Constructor of Image - The photographer shoots the bolts and beams of building sites. His latest subject? The Gateway tunnel project being targeted by Donald Trump. (<a href="https://www.newyorker.com/magazine/2026/03/02/jan-staller-constructor-of-image">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__69990a631b34f0406896d326/"><time class="dt-published published" datetime="2026-02-23T11:00:00.000Z">02-23</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/02/jan-staller-constructor-of-image"/>
    <summary>Jan Staller, Constructor of Image - The photographer shoots the bolts and beams of building sites. His latest subject? The Gateway tunnel project being targeted by Donald Trump.</summary>
    <category term="Magazine"/>
    <category term="Hard Hat Dept."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__6999063c36f9510558839ea6/</id>
    <title>伊恩·麦克莱恩从莎士比亚到甘道夫再到虚拟现实——这位演员在纽约之行中谈及生死与出柜话题，更在《科尔伯特报告》节目中发表了一段伊丽莎白时代的反移民执法局独白，引发网络热议。</title>
    <updated>2026-02-23T11:29:32.796Z</updated>
    <published>2026-02-23T11:29:32.796Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6998e0662a8319ef0b99385e/master/pass/r48709.png" alt="media.newyorker.com image"></div><div>Ian McKellen Swings from Shakespeare to Gandalf to Virtual Reality - On a visit to New York, the actor reflected on mortality and coming out, and unleashed an Elizabethan anti-ICE monologue on “Colbert” that went viral. (<a href="https://www.newyorker.com/magazine/2026/03/02/ian-mckellen-swings-from-shakespeare-to-gandalf-to-virtual-reality">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__6999063c36f9510558839ea6/"><time class="dt-published published" datetime="2026-02-23T11:00:00.000Z">02-23</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/02/ian-mckellen-swings-from-shakespeare-to-gandalf-to-virtual-reality"/>
    <summary>Ian McKellen Swings from Shakespeare to Gandalf to Virtual Reality - On a visit to New York, the actor reflected on mortality and coming out, and unleashed an Elizabethan anti-ICE monologue on “Colbert” that went viral.</summary>
    <category term="Magazine"/>
    <category term="The Boards"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__699906d02e7bbe5bf5f49a7e/</id>
    <title>娜塔莎·皮科维茨，火锅炼金术师——在H Mart超市的货架间，这位詹姆斯·比尔德奖提名主厨畅谈她的新书《全民火锅》，以及她从糕点师转型为汤品大师的蜕变历程。</title>
    <updated>2026-02-23T11:29:32.792Z</updated>
    <published>2026-02-23T11:29:32.792Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6998e06970e0942017cde0d1/master/pass/r48711.png" alt="media.newyorker.com image"></div><div>Natasha Pickowicz, Hot-Pot Alchemist - In the aisles of H Mart, the James Beard-nominated chef chats about her new book, “Everyone Hot Pot,” and her leap from pastries to soup. (<a href="https://www.newyorker.com/magazine/2026/03/02/natasha-pickowicz-hot-pot-alchemist">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__699906d02e7bbe5bf5f49a7e/"><time class="dt-published published" datetime="2026-02-23T11:00:00.000Z">02-23</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/02/natasha-pickowicz-hot-pot-alchemist"/>
    <summary>Natasha Pickowicz, Hot-Pot Alchemist - In the aisles of H Mart, the James Beard-nominated chef chats about her new book, “Everyone Hot Pot,” and her leap from pastries to soup.</summary>
    <category term="Magazine"/>
    <category term="Dept. of Sharing"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__6995d7d31c573e1254fe9174/</id>
    <title>古森林中的移民——五年前，白俄罗斯开始允许来自高冲突国家的人们迁移至欧洲。尽管高墙林立且遭遇强烈反对，他们仍在持续涌入。</title>
    <updated>2026-02-23T11:29:32.789Z</updated>
    <published>2026-02-23T11:29:32.789Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69972fa6055a737c67fefee8/master/pass/r48532.jpg" alt="media.newyorker.com image"></div><div>The Migrants in the Ancient Forest - Five years ago, Belarus began enabling people from high-conflict countries to migrate into Europe. Despite high walls and backlash, they’re still coming. (<a href="https://www.newyorker.com/magazine/2026/03/02/the-migrants-in-the-ancient-forest">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__6995d7d31c573e1254fe9174/"><time class="dt-published published" datetime="2026-02-23T11:00:00.000Z">02-23</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/02/the-migrants-in-the-ancient-forest"/>
    <summary>The Migrants in the Ancient Forest - Five years ago, Belarus began enabling people from high-conflict countries to migrate into Europe. Despite high walls and backlash, they’re still coming.</summary>
    <category term="Magazine"/>
    <category term="Letter from Poland"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__696521f3c786a01f4ee8c81a/</id>
    <title>一项真正合理的疫苗接种计划调整——在小罗伯特·肯尼迪破坏公共卫生体系之际，关于一种防癌疫苗的惊人好消息传来。</title>
    <updated>2026-02-23T11:29:32.785Z</updated>
    <published>2026-02-23T11:29:32.785Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6973ea8097232650946f894c/master/pass/Shawnax_RFK's%20One%20Good%20Vaccine%20Move4.gif" alt="media.newyorker.com image"></div><div>One Vaccine-Schedule Change That Actually Makes Sense - Amid R.F.K., Jr.,’s vandalism of the public-health system, there’s shocking good news about a cancer-preventing vaccine. (<a href="https://www.newyorker.com/news/the-lede/one-vaccine-schedule-change-that-actually-makes-sense">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__696521f3c786a01f4ee8c81a/"><time class="dt-published published" datetime="2026-02-23T11:00:00.000Z">02-23</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/one-vaccine-schedule-change-that-actually-makes-sense"/>
    <summary>One Vaccine-Schedule Change That Actually Makes Sense - Amid R.F.K., Jr.,’s vandalism of the public-health system, there’s shocking good news about a cancer-preventing vaccine.</summary>
    <category term="News"/>
    <category term="The Lede"/>
    <category term="Science"/>
    <category term="Elements"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__6995d7e88aedc093c65accb1/</id>
    <title>开悟的无尽阶段——直到上周，我还以为“全卫”、“半卫”和“四分卫”是根据球员体型划分的职位名称。</title>
    <updated>2026-02-23T11:29:32.782Z</updated>
    <published>2026-02-23T11:29:32.782Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699893973bde3b375adeb9d3/master/pass/r48621_site.jpg" alt="media.newyorker.com image"></div><div>The Endless Stages of Enlightenment - Until last week, I believed that “fullback,” “halfback,” and “quarterback” were terms that referred to players’ sizes. (<a href="https://www.newyorker.com/magazine/2026/03/02/enlightenment">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__6995d7e88aedc093c65accb1/"><time class="dt-published published" datetime="2026-02-23T11:00:00.000Z">02-23</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/02/enlightenment"/>
    <summary>The Endless Stages of Enlightenment - Until last week, I believed that “fullback,” “halfback,” and “quarterback” were terms that referred to players’ sizes.</summary>
    <category term="Magazine"/>
    <category term="Sketchbook"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__6995d7db794abe05fcc0ab5b/</id>
    <title>《纤细的祭品》，露西·布罗克-布罗伊多 - “万物皆有消逝之时。/万物都在消逝。”</title>
    <updated>2026-02-23T11:29:32.778Z</updated>
    <published>2026-02-23T11:29:32.778Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/5d484c4743af05000896cd25/master/pass/hp-poetryspots1.jpg" alt="media.newyorker.com image"></div><div>“Slender Offering,” by Lucie Brock-Broido - “Everything has its dwindling. / Everything was dwindling.” (<a href="https://www.newyorker.com/magazine/2026/03/02/slender-offering-lucie-brock-broido-poem">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__6995d7db794abe05fcc0ab5b/"><time class="dt-published published" datetime="2026-02-23T11:00:00.000Z">02-23</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/02/slender-offering-lucie-brock-broido-poem"/>
    <summary>“Slender Offering,” by Lucie Brock-Broido - “Everything has its dwindling. / Everything was dwindling.”</summary>
    <category term="Magazine"/>
    <category term="Poems"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__6995d7ca055a737c67fef79a/</id>
    <title>《现金自提》，戴维·塞达里斯著——我猜对了，那位女士是在路边捡到这个柜子的，就像我当年捡到现在的办公椅和无数家具一样。</title>
    <updated>2026-02-23T11:29:32.774Z</updated>
    <published>2026-02-23T11:29:32.774Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699745cd055a737c67fefff1/master/pass/r48530.jpg" alt="media.newyorker.com image"></div><div>Cash and Carry, by David Sedaris - I guessed correctly that the woman had found this cabinet on the curb, just as I had found my current desk chair and countless pieces of furniture in the past. (<a href="https://www.newyorker.com/magazine/2026/03/02/cash-and-carry">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__6995d7ca055a737c67fef79a/"><time class="dt-published published" datetime="2026-02-23T11:00:00.000Z">02-23</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/02/cash-and-carry"/>
    <summary>Cash and Carry, by David Sedaris - I guessed correctly that the woman had found this cabinet on the curb, just as I had found my current desk chair and countless pieces of furniture in the past.</summary>
    <category term="Magazine"/>
    <category term="Personal History"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__6995d846aab936f99db0728e/</id>
    <title>费城艺术博物馆诺亚·戴维斯回顾展评——这位英年早逝的艺术家以罕见的精炼笔触，勾勒出人生百态的情绪广度。</title>
    <updated>2026-02-23T11:29:32.771Z</updated>
    <published>2026-02-23T11:29:32.771Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69972fb3794abe05fcc0b484/master/pass/r48610.jpg" alt="media.newyorker.com image"></div><div>Noah Davis’s Retrospective at the Philadelphia Museum of Art, Reviewed - The artist, who died young, conjured the breadth of life’s moods with a rare economy. (<a href="https://www.newyorker.com/magazine/2026/03/02/the-haunting-talent-of-noah-davis">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__6995d846aab936f99db0728e/"><time class="dt-published published" datetime="2026-02-23T11:00:00.000Z">02-23</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/02/the-haunting-talent-of-noah-davis"/>
    <summary>Noah Davis’s Retrospective at the Philadelphia Museum of Art, Reviewed - The artist, who died young, conjured the breadth of life’s moods with a rare economy.</summary>
    <category term="Magazine"/>
    <category term="The Art World"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__6999073a2a8319ef0b9938f3/</id>
    <title>奥运让位吧——冰帆运动才是最火热的运动今年冬天终于冷到足以举办那场沿纳维辛克河举行的传奇赛事。但究竟谁捧回了奖杯？</title>
    <updated>2026-02-23T11:29:32.767Z</updated>
    <published>2026-02-23T11:29:32.767Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6998e0620e87f249b9df0582/master/pass/r48707.png" alt="media.newyorker.com image"></div><div>Move Over, Olympics—Iceboating Is the Hottest Sport - This winter was finally cold enough for the legendary race along the Navesink River. But who brought home the trophy? (<a href="https://www.newyorker.com/magazine/2026/03/02/move-over-olympics-iceboating-is-the-hottest-sport">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__6999073a2a8319ef0b9938f3/"><time class="dt-published published" datetime="2026-02-23T11:00:00.000Z">02-23</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/02/move-over-olympics-iceboating-is-the-hottest-sport"/>
    <summary>Move Over, Olympics—Iceboating Is the Hottest Sport - This winter was finally cold enough for the legendary race along the Navesink River. But who brought home the trophy?</summary>
    <category term="Magazine"/>
    <category term="The Sporting Scene"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__69988cd8fcee519105ae9c2a/</id>
    <title>杰西·杰克逊的永恒经济纲领——他两次竞选总统时提出的关切至今仍定义着美国政治生活：不平等、可负担性与消失的就业岗位。</title>
    <updated>2026-02-23T11:29:32.763Z</updated>
    <published>2026-02-23T11:29:32.763Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6998aa063bde3b375adebc3b/master/pass/Cassidy-GettyImages-1807251099.jpg" alt="media.newyorker.com image"></div><div>Jesse Jackson’s Timeless Economic Platform - He ran for President twice on the concerns that still define American political life—inequality, affordability, and vanishing jobs. (<a href="https://www.newyorker.com/news/the-financial-page/jesse-jacksons-timeless-economic-platform">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__69988cd8fcee519105ae9c2a/"><time class="dt-published published" datetime="2026-02-23T11:00:00.000Z">02-23</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-financial-page/jesse-jacksons-timeless-economic-platform"/>
    <summary>Jesse Jackson’s Timeless Economic Platform - He ran for President twice on the concerns that still define American political life—inequality, affordability, and vanishing jobs.</summary>
    <category term="News"/>
    <category term="The Financial Page"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__69979a8903a48b263ea62f80/</id>
    <title>克里斯托弗·尼曼的《冬日寒风》——城市里的冷热交织。</title>
    <updated>2026-02-23T11:29:32.760Z</updated>
    <published>2026-02-23T11:29:32.760Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6997ae5aeb19ee2bce4cf7bf/master/pass/CoverStory-web_box_Niemann_HeatCold.jpg" alt="media.newyorker.com image"></div><div>Christoph Niemann’s “Winter Whiplash” - Hot and cold in the city. (<a href="https://www.newyorker.com/culture/cover-story/cover-story-2026-03-02">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__69979a8903a48b263ea62f80/"><time class="dt-published published" datetime="2026-02-23T11:00:00.000Z">02-23</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/cover-story/cover-story-2026-03-02"/>
    <summary>Christoph Niemann’s “Winter Whiplash” - Hot and cold in the city.</summary>
    <category term="Culture"/>
    <category term="Cover Story"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__6995d7ceeb19ee2bce4cec40/</id>
    <title>再说一遍：剧情梗概——如果你正在用手机：克拉拉和德斯蒙德是间谍，他们正在巴黎的一座教堂会面。他们的名字，再重复一遍，是克拉拉和德斯蒙德，他们是间谍。</title>
    <updated>2026-02-23T11:29:32.756Z</updated>
    <published>2026-02-23T11:29:32.756Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69948c433750756bd25b45b2/master/pass/r48553.jpg" alt="media.newyorker.com image"></div><div>Say It Again: A Treatment - If you’re on your phone: Clara and Desmond are spies, and they are meeting at a church in Paris. Their names, again, are Clara and Desmond, and they are spies. (<a href="https://www.newyorker.com/magazine/2026/03/02/say-it-again-a-treatment">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__6995d7ceeb19ee2bce4cec40/"><time class="dt-published published" datetime="2026-02-23T11:00:00.000Z">02-23</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/02/say-it-again-a-treatment"/>
    <summary>Say It Again: A Treatment - If you’re on your phone: Clara and Desmond are spies, and they are meeting at a church in Paris. Their names, again, are Clara and Desmond, and they are spies.</summary>
    <category term="Magazine"/>
    <category term="Shouts &amp; Murmurs"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__6995d83a211959dda1225d56/</id>
    <title>简评书评——《捉拿法西斯分子》《南方想象》《好人》及《依然在此的每个人》</title>
    <updated>2026-02-23T11:29:32.752Z</updated>
    <published>2026-02-23T11:29:32.752Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69948bff16848536378d55dd/master/pass/r48666.jpg" alt="media.newyorker.com image"></div><div>Briefly Noted Book Reviews - “To Catch a Fascist,” “Southern Imagining,” “Good People,” and “Every One Still Here.” (<a href="https://www.newyorker.com/magazine/2026/03/02/to-catch-a-fascist-southern-imagining-good-people-every-one-still-here">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/9/en_newyorker_2026_02_23__6995d83a211959dda1225d56/"><time class="dt-published published" datetime="2026-02-23T11:00:00.000Z">02-23</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/02/to-catch-a-fascist-southern-imagining-good-people-every-one-still-here"/>
    <summary>Briefly Noted Book Reviews - “To Catch a Fascist,” “Southern Imagining,” “Good People,” and “Every One Still Here.”</summary>
    <category term="Magazine"/>
    <category term="Books"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_22__6995d7ed47caaf35f607e4ac/</id>
    <title>《似曾相识》，玛丽·盖茨基尔著——她记不清自己说了什么，只记得那场谈话持续了一个小时，而他反复说着“我很孤独”、“求你了”和“请给我一次机会”。</title>
    <updated>2026-02-22T11:14:33.009Z</updated>
    <published>2026-02-22T11:14:33.009Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69972fa6402230ce92a38e5f/master/pass/r48534.jpg" alt="media.newyorker.com image"></div><div>“Something Familiar,” by Mary Gaitskill - She didn’t remember what she’d said, only that it had gone on for the whole hour, and that he’d said, “I’m lonely,” and “Please,” and “Give me a chance.” (<a href="https://www.newyorker.com/magazine/2026/03/02/something-familiar-fiction-mary-gaitskill">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_22__6995d7ed47caaf35f607e4ac/"><time class="dt-published published" datetime="2026-02-22T11:00:00.000Z">02-22</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/02/something-familiar-fiction-mary-gaitskill"/>
    <summary>“Something Familiar,” by Mary Gaitskill - She didn’t remember what she’d said, only that it had gone on for the whole hour, and that he’d said, “I’m lonely,” and “Please,” and “Give me a chance.”</summary>
    <category term="Magazine"/>
    <category term="Fiction"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_22__698cf1f866ed1d9a6b56aa3f/</id>
    <title>玛丽·盖茨基尔朗读《似曾相识》——作者朗读其发表于2026年3月2日杂志的短篇小说。</title>
    <updated>2026-02-22T11:14:33.006Z</updated>
    <published>2026-02-22T11:14:33.006Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6994e2fc7f0024cd8d14d479/master/pass/TNY_Writers_Voice_Template_Mary-Gaitskill.jpg" alt="media.newyorker.com image"></div><div>Mary Gaitskill Reads “Something Familiar” - The author reads her story from the March 2, 2026, issue of the magazine. (<a href="https://www.newyorker.com/podcast/the-writers-voice/mary-gaitskill-reads-something-familiar">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_22__698cf1f866ed1d9a6b56aa3f/"><time class="dt-published published" datetime="2026-02-22T11:00:00.000Z">02-22</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/the-writers-voice/mary-gaitskill-reads-something-familiar"/>
    <summary>Mary Gaitskill Reads “Something Familiar” - The author reads her story from the March 2, 2026, issue of the magazine.</summary>
    <category term="Podcast"/>
    <category term="The Writer’s Voice"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_22__6996335d055a737c67fefa7f/</id>
    <title>玛丽·盖茨基尔论创伤与反抗——作者谈其短篇小说《似曾相识》</title>
    <updated>2026-02-22T11:14:33.002Z</updated>
    <published>2026-02-22T11:14:33.002Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6994e444be313afc7e62171a/master/pass/TNY_This_Week_In_Fiction_MARY-GAITSKILL.jpg" alt="media.newyorker.com image"></div><div>Mary Gaitskill on Damage and Defiance - The author discusses her story “Something Familiar.” (<a href="https://www.newyorker.com/books/this-week-in-fiction/mary-gaitskill-03-02-26">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_22__6996335d055a737c67fefa7f/"><time class="dt-published published" datetime="2026-02-22T11:00:00.000Z">02-22</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/this-week-in-fiction/mary-gaitskill-03-02-26"/>
    <summary>Mary Gaitskill on Damage and Defiance - The author discusses her story “Something Familiar.”</summary>
    <category term="Books"/>
    <category term="This Week in Fiction"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_22__6965307dd23d4cabcc26ee7b/</id>
    <title>罗杰与光滑狐狸梗犬——我丈夫活到一百零一岁去世，生前完全是个世俗之人。那么这些狗究竟是从何而来？</title>
    <updated>2026-02-22T11:14:32.998Z</updated>
    <published>2026-02-22T11:14:32.998Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69712a4d4c668fb72df930aa/master/pass/SFT_final_1%20copy.jpg" alt="media.newyorker.com image"></div><div>Roger and the Smooth Fox Terriers - My husband, who died at a hundred and one, was utterly secular. So where are these dogs coming from? (<a href="https://www.newyorker.com/culture/personal-history/roger-and-the-smooth-fox-terriers">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_22__6965307dd23d4cabcc26ee7b/"><time class="dt-published published" datetime="2026-02-22T11:00:00.000Z">02-22</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/personal-history/roger-and-the-smooth-fox-terriers"/>
    <summary>Roger and the Smooth Fox Terriers - My husband, who died at a hundred and one, was utterly secular. So where are these dogs coming from?</summary>
    <category term="Culture"/>
    <category term="Personal History"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_21__69987baa6bf67cc9c018b888/</id>
    <title>唐纳德·特朗普的联合国木偶戏——和平理事会或许注定失败，但它仍可能动摇美国曾作为核心支柱的国际体系。</title>
    <updated>2026-02-21T19:33:31.230Z</updated>
    <published>2026-02-21T19:33:31.230Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6998ad0f243e066c18b05ae3/master/pass/Tharoor_BoardofPeace_2026-02-19T171416Z_1519238211_RC23PJA064KN_RTRMADP_3_ISRAEL-PALESTINIANS-GAZA-TRUMP-BOARD.jpg" alt="media.newyorker.com image"></div><div>Donald Trump’s Pantomime United Nations - The Board of Peace might be destined to fail, but it still threatens to undermine an international system in which the U.S. was once the linchpin. (<a href="https://www.newyorker.com/news/the-lede/donald-trumps-pantomime-united-nations">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_21__69987baa6bf67cc9c018b888/"><time class="dt-published published" datetime="2026-02-21T19:23:14.000Z">02-22</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/donald-trumps-pantomime-united-nations"/>
    <summary>Donald Trump’s Pantomime United Nations - The Board of Peace might be destined to fail, but it still threatens to undermine an international system in which the U.S. was once the linchpin.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_21__69962427be313afc7e621c30/</id>
    <title>从头开始能否拯救《范德泵法则》？——历经十一季后，该节目已显疲态。在重启版中，所有新角色都展现真实自我，不再伪装。</title>
    <updated>2026-02-21T11:17:41.703Z</updated>
    <published>2026-02-21T11:17:41.703Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6998a24c70e0942017cddb7a/master/pass/Fry-GettyImages-2247869964.jpg" alt="media.newyorker.com image"></div><div>Can Starting from Scratch Save “Vanderpump Rules”? - After eleven seasons, the show was tired. In the reboot, none of the new characters are pretending to be something they’re not. (<a href="https://www.newyorker.com/culture/critics-notebook/can-starting-from-scratch-save-vanderpump-rules">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_21__69962427be313afc7e621c30/"><time class="dt-published published" datetime="2026-02-21T11:00:00.000Z">02-21</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/critics-notebook/can-starting-from-scratch-save-vanderpump-rules"/>
    <summary>Can Starting from Scratch Save “Vanderpump Rules”? - After eleven seasons, the show was tired. In the reboot, none of the new characters are pretending to be something they’re not.</summary>
    <category term="Culture"/>
    <category term="Critic’s Notebook"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_21__6995d84a7d896d170f330c74/</id>
    <title>四神之战与美国奥运清算——花滑选手伊利亚·马利宁、单板滑雪选手金妍儿以及挪威冬季两项运动员斯特拉·霍尔姆·莱格雷德等运动员在冬奥赛场上展开激烈角逐。</title>
    <updated>2026-02-21T11:17:41.699Z</updated>
    <published>2026-02-21T11:17:41.699Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699745cd3aac4cf5383085b6/master/pass/r48538.jpg" alt="media.newyorker.com image"></div><div>The Quad God and American Reckoning at the Olympics - The skater Ilia Malinin, the snowboarder Chloe Kim, and the Norwegian biathlete Sturla Holm Lægreid are a few of the athletes who battled it out at the Winter Games. (<a href="https://www.newyorker.com/magazine/2026/03/02/the-quad-god-and-the-american-reckoning-at-the-olympics">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_21__6995d84a7d896d170f330c74/"><time class="dt-published published" datetime="2026-02-21T11:00:00.000Z">02-21</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/02/the-quad-god-and-the-american-reckoning-at-the-olympics"/>
    <summary>The Quad God and American Reckoning at the Olympics - The skater Ilia Malinin, the snowboarder Chloe Kim, and the Norwegian biathlete Sturla Holm Lægreid are a few of the athletes who battled it out at the Winter Games.</summary>
    <category term="Magazine"/>
    <category term="On Television"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_21__6999212236bad7ecb34841ee/</id>
    <title>安德鲁·蒙巴顿-温莎的影像人生——上周被捕后，安德鲁以平民身份度过了首个生日，其境遇之卑微，与此前庆典的奢华形成鲜明对比。</title>
    <updated>2026-02-21T11:17:41.695Z</updated>
    <published>2026-02-21T11:17:41.695Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6998e06736bad7ecb348403a/master/pass/r48676.png" alt="media.newyorker.com image"></div><div>Andrew Mountbatten-Windsor’s Life in Pictures - Following his arrest last week, Andrew spent his first birthday as a commoner in circumstances as degraded as earlier celebrations had been grand. (<a href="https://www.newyorker.com/magazine/2026/03/02/andrew-mountbatten-windsors-life-in-pictures">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_21__6999212236bad7ecb34841ee/"><time class="dt-published published" datetime="2026-02-21T11:00:00.000Z">02-21</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/02/andrew-mountbatten-windsors-life-in-pictures"/>
    <summary>Andrew Mountbatten-Windsor’s Life in Pictures - Following his arrest last week, Andrew spent his first birthday as a commoner in circumstances as degraded as earlier celebrations had been grand.</summary>
    <category term="Magazine"/>
    <category term="Comment"/>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_21__69694408046bca980465f55f/</id>
    <title>犹太人眼中的新奥尔良童年——对南方同化的德国犹太人而言，大屠杀是难以想象的。其中一种应对方式便是将其拒之门外。</title>
    <updated>2026-02-21T11:17:41.691Z</updated>
    <published>2026-02-21T11:17:41.691Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/696946e433d5e375b321d9b2/master/pass/TheNewYorker_Jan26_C_rt.jpg" alt="media.newyorker.com image"></div><div>A Childhood in Jewish New Orleans - To assimilated German Jews in the South, the Holocaust was unimaginable. One solution was to shut it out. (<a href="https://www.newyorker.com/culture/the-weekend-essay/a-childhood-in-jewish-new-orleans">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_21__69694408046bca980465f55f/"><time class="dt-published published" datetime="2026-02-21T11:00:00.000Z">02-21</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-weekend-essay/a-childhood-in-jewish-new-orleans"/>
    <summary>A Childhood in Jewish New Orleans - To assimilated German Jews in the South, the Holocaust was unimaginable. One solution was to shut it out.</summary>
    <category term="Culture"/>
    <category term="The Weekend Essay"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_21__6998cb4d5f454842da0b0ed1/</id>
    <title>"让美国再次伟大"议程支持率持续下滑。特朗普将如何应对？——国情咨文演讲前瞻</title>
    <updated>2026-02-21T05:09:39.544Z</updated>
    <published>2026-02-21T05:09:39.544Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/65496ea9e960b0ea67668dc7/master/pass/The%20Political%20Scene%20B%20Glasser%20Mayer%20Osnos%20From%20Washington.jpg" alt="media.newyorker.com image"></div><div>The MAGA Agenda Is Sinking in Popularity. What Might Donald Trump Do? - What to expect at the State of the Union. (<a href="https://www.newyorker.com/podcast/political-scene/the-maga-agenda-is-sinking-in-popularity-what-might-donald-trump-do">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_21__6998cb4d5f454842da0b0ed1/"><time class="dt-published published" datetime="2026-02-21T04:59:00.000Z">02-21</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/political-scene/the-maga-agenda-is-sinking-in-popularity-what-might-donald-trump-do"/>
    <summary>The MAGA Agenda Is Sinking in Popularity. What Might Donald Trump Do? - What to expect at the State of the Union.</summary>
    <category term="Podcast"/>
    <category term="The Political Scene Podcast"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_20__6995ee51f0d9cefb657b11f2/</id>
    <title>柯南·奥布莱恩已为奥斯卡盛典做好准备——这位喜剧演员兼电视主持人畅谈深夜脱口秀的式微、罗伯与米歇尔·雷纳夫妇的离世，以及为何他钟爱舞台上的意外时刻。</title>
    <updated>2026-02-20T19:18:11.244Z</updated>
    <published>2026-02-20T19:18:11.244Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6998a89d50871ca79119fe0a/master/pass/Conan_RadioHour.jpg" alt="media.newyorker.com image"></div><div>Conan O’Brien Is Ready for the Oscars - The comedian and television host talks about the decline of late night, the death of Rob and Michele Reiner, and why he loves when things go wrong onstage. (<a href="https://www.newyorker.com/culture/the-new-yorker-interview/conan-obrien-is-ready-for-the-oscars">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_20__6995ee51f0d9cefb657b11f2/"><time class="dt-published published" datetime="2026-02-20T19:00:00.000Z">02-21</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-new-yorker-interview/conan-obrien-is-ready-for-the-oscars"/>
    <summary>Conan O’Brien Is Ready for the Oscars - The comedian and television host talks about the decline of late night, the death of Rob and Michele Reiner, and why he loves when things go wrong onstage.</summary>
    <category term="Culture"/>
    <category term="The New Yorker Interview"/>
    <category term="Podcast"/>
    <category term="The New Yorker Radio Hour"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_20__6995ed5923facf91e24cd8bd/</id>
    <title>奥兹匹克治疗成瘾的证据——德鲁夫·库拉解析GLP-1类药物最新研究。这类药物虽主要用于控制糖尿病和肥胖症，但正展现出突破性潜力，有望成为各类成瘾症的革命性疗法。</title>
    <updated>2026-02-20T19:18:11.240Z</updated>
    <published>2026-02-20T19:18:11.240Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/master/pass/Radio-Hour-Secondary-Segment.png" alt="media.newyorker.com image"></div><div>The Evidence on Ozempic to Treat Addiction - Dhruv Khullar on the latest research on GLP-1 drugs, which, though typically used to manage diabetes and obesity, are showing promise as groundbreaking treatments for addictions of all kinds. (<a href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/the-evidence-on-ozempic-to-treat-addiction">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_20__6995ed5923facf91e24cd8bd/"><time class="dt-published published" datetime="2026-02-20T19:00:00.000Z">02-21</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/the-evidence-on-ozempic-to-treat-addiction"/>
    <summary>The Evidence on Ozempic to Treat Addiction - Dhruv Khullar on the latest research on GLP-1 drugs, which, though typically used to manage diabetes and obesity, are showing promise as groundbreaking treatments for addictions of all kinds.</summary>
    <category term="Podcast"/>
    <category term="The New Yorker Radio Hour"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_20__69986bab2e7bbe5bf5f4910c/</id>
    <title>每日漫画：2月20日星期五——一幅以最新新闻和事件为灵感创作的漫画。</title>
    <updated>2026-02-20T14:47:16.348Z</updated>
    <published>2026-02-20T14:47:16.348Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/cartoons/69986b9dbe6fd1b9cdeed913/master/pass/A61770.jpg" alt="media.newyorker.com image"></div><div>Daily Cartoon: Friday, February 20th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/friday-february-20th-my-next-trick">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_20__69986bab2e7bbe5bf5f4910c/"><time class="dt-published published" datetime="2026-02-20T14:22:18.000Z">02-20</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/friday-february-20th-my-next-trick"/>
    <summary>Daily Cartoon: Friday, February 20th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_20__69973400780e35c6ad20a07e/</id>
    <title>美国环保署撤销一项里程碑式裁定——但这并不意味着未来气候行动就此终结。理解其中缘由，才能更清晰地认识这场斗争当前的真实态势。</title>
    <updated>2026-02-20T11:20:22.431Z</updated>
    <published>2026-02-20T11:20:22.431Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69977e7625f9fa91d8db8b44/master/pass/McKibben-GettyImages-2258527631.jpg" alt="media.newyorker.com image"></div><div>The E.P.A. Rescinds a Landmark Finding - But it’s not game over for future climate action—and understanding why allows for a more nuanced picture of where the fight actually stands now. (<a href="https://www.newyorker.com/news/the-lede/the-epa-rescinds-a-landmark-finding">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_20__69973400780e35c6ad20a07e/"><time class="dt-published published" datetime="2026-02-20T11:00:00.000Z">02-20</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/the-epa-rescinds-a-landmark-finding"/>
    <summary>The E.P.A. Rescinds a Landmark Finding - But it’s not game over for future climate action—and understanding why allows for a more nuanced picture of where the fight actually stands now.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_20__698a0c5a165146872341cf98/</id>
    <title>阿拉巴马州一家奇特书店的意外成功——杰克·雷斯只售卖签名本，且大多按出版社定价出售。按理说这不该成功，但事实证明它做到了。</title>
    <updated>2026-02-20T11:20:22.428Z</updated>
    <published>2026-02-20T11:20:22.428Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6995e9f9be313afc7e621966/master/pass/BR_TNY_Artwork.png" alt="media.newyorker.com image"></div><div>The Unlikely Success of a Strange Alabama Bookstore - Jake Reiss only sells signed books, and mostly at publisher’s prices. It shouldn’t work, but it has. (<a href="https://www.newyorker.com/books/page-turner/the-unlikely-success-of-a-strange-alabama-bookstore">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_20__698a0c5a165146872341cf98/"><time class="dt-published published" datetime="2026-02-20T11:00:00.000Z">02-20</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/page-turner/the-unlikely-success-of-a-strange-alabama-bookstore"/>
    <summary>The Unlikely Success of a Strange Alabama Bookstore - Jake Reiss only sells signed books, and mostly at publisher’s prices. It shouldn’t work, but it has.</summary>
    <category term="Books"/>
    <category term="Page-Turner"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_20__69973a8a055a737c67feff29/</id>
    <title>Mitski的摄人心魄的张力——此外：Lotty Rosenfeld的表演与艺术创作、戏剧《怪物》中的综合格斗对练、Oddball酒吧的鸡尾酒探险，以及更多精彩内容。</title>
    <updated>2026-02-20T11:20:22.424Z</updated>
    <published>2026-02-20T11:20:22.424Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6994df9308473ac7738c64e8/master/pass/r48535.jpg" alt="media.newyorker.com image"></div><div>Mitski’s Spellbinding Intensity - Also: the actions and art work of Lotty Rosenfeld, mixed-martial-arts sparring in the play “The Monsters,” a cocktail adventure at Oddball, and more. (<a href="https://www.newyorker.com/culture/goings-on/mitskis-spellbinding-intensity">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_20__69973a8a055a737c67feff29/"><time class="dt-published published" datetime="2026-02-20T11:00:00.000Z">02-20</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/goings-on/mitskis-spellbinding-intensity"/>
    <summary>Mitski’s Spellbinding Intensity - Also: the actions and art work of Lotty Rosenfeld, mixed-martial-arts sparring in the play “The Monsters,” a cocktail adventure at Oddball, and more.</summary>
    <category term="Culture"/>
    <category term="Goings On"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_20__6994dcca7f0024cd8d14d474/</id>
    <title>“来巴西？”奥斯卡或许会——《我依然在此》和《秘密特工》将巴西蓬勃的网络粉丝文化带入了奥斯卡颁奖礼。</title>
    <updated>2026-02-20T11:20:22.420Z</updated>
    <published>2026-02-20T11:20:22.420Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699745217d896d170f3312d8/master/pass/nyer-oscars-brazil-2.jpg" alt="media.newyorker.com image"></div><div>“Come to Brazil?” The Oscars Just Might - “I’m Still Here” and “The Secret Agent” have brought Brazil’s exuberant online fan culture to the Academy Awards. (<a href="https://www.newyorker.com/culture/notes-on-hollywood/come-to-brazil-the-oscars-just-might">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_20__6994dcca7f0024cd8d14d474/"><time class="dt-published published" datetime="2026-02-20T11:00:00.000Z">02-20</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/notes-on-hollywood/come-to-brazil-the-oscars-just-might"/>
    <summary>“Come to Brazil?” The Oscars Just Might - “I’m Still Here” and “The Secret Agent” have brought Brazil’s exuberant online fan culture to the Academy Awards.</summary>
    <category term="Culture"/>
    <category term="Notes on Hollywood"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_20__6997b4d255c02a628f0c7880/</id>
    <title>安德鲁王子再度出征——童话般的结局。</title>
    <updated>2026-02-20T01:45:50.311Z</updated>
    <published>2026-02-20T01:45:50.311Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6997b53fa8163d8a6e9b7dc8/master/pass/blitt_kvetchbook_princeandrew.jpg" alt="media.newyorker.com image"></div><div>Prince Andrew Rides Again - A storybook ending. (<a href="https://www.newyorker.com/cartoons/blitts-kvetchbook/prince-andrew-rides-again">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_20__6997b4d255c02a628f0c7880/"><time class="dt-published published" datetime="2026-02-20T01:25:52.000Z">02-20</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/blitts-kvetchbook/prince-andrew-rides-again"/>
    <summary>Prince Andrew Rides Again - A storybook ending.</summary>
    <category term="Cartoons"/>
    <category term="Blitt’s Kvetchbook"/>
    <category term="Culture"/>
    <category term="Culture Desk"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_19__69911ea3ec2bc3bf33158216/</id>
    <title>雷蒙·德帕东的纪录片：与权力的对峙——林肯中心举办的回顾展呈现了这位法国导演关于社会冲突与内心挣扎的杰作。</title>
    <updated>2026-02-19T19:53:59.454Z</updated>
    <published>2026-02-19T19:53:59.454Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69961c35aab936f99db074fa/master/pass/Brody-DELITS-FLAGRANTS-2-1.jpg" alt="media.newyorker.com image"></div><div>Raymond Depardon’s Documentary Confrontations with Power - A retrospective at Lincoln Center showcases the French filmmaker’s masterworks of social conflict and inner struggle. (<a href="https://www.newyorker.com/culture/the-front-row/raymond-depardons-documentary-confrontations-with-power">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_19__69911ea3ec2bc3bf33158216/"><time class="dt-published published" datetime="2026-02-19T19:40:32.000Z">02-20</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-front-row/raymond-depardons-documentary-confrontations-with-power"/>
    <summary>Raymond Depardon’s Documentary Confrontations with Power - A retrospective at Lincoln Center showcases the French filmmaker’s masterworks of social conflict and inner struggle.</summary>
    <category term="Culture"/>
    <category term="The Front Row"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_19__6995def3147a5730414ca912/</id>
    <title>特朗普仍在随心所欲地驱逐移民——政府如何压垮联邦法院并逃避第三国遣返的法律追责</title>
    <updated>2026-02-19T19:53:59.450Z</updated>
    <published>2026-02-19T19:53:59.450Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69974cab9328c3bff315e1dd/master/pass/CHOTINER_3RD-COUNTRY-DEPORTATIONS_AP26043850286729.jpg" alt="media.newyorker.com image"></div><div>Trump Is Still Deporting People Wherever He Wants - How the Administration is overwhelming federal courts and getting away with third-country removals. (<a href="https://www.newyorker.com/news/q-and-a/trump-is-still-deporting-people-wherever-he-wants">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_19__6995def3147a5730414ca912/"><time class="dt-published published" datetime="2026-02-19T19:14:14.000Z">02-20</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/q-and-a/trump-is-still-deporting-people-wherever-he-wants"/>
    <summary>Trump Is Still Deporting People Wherever He Wants - How the Administration is overwhelming federal courts and getting away with third-country removals.</summary>
    <category term="News"/>
    <category term="Q. &amp; A."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_19__69971d089328c3bff315dff7/</id>
    <title>每日漫画：2月19日星期四——一幅以最新新闻和事件为灵感创作的漫画。</title>
    <updated>2026-02-19T15:38:09.899Z</updated>
    <published>2026-02-19T15:38:09.899Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/cartoons/69971c1b25f9fa91d8db8737/master/pass/A61751.jpg" alt="media.newyorker.com image"></div><div>Daily Cartoon: Thursday, February 19th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/thursday-february-19th-real-or-ai">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_19__69971d089328c3bff315dff7/"><time class="dt-published published" datetime="2026-02-19T15:28:35.000Z">02-19</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/thursday-february-19th-real-or-ai"/>
    <summary>Daily Cartoon: Thursday, February 19th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_19__699496c79de30a4504b9f926/</id>
    <title>佐兰·马姆达尼，无处不在的市长——无论你身处何地，无论你是否愿意，你都能在手机上、街头巷尾、出租车电视上看到这位纽约新领袖的身影。</title>
    <updated>2026-02-19T11:22:14.810Z</updated>
    <published>2026-02-19T11:22:14.810Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6994aea788107517fc7d630f/master/pass/NYT_PseudoEvents_R3.gif" alt="media.newyorker.com image"></div><div>Zohran Mamdani, the Everywhere Mayor - On your phone, on the street, on Taxi TV—you''ve been seeing New York’s new leader wherever you turn, whether you want to or not. (<a href="https://www.newyorker.com/news/new-york-journal/zohran-mamdani-the-everywhere-mayor">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_19__699496c79de30a4504b9f926/"><time class="dt-published published" datetime="2026-02-19T11:00:00.000Z">02-19</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/new-york-journal/zohran-mamdani-the-everywhere-mayor"/>
    <summary>Zohran Mamdani, the Everywhere Mayor - On your phone, on the street, on Taxi TV—you''ve been seeing New York’s new leader wherever you turn, whether you want to or not.</summary>
    <category term="News"/>
    <category term="New York Journal"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_19__69962d603aac4cf538308016/</id>
    <title>托妮·莫里森的真相——这位作家在公众想象中占据着重要地位。但我们为莫里森树立的纪念碑，是否真正体现了她的作品价值？</title>
    <updated>2026-02-19T11:22:14.807Z</updated>
    <published>2026-02-19T11:22:14.807Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/650b59e2f49b447c4924fa7b/master/pass/CAL-WEB.png" alt="media.newyorker.com image"></div><div>The Truth of Toni Morrison - The writer looms large in the public imagination. But does the monument we’ve built of Morrison do justice to her work? (<a href="https://www.newyorker.com/podcast/critics-at-large/the-truth-of-toni-morrison">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_19__69962d603aac4cf538308016/"><time class="dt-published published" datetime="2026-02-19T11:00:00.000Z">02-19</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/critics-at-large/the-truth-of-toni-morrison"/>
    <summary>The Truth of Toni Morrison - The writer looms large in the public imagination. But does the monument we’ve built of Morrison do justice to her work?</summary>
    <category term="Podcast"/>
    <category term="Critics at Large"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_19__698e26216a72a2a933cb7bee/</id>
    <title>移民拘留所的混乱——当曼努埃拉的丈夫发短信告知自己被街头逮捕时，她在纽约的生活瞬间天翻地覆。</title>
    <updated>2026-02-19T11:22:14.802Z</updated>
    <published>2026-02-19T11:22:14.802Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/699668fd25f9fa91d8db85a0/master/pass/2026-02-18%20Deena%20So%20Oteh%20New%20Yorker%20ICE%20Hero%20(1).jpg" alt="media.newyorker.com image"></div><div>The Chaos of an ICE Detention - When Manuela’s husband texted her that he’d been apprehended on the street, her life in New York instantly capsized. (<a href="https://www.newyorker.com/news/the-lede/the-chaos-of-an-ice-detention">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_19__698e26216a72a2a933cb7bee/"><time class="dt-published published" datetime="2026-02-19T11:00:00.000Z">02-19</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/the-chaos-of-an-ice-detention"/>
    <summary>The Chaos of an ICE Detention - When Manuela’s husband texted her that he’d been apprehended on the street, her life in New York instantly capsized.</summary>
    <category term="News"/>
    <category term="The Lede"/>
    <category term="Magazine"/>
    <category term="Portfolio"/>
    <category term="Inverted"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_18__699496c086485ad6c5c490b5/</id>
    <title>《呼啸山庄》预示着浪漫电影的复兴吗？——艾默拉尔德·芬奈尔的新片或许平庸，但其受欢迎程度却彰显了这个好莱坞几乎已然放弃的类型片的生命力。</title>
    <updated>2026-02-18T22:53:46.785Z</updated>
    <published>2026-02-18T22:53:46.785Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6994badb147a5730414ca634/master/pass/Brody_rev-1-WHE-T1-0011_High_Res_JPEG.jpg" alt="media.newyorker.com image"></div><div>Does “Wuthering Heights” Herald the Revival of the Film Romance? - Emerald Fennell’s new movie may be mediocre, but its popularity demonstrates the strength of a genre that Hollywood has all but abandoned. (<a href="https://www.newyorker.com/culture/the-lede/does-wuthering-heights-herald-the-revival-of-the-film-romance">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_18__699496c086485ad6c5c490b5/"><time class="dt-published published" datetime="2026-02-18T22:47:32.000Z">02-19</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-lede/does-wuthering-heights-herald-the-revival-of-the-film-romance"/>
    <summary>Does “Wuthering Heights” Herald the Revival of the Film Romance? - Emerald Fennell’s new movie may be mediocre, but its popularity demonstrates the strength of a genre that Hollywood has all but abandoned.</summary>
    <category term="Culture"/>
    <category term="The Lede"/>
    <category term="The Front Row"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_18__6994c42fb5568cb2eeccc5bf/</id>
    <title>劳伦·格罗夫谈短篇小说大师——这位屡获殊荣的作家分享了她最喜爱的短篇小说集及其深刻影响。</title>
    <updated>2026-02-18T21:17:44.781Z</updated>
    <published>2026-02-18T21:17:44.781Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6851c4bc2e50bf4f03899837/master/pass/BookCurrents_SocialSite.jpg" alt="media.newyorker.com image"></div><div>Lauren Groff on Masters of Short Fiction - The award-winning writer discusses some of her favorite story collections and why they’ve stuck with her. (<a href="https://www.newyorker.com/books/book-currents/lauren-groff-on-masters-of-short-fiction">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_18__6994c42fb5568cb2eeccc5bf/"><time class="dt-published published" datetime="2026-02-18T21:00:00.000Z">02-19</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/book-currents/lauren-groff-on-masters-of-short-fiction"/>
    <summary>Lauren Groff on Masters of Short Fiction - The award-winning writer discusses some of her favorite story collections and why they’ve stuck with her.</summary>
    <category term="Books"/>
    <category term="Book Currents"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_18__677eb3177b34bf69b0083f8d/</id>
    <title>2025年度最佳书籍——《纽约客》编辑与评论家精选本年度必读小说、诗集与非虚构作品。</title>
    <updated>2026-02-18T16:14:13.302Z</updated>
    <published>2026-02-18T16:14:13.302Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/678fb9b33a04fd03830bec3a/master/pass/Books_Desktop_1.gif" alt="media.newyorker.com image"></div><div>The Best Books of 2025 - The New Yorker’s editors and critics choose this year’s essential reads in fiction, poetry, and nonfiction. (<a href="https://www.newyorker.com/best-books-2025">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_18__677eb3177b34bf69b0083f8d/"><time class="dt-published published" datetime="2026-02-18T16:00:00.000Z">02-19</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/best-books-2025"/>
    <summary>The Best Books of 2025 - The New Yorker’s editors and critics choose this year’s essential reads in fiction, poetry, and nonfiction.</summary>
    <category term="Books"/>
    <category term="Under Review"/>
    <category term="Culture"/>
    <category term="2025 in Review"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_18__6994ece308473ac7738c662f/</id>
    <title>《纽约客》因2025年报道荣获两项波尔克奖——特约撰稿人乔恩·李·安德森因记录刚果毁灭性战争而获奖，安迪·克罗尔则因撰写特朗普政府官员拉塞尔·沃特的深度报道获得认可。</title>
    <updated>2026-02-18T15:26:18.471Z</updated>
    <published>2026-02-18T15:26:18.471Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6994f2dc34fcfc25906881b8/master/pass/Polk%20Awards_color.jpg" alt="media.newyorker.com image"></div><div>The New Yorker Wins Two Polk Awards for 2025 Reporting - The staff writer Jon Lee Anderson is honored for chronicling Congo’s devastating war, while Andy Kroll is recognized for a profile of the Trump official Russell Vought. (<a href="https://www.newyorker.com/news/press-room/the-new-yorker-wins-two-polk-awards-for-2025-reporting">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_18__6994ece308473ac7738c662f/"><time class="dt-published published" datetime="2026-02-18T15:05:00.000Z">02-18</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/press-room/the-new-yorker-wins-two-polk-awards-for-2025-reporting"/>
    <summary>The New Yorker Wins Two Polk Awards for 2025 Reporting - The staff writer Jon Lee Anderson is honored for chronicling Congo’s devastating war, while Andy Kroll is recognized for a profile of the Trump official Russell Vought.</summary>
    <category term="News"/>
    <category term="Press Room"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_18__6995d241cecf8b26ca9e7b5a/</id>
    <title>每日漫画：2月18日星期三——一幅以最新新闻和事件为灵感创作的漫画。</title>
    <updated>2026-02-18T15:26:18.467Z</updated>
    <published>2026-02-18T15:26:18.467Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/cartoons/6995d238780e35c6ad2098a3/master/pass/A61750.jpg" alt="media.newyorker.com image"></div><div>Daily Cartoon: Wednesday, February 18th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/wednesday-february-18th-no-puffer-jackets">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_18__6995d241cecf8b26ca9e7b5a/"><time class="dt-published published" datetime="2026-02-18T15:04:10.000Z">02-18</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/wednesday-february-18th-no-puffer-jackets"/>
    <summary>Daily Cartoon: Wednesday, February 18th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_18__6936ff7ae856417cc919c05f/</id>
    <title>当性剥削成为警务腐败的根源——新书为冤案题材注入新视角，揭示性暴力介入时腐败的深重程度。</title>
    <updated>2026-02-18T11:11:59.671Z</updated>
    <published>2026-02-18T11:11:59.671Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698e48c6c1f693d467bd777d/master/pass/InjusticeTown_V.Saba_Final_01.jpg" alt="media.newyorker.com image"></div><div>When Sexual Exploitation Is Fundamental to Police Corruption - A new book provides a twist on the wrongful-conviction genre, showing how deep the rot can be when sexual violence is involved. (<a href="https://www.newyorker.com/books/under-review/when-sexual-exploitation-is-fundamental-to-police-corruption">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_18__6936ff7ae856417cc919c05f/"><time class="dt-published published" datetime="2026-02-18T11:00:00.000Z">02-18</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/under-review/when-sexual-exploitation-is-fundamental-to-police-corruption"/>
    <summary>When Sexual Exploitation Is Fundamental to Police Corruption - A new book provides a twist on the wrongful-conviction genre, showing how deep the rot can be when sexual violence is involved.</summary>
    <category term="Books"/>
    <category term="Under Review"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_18__698e15eb74cd880824ff0184/</id>
    <title>尼克·兰德如何成为硅谷最受欢迎的末日预言家——尼克·兰德坚信数字超级智能终将灭绝人类。在旧金山，他的追随者们提出新问题：与其试图阻止人工智能接管世界，何不全力加速其到来？</title>
    <updated>2026-02-18T11:11:59.667Z</updated>
    <published>2026-02-18T11:11:59.667Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698f996c26c345d79c492496/master/pass/TNY_NickLand_FINAL.jpg" alt="media.newyorker.com image"></div><div>How Nick Land Became Silicon Valley’s Favorite Doomsayer - Nick Land believes that digital superintelligence is going to kill us all. In San Francisco, his followers ask: What if, instead of trying to stop an A.I. takeover, you work to bring it on as fast as possible? (<a href="https://www.newyorker.com/culture/the-lede/silicon-valleys-favorite-doomsaying-philosopher">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_18__698e15eb74cd880824ff0184/"><time class="dt-published published" datetime="2026-02-18T11:00:00.000Z">02-18</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-lede/silicon-valleys-favorite-doomsaying-philosopher"/>
    <summary>How Nick Land Became Silicon Valley’s Favorite Doomsayer - Nick Land believes that digital superintelligence is going to kill us all. In San Francisco, his followers ask: What if, instead of trying to stop an A.I. takeover, you work to bring it on as fast as possible?</summary>
    <category term="Culture"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_18__698ce2c866ed1d9a6b56a8ba/</id>
    <title>为何有人仅睡四小时仍精力充沛——短睡者（占人口比例不足1%）的睡眠时间显著缩短，却未见明显健康问题。</title>
    <updated>2026-02-18T11:11:59.663Z</updated>
    <published>2026-02-18T11:11:59.663Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6994da48be313afc7e6216b2/master/pass/final_edit.jpg" alt="media.newyorker.com image"></div><div>Why Some People Thrive on Four Hours of Sleep - Short sleepers, who make up less than one per cent of the population, spend significantly less time snoozing without any apparent health consequences. (<a href="https://www.newyorker.com/culture/annals-of-inquiry/why-some-people-thrive-on-four-hours-of-sleep">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_18__698ce2c866ed1d9a6b56a8ba/"><time class="dt-published published" datetime="2026-02-18T11:00:00.000Z">02-18</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/annals-of-inquiry/why-some-people-thrive-on-four-hours-of-sleep"/>
    <summary>Why Some People Thrive on Four Hours of Sleep - Short sleepers, who make up less than one per cent of the population, spend significantly less time snoozing without any apparent health consequences.</summary>
    <category term="Culture"/>
    <category term="Annals of Inquiry"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_17__699486037f0024cd8d14d058/</id>
    <title>追忆电影人弗雷德里克·怀斯曼——在近六十年的纪实电影创作生涯中，怀斯曼以炽热的激情探寻政治与社会权力的节点，并将它们串联成他独有的电影宇宙。</title>
    <updated>2026-02-17T23:15:05.385Z</updated>
    <published>2026-02-17T23:15:05.385Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6994c79034fcfc2590687edf/master/pass/Brody-Postscript-Frederick-Wiseman-PBDFRWI_EC003.jpg" alt="media.newyorker.com image"></div><div>Remembering the Filmmaker Frederick Wiseman - In nearly sixty years of nonfiction filmmaking, Wiseman passionately probed the nodal points of political and social power and connected them in a cinematic universe of his own. (<a href="https://www.newyorker.com/culture/the-front-row/why-frederick-wiseman-was-the-greatest-documentary-filmmaker-ever">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_17__699486037f0024cd8d14d058/"><time class="dt-published published" datetime="2026-02-17T23:10:39.000Z">02-18</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-front-row/why-frederick-wiseman-was-the-greatest-documentary-filmmaker-ever"/>
    <summary>Remembering the Filmmaker Frederick Wiseman - In nearly sixty years of nonfiction filmmaking, Wiseman passionately probed the nodal points of political and social power and connected them in a cinematic universe of his own.</summary>
    <category term="Culture"/>
    <category term="The Front Row"/>
    <category term="News"/>
    <category term="Postscript"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_17__69947e4234fcfc2590687b25/</id>
    <title>每日漫画：2月17日星期二——一幅以最新新闻和事件为灵感创作的漫画。</title>
    <updated>2026-02-17T15:15:40.461Z</updated>
    <published>2026-02-17T15:15:40.461Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/cartoons/69947dce08473ac7738c605f/master/pass/A61749.jpg" alt="media.newyorker.com image"></div><div>Daily Cartoon: Tuesday, February 17th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/tuesday-february-17th-when-youre-not-curling">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_17__69947e4234fcfc2590687b25/"><time class="dt-published published" datetime="2026-02-17T14:49:54.000Z">02-17</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/tuesday-february-17th-when-youre-not-curling"/>
    <summary>Daily Cartoon: Tuesday, February 17th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_17__698fa01a0b8312c2570e751c/</id>
    <title>沙特阿拉伯与阿联酋日益加深的裂痕——这场令人震惊的分裂可能对中东未来意味着什么。</title>
    <updated>2026-02-17T11:16:21.432Z</updated>
    <published>2026-02-17T11:16:21.432Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698fa09acff70dd0a982cc5b/master/pass/CHOTINER-Q&A-with-Kristian-Ulrichsen-AP18159750035774.jpg" alt="media.newyorker.com image"></div><div>The Growing Rift Between Saudi Arabia and the U.A.E. - What this shocking split might mean for the future of the Middle East. (<a href="https://www.newyorker.com/news/q-and-a/the-growing-rift-between-saudi-arabia-and-the-uae">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_17__698fa01a0b8312c2570e751c/"><time class="dt-published published" datetime="2026-02-17T11:00:00.000Z">02-17</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/q-and-a/the-growing-rift-between-saudi-arabia-and-the-uae"/>
    <summary>The Growing Rift Between Saudi Arabia and the U.A.E. - What this shocking split might mean for the future of the Middle East.</summary>
    <category term="News"/>
    <category term="Q. &amp; A."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_17__697b8932bff51ff57b95d893/</id>
    <title>这个Waymo比你更优秀吗？——想想它第一次尝试就完美地停在两条线之间，而你却耗尽一生在社交、情感和身体上扭曲自己来适应环境？</title>
    <updated>2026-02-17T11:16:21.429Z</updated>
    <published>2026-02-17T11:16:21.429Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698d03df604b36997db06c15/master/pass/SHOUTS-MANIA-WAYMO-GettyImages-2251802888.jpg" alt="media.newyorker.com image"></div><div>Is This Waymo a Better Person Than You? - What about the time it parked perfectly between two lines on the first try, despite you having spent your entire life contorting to fit in—socially, emotionally, and physically? (<a href="https://www.newyorker.com/humor/shouts-murmurs/is-this-waymo-a-better-person-than-you">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_17__697b8932bff51ff57b95d893/"><time class="dt-published published" datetime="2026-02-17T11:00:00.000Z">02-17</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shouts-murmurs/is-this-waymo-a-better-person-than-you"/>
    <summary>Is This Waymo a Better Person Than You? - What about the time it parked perfectly between two lines on the first try, despite you having spent your entire life contorting to fit in—socially, emotionally, and physically?</summary>
    <category term="Humor"/>
    <category term="Shouts &amp; Murmurs"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_17__690cd35cd6e980ad0b84fe5d/</id>
    <title>本公司新设团队支持空间——如需安排组织问题修复会议，请联系员工效率团队，此类会议宜在私密环境进行，不宜在团队支持空间举行。</title>
    <updated>2026-02-17T11:16:21.425Z</updated>
    <published>2026-02-17T11:16:21.425Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/693b148a2e29feb9c4681f75/master/pass/Shouts---Team-Support-Space--GettyImages-2165368320.jpg" alt="media.newyorker.com image"></div><div>Our Company’s New Team Support Space - Please see the employee-efficiency team if you would like to schedule an organizational-issue repair conversation, as those are best done in private and not in the team support space. (<a href="https://www.newyorker.com/humor/shouts-murmurs/our-companys-new-team-support-space">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_17__690cd35cd6e980ad0b84fe5d/"><time class="dt-published published" datetime="2026-02-17T11:00:00.000Z">02-17</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shouts-murmurs/our-companys-new-team-support-space"/>
    <summary>Our Company’s New Team Support Space - Please see the employee-efficiency team if you would like to schedule an organizational-issue repair conversation, as those are best done in private and not in the team support space.</summary>
    <category term="Humor"/>
    <category term="Shouts &amp; Murmurs"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_17__696ff175162a1094c1fbce5e/</id>
    <title>合法移民如何沦为驱逐陷阱——在特朗普执政期间，负责处理签证和绿卡的国土安全部机构已成为轻易实施逮捕的场所。</title>
    <updated>2026-02-17T11:16:21.422Z</updated>
    <published>2026-02-17T11:16:21.422Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/696ff1864fbc184ff2579834/master/pass/USCIS_RAIDS_COL%20(1).jpg" alt="media.newyorker.com image"></div><div>How Legal Immigration Became a Deportation Trap - Under Trump, the Homeland Security agency responsible for processing visas and green cards has become a site for easy arrests. (<a href="https://www.newyorker.com/news/annals-of-immigration/how-legal-immigration-became-a-deportation-trap">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_17__696ff175162a1094c1fbce5e/"><time class="dt-published published" datetime="2026-02-17T11:00:00.000Z">02-17</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/annals-of-immigration/how-legal-immigration-became-a-deportation-trap"/>
    <summary>How Legal Immigration Became a Deportation Trap - Under Trump, the Homeland Security agency responsible for processing visas and green cards has become a site for easy arrests.</summary>
    <category term="News"/>
    <category term="Annals of Immigration"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_17__698e2f7980782d23b67904d8/</id>
    <title>大学如何取代教会成为自由主义道德的殿堂——随着美国进步派日益世俗化，学术界已成为他们主要的道德训练场。结果并不理想。</title>
    <updated>2026-02-17T11:16:21.418Z</updated>
    <published>2026-02-17T11:16:21.418Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698f957f543fc83b69a39053/master/pass/church_vs_university_bleed.jpg" alt="media.newyorker.com image"></div><div>How the University Replaced the Church as the Home of Liberal Morality - As progressive Americans have become more secular, the academy has become their primary moral training ground. The results have not been good. (<a href="https://www.newyorker.com/news/fault-lines/how-the-university-replaced-the-church-as-the-home-of-liberal-morality">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_17__698e2f7980782d23b67904d8/"><time class="dt-published published" datetime="2026-02-17T11:00:00.000Z">02-17</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/fault-lines/how-the-university-replaced-the-church-as-the-home-of-liberal-morality"/>
    <summary>How the University Replaced the Church as the Home of Liberal Morality - As progressive Americans have become more secular, the academy has become their primary moral training ground. The results have not been good.</summary>
    <category term="News"/>
    <category term="Fault Lines"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_16__698e4622c1f693d467bd7778/</id>
    <title>总统岁月：从奥巴马到特朗普——奥巴马白宫的官方口述历史，以震撼而详尽的方式提醒世人那些正遭践踏的价值观与原则。</title>
    <updated>2026-02-16T11:20:27.344Z</updated>
    <published>2026-02-16T11:20:27.344Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698f66e0870cf6426a084ed2/master/pass/obamaTrumpFinal.jpg" alt="media.newyorker.com image"></div><div>Presidents’ Days: From Obama to Trump - The official oral history of the Obama White House is a stark and extensive reminder of the values and the principles that are being trampled. (<a href="https://www.newyorker.com/news/the-lede/presidents-days-from-obama-to-trump">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_16__698e4622c1f693d467bd7778/"><time class="dt-published published" datetime="2026-02-16T11:00:00.000Z">02-16</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/presidents-days-from-obama-to-trump"/>
    <summary>Presidents’ Days: From Obama to Trump - The official oral history of the Obama White House is a stark and extensive reminder of the values and the principles that are being trampled.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_16__698f8bf6cff70dd0a982cb78/</id>
    <title>杰弗里·爱泼斯坦档案揭露彼得·曼德尔森的最终耻辱——这位工党政治家兼战略家曾是位大能者。然而金融危机期间，他向爱泼斯坦泄露敏感政府信息的内幕曝光。</title>
    <updated>2026-02-16T11:20:27.341Z</updated>
    <published>2026-02-16T11:20:27.341Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698f8c0f29bb8549c73baaae/master/pass/Cassidy-GettyImages-2213406498.jpg" alt="media.newyorker.com image"></div><div>The Jeffrey Epstein Files Are Peter Mandelson’s Final Disgrace - The Labour politician and strategist was a great survivor. Then came revelations that he passed sensitive government information to Epstein during the financial crisis. (<a href="https://www.newyorker.com/news/the-financial-page/the-jeffrey-epstein-files-are-peter-mandelsons-final-disgrace">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_16__698f8bf6cff70dd0a982cb78/"><time class="dt-published published" datetime="2026-02-16T11:00:00.000Z">02-16</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-financial-page/the-jeffrey-epstein-files-are-peter-mandelsons-final-disgrace"/>
    <summary>The Jeffrey Epstein Files Are Peter Mandelson’s Final Disgrace - The Labour politician and strategist was a great survivor. Then came revelations that he passed sensitive government information to Epstein during the financial crisis.</summary>
    <category term="News"/>
    <category term="The Financial Page"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_16__698d0331604b36997db06c0a/</id>
    <title>每日漫画：2月16日星期一——一幅以最新新闻和事件为灵感创作的漫画。</title>
    <updated>2026-02-16T11:20:27.337Z</updated>
    <published>2026-02-16T11:20:27.337Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/cartoons/698d00ae4a89b1f766f8377d/master/pass/A61745.jpeg" alt="media.newyorker.com image"></div><div>Daily Cartoon: Monday, February 16th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/monday-february-16th-immersive-experience">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_16__698d0331604b36997db06c0a/"><time class="dt-published published" datetime="2026-02-16T11:00:00.000Z">02-16</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/monday-february-16th-immersive-experience"/>
    <summary>Daily Cartoon: Monday, February 16th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_16__6987aacc0f4cbfaf7802e6e8/</id>
    <title>王室与奴隶制的历史渊源在埃普斯坦时代意味着什么——正如前安德鲁王子永远是王室成员，非洲人的贩运也将永远存在。</title>
    <updated>2026-02-16T11:20:27.333Z</updated>
    <published>2026-02-16T11:20:27.333Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698f8147870cf6426a085120/master/pass/Royal_5.jpg" alt="media.newyorker.com image"></div><div>What the Royal Family’s Links to Slavery Mean in the Age of Epstein - Just as the former Prince Andrew will always be royal, so will the trafficking of African people. (<a href="https://www.newyorker.com/news/letter-from-the-uk/what-the-royal-familys-links-to-slavery-mean-in-the-age-of-epstein">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_16__6987aacc0f4cbfaf7802e6e8/"><time class="dt-published published" datetime="2026-02-16T11:00:00.000Z">02-16</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/letter-from-the-uk/what-the-royal-familys-links-to-slavery-mean-in-the-age-of-epstein"/>
    <summary>What the Royal Family’s Links to Slavery Mean in the Age of Epstein - Just as the former Prince Andrew will always be royal, so will the trafficking of African people.</summary>
    <category term="News"/>
    <category term="Letter from the U.K."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_16__6982db6542e10324b9bd686c/</id>
    <title>彼得·斯特劳斯菲尔德：电影海报大师——纽约展览呈现斯特劳斯菲尔德三十余年间为伦敦影院创作的作品，其设计风格自信果敢，线条简洁有力，摒弃繁复装饰。</title>
    <updated>2026-02-16T11:20:27.329Z</updated>
    <published>2026-02-16T11:20:27.329Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698a61cf0c44b6515f019d4a/master/pass/Lane_Strausfeld_1.jpg" alt="media.newyorker.com image"></div><div>Peter Strausfeld, the Movie-Poster Master - An exhibition in New York celebrates the work Strausfeld made for a cinema in London over the course of more than thirty years—designs of graphic confidence that were clean, strong, and scornful of embellishment. (<a href="https://www.newyorker.com/culture/the-art-world/peter-strausfeld-the-movie-poster-master">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/8/en_newyorker_2026_02_16__6982db6542e10324b9bd686c/"><time class="dt-published published" datetime="2026-02-16T11:00:00.000Z">02-16</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-art-world/peter-strausfeld-the-movie-poster-master"/>
    <summary>Peter Strausfeld, the Movie-Poster Master - An exhibition in New York celebrates the work Strausfeld made for a cinema in London over the course of more than thirty years—designs of graphic confidence that were clean, strong, and scornful of embellishment.</summary>
    <category term="Culture"/>
    <category term="The Art World"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_15__698f9c1986bcc7b99b7eff1c/</id>
    <title>吉赛尔·佩利科强奸案的审判团结了法国，却撕裂了她的家庭——五十一名男子被定罪后，佩利科成为女性主义英雄。但后续指控让她的孩子们难以接受母亲的新身份。</title>
    <updated>2026-02-15T11:23:39.428Z</updated>
    <published>2026-02-15T11:23:39.428Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698dfd86d720c59037a2ccb9/master/pass/r48531.jpg" alt="media.newyorker.com image"></div><div>The Trial of Gisèle Pelicot’s Rapists United France and Fractured Her Family - After fifty-one men were convicted, Pelicot became a feminist hero. But additional accusations left her children struggling to accept her new role. (<a href="https://www.newyorker.com/magazine/2026/03/02/the-trial-of-gisele-pelicots-rapists-united-france-and-fractured-her-family">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_15__698f9c1986bcc7b99b7eff1c/"><time class="dt-published published" datetime="2026-02-15T11:00:00.000Z">02-15</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/02/the-trial-of-gisele-pelicots-rapists-united-france-and-fractured-her-family"/>
    <summary>The Trial of Gisèle Pelicot’s Rapists United France and Fractured Her Family - After fifty-one men were convicted, Pelicot became a feminist hero. But additional accusations left her children struggling to accept her new role.</summary>
    <category term="Magazine"/>
    <category term="A Reporter at Large"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_15__698b98d0dba336df0ace3536/</id>
    <title>餐厅点评：Bistrot Ha这家新店由热门小吃吧Ha''s Snack Bar的厨师团队操刀，他们正以毫不逊色的惊艳料理，超越喧嚣的炒作。</title>
    <updated>2026-02-15T11:23:39.424Z</updated>
    <published>2026-02-15T11:23:39.424Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698ca1567c2a15d2bdac8fc9/master/pass/Food-Scene-Bistrot-Ha_Nguyen_006.jpg" alt="media.newyorker.com image"></div><div>Restaurant Review: Bistrot Ha - At a new establishment, the chefs behind the hit Ha’s Snack Bar are pushing past the hype, with food that is no less thrilling. (<a href="https://www.newyorker.com/culture/the-food-scene/bistrot-ha-is-the-right-kind-of-restaurant-evolution">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_15__698b98d0dba336df0ace3536/"><time class="dt-published published" datetime="2026-02-15T11:00:00.000Z">02-15</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-food-scene/bistrot-ha-is-the-right-kind-of-restaurant-evolution"/>
    <summary>Restaurant Review: Bistrot Ha - At a new establishment, the chefs behind the hit Ha’s Snack Bar are pushing past the hype, with food that is no less thrilling.</summary>
    <category term="Culture"/>
    <category term="The Food Scene"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_14__698f6a7629bb8549c73ba592/</id>
    <title>《爱情故事》是为X世代谱写的平庸挽歌——这部FX剧集以维基百科条目般的狭隘视角聚焦小约翰·肯尼迪与卡罗琳·贝塞特的恋情，却删减了所有当代戏剧冲突，而正是这些冲突让肯尼迪家族的故事——一段与伟大文化相连的恋情——如此引人入胜。</title>
    <updated>2026-02-14T21:17:26.471Z</updated>
    <published>2026-02-14T21:17:26.471Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698f6ab03814b2328ab142bd/master/pass/newyorker-lovestory-final-1.jpg" alt="media.newyorker.com image"></div><div>“Love Story” Is a Forgettable Elegy for Gen X - The FX series, with its Wikipedia-page-like narrowness on the romance between John F. Kennedy, Jr., and Carolyn Bessette, excises all that contemporary drama that makes the Kennedy story, one of a relationship to a greater culture, so compelling. (<a href="https://www.newyorker.com/culture/critics-notebook/love-story-is-a-forgettable-elegy-for-gen-x">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_14__698f6a7629bb8549c73ba592/"><time class="dt-published published" datetime="2026-02-14T20:59:46.000Z">02-15</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/critics-notebook/love-story-is-a-forgettable-elegy-for-gen-x"/>
    <summary>“Love Story” Is a Forgettable Elegy for Gen X - The FX series, with its Wikipedia-page-like narrowness on the romance between John F. Kennedy, Jr., and Carolyn Bessette, excises all that contemporary drama that makes the Kennedy story, one of a relationship to a greater culture, so compelling.</summary>
    <category term="Culture"/>
    <category term="Critic’s Notebook"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_14__698ce53119b68cb55caaa3b7/</id>
    <title>漫步中央公园的邂逅之地——亚瑟·特雷斯的新书《漫步，纽约1969》为我们揭开了这个对路人而言几乎隐形的世界。</title>
    <updated>2026-02-14T11:10:16.755Z</updated>
    <published>2026-02-14T11:10:16.755Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698f706438d4948bfba14092/master/pass/d%20tress_ramble_011.jpg" alt="media.newyorker.com image"></div><div>A Tour Through Central Park’s Cruising Grounds - Arthur Tress’s new book, “The Ramble, NYC 1969,” provides a view into a world otherwise all but invisible to passersby. (<a href="https://www.newyorker.com/culture/photo-booth/a-tour-through-central-parks-cruising-grounds">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_14__698ce53119b68cb55caaa3b7/"><time class="dt-published published" datetime="2026-02-14T11:00:00.000Z">02-14</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/photo-booth/a-tour-through-central-parks-cruising-grounds"/>
    <summary>A Tour Through Central Park’s Cruising Grounds - Arthur Tress’s new book, “The Ramble, NYC 1969,” provides a view into a world otherwise all but invisible to passersby.</summary>
    <category term="Culture"/>
    <category term="Photo Booth"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_14__692f2117aaae1ce2b76a894d/</id>
    <title>对无神论的信仰动摇——我耗费多年追寻可行的世俗世界观，但它们都未能完全提供信仰所赋予的价值。</title>
    <updated>2026-02-14T11:10:16.751Z</updated>
    <published>2026-02-14T11:10:16.751Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/692f276f74f73cf090145c00/master/pass/dvdp_nyr_pov_v31_2mb.gif" alt="media.newyorker.com image"></div><div>Losing Faith in Atheism - I spent years searching for a livable secular world view, but none of them quite offered the value of belief. (<a href="https://www.newyorker.com/culture/the-weekend-essay/losing-faith-in-atheism">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_14__692f2117aaae1ce2b76a894d/"><time class="dt-published published" datetime="2026-02-14T11:00:00.000Z">02-14</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-weekend-essay/losing-faith-in-atheism"/>
    <summary>Losing Faith in Atheism - I spent years searching for a livable secular world view, but none of them quite offered the value of belief.</summary>
    <category term="Culture"/>
    <category term="The Weekend Essay"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_14__698e19df343ea86d7e883f1c/</id>
    <title>当狂妄自大者开始失败时会发生什么——历史学家露丝·本-吉亚特论唐纳德·特朗普与“专制反噬”</title>
    <updated>2026-02-14T05:18:03.798Z</updated>
    <published>2026-02-14T05:18:03.798Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/65496ea9e960b0ea67668dc7/master/pass/The%20Political%20Scene%20B%20Glasser%20Mayer%20Osnos%20From%20Washington.jpg" alt="media.newyorker.com image"></div><div>What Happens When a Megalomaniac Begins to Fail - The historian Ruth Ben-Ghiat on Donald Trump and “autocratic backfire.” (<a href="https://www.newyorker.com/podcast/political-scene/what-happens-when-a-megalomaniac-begins-to-fail">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_14__698e19df343ea86d7e883f1c/"><time class="dt-published published" datetime="2026-02-14T04:59:00.000Z">02-14</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/political-scene/what-happens-when-a-megalomaniac-begins-to-fail"/>
    <summary>What Happens When a Megalomaniac Begins to Fail - The historian Ruth Ben-Ghiat on Donald Trump and “autocratic backfire.”</summary>
    <category term="Podcast"/>
    <category term="The Political Scene Podcast"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_14__698f32da80782d23b679065b/</id>
    <title>南希·格思里的失踪——这场寻找《今日秀》主持人母亲的搜寻行动已近两周，令亚利桑那州乃至更广范围的公众为之屏息。</title>
    <updated>2026-02-14T02:22:16.070Z</updated>
    <published>2026-02-14T02:22:16.070Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698f5a63a5e1d232eb090d01/master/pass/WINTERS--TUCSON-POSTCARD-2026-02-11T234710Z_699471654_MT1USATODAY28212571_RTRMADP_3_A-PIMA-COUNTY-SHERIFF-S-DEPUTY-RETRIEVES-THE-MAIL-FROM-THE.jpg" alt="media.newyorker.com image"></div><div>The Disappearance of Nancy Guthrie - The search for the “Today” show host’s mother, nearing its second week, has transfixed the public in Arizona and beyond. (<a href="https://www.newyorker.com/news/the-lede/the-disappearance-of-nancy-guthrie">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_14__698f32da80782d23b679065b/"><time class="dt-published published" datetime="2026-02-14T02:09:16.000Z">02-14</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/the-disappearance-of-nancy-guthrie"/>
    <summary>The Disappearance of Nancy Guthrie - The search for the “Today” show host’s mother, nearing its second week, has transfixed the public in Arizona and beyond.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_13__698e123d543fc83b69a38440/</id>
    <title>《犯罪101》影评——英国导演巴特·莱顿的新作展现出对洛杉矶的生疏把握，却令人欣喜地流露出对黑色电影的深刻理解。</title>
    <updated>2026-02-13T21:35:52.475Z</updated>
    <published>2026-02-13T21:35:52.475Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698e124e543fc83b69a38445/master/pass/Chang_Crime101_MCDCRON_MG014.jpg" alt="media.newyorker.com image"></div><div>“Crime 101” Movie Review - The English director Bart Layton’s new film reveals a shaky grasp of L.A. but a pleasingly deep knowledge of noir. (<a href="https://www.newyorker.com/culture/the-current-cinema/crime-101-is-an-enjoyably-moody-exercise-in-michael-mann-lite">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_13__698e123d543fc83b69a38440/"><time class="dt-published published" datetime="2026-02-13T21:29:56.000Z">02-14</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-current-cinema/crime-101-is-an-enjoyably-moody-exercise-in-michael-mann-lite"/>
    <summary>“Crime 101” Movie Review - The English director Bart Layton’s new film reveals a shaky grasp of L.A. but a pleasingly deep knowledge of noir.</summary>
    <category term="Culture"/>
    <category term="The Current Cinema"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_13__698de8e29c09dc9f8acc1f65/</id>
    <title>每日漫画特辑：愚蠢的丘比特——一幅以最新时事为灵感创作的漫画。</title>
    <updated>2026-02-13T19:28:19.728Z</updated>
    <published>2026-02-13T19:28:19.728Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/cartoons/698de8d4e7e2702b20be362d/master/pass/A61747.jpg" alt="media.newyorker.com image"></div><div>Bonus Daily Cartoon: Stupid Cupid - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/bonus-daily-cartoon-stupid-cupid">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_13__698de8e29c09dc9f8acc1f65/"><time class="dt-published published" datetime="2026-02-13T19:00:00.000Z">02-14</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/bonus-daily-cartoon-stupid-cupid"/>
    <summary>Bonus Daily Cartoon: Stupid Cupid - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_13__698cb2f7387ecb0c1819dd63/</id>
    <title>理查德·布罗迪颁发2026年度布罗迪奖——《纽约客》影评人理查德·布罗迪与亚历山德拉·施瓦茨探讨年度最佳影片，并分析当下电影品质日益提升的趋势。</title>
    <updated>2026-02-13T19:28:19.724Z</updated>
    <published>2026-02-13T19:28:19.724Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/master/pass/Radio-Hour-Secondary-Segment.png" alt="media.newyorker.com image"></div><div>Richard Brody Presents the 2026 Brody Awards - The New Yorker critics Richard Brody and Alexandra Schwartz discuss the year’s best offerings, and how films seem to be getting better these days. (<a href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/richard-brody-presents-the-2026-brody-awards">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_13__698cb2f7387ecb0c1819dd63/"><time class="dt-published published" datetime="2026-02-13T19:00:00.000Z">02-14</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/richard-brody-presents-the-2026-brody-awards"/>
    <summary>Richard Brody Presents the 2026 Brody Awards - The New Yorker critics Richard Brody and Alexandra Schwartz discuss the year’s best offerings, and how films seem to be getting better these days.</summary>
    <category term="Podcast"/>
    <category term="The New Yorker Radio Hour"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_13__698cb0c4b2a3a53049b9d5c9/</id>
    <title>《爱泼斯坦档案揭露特朗普知情内情》——最新公布的联邦调查局报告显示，唐纳德·特朗普早在2006年就曾就爱泼斯坦的犯罪行为联系警方。《迈阿密先驱报》记者朱莉·K·布朗对此项披露进行了报道。</title>
    <updated>2026-02-13T19:28:19.720Z</updated>
    <published>2026-02-13T19:28:19.720Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698e113d74cd880824ff0172/master/pass/RADIO_HOUR_Epstein_Files_FINAL_2026_02_12.jpg" alt="media.newyorker.com image"></div><div>The Epstein Files Reveal What Trump Knew - A newly released F.B.I. report shows that Donald Trump contacted the police about Epstein’s crimes as early as 2006. The Miami Herald reporter Julie K. Brown discusses the revelations. (<a href="https://www.newyorker.com/news/the-new-yorker-interview/the-epstein-files-reveal-what-trump-knew">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_13__698cb0c4b2a3a53049b9d5c9/"><time class="dt-published published" datetime="2026-02-13T19:00:00.000Z">02-14</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-new-yorker-interview/the-epstein-files-reveal-what-trump-knew"/>
    <summary>The Epstein Files Reveal What Trump Knew - A newly released F.B.I. report shows that Donald Trump contacted the police about Epstein’s crimes as early as 2006. The Miami Herald reporter Julie K. Brown discusses the revelations.</summary>
    <category term="News"/>
    <category term="The New Yorker Interview"/>
    <category term="Podcast"/>
    <category term="The New Yorker Radio Hour"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_13__69023807c459d06f0afcf179/</id>
    <title>曼达尼眼中的纽约：资优教育之争——四任市长接连点燃关于资优教育项目的争论。为何资优教育会引发如此强烈的争议？</title>
    <updated>2026-02-13T17:20:24.438Z</updated>
    <published>2026-02-13T17:20:24.438Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/696fc0c3ade2795e5bf36f24/master/pass/TheNewYorker_Nov25_A_rt.jpg" alt="media.newyorker.com image"></div><div>Gifted and Talented in Mamdani’s New York - Four mayors in a row have inflamed the debate over gifted-and-talented programs. Why does G. &amp; T. stir such strong emotions? (<a href="https://www.newyorker.com/news/the-lede/new-york-citys-gifted-problem">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_13__69023807c459d06f0afcf179/"><time class="dt-published published" datetime="2026-02-13T16:59:37.000Z">02-14</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/new-york-citys-gifted-problem"/>
    <summary>Gifted and Talented in Mamdani’s New York - Four mayors in a row have inflamed the debate over gifted-and-talented programs. Why does G. &amp;amp; T. stir such strong emotions?</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_13__698de74f7d72bc2dc0968ebe/</id>
    <title>每日漫画：2月13日星期五——一幅以最新新闻和事件为灵感创作的漫画。</title>
    <updated>2026-02-13T11:29:15.790Z</updated>
    <published>2026-02-13T11:29:15.790Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/cartoons/698de740057f5e320d5dc0a6/master/pass/A61746.jpg" alt="media.newyorker.com image"></div><div>Daily Cartoon: Friday, February 13th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/friday-february-13th-percentage-cacao">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_13__698de74f7d72bc2dc0968ebe/"><time class="dt-published published" datetime="2026-02-13T11:00:00.000Z">02-13</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/friday-february-13th-percentage-cacao"/>
    <summary>Daily Cartoon: Friday, February 13th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_13__698e337a03f6a8109dd04f49/</id>
    <title>你需要编剧室吗？——我们总以为需要空间来激发创意，但这想法可能恰恰相反。</title>
    <updated>2026-02-13T11:29:15.787Z</updated>
    <published>2026-02-13T11:29:15.787Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698e424280782d23b67904dd/master/pass/Rothman_WritersDesks_Twenty_Five_Karla_Hiraldo_Voleau_14.jpg" alt="media.newyorker.com image"></div><div>Do You Need a Writer’s Room? - We think we need space to be creative—but that might have it exactly backward. (<a href="https://www.newyorker.com/culture/open-questions/do-you-need-a-writers-room">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_13__698e337a03f6a8109dd04f49/"><time class="dt-published published" datetime="2026-02-13T11:00:00.000Z">02-13</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/open-questions/do-you-need-a-writers-room"/>
    <summary>Do You Need a Writer’s Room? - We think we need space to be creative—but that might have it exactly backward.</summary>
    <category term="Culture"/>
    <category term="Open Questions"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_13__698ccedc4c143407b7280667/</id>
    <title>悬疑推理周末：北郊谋杀案——另附：永恒的情人节歌曲精选</title>
    <updated>2026-02-13T11:29:15.783Z</updated>
    <published>2026-02-13T11:29:15.783Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698129416a56722b07c239da/master/pass/Six%20Bells%20Murder%20Mystery%20Weekend_V01.jpg" alt="media.newyorker.com image"></div><div>Whodunnit: The Upstate Murder-Mystery Weekend - Also: Valentine’s songs for the ages. (<a href="https://www.newyorker.com/culture/goings-on/whodunnit-the-upstate-murder-mystery-weekend">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_13__698ccedc4c143407b7280667/"><time class="dt-published published" datetime="2026-02-13T11:00:00.000Z">02-13</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/goings-on/whodunnit-the-upstate-murder-mystery-weekend"/>
    <summary>Whodunnit: The Upstate Murder-Mystery Weekend - Also: Valentine’s songs for the ages.</summary>
    <category term="Culture"/>
    <category term="Goings On"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_13__698caf014c143407b7280412/</id>
    <title>“如果没有言论自由，我们就根本没有自由国家”——唐纳德·特朗普试图将政治言论定为犯罪，这已越过了自1798年以来坚守的底线。</title>
    <updated>2026-02-13T00:18:00.824Z</updated>
    <published>2026-02-13T00:18:00.824Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698e53b827f88cb8dd840f38/master/pass/GLASSER-FIRST-AMENDMENT-GettyImages-2259673231.jpg" alt="media.newyorker.com image"></div><div>“If We Don’t Have Free Speech, Then We Just Don’t Have a Free Country” - Donald Trump’s attempt to criminalize political expression is crossing a line that’s held since 1798. (<a href="https://www.newyorker.com/news/letter-from-trumps-washington/if-we-dont-have-free-speech-then-we-just-dont-have-a-free-country">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_13__698caf014c143407b7280412/"><time class="dt-published published" datetime="2026-02-12T23:57:31.000Z">02-13</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/letter-from-trumps-washington/if-we-dont-have-free-speech-then-we-just-dont-have-a-free-country"/>
    <summary>“If We Don’t Have Free Speech, Then We Just Don’t Have a Free Country” - Donald Trump’s attempt to criminalize political expression is crossing a line that’s held since 1798.</summary>
    <category term="News"/>
    <category term="Letter from Trump’s Washington"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_12__698e0ac4bf6e88792a49e835/</id>
    <title>帕姆·邦迪对国会的蔑视——总检察长把国会监督当成轮滑曲棍球比赛。</title>
    <updated>2026-02-12T21:54:05.159Z</updated>
    <published>2026-02-12T21:54:05.159Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698e17a574cd880824ff0189/master/pass/Marcus-GettyImages-2260533386.jpg" alt="media.newyorker.com image"></div><div>Pam Bondi’s Contempt for Congress - The Attorney General treats oversight like roller derby. (<a href="https://www.newyorker.com/news/the-lede/pam-bondis-contempt-for-congress">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_12__698e0ac4bf6e88792a49e835/"><time class="dt-published published" datetime="2026-02-12T21:28:38.000Z">02-13</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/pam-bondis-contempt-for-congress"/>
    <summary>Pam Bondi’s Contempt for Congress - The Attorney General treats oversight like roller derby.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_12__698def4a06b7e800cf29e819/</id>
    <title>每日漫画：2月12日星期四——一幅以最新新闻和事件为灵感创作的漫画。</title>
    <updated>2026-02-12T16:02:17.423Z</updated>
    <published>2026-02-12T16:02:17.423Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/cartoons/698def3dd720c59037a2cca6/master/pass/A61748.jpg" alt="media.newyorker.com image"></div><div>Daily Cartoon: Thursday, February 12th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/thursday-february-12th-just-redact">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_12__698def4a06b7e800cf29e819/"><time class="dt-published published" datetime="2026-02-12T15:45:00.000Z">02-12</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/thursday-february-12th-just-redact"/>
    <summary>Daily Cartoon: Thursday, February 12th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_12__6982596afada0418eb99d79c/</id>
    <title>一场骇人骗局及其背后的制度温床——产品责任诉讼本可为企业失误的受害者伸张正义，但复杂而隐蔽的诉讼流程却为诈骗者提供了可乘之机。</title>
    <updated>2026-02-12T14:43:11.051Z</updated>
    <published>2026-02-12T14:43:11.051Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6983804530a34621518df65a/master/pass/1%20(1).jpg" alt="media.newyorker.com image"></div><div>A Terrifying Scam and the System That Made It Possible - Product-liability lawsuits can bring justice for people harmed by corporate failure. But a complicated, opaque process provides opportunities for con artists. (<a href="https://www.newyorker.com/books/under-review/a-terrifying-scam-and-the-system-that-made-it-possible">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_12__6982596afada0418eb99d79c/"><time class="dt-published published" datetime="2026-02-12T14:15:22.000Z">02-12</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/under-review/a-terrifying-scam-and-the-system-that-made-it-possible"/>
    <summary>A Terrifying Scam and the System That Made It Possible - Product-liability lawsuits can bring justice for people harmed by corporate failure. But a complicated, opaque process provides opportunities for con artists.</summary>
    <category term="Books"/>
    <category term="Under Review"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_12__6966691ca72fc5a60a968578/</id>
    <title>什么是爱？——在我成长过程中，父母从未对我说过“我爱你”。</title>
    <updated>2026-02-12T11:15:50.680Z</updated>
    <published>2026-02-12T11:15:50.680Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698cbd194a89b1f766f834d4/master/pass/0_Huang_love.jpg" alt="media.newyorker.com image"></div><div>What Is Love? - My parents never said “I love you” to me when I was growing up. (<a href="https://www.newyorker.com/humor/shouts-murmurs/what-is-love">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_12__6966691ca72fc5a60a968578/"><time class="dt-published published" datetime="2026-02-12T11:00:00.000Z">02-12</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shouts-murmurs/what-is-love"/>
    <summary>What Is Love? - My parents never said “I love you” to me when I was growing up.</summary>
    <category term="Humor"/>
    <category term="Shouts &amp; Murmurs"/>
    <category term="Sketchbook"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_12__6987b6b03a904a48ebfdcc54/</id>
    <title>习近平的清洗行动与特朗普外交政策对中国意味着什么——近期军事清洗背后的权谋博弈，以及中国是否在特朗普对欧洲的强硬姿态中看到机遇。</title>
    <updated>2026-02-12T11:15:50.676Z</updated>
    <published>2026-02-12T11:15:50.676Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6988db4dd7d6047a3b69d0ce/master/pass/Chotiner:Q&ABishop:GettyImages-2243556854.jpg.jpg.jpg.jpg" alt="media.newyorker.com image"></div><div>Xi Jinping’s Purge and What Trump’s Foreign Policy Means for China - The machinations behind his recent military purge, and whether China sees an opportunity in Donald Trump’s aggression toward Europe. (<a href="https://www.newyorker.com/news/q-and-a/what-does-xi-jinping-want">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_12__6987b6b03a904a48ebfdcc54/"><time class="dt-published published" datetime="2026-02-12T11:00:00.000Z">02-12</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/q-and-a/what-does-xi-jinping-want"/>
    <summary>Xi Jinping’s Purge and What Trump’s Foreign Policy Means for China - The machinations behind his recent military purge, and whether China sees an opportunity in Donald Trump’s aggression toward Europe.</summary>
    <category term="News"/>
    <category term="Q. &amp; A."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_12__698cf3cb604b36997db06aef/</id>
    <title>查莉·XCX错失良机——这位流行歌星的新片戏仿了那些粉饰名人形象的纪录片，但她的讽刺手法同样令人不尽兴。</title>
    <updated>2026-02-12T11:15:50.672Z</updated>
    <published>2026-02-12T11:15:50.672Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/650b59e2f49b447c4924fa7b/master/pass/CAL-WEB.png" alt="media.newyorker.com image"></div><div>Charli XCX Misses the Moment - The pop star’s new film parodies documentaries that sanitize their celebrity subjects—but her satire isn’t any more satisfying. (<a href="https://www.newyorker.com/podcast/critics-at-large/charli-xcx-misses-the-moment">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_12__698cf3cb604b36997db06aef/"><time class="dt-published published" datetime="2026-02-12T11:00:00.000Z">02-12</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/critics-at-large/charli-xcx-misses-the-moment"/>
    <summary>Charli XCX Misses the Moment - The pop star’s new film parodies documentaries that sanitize their celebrity subjects—but her satire isn’t any more satisfying.</summary>
    <category term="Podcast"/>
    <category term="Critics at Large"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_12__693c3dcfb8947897d23eba8f/</id>
    <title>鼠患战争结束了吗？——在纽约，一位"鼠患沙皇"和新方法使投诉数量大幅下降。我们甚至可能准备好欣赏这些生物了。</title>
    <updated>2026-02-12T11:15:50.668Z</updated>
    <published>2026-02-12T11:15:50.668Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/697d223ad8bad115473eaf6f/master/pass/GALCHEN-NYC-RATS_Buricelli.jpg" alt="media.newyorker.com image"></div><div>Is the Rat War Over? - In New York, a rat czar and new methods have brought down complaints. We may even be ready to appreciate the creatures. (<a href="https://www.newyorker.com/science/elements/is-the-rat-war-over">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_12__693c3dcfb8947897d23eba8f/"><time class="dt-published published" datetime="2026-02-12T11:00:00.000Z">02-12</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/science/elements/is-the-rat-war-over"/>
    <summary>Is the Rat War Over? - In New York, a rat czar and new methods have brought down complaints. We may even be ready to appreciate the creatures.</summary>
    <category term="Science"/>
    <category term="Elements"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_12__698b65026add34e3198fdc9e/</id>
    <title>人类能否掌控自身创造之物？——在克劳德人工智能背后的公司内部，研究人员正试图理解那些可能已超出他们掌控的系统。</title>
    <updated>2026-02-12T01:09:02.864Z</updated>
    <published>2026-02-12T01:09:02.864Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/master/pass/The%20Political%20Scene%20In%20Conversation.jpg" alt="media.newyorker.com image"></div><div>Can Anthropic Control What It''s Building? - Inside the company behind Claude, researchers are trying to understand systems that may have already exceeded their grasp. (<a href="https://www.newyorker.com/podcast/political-scene/anthropic-is-in-a-race-ai-against-its-own-ai">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_12__698b65026add34e3198fdc9e/"><time class="dt-published published" datetime="2026-02-12T01:00:00.000Z">02-12</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/political-scene/anthropic-is-in-a-race-ai-against-its-own-ai"/>
    <summary>Can Anthropic Control What It''s Building? - Inside the company behind Claude, researchers are trying to understand systems that may have already exceeded their grasp.</summary>
    <category term="Podcast"/>
    <category term="The Political Scene Podcast"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_11__698bac15f74f1c96431585f4/</id>
    <title>《犯罪101》导演谈最爱的反西部片——巴特·莱顿的新片由哈莉·贝瑞、克里斯·海姆斯沃斯和马克·鲁法洛主演，他谈及几部自己最爱的小说，这些作品质疑了边疆浪漫主义。</title>
    <updated>2026-02-11T21:26:07.201Z</updated>
    <published>2026-02-11T21:26:07.201Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6851c4bc2e50bf4f03899837/master/pass/BookCurrents_SocialSite.jpg" alt="media.newyorker.com image"></div><div>The Director of “Crime 101” on His Favorite Anti-Western Westerns - Bart Layton, whose new film stars Halle Berry, Chris Hemsworth, and Mark Ruffalo, discusses a few of his favorite novels that question the romance of the frontier. (<a href="https://www.newyorker.com/books/book-currents/the-director-of-crime-101-on-his-favorite-anti-western-westerns">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_11__698bac15f74f1c96431585f4/"><time class="dt-published published" datetime="2026-02-11T21:00:00.000Z">02-12</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/book-currents/the-director-of-crime-101-on-his-favorite-anti-western-westerns"/>
    <summary>The Director of “Crime 101” on His Favorite Anti-Western Westerns - Bart Layton, whose new film stars Halle Berry, Chris Hemsworth, and Mark Ruffalo, discusses a few of his favorite novels that question the romance of the frontier.</summary>
    <category term="Books"/>
    <category term="Book Currents"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_11__698ca03c696f2d74eda5fa24/</id>
    <title>每日漫画：2月11日星期三——一幅以最新新闻和事件为灵感创作的漫画。</title>
    <updated>2026-02-11T15:50:23.663Z</updated>
    <published>2026-02-11T15:50:23.663Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/cartoons/698c9e5f19b68cb55caaa174/master/pass/A61700.jpg" alt="media.newyorker.com image"></div><div>Daily Cartoon: Wednesday, February 11th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/daily-cartoon-wednesday-february-11th-couple-figure-skating">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_11__698ca03c696f2d74eda5fa24/"><time class="dt-published published" datetime="2026-02-11T15:44:03.000Z">02-11</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/daily-cartoon-wednesday-february-11th-couple-figure-skating"/>
    <summary>Daily Cartoon: Wednesday, February 11th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_11__697b882bb9e8977498e20ad4/</id>
    <title>为何你会被认为有魅力——若你在马桶上如厕时被人认为有魅力，请立即报警。你正被变态偷窥。是时候把浴室墙上的窥视孔封死了。</title>
    <updated>2026-02-11T11:17:58.404Z</updated>
    <published>2026-02-11T11:17:58.404Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698a5908dce6c0f37cf24522/master/pass/Shouts-GettyImages-2149156373.jpg" alt="media.newyorker.com image"></div><div>Why You’re Considered Attractive - If you are deemed attractive while sitting on the toilet, call the police. You are being spied on by a pervert. It might be time to plaster over the peephole in your bathroom wall. (<a href="https://www.newyorker.com/humor/shouts-murmurs/why-youre-considered-attractive">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_11__697b882bb9e8977498e20ad4/"><time class="dt-published published" datetime="2026-02-11T11:00:00.000Z">02-11</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shouts-murmurs/why-youre-considered-attractive"/>
    <summary>Why You’re Considered Attractive - If you are deemed attractive while sitting on the toilet, call the police. You are being spied on by a pervert. It might be time to plaster over the peephole in your bathroom wall.</summary>
    <category term="Humor"/>
    <category term="Shouts &amp; Murmurs"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_11__6986505c0f4cbfaf7802e590/</id>
    <title>我们为何喜欢音乐？——患有音乐快感缺失症的人群（一种罕见的无法享受音乐的病症）正帮助科学家们理解大脑如何处理歌曲。</title>
    <updated>2026-02-11T11:17:58.400Z</updated>
    <published>2026-02-11T11:17:58.400Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698badd00c44b6515f01a78c/master/pass/finalart_gracejkim.jpg" alt="media.newyorker.com image"></div><div>Why Do We Like Music? - People with musical anhedonia, a rare inability to enjoy music, are teaching scientists how the brain processes songs. (<a href="https://www.newyorker.com/culture/annals-of-inquiry/why-do-we-like-music">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_11__6986505c0f4cbfaf7802e590/"><time class="dt-published published" datetime="2026-02-11T11:00:00.000Z">02-11</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/annals-of-inquiry/why-do-we-like-music"/>
    <summary>Why Do We Like Music? - People with musical anhedonia, a rare inability to enjoy music, are teaching scientists how the brain processes songs.</summary>
    <category term="Culture"/>
    <category term="Annals of Inquiry"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_11__698b7cf186146b7b4986745c/</id>
    <title>伊朗连医院都不安全——当政权强行要求人们遗忘一月份的屠杀事件时，其打击目标不仅包括受伤的抗议者，更延伸至目睹过最严重暴行的医护人员。</title>
    <updated>2026-02-11T11:17:58.397Z</updated>
    <published>2026-02-11T11:17:58.397Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698baa55f74f1c96431585a9/master/pass/IRAN_SCANS_BW_FINAL.png" alt="media.newyorker.com image"></div><div>Even the Hospitals Aren’t Safe in Iran - As the regime imposes a forced forgetting of the massacres in January, it has begun targeting not only wounded protesters but medical workers, who have borne witness to some of the worst atrocities. (<a href="https://www.newyorker.com/news/the-lede/cora-engelbrecht-lede-iran-waits-for-war">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_11__698b7cf186146b7b4986745c/"><time class="dt-published published" datetime="2026-02-11T11:00:00.000Z">02-11</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/cora-engelbrecht-lede-iran-waits-for-war"/>
    <summary>Even the Hospitals Aren’t Safe in Iran - As the regime imposes a forced forgetting of the massacres in January, it has begun targeting not only wounded protesters but medical workers, who have borne witness to some of the worst atrocities.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_10__698b4865b218d7815e7013e4/</id>
    <title>每日漫画：2月10日星期二——一幅以最新新闻和事件为灵感创作的漫画。</title>
    <updated>2026-02-10T15:52:44.822Z</updated>
    <published>2026-02-10T15:52:44.822Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/cartoons/698b484cd0df73ef5c7889f4/master/pass/A61744.jpg" alt="media.newyorker.com image"></div><div>Daily Cartoon: Tuesday, February 10th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/tuesday-february-10th-minor-mistakes">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_10__698b4865b218d7815e7013e4/"><time class="dt-published published" datetime="2026-02-10T15:21:33.000Z">02-10</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/tuesday-february-10th-minor-mistakes"/>
    <summary>Daily Cartoon: Tuesday, February 10th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_10__69853595111147049ea9601b/</id>
    <title>《总统的蛋糕》影评：来自伊拉克的新现实主义瑰宝——哈桑·哈迪的首部剧情长片，以1990年为背景，通过一名女学生在生死攸关的一天中所经历的战争与独裁统治的苦难，展现了战争与独裁统治的残酷。</title>
    <updated>2026-02-10T13:13:38.100Z</updated>
    <published>2026-02-10T13:13:38.100Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69865e1d128c7a44d0989f3a/master/pass/Brody_ThePresidentsCake_MCDPRCA_SP010.jpg" alt="media.newyorker.com image"></div><div>“The President’s Cake” Movie Review: A Neorealist Treasure from Iraq - The first feature by Hasan Hadi, set in 1990, depicts the agonies of war and dictatorship as experienced by a schoolgirl in the course of a high-stakes day. (<a href="https://www.newyorker.com/culture/the-front-row/the-presidents-cake-is-a-neorealist-treasure-from-iraq">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_10__69853595111147049ea9601b/"><time class="dt-published published" datetime="2026-02-10T13:02:14.000Z">02-10</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-front-row/the-presidents-cake-is-a-neorealist-treasure-from-iraq"/>
    <summary>“The President’s Cake” Movie Review: A Neorealist Treasure from Iraq - The first feature by Hasan Hadi, set in 1990, depicts the agonies of war and dictatorship as experienced by a schoolgirl in the course of a high-stakes day.</summary>
    <category term="Culture"/>
    <category term="The Front Row"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_10__69850ec0713bac132ddd691e/</id>
    <title>塑造前边境巡逻总指挥官格雷戈里·博维诺的电影——在领导特朗普政府明尼阿波利斯移民执法行动的数年前，博维诺曾观看过1982年杰克·尼科尔森主演的电影《边境》。</title>
    <updated>2026-02-10T11:21:41.818Z</updated>
    <published>2026-02-10T11:21:41.818Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69850e17fb200313fc29f82f/master/pass/NAZARYAN-THE-BORDER-MMDBORD_EC003.jpg" alt="media.newyorker.com image"></div><div>The Movie That Shaped the Former Border Patrol Commander-at-Large Gregory Bovino - Years before he led the Trump Administration’s immigration-enforcement effort in Minneapolis, Bovino saw the 1982 Jack Nicholson film “The Border.” (<a href="https://www.newyorker.com/culture/the-lede/the-movie-that-shaped-a-former-border-patrol-chief">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_10__69850ec0713bac132ddd691e/"><time class="dt-published published" datetime="2026-02-10T11:00:00.000Z">02-10</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-lede/the-movie-that-shaped-a-former-border-patrol-chief"/>
    <summary>The Movie That Shaped the Former Border Patrol Commander-at-Large Gregory Bovino - Years before he led the Trump Administration’s immigration-enforcement effort in Minneapolis, Bovino saw the 1982 Jack Nicholson film “The Border.”</summary>
    <category term="Culture"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_10__698631a02624d421e839347a/</id>
    <title>“麦当纳德正念”与资本主义下的灵性命运——一行禅师曾将正念视为理解万物“互即互入”的途径，但其社会维度却已被普遍遗忘。</title>
    <updated>2026-02-10T11:21:41.814Z</updated>
    <published>2026-02-10T11:21:41.814Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698a55ba9fc6b2acfd465b5f/master/pass/hiresArtboard%202.jpg" alt="media.newyorker.com image"></div><div>“McMindfulness” and the Fate of Spirituality Under Capitalism - Thich Nhat Hanh saw mindfulness as a way to understand the “interbeing” between all forms of life, but its social dimension has been largely forgotten. (<a href="https://www.newyorker.com/news/fault-lines/can-mindfulness-be-a-path-to-activism">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_10__698631a02624d421e839347a/"><time class="dt-published published" datetime="2026-02-10T11:00:00.000Z">02-10</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/fault-lines/can-mindfulness-be-a-path-to-activism"/>
    <summary>“McMindfulness” and the Fate of Spirituality Under Capitalism - Thich Nhat Hanh saw mindfulness as a way to understand the “interbeing” between all forms of life, but its social dimension has been largely forgotten.</summary>
    <category term="News"/>
    <category term="Fault Lines"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_10__6972572fb88729c5a5628eac/</id>
    <title>当配偶没注意到你情绪低落时该怎么办——制造噪音。巨大的噪音。想象你刚遇到一只熊。</title>
    <updated>2026-02-10T11:21:41.811Z</updated>
    <published>2026-02-10T11:21:41.810Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698a0515637310ca20a6a8fd/master/pass/0_Waksman_spouse.jpg" alt="media.newyorker.com image"></div><div>What to Do When Your Spouse Doesn’t Notice You’re Down - Make noise. A lot of noise. Imagine you’ve just encountered a bear. (<a href="https://www.newyorker.com/humor/shouts-murmurs/what-to-do-when-your-spouse-doesnt-notice-youre-down">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_10__6972572fb88729c5a5628eac/"><time class="dt-published published" datetime="2026-02-10T11:00:00.000Z">02-10</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shouts-murmurs/what-to-do-when-your-spouse-doesnt-notice-youre-down"/>
    <summary>What to Do When Your Spouse Doesn’t Notice You’re Down - Make noise. A lot of noise. Imagine you’ve just encountered a bear.</summary>
    <category term="Humor"/>
    <category term="Shouts &amp; Murmurs"/>
    <category term="Sketchbook"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_10__6986a5f0283bd9bcd3a48ff8/</id>
    <title>《华盛顿邮报》图书版停刊——对读者意味着什么</title>
    <updated>2026-02-10T11:21:41.807Z</updated>
    <published>2026-02-10T11:21:41.807Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698a02acc4e51169d19aaa7c/master/pass/new%20yorker-washington%20post-books-bleedArtboard%201.jpg" alt="media.newyorker.com image"></div><div>The End of Books Coverage at the Washington Post - What the closing of the Washington Post’s books section means for readers. (<a href="https://www.newyorker.com/books/page-turner/the-death-of-book-world">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_10__6986a5f0283bd9bcd3a48ff8/"><time class="dt-published published" datetime="2026-02-10T11:00:00.000Z">02-10</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/page-turner/the-death-of-book-world"/>
    <summary>The End of Books Coverage at the Washington Post - What the closing of the Washington Post’s books section means for readers.</summary>
    <category term="Books"/>
    <category term="Page-Turner"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_10__698a358a7dd6e2f651b5507a/</id>
    <title>日本右倾背后的女性推手——首位女性首相高市早苗如何在上周末选举中大获全胜</title>
    <updated>2026-02-10T00:44:14.408Z</updated>
    <published>2026-02-10T00:44:14.408Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698a37966da39e14ad59eee9/master/pass/CHOTINER-Q&A-with-Andrew-Gordon-GettyImages-2260142029.jpg" alt="media.newyorker.com image"></div><div>The Woman Behind Japan’s Rightward Shift - How Sanae Takaichi, the country’s first female Prime Minister, won big in last weekend’s election. (<a href="https://www.newyorker.com/news/q-and-a/the-woman-behind-japans-rightward-shift">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_10__698a358a7dd6e2f651b5507a/"><time class="dt-published published" datetime="2026-02-10T00:22:11.000Z">02-10</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/q-and-a/the-woman-behind-japans-rightward-shift"/>
    <summary>The Woman Behind Japan’s Rightward Shift - How Sanae Takaichi, the country’s first female Prime Minister, won big in last weekend’s election.</summary>
    <category term="News"/>
    <category term="Q. &amp; A."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__69836a55f23c4cc71eed7e27/</id>
    <title>艾默拉德·芬奈尔的《呼啸山庄》始终未能触及深层——玛格特·罗比与雅各布·埃洛迪在这一浮夸而肤浅的改编版中，演绎出如同纸娃娃般的凯瑟琳与希斯克利夫。</title>
    <updated>2026-02-09T20:11:53.698Z</updated>
    <published>2026-02-09T20:11:53.698Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69865f7856122cb09b087f65/master/pass/854E492D-F969-476B-8F46-05CCDB66B3E0.jpeg" alt="media.newyorker.com image"></div><div>Emerald Fennell’s “Wuthering Heights” Never Plumbs the Depths - Margot Robbie and Jacob Elordi play a paper-doll Catherine and Heathcliff in an extravagantly superficial adaptation of Emily Brontë’s novel. (<a href="https://www.newyorker.com/culture/the-current-cinema/emerald-fennells-wuthering-heights-never-plumbs-the-depths">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__69836a55f23c4cc71eed7e27/"><time class="dt-published published" datetime="2026-02-09T20:00:00.000Z">02-10</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-current-cinema/emerald-fennells-wuthering-heights-never-plumbs-the-depths"/>
    <summary>Emerald Fennell’s “Wuthering Heights” Never Plumbs the Depths - Margot Robbie and Jacob Elordi play a paper-doll Catherine and Heathcliff in an extravagantly superficial adaptation of Emily Brontë’s novel.</summary>
    <category term="Culture"/>
    <category term="The Current Cinema"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__698a1679b98527bf6dd118f3/</id>
    <title>每日漫画：2月9日星期一——一幅以最新新闻和事件为灵感的漫画。</title>
    <updated>2026-02-09T18:19:42.779Z</updated>
    <published>2026-02-09T18:19:42.779Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/cartoons/698a14d3b98527bf6dd118ee/master/pass/A61643.jpeg" alt="media.newyorker.com image"></div><div>Daily Cartoon: Monday, February 9th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/monday-february-9th-bad-bunny-garden">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__698a1679b98527bf6dd118f3/"><time class="dt-published published" datetime="2026-02-09T17:39:06.000Z">02-10</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/monday-february-9th-bad-bunny-garden"/>
    <summary>Daily Cartoon: Monday, February 9th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__69864ad1d6ae3cf1ad3fc3c3/</id>
    <title>杰弗里·爱泼斯坦的精英篝火——他的通信揭示了一个稀薄的世界，金钱似乎能买到——或收买——几乎任何东西，而道德顾虑只属于意志薄弱者。</title>
    <updated>2026-02-09T11:34:50.739Z</updated>
    <published>2026-02-09T11:34:50.739Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6986738dc6d685416b1f98bd/master/pass/Cassidy-AP26031020763767.jpg" alt="media.newyorker.com image"></div><div>Jeffrey Epstein’s Bonfire of the Élites - His correspondence illuminates a rarefied world in which money can seemingly buy—or buy off—virtually anything, and ethical qualms are for the weak-minded. (<a href="https://www.newyorker.com/news/the-financial-page/jeffrey-epsteins-bonfire-of-the-elites">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__69864ad1d6ae3cf1ad3fc3c3/"><time class="dt-published published" datetime="2026-02-09T11:00:00.000Z">02-09</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-financial-page/jeffrey-epsteins-bonfire-of-the-elites"/>
    <summary>Jeffrey Epstein’s Bonfire of the Élites - His correspondence illuminates a rarefied world in which money can seemingly buy—or buy off—virtually anything, and ethical qualms are for the weak-minded.</summary>
    <category term="News"/>
    <category term="The Financial Page"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__69820272fada0418eb99d79b/</id>
    <title>《第一首颂歌》，里卡多·雷伊斯作——“我们的人生里既无悲伤亦无欢愉。”</title>
    <updated>2026-02-09T11:34:50.736Z</updated>
    <published>2026-02-09T11:34:50.736Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/5d484efc773ec90008696e14/master/pass/hp-poetryspots11.jpg" alt="media.newyorker.com image"></div><div>“Ode 1,” by Ricardo Reis - “There are no sorrows / In our lives / Nor joys either.” (<a href="https://www.newyorker.com/magazine/2026/02/16/ode-1-ricardo-reis-poem">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__69820272fada0418eb99d79b/"><time class="dt-published published" datetime="2026-02-09T11:00:00.000Z">02-09</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/16/ode-1-ricardo-reis-poem"/>
    <summary>“Ode 1,” by Ricardo Reis - “There are no sorrows / In our lives / Nor joys either.”</summary>
    <category term="Magazine"/>
    <category term="Poems"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__6982027caa7907cf1c54d035/</id>
    <title>韩江《一片很小的雪花》——“你 / 仿佛在跳舞 / 仿佛在缓缓起舞，靠近 / 我的脸庞。”</title>
    <updated>2026-02-09T11:34:50.732Z</updated>
    <published>2026-02-09T11:34:50.732Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/5d484f2807028900096464cf/master/pass/hp-poetryspots12.jpg" alt="media.newyorker.com image"></div><div>“A Very Small Snowflake,” by Han Kang - “You / As if dancing / As if slowly dancing, approach / My face.” (<a href="https://www.newyorker.com/magazine/2026/02/16/a-very-small-snowflake-han-kang-poem">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__6982027caa7907cf1c54d035/"><time class="dt-published published" datetime="2026-02-09T11:00:00.000Z">02-09</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/16/a-very-small-snowflake-han-kang-poem"/>
    <summary>“A Very Small Snowflake,” by Han Kang - “You / As if dancing / As if slowly dancing, approach / My face.”</summary>
    <category term="Magazine"/>
    <category term="Poems"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__698202766737a0cfca472b9e/</id>
    <title>克劳德是什么？人类也不清楚——该公司研究人员正试图理解其人工智能系统的思维：检查其神经元，进行心理学实验，甚至让它躺在心理治疗的沙发上。</title>
    <updated>2026-02-09T11:34:50.729Z</updated>
    <published>2026-02-09T11:34:50.729Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6983b53e1f02268bd591ceb0/master/pass/r48623.png" alt="media.newyorker.com image"></div><div>What Is Claude? Anthropic Doesn’t Know, Either - Researchers at the company are trying to understand their A.I. system’s mind—examining its neurons, running it through psychology experiments, and putting it on the therapy couch. (<a href="https://www.newyorker.com/magazine/2026/02/16/what-is-claude-anthropic-doesnt-know-either">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__698202766737a0cfca472b9e/"><time class="dt-published published" datetime="2026-02-09T11:00:00.000Z">02-09</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/16/what-is-claude-anthropic-doesnt-know-either"/>
    <summary>What Is Claude? Anthropic Doesn’t Know, Either - Researchers at the company are trying to understand their A.I. system’s mind—examining its neurons, running it through psychology experiments, and putting it on the therapy couch.</summary>
    <category term="Magazine"/>
    <category term="Annals of Inquiry"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__6982025cb08f52fa6cc49642/</id>
    <title>读者来信——读者们就艾米丽·弗莱克关于爱丽丝·哈维的漫画、大卫·欧文关于阅读障碍的文章、詹妮弗·威尔逊关于婚前协议的报道以及路易斯·梅南德关于词典的随笔发表了看法。</title>
    <updated>2026-02-09T11:34:50.725Z</updated>
    <published>2026-02-09T11:34:50.725Z</published>
    <content type="html"><![CDATA[<div>Letters from Our Readers - Readers respond to Emily Flake’s comic strip about Alice Harvey, David Owen’s article about dyslexia, Jennifer Wilson’s piece on prenups, and Louis Menand’s essay about the dictionary. (<a href="https://www.newyorker.com/magazine/2026/02/16/letters-from-the-february-16-and-23-2026-issue">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__6982025cb08f52fa6cc49642/"><time class="dt-published published" datetime="2026-02-09T11:00:00.000Z">02-09</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/16/letters-from-the-february-16-and-23-2026-issue"/>
    <summary>Letters from Our Readers - Readers respond to Emily Flake’s comic strip about Alice Harvey, David Owen’s article about dyslexia, Jennifer Wilson’s piece on prenups, and Louis Menand’s essay about the dictionary.</summary>
    <category term="Magazine"/>
    <category term="The Mail"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__69820268fada0418eb99d79a/</id>
    <title>景观艺术家安迪·戈尔兹沃西沉思自身自然衰败——在苏格兰乡村，以运用天然材料闻名的雕塑家安迪·戈尔兹沃西，正凝视着自身的衰败。</title>
    <updated>2026-02-09T11:34:50.722Z</updated>
    <published>2026-02-09T11:34:50.722Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6981007cb8f52338627c273a/master/pass/r48373.jpg" alt="media.newyorker.com image"></div><div>The Landscape Artist Andy Goldsworthy Contemplates His Own Natural Decay - In rural Scotland, Andy Goldsworthy, the sculptor famed for his use of natural materials, contemplates his own decay. (<a href="https://www.newyorker.com/magazine/2026/02/16/a-landscape-artist-in-winter">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__69820268fada0418eb99d79a/"><time class="dt-published published" datetime="2026-02-09T11:00:00.000Z">02-09</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/16/a-landscape-artist-in-winter"/>
    <summary>The Landscape Artist Andy Goldsworthy Contemplates His Own Natural Decay - In rural Scotland, Andy Goldsworthy, the sculptor famed for his use of natural materials, contemplates his own decay.</summary>
    <category term="Magazine"/>
    <category term="Onward and Upward with the Arts"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__698203226313094fa3fbc089/</id>
    <title>收听《乔·罗根体验》——闲聊天赋如何演变为网络帝国与政治力量</title>
    <updated>2026-02-09T11:34:50.718Z</updated>
    <published>2026-02-09T11:34:50.718Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69839c0f52c74fb1bb3285fe/master/pass/r48369.jpg" alt="media.newyorker.com image"></div><div>Listening to “The Joe Rogan Experience” - How a gift for shooting the shit turned into an online empire—and a political force. (<a href="https://www.newyorker.com/magazine/2026/02/16/how-joe-rogan-became-the-most-powerful-podcaster-in-america">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__698203226313094fa3fbc089/"><time class="dt-published published" datetime="2026-02-09T11:00:00.000Z">02-09</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/16/how-joe-rogan-became-the-most-powerful-podcaster-in-america"/>
    <summary>Listening to “The Joe Rogan Experience” - How a gift for shooting the shit turned into an online empire—and a political force.</summary>
    <category term="Magazine"/>
    <category term="A Critic at Large"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__6984ce22fb200313fc29f57c/</id>
    <title>有影响力者如何结交有影响力之友——行为科学家乔恩·莱维为精英阶层举办晚宴。关键条件？无人可透露自己的职业身份。</title>
    <updated>2026-02-09T11:34:50.714Z</updated>
    <published>2026-02-09T11:34:50.714Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69852e4293ed38172f2472d3/master/pass/r48633.png" alt="media.newyorker.com image"></div><div>How the Influential Make Influential Friends - The behavioral scientist Jon Levy hosts dinners for the élite. The catch? No one can say what they do for a living. (<a href="https://www.newyorker.com/magazine/2026/02/16/how-the-influential-make-influential-friends">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__6984ce22fb200313fc29f57c/"><time class="dt-published published" datetime="2026-02-09T11:00:00.000Z">02-09</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/16/how-the-influential-make-influential-friends"/>
    <summary>How the Influential Make Influential Friends - The behavioral scientist Jon Levy hosts dinners for the élite. The catch? No one can say what they do for a living.</summary>
    <category term="Magazine"/>
    <category term="Dept. of Bonding"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__6984ce25f28ebce44d316ad4/</id>
    <title>《卡瓦利尔与克莱》的惊人艺术创举——贾米安·朱利亚诺-维拉尼的画作曾陈列于惠特尼美术馆和古根海姆博物馆。她的最新展场？大都会歌剧院的反法西斯超级英雄主题展览。</title>
    <updated>2026-02-09T11:34:50.711Z</updated>
    <published>2026-02-09T11:34:50.711Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69852e3c111147049ea95ff5/master/pass/r48635.png" alt="media.newyorker.com image"></div><div>The Amazing Art Ventures of “Kavalier & Clay” - Jamian Juliano-Villani’s paintings hang in the Whitney and the Guggenheim. Her latest venue? An antifascist-superhero exhibit at the Metropolitan Opera. (<a href="https://www.newyorker.com/magazine/2026/02/16/the-amazing-art-ventures-of-kavalier-and-clay">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__6984ce25f28ebce44d316ad4/"><time class="dt-published published" datetime="2026-02-09T11:00:00.000Z">02-09</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/16/the-amazing-art-ventures-of-kavalier-and-clay"/>
    <summary>The Amazing Art Ventures of “Kavalier &amp; Clay” - Jamian Juliano-Villani’s paintings hang in the Whitney and the Guggenheim. Her latest venue? An antifascist-superhero exhibit at the Metropolitan Opera.</summary>
    <category term="Magazine"/>
    <category term="Adaptation"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__698203349f5e49d18664b18a/</id>
    <title>理查德·霍姆斯论丁尼生与科学时代的诗歌——他的诗歌直面现实、时间与悲恸的浩瀚，迎战因关于天地的新真理而颠覆的世界。</title>
    <updated>2026-02-09T11:34:50.707Z</updated>
    <published>2026-02-09T11:34:50.707Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69826bb1a0c5601c05f010fe/master/pass/r48494.jpg" alt="media.newyorker.com image"></div><div>Richard Holmes on Tennyson and Poetry in an Age of Science - His poetry reckoned with the immensities of reality, time, and grief, confronting a world upended by new truths about the earth and the heavens. (<a href="https://www.newyorker.com/magazine/2026/02/16/the-boundless-deep-richard-holmes-book-review">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__698203349f5e49d18664b18a/"><time class="dt-published published" datetime="2026-02-09T11:00:00.000Z">02-09</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/16/the-boundless-deep-richard-holmes-book-review"/>
    <summary>Richard Holmes on Tennyson and Poetry in an Age of Science - His poetry reckoned with the immensities of reality, time, and grief, confronting a world upended by new truths about the earth and the heavens.</summary>
    <category term="Magazine"/>
    <category term="Books"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__6982032da5b9f6054360a170/</id>
    <title>《游戏制造者》书评：为每个孩子提供玩具的竞赛在人类历史上很长一段时间里，父母无法为孩子购买玩偶、动作人偶之类的商品。而后，游戏时间逐渐演变成一项大生意。</title>
    <updated>2026-02-09T11:34:50.704Z</updated>
    <published>2026-02-09T11:34:50.704Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69826bb2e29787400e0eb784/master/pass/r48493.jpg" alt="media.newyorker.com image"></div><div>“Playmakers,” Reviewed: The Race to Give Every Child a Toy - For most of history, parents couldn’t buy their kids dolls, action figures, or the like. Then playtime became big business. (<a href="https://www.newyorker.com/magazine/2026/02/16/playmakers-the-jewish-entrepreneurs-who-created-the-toy-industry-in-america-michael-kimmel-book-review">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__6982032da5b9f6054360a170/"><time class="dt-published published" datetime="2026-02-09T11:00:00.000Z">02-09</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/16/playmakers-the-jewish-entrepreneurs-who-created-the-toy-industry-in-america-michael-kimmel-book-review"/>
    <summary>“Playmakers,” Reviewed: The Race to Give Every Child a Toy - For most of history, parents couldn’t buy their kids dolls, action figures, or the like. Then playtime became big business.</summary>
    <category term="Magazine"/>
    <category term="Books"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__6982033eafa37297f9cff812/</id>
    <title>《行业》：青春湮灭的写照——在HBO热门剧集新季中，年轻主角们已离开造就他们的交易大厅。他们的人生第二幕正逐渐揭开。</title>
    <updated>2026-02-09T11:34:50.700Z</updated>
    <published>2026-02-09T11:34:50.700Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69826bb21532eca0f9c66025/master/pass/r48515.jpg" alt="media.newyorker.com image"></div><div>“Industry” Is a Study in Wasted Youths - In the new season of the hit HBO series, its young protagonists have left the trading floor that made them. Their second acts are revealing. (<a href="https://www.newyorker.com/magazine/2026/02/16/industry-tv-review-hbo">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__6982033eafa37297f9cff812/"><time class="dt-published published" datetime="2026-02-09T11:00:00.000Z">02-09</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/16/industry-tv-review-hbo"/>
    <summary>“Industry” Is a Study in Wasted Youths - In the new season of the hit HBO series, its young protagonists have left the trading floor that made them. Their second acts are revealing.</summary>
    <category term="Magazine"/>
    <category term="On Television"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__6982026e353fa6a0dbb03d1e/</id>
    <title>洛杉矶豪宅中的神秘婴儿——一对富商夫妇通过代孕获得数十名孩子。他们想要的是家庭，还是别的东西？</title>
    <updated>2026-02-09T11:34:50.696Z</updated>
    <published>2026-02-09T11:34:50.696Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6981011e6737a0cfca472b13/master/pass/r48490.jpg" alt="media.newyorker.com image"></div><div>The Babies Kept in a Mysterious Los Angeles Mansion - A wealthy couple obtained dozens of children through surrogates. Did they want a family, or something else? (<a href="https://www.newyorker.com/magazine/2026/02/16/the-babies-kept-in-a-mysterious-los-angeles-mansion">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__6982026e353fa6a0dbb03d1e/"><time class="dt-published published" datetime="2026-02-09T11:00:00.000Z">02-09</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/16/the-babies-kept-in-a-mysterious-los-angeles-mansion"/>
    <summary>The Babies Kept in a Mysterious Los Angeles Mansion - A wealthy couple obtained dozens of children through surrogates. Did they want a family, or something else?</summary>
    <category term="Magazine"/>
    <category term="A Reporter at Large"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__6982033bd74b68ab6ea9a67a/</id>
    <title>皮埃尔·于热《临界体》展评：柏林伯格海因俱乐部的怪兽在这件令人毛骨悚然、压倒性的全新装置作品《临界体》中，艺术家消解了人类与虚无之间的边界。</title>
    <updated>2026-02-09T11:34:50.693Z</updated>
    <published>2026-02-09T11:34:50.693Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6981230ac8efc2da06e6683f/master/pass/r48496.jpg" alt="media.newyorker.com image"></div><div>Pierre Huyghe’s “Liminals,” Reviewed: A Monster at Halle am Berghain - In “Liminals,” a terrifying, overwhelming new installation, the artist erases the boundary between humans and the void. (<a href="https://www.newyorker.com/magazine/2026/02/16/pierre-huyghes-ai-art-monster-takes-over-a-night-club-in-berlin">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__6982033bd74b68ab6ea9a67a/"><time class="dt-published published" datetime="2026-02-09T11:00:00.000Z">02-09</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/16/pierre-huyghes-ai-art-monster-takes-over-a-night-club-in-berlin"/>
    <summary>Pierre Huyghe’s “Liminals,” Reviewed: A Monster at Halle am Berghain - In “Liminals,” a terrifying, overwhelming new installation, the artist erases the boundary between humans and the void.</summary>
    <category term="Magazine"/>
    <category term="The Art World"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__698202643ae1efa096e8edf3/</id>
    <title>奥兹匹克能治愈成瘾吗？——GLP-1类药物已帮助部分人减少药物和酒精使用，或将开启节制之路。</title>
    <updated>2026-02-09T11:34:50.689Z</updated>
    <published>2026-02-09T11:34:50.689Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69826bb27c8debf97e820d50/master/pass/r48486.jpg" alt="media.newyorker.com image"></div><div>Can Ozempic Cure Addiction? - GLP-1 drugs, which have helped some people curb drug and alcohol use, may unlock a pathway to moderation. (<a href="https://www.newyorker.com/magazine/2026/02/16/can-ozempic-cure-addiction">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__698202643ae1efa096e8edf3/"><time class="dt-published published" datetime="2026-02-09T11:00:00.000Z">02-09</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/16/can-ozempic-cure-addiction"/>
    <summary>Can Ozempic Cure Addiction? - GLP-1 drugs, which have helped some people curb drug and alcohol use, may unlock a pathway to moderation.</summary>
    <category term="Magazine"/>
    <category term="Medical Dispatch"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__6984ce28c7857551ad824d90/</id>
    <title>特奥菲莫·洛佩兹的摇摆舞步——年轻拳手追随穆罕默德·阿里的脚步，舞动身姿击碎下颌。</title>
    <updated>2026-02-09T11:34:50.686Z</updated>
    <published>2026-02-09T11:34:50.686Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69852e410dd74b1262d82ce3/master/pass/r48629.png" alt="media.newyorker.com image"></div><div>Téofimo López’s Swing Dancing - A young boxer follows in the footsteps of Muhammad Ali—busting a move to bust a jaw. (<a href="https://www.newyorker.com/magazine/2026/02/16/teofimo-lopezs-swing-dancing">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__6984ce28c7857551ad824d90/"><time class="dt-published published" datetime="2026-02-09T11:00:00.000Z">02-09</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/16/teofimo-lopezs-swing-dancing"/>
    <summary>Téofimo López’s Swing Dancing - A young boxer follows in the footsteps of Muhammad Ali—busting a move to bust a jaw.</summary>
    <category term="Magazine"/>
    <category term="Knockout Dept."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__6984ce1f74b2d5a2872eb727/</id>
    <title>Fab 5 Freddy，风采依旧——这位布鲁克林出生的艺术家身兼数职：MTV主持人、涂鸦艺术家、嘻哈权威。在哈莱姆区一家帽子专卖店里，他谈及自己最新的工作：撰写回忆录。</title>
    <updated>2026-02-09T11:34:50.682Z</updated>
    <published>2026-02-09T11:34:50.682Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69852ea1114dd1ebaa3b58d3/master/pass/r48631.png" alt="media.newyorker.com image"></div><div>Fab 5 Freddy, Still Fly - The Brooklyn-born artist has worn many hats: MTV host, graffiti artist, hip-hop maven. At a Harlem hat emporium, he talks about his newest gig: writing a memoir. (<a href="https://www.newyorker.com/magazine/2026/02/16/fab-5-freddy-still-fly">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__6984ce1f74b2d5a2872eb727/"><time class="dt-published published" datetime="2026-02-09T11:00:00.000Z">02-09</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/16/fab-5-freddy-still-fly"/>
    <summary>Fab 5 Freddy, Still Fly - The Brooklyn-born artist has worn many hats: MTV host, graffiti artist, hip-hop maven. At a Harlem hat emporium, he talks about his newest gig: writing a memoir.</summary>
    <category term="Magazine"/>
    <category term="Haberdasher Dept."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__6983aa09ea5103c3a8d42a67/</id>
    <title>巴里·布利特的《分屏》——尤斯塔斯看电影。</title>
    <updated>2026-02-09T11:34:50.679Z</updated>
    <published>2026-02-09T11:34:50.679Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6983c8f5ddb654b606813d5c/master/pass/CoverStory-web_box_Tilley_hat.jpg" alt="media.newyorker.com image"></div><div>Barry Blitt’s “Split Screen” - Eustace at the movies. (<a href="https://www.newyorker.com/culture/cover-story/cover-story-2026-02-16">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__6983aa09ea5103c3a8d42a67/"><time class="dt-published published" datetime="2026-02-09T11:00:00.000Z">02-09</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/cover-story/cover-story-2026-02-16"/>
    <summary>Barry Blitt’s “Split Screen” - Eustace at the movies.</summary>
    <category term="Culture"/>
    <category term="Cover Story"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__6980fe506a56722b07c239d4/</id>
    <title>简评书评——《离开关塔那摩》《墙上的舞者》《吞食灰烬》与《臭名昭著的吉尔伯茨家族》</title>
    <updated>2026-02-09T11:34:50.675Z</updated>
    <published>2026-02-09T11:34:50.675Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6980fb0fa1bf0195cde445fe/master/pass/r48587.jpg" alt="media.newyorker.com image"></div><div>Briefly Noted Book Reviews - “Leaving Guantanamo,” “The Wall Dancers,” “Eating Ashes,” and “The Infamous Gilberts.” (<a href="https://www.newyorker.com/magazine/2026/02/16/leaving-guantanamo-the-wall-dancers-eating-ashes-the-infamous-gilberts">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__6980fe506a56722b07c239d4/"><time class="dt-published published" datetime="2026-02-09T11:00:00.000Z">02-09</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/16/leaving-guantanamo-the-wall-dancers-eating-ashes-the-infamous-gilberts"/>
    <summary>Briefly Noted Book Reviews - “Leaving Guantanamo,” “The Wall Dancers,” “Eating Ashes,” and “The Infamous Gilberts.”</summary>
    <category term="Magazine"/>
    <category term="Books"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__69820337aa7907cf1c54d036/</id>
    <title>为何我们无法停止阅读——以及书写——饮食日记- 在某人的厨房里度过一天，便能窥见他们与时间、金钱、愉悦和地域的关联。</title>
    <updated>2026-02-09T11:34:50.671Z</updated>
    <published>2026-02-09T11:34:50.671Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69836b0b0d5fb6e151adde86/master/pass/r48495.jpg" alt="media.newyorker.com image"></div><div>Why We Can’t Stop Reading—and Writing—Food Diaries - Spending a day in someone’s kitchen can tell us about their relationship to time, money, pleasure, and place. (<a href="https://www.newyorker.com/magazine/2026/02/16/why-we-cant-stop-reading-and-writing-food-diaries">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__69820337aa7907cf1c54d036/"><time class="dt-published published" datetime="2026-02-09T11:00:00.000Z">02-09</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/16/why-we-cant-stop-reading-and-writing-food-diaries"/>
    <summary>Why We Can’t Stop Reading—and Writing—Food Diaries - Spending a day in someone’s kitchen can tell us about their relationship to time, money, pleasure, and place.</summary>
    <category term="Magazine"/>
    <category term="On and Off the Menu"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__698126731d05a3c427a5269c/</id>
    <title>我将成为你们的下一任总统——你们会爱上我那套：当人们尴尬致谢时，我只会点头微笑。白面包，笔直前行。这将是我竞选的口号。</title>
    <updated>2026-02-09T11:34:50.668Z</updated>
    <published>2026-02-09T11:34:50.668Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6981230ad74b68ab6ea9a679/master/pass/r48525.jpg" alt="media.newyorker.com image"></div><div>I Will Be Your Next President - You’re going to love my ability to nod and smile while people awkwardly thank me. White bread, straight ahead. That’ll be my slogan. (<a href="https://www.newyorker.com/magazine/2026/02/16/i-will-be-your-next-president">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__698126731d05a3c427a5269c/"><time class="dt-published published" datetime="2026-02-09T11:00:00.000Z">02-09</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/16/i-will-be-your-next-president"/>
    <summary>I Will Be Your Next President - You’re going to love my ability to nod and smile while people awkwardly thank me. White bread, straight ahead. That’ll be my slogan.</summary>
    <category term="Magazine"/>
    <category term="Shouts &amp; Murmurs"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__6989414c436e82a32c89083d/</id>
    <title>巴德·巴尼的超级碗中场秀——全美风情这场演出既可视为对美国流行音乐力量与包容性的致敬，亦可解读为对其的犀利批判。</title>
    <updated>2026-02-09T04:39:39.148Z</updated>
    <published>2026-02-09T04:39:39.148Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69894287a29ad3ed8ab65018/master/pass/Sanneh_BadBunny_GettyImages-2260606839.jpg" alt="media.newyorker.com image"></div><div>Bad Bunny’s All-American Super Bowl Halftime Show - You could think of the set as a tribute to the power and capaciousness of American popular music—or as a pointed critique of it. (<a href="https://www.newyorker.com/culture/the-lede/2026-super-bowl-halftime-show-bad-bunny">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/7/en_newyorker_2026_02_09__6989414c436e82a32c89083d/"><time class="dt-published published" datetime="2026-02-09T04:19:54.000Z">02-09</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-lede/2026-super-bowl-halftime-show-bad-bunny"/>
    <summary>Bad Bunny’s All-American Super Bowl Halftime Show - You could think of the set as a tribute to the power and capaciousness of American popular music—or as a pointed critique of it.</summary>
    <category term="Culture"/>
    <category term="The Lede"/>
  </entry>
  <entry>
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    <title>餐厅点评：《八十六号》——由Corner Store团队打造的新餐厅，不仅提供尊享体验，更以顶级牛排著称。</title>
    <updated>2026-02-08T11:52:52.305Z</updated>
    <published>2026-02-08T11:52:52.305Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69836a484e91198f4f710e45/master/pass/FOOD-SCENE_THE86_LINDA-XIAO_093.jpg" alt="media.newyorker.com image"></div><div>Restaurant Review: The Eighty-Six - A new restaurant from the team behind Corner Store offers exclusivity, and great steak to boot. (<a href="https://www.newyorker.com/culture/the-food-scene/the-eighty-six-wants-you-to-want-in">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_08__69811c8b6313094fa3fbc086/"><time class="dt-published published" datetime="2026-02-08T11:00:00.000Z">02-08</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-food-scene/the-eighty-six-wants-you-to-want-in"/>
    <summary>Restaurant Review: The Eighty-Six - A new restaurant from the team behind Corner Store offers exclusivity, and great steak to boot.</summary>
    <category term="Culture"/>
    <category term="The Food Scene"/>
  </entry>
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    <title>瓦莱里娅·路易塞利朗读《预言与预感》——作者朗读其发表于2026年2月16日及23日杂志期的短篇小说。</title>
    <updated>2026-02-08T11:52:52.301Z</updated>
    <published>2026-02-08T11:52:52.301Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698239e4b15b2e001318b3d0/master/pass/TNY_Writers_Voice_Valeria-Luiselli.jpg" alt="media.newyorker.com image"></div><div>Valeria Luiselli Reads “Predictions and Presentiments” - The author reads her story from the February 16 &amp; 23, 2026, issue of the magazine. (<a href="https://www.newyorker.com/podcast/the-writers-voice/valeria-luiselli-reads-predictions-and-presentiments">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_08__6980096d3ce32e4ee1f0ec1a/"><time class="dt-published published" datetime="2026-02-08T11:00:00.000Z">02-08</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/the-writers-voice/valeria-luiselli-reads-predictions-and-presentiments"/>
    <summary>Valeria Luiselli Reads “Predictions and Presentiments” - The author reads her story from the February 16 &amp;amp; 23, 2026, issue of the magazine.</summary>
    <category term="Podcast"/>
    <category term="The Writer’s Voice"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_08__698202810efed2fe3a269549/</id>
    <title>《预言与预感》——我该如何重塑它，这个故事，我们的人生？从今往后，就只剩她和我了。</title>
    <updated>2026-02-08T11:22:09.630Z</updated>
    <published>2026-02-08T11:22:09.630Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69826bb2c8efc2da06e66865/master/pass/r48492.jpg" alt="media.newyorker.com image"></div><div>“Predictions and Presentiments” - How do I reinvent it, the story, our lives? It was going to be only her and me from now on. (<a href="https://www.newyorker.com/magazine/2026/02/16/predictions-and-presentiments-fiction-valeria-luiselli">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_08__698202810efed2fe3a269549/"><time class="dt-published published" datetime="2026-02-08T11:00:00.000Z">02-08</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/16/predictions-and-presentiments-fiction-valeria-luiselli"/>
    <summary>“Predictions and Presentiments” - How do I reinvent it, the story, our lives? It was going to be only her and me from now on.</summary>
    <category term="Magazine"/>
    <category term="Fiction"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_08__6983a60133be7bfe1f386f10/</id>
    <title>瓦莱里娅·路易塞利论声音、记忆与新起点——作者谈其作品《预言与预感》</title>
    <updated>2026-02-08T11:22:09.627Z</updated>
    <published>2026-02-08T11:22:09.627Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69823a7858602f75b417b463/master/pass/TNY_This_Week_In_Fiction_Valeria-Luiselli-.jpg" alt="media.newyorker.com image"></div><div>Valeria Luiselli on Sound, Memory, and New Beginnings - The author discusses her story “Predictions and Presentiments.” (<a href="https://www.newyorker.com/books/this-week-in-fiction/valeria-luiselli-02-16-26">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_08__6983a60133be7bfe1f386f10/"><time class="dt-published published" datetime="2026-02-08T11:00:00.000Z">02-08</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/this-week-in-fiction/valeria-luiselli-02-16-26"/>
    <summary>Valeria Luiselli on Sound, Memory, and New Beginnings - The author discusses her story “Predictions and Presentiments.”</summary>
    <category term="Books"/>
    <category term="This Week in Fiction"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_08__69820260d6bfcde4bc04ecd7/</id>
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    <updated>2026-02-08T11:22:09.623Z</updated>
    <published>2026-02-08T11:22:09.623Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69852e42114dd1ebaa3b58cd/master/pass/r48612.png" alt="media.newyorker.com image"></div><div>Is There a Remedy for Presidential Profiteering? - Until now, Trump always seemed unembarrassed to crow about his side hustles. But, if the Emirati payment was kept secret, what else might be? (<a href="https://www.newyorker.com/magazine/2026/02/16/is-there-a-remedy-for-presidential-profiteering">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_08__69820260d6bfcde4bc04ecd7/"><time class="dt-published published" datetime="2026-02-08T11:00:00.000Z">02-08</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/16/is-there-a-remedy-for-presidential-profiteering"/>
    <summary>Is There a Remedy for Presidential Profiteering? - Until now, Trump always seemed unembarrassed to crow about his side hustles. But, if the Emirati payment was kept secret, what else might be?</summary>
    <category term="Magazine"/>
    <category term="Comment"/>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_07__6986129f283bd9bcd3a48915/</id>
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    <updated>2026-02-07T11:54:17.362Z</updated>
    <published>2026-02-07T11:54:17.362Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698652fc31a0c60743d0dd88/master/pass/TheNewYorker_Feb26_D_rt.jpg" alt="media.newyorker.com image"></div><div>The Rise of the Anti-ICE Protest Song - For a genre that confronts the horrors of the present, the protest song of 2026 is curiously backward-looking. (<a href="https://www.newyorker.com/culture/the-lede/what-do-we-want-from-a-protest-song">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_07__6986129f283bd9bcd3a48915/"><time class="dt-published published" datetime="2026-02-07T11:00:00.000Z">02-07</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-lede/what-do-we-want-from-a-protest-song"/>
    <summary>The Rise of the Anti-ICE Protest Song - For a genre that confronts the horrors of the present, the protest song of 2026 is curiously backward-looking.</summary>
    <category term="Culture"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_07__69825859bf3d1f7c6d026868/</id>
    <title>通往委内瑞拉的桥梁——哥伦比亚边境城市库库塔正为更多动荡做准备。</title>
    <updated>2026-02-07T11:54:17.358Z</updated>
    <published>2026-02-07T11:54:17.358Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698258976313094fa3fbc113/master/pass/Alarcon-GettyImages-2255141708.jpg" alt="media.newyorker.com image"></div><div>A Bridge to Venezuela - The Colombian border city of Cúcuta braces for more turmoil. (<a href="https://www.newyorker.com/news/the-weekend-essay/a-bridge-to-venezuela">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_07__69825859bf3d1f7c6d026868/"><time class="dt-published published" datetime="2026-02-07T11:00:00.000Z">02-07</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-weekend-essay/a-bridge-to-venezuela"/>
    <summary>A Bridge to Venezuela - The Colombian border city of Cúcuta braces for more turmoil.</summary>
    <category term="News"/>
    <category term="The Weekend Essay"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_07__6984cd0e05ff8408075cf533/</id>
    <title>塞杜·凯塔用镜头定格独立前夕的国家——在布鲁克林博物馆，这位马里摄影师精心构图的摄影棚肖像，描绘了一个处于剧变中的社会。</title>
    <updated>2026-02-07T11:54:17.354Z</updated>
    <published>2026-02-07T11:54:17.354Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6984c32afb200313fc29f4a2/master/pass/Hopkins-Keita-EL227.185.jpg" alt="media.newyorker.com image"></div><div>Seydou Keïta Captured a Nation on the Cusp of Independence - At the Brooklyn Museum, the Malian photographer’s elaborately patterned studio portraits picture a society in flux. (<a href="https://www.newyorker.com/culture/photo-booth/seydou-keita-captured-a-nation-on-the-cusp-of-independence">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_07__6984cd0e05ff8408075cf533/"><time class="dt-published published" datetime="2026-02-07T11:00:00.000Z">02-07</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/photo-booth/seydou-keita-captured-a-nation-on-the-cusp-of-independence"/>
    <summary>Seydou Keïta Captured a Nation on the Cusp of Independence - At the Brooklyn Museum, the Malian photographer’s elaborately patterned studio portraits picture a society in flux.</summary>
    <category term="Culture"/>
    <category term="Photo Booth"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_07__698533205b735e87c665f4cd/</id>
    <title>如何保护2026年选举免受唐纳德·特朗普影响——主张以准备取代恐惧</title>
    <updated>2026-02-07T06:03:00.102Z</updated>
    <published>2026-02-07T06:03:00.102Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/65496ea9e960b0ea67668dc7/master/pass/The%20Political%20Scene%20B%20Glasser%20Mayer%20Osnos%20From%20Washington.jpg" alt="media.newyorker.com image"></div><div>How to Protect the 2026 Elections from Donald Trump - A case for preparation over fear. (<a href="https://www.newyorker.com/podcast/political-scene/how-to-protect-the-2026-elections-from-donald-trump">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_07__698533205b735e87c665f4cd/"><time class="dt-published published" datetime="2026-02-07T04:59:00.000Z">02-07</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/political-scene/how-to-protect-the-2026-elections-from-donald-trump"/>
    <summary>How to Protect the 2026 Elections from Donald Trump - A case for preparation over fear.</summary>
    <category term="Podcast"/>
    <category term="The Political Scene Podcast"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_06__6983947d8bdabe2fc715c283/</id>
    <title>本·夏皮罗在"让美国再次伟大"运动内部展开斗争——这位保守派评论员揭露MAGA媒体中的反犹主义，并解释为何他谴责特朗普总统腐败却仍与其并肩作战。</title>
    <updated>2026-02-06T19:50:50.968Z</updated>
    <published>2026-02-06T19:50:50.968Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6984fe4273833508528e31b8/master/pass/RADIO_HOUR_Ben_Shapiro_FINAL_2026_02_04.jpg" alt="media.newyorker.com image"></div><div>Ben Shapiro Is Waging Battle Inside the MAGA Movement - The conservative commentator on the antisemitism in MAGA media and why he condemns President Trump as corrupt yet sticks with him. (<a href="https://www.newyorker.com/news/the-new-yorker-interview/ben-shapiro-is-waging-battle-inside-the-maga-movement">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_06__6983947d8bdabe2fc715c283/"><time class="dt-published published" datetime="2026-02-06T19:00:04.000Z">02-07</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-new-yorker-interview/ben-shapiro-is-waging-battle-inside-the-maga-movement"/>
    <summary>Ben Shapiro Is Waging Battle Inside the MAGA Movement - The conservative commentator on the antisemitism in MAGA media and why he condemns President Trump as corrupt yet sticks with him.</summary>
    <category term="News"/>
    <category term="The New Yorker Interview"/>
    <category term="Podcast"/>
    <category term="The New Yorker Radio Hour"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_06__698395951a7922eaa630b97e/</id>
    <title>杰宁·尤尼斯论左右两派对言论自由的威胁——一位第一修正案律师曾抨击民主党压制不受欢迎的观点；如今她认为特朗普政府构成的威胁更为巨大。</title>
    <updated>2026-02-06T19:50:50.964Z</updated>
    <published>2026-02-06T19:50:50.964Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/663cd3037d83171cd086b2ee/master/pass/Radio-Hour-Secondary-Segment.png" alt="media.newyorker.com image"></div><div>Jenin Younes on Threats to Free Speech from the Left and the Right - A First Amendment lawyer once attacked Democrats for suppressing unpopular opinions; she now sees a vastly greater threat from the Trump Administration. (<a href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/jenin-younes-on-threats-to-free-speech-from-the-left-and-the-right">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_06__698395951a7922eaa630b97e/"><time class="dt-published published" datetime="2026-02-06T19:00:00.000Z">02-07</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/jenin-younes-on-threats-to-free-speech-from-the-left-and-the-right"/>
    <summary>Jenin Younes on Threats to Free Speech from the Left and the Right - A First Amendment lawyer once attacked Democrats for suppressing unpopular opinions; she now sees a vastly greater threat from the Trump Administration.</summary>
    <category term="Podcast"/>
    <category term="The New Yorker Radio Hour"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_06__6984d5016e4ca77e1d3fd0bc/</id>
    <title>电子音乐先驱重焕旧曲生机——贝弗利·格伦-科普兰与伴侣伊丽莎白共同制作的最新专辑，诞生于经济困境与病痛侵袭的艰难时期。</title>
    <updated>2026-02-06T18:56:51.993Z</updated>
    <published>2026-02-06T18:56:51.993Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6984d542b2ec90f2ed668212/master/pass/Abdurraqib_BeverlyGlennCopeland.jpg" alt="media.newyorker.com image"></div><div>A Pioneer of Electronic Music Reanimates Old Songs - Beverly Glenn-Copeland’s latest album, produced with his partner, Elizabeth, was made amid financial hardship and illness’s mounting toll. (<a href="https://www.newyorker.com/culture/listening-booth/a-pioneer-of-electronic-music-reanimates-old-songs">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_06__6984d5016e4ca77e1d3fd0bc/"><time class="dt-published published" datetime="2026-02-06T17:59:05.000Z">02-07</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/listening-booth/a-pioneer-of-electronic-music-reanimates-old-songs"/>
    <summary>A Pioneer of Electronic Music Reanimates Old Songs - Beverly Glenn-Copeland’s latest album, produced with his partner, Elizabeth, was made amid financial hardship and illness’s mounting toll.</summary>
    <category term="Culture"/>
    <category term="Listening Booth"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_06__696e74d8dc919c8e5d3aa223/</id>
    <title>教皇的亲信抵达纽约——在任命罗纳德·希克斯担任美国天主教会最高职位之际，利奥十四世是否正在组建自己的美国团队？</title>
    <updated>2026-02-06T15:41:25.067Z</updated>
    <published>2026-02-06T15:41:25.067Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6983cbb4372f84bb7840f614/master/pass/ELIE-RONALD-HICKS-POPE-GettyImages-2251914862.jpg" alt="media.newyorker.com image"></div><div>The Pope’s Man Arrives in New York - In appointing Ronald Hicks to the most prominent post in the U.S. Church, is Leo XIV assembling his own Team U.S.A.? (<a href="https://www.newyorker.com/news/the-lede/the-popes-man-arrives-in-new-york">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_06__696e74d8dc919c8e5d3aa223/"><time class="dt-published published" datetime="2026-02-06T14:47:59.000Z">02-06</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/the-popes-man-arrives-in-new-york"/>
    <summary>The Pope’s Man Arrives in New York - In appointing Ronald Hicks to the most prominent post in the U.S. Church, is Leo XIV assembling his own Team U.S.A.?</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_06__6984b7fcac009c631cfb0a0e/</id>
    <title>每日漫画：2月6日星期五——一幅以最新新闻和事件为灵感创作的漫画。</title>
    <updated>2026-02-06T11:44:15.550Z</updated>
    <published>2026-02-06T11:44:15.550Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/cartoons/6984b59d9d9273123e08d188/master/pass/A61727.jpg" alt="media.newyorker.com image"></div><div>Daily Cartoon: Friday, February 6th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/friday-february-6th-football-kisses">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_06__6984b7fcac009c631cfb0a0e/"><time class="dt-published published" datetime="2026-02-06T11:00:00.000Z">02-06</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/friday-february-6th-football-kisses"/>
    <summary>Daily Cartoon: Friday, February 6th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_06__6984ca6ce11115566762a31b/</id>
    <title>丹·邦吉诺播客回归——这位短暂担任联邦调查局二号人物的人物重返他曾参与创建的"让美国再次伟大"媒体世界。发生了什么变化？</title>
    <updated>2026-02-06T11:44:15.546Z</updated>
    <published>2026-02-06T11:44:15.546Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698505690dd74b1262d826e5/master/pass/Allsop_Bongino_GettyImages-1232413102.jpg" alt="media.newyorker.com image"></div><div>Dan Bongino’s Podcast Homecoming - The short-lived No. 2 at the F.B.I. returns to the MAGA mediaverse he helped create. What’s changed? (<a href="https://www.newyorker.com/news/the-lede/dan-bonginos-podcast-homecoming">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_06__6984ca6ce11115566762a31b/"><time class="dt-published published" datetime="2026-02-06T11:00:00.000Z">02-06</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/dan-bonginos-podcast-homecoming"/>
    <summary>Dan Bongino’s Podcast Homecoming - The short-lived No. 2 at the F.B.I. returns to the MAGA mediaverse he helped create. What’s changed?</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_06__698280f61ba2745afa824461/</id>
    <title>舞蹈回响节是一份馈赠——此外还有：西蒙娜·法塔尔的原始剪影、Florist乐队的独立民谣音景、瑞秋·麦克亚当斯主演的《求救》等精彩内容。</title>
    <updated>2026-02-06T11:44:15.543Z</updated>
    <published>2026-02-06T11:44:15.543Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698116f5d74b68ab6ea9a677/master/pass/sRGB_20260129_NewYorker_LADanceProject6449%20web.jpg" alt="media.newyorker.com image"></div><div>The Dance Reflections Festival Is a Gift - Also: the primordial silhouettes of Simone Fattal, the indie-folk soundscapes of Florist, Rachel McAdams in “Send Help,” and more. (<a href="https://www.newyorker.com/culture/goings-on/the-dance-reflections-festival-is-a-gift">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_06__698280f61ba2745afa824461/"><time class="dt-published published" datetime="2026-02-06T11:00:00.000Z">02-06</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/goings-on/the-dance-reflections-festival-is-a-gift"/>
    <summary>The Dance Reflections Festival Is a Gift - Also: the primordial silhouettes of Simone Fattal, the indie-folk soundscapes of Florist, Rachel McAdams in “Send Help,” and more.</summary>
    <category term="Culture"/>
    <category term="Goings On"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_06__697a9314211f666421e354ab/</id>
    <title>好品味是陷阱吗？——那些用来提升生活品质的判断，也可能束缚我们的生活。</title>
    <updated>2026-02-06T11:44:15.539Z</updated>
    <published>2026-02-06T11:44:15.539Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69812485fcc6d37372265f7f/master/pass/OpenQuestions_GoodTaste-bleed.jpg" alt="media.newyorker.com image"></div><div>Is Good Taste a Trap? - The judgments we use to elevate our lives can also hem them in. (<a href="https://www.newyorker.com/culture/open-questions/is-good-taste-a-trap">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_06__697a9314211f666421e354ab/"><time class="dt-published published" datetime="2026-02-06T11:00:00.000Z">02-06</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/open-questions/is-good-taste-a-trap"/>
    <summary>Is Good Taste a Trap? - The judgments we use to elevate our lives can also hem them in.</summary>
    <category term="Culture"/>
    <category term="Open Questions"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_06__69820344beabe380813c2537/</id>
    <title>《父亲的阴影》是部强烈却隐晦的自传体作品——小阿基诺拉·戴维斯的首部剧情长片由其兄长瓦莱执笔编剧，讲述了1993年尼日利亚历史性大选期间，一对兄弟与父亲的故事。</title>
    <updated>2026-02-06T11:44:15.535Z</updated>
    <published>2026-02-06T11:44:15.535Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69826bb2b15b2e001318b45c/master/pass/r48497.jpg" alt="media.newyorker.com image"></div><div>“My Father’s Shadow” Is Intensely—Yet Obliquely—Autobiographical - Akinola Davies, Jr.,’s début feature, scripted by his older brother, Wale, follows two brothers and their father during Nigeria’s historic 1993 election. (<a href="https://www.newyorker.com/magazine/2026/02/16/my-fathers-shadow-movie-review">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_06__69820344beabe380813c2537/"><time class="dt-published published" datetime="2026-02-06T11:00:00.000Z">02-06</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/16/my-fathers-shadow-movie-review"/>
    <summary>“My Father’s Shadow” Is Intensely—Yet Obliquely—Autobiographical - Akinola Davies, Jr.,’s début feature, scripted by his older brother, Wale, follows two brothers and their father during Nigeria’s historic 1993 election.</summary>
    <category term="Magazine"/>
    <category term="The Current Cinema"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_06__69850197e11115566762a61b/</id>
    <title>唐纳德·特朗普早已认定2026年选举存在"舞弊"——问题不在于他是否会动摇中期选举的公信力，而在于他将如何操作。</title>
    <updated>2026-02-06T01:22:14.420Z</updated>
    <published>2026-02-06T01:22:14.420Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69850883f28ebce44d316e47/master/pass/h_16427335.jpg" alt="media.newyorker.com image"></div><div>Donald Trump Already Knows the 2026 Election Is “Rigged” - The question is not if he will undermine confidence in the midterms but how. (<a href="https://www.newyorker.com/news/letter-from-trumps-washington/donald-trump-already-knows-the-2026-election-is-rigged">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_06__69850197e11115566762a61b/"><time class="dt-published published" datetime="2026-02-06T00:08:13.000Z">02-06</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/letter-from-trumps-washington/donald-trump-already-knows-the-2026-election-is-rigged"/>
    <summary>Donald Trump Already Knows the 2026 Election Is “Rigged” - The question is not if he will undermine confidence in the midterms but how.</summary>
    <category term="News"/>
    <category term="Letter from Trump’s Washington"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_05__697a44e9917196cd30bd5c5d/</id>
    <title>电视评论：《暴动女子》登陆BritBox平台——莎莉·温赖特这部令人欲罢不能的新剧，讲述一群中年女性组建乐队的故事，她们由此为那些常被忽视的女性诉求找到了宣泄渠道。</title>
    <updated>2026-02-05T22:13:24.248Z</updated>
    <published>2026-02-05T22:13:24.248Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/697a44ff917196cd30bd5c5f/master/pass/Kang-8.jpg" alt="media.newyorker.com image"></div><div>TV Review: “Riot Women,” Streaming on BritBox - Sally Wainwright’s irresistible new series follows a group of middle-aged women who start a band—and find an outlet for the kinds of female grievances that tend to go unsung. (<a href="https://www.newyorker.com/culture/on-television/in-riot-women-the-punks-are-all-grown-up">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_05__697a44e9917196cd30bd5c5d/"><time class="dt-published published" datetime="2026-02-05T21:30:29.000Z">02-06</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/on-television/in-riot-women-the-punks-are-all-grown-up"/>
    <summary>TV Review: “Riot Women,” Streaming on BritBox - Sally Wainwright’s irresistible new series follows a group of middle-aged women who start a band—and find an outlet for the kinds of female grievances that tend to go unsung.</summary>
    <category term="Culture"/>
    <category term="On Television"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_05__6984d7a2df922d1d4bc98793/</id>
    <title>每日漫画特辑：任其融化——一幅以最新时事为灵感创作的漫画。</title>
    <updated>2026-02-05T19:38:35.935Z</updated>
    <published>2026-02-05T19:38:35.935Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/cartoons/6984d656f28ebce44d316afd/master/pass/A61609.jpg" alt="media.newyorker.com image"></div><div>Bonus Daily Cartoon: Let It Melt - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/bonus-daily-cartoon-let-it-melt">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_05__6984d7a2df922d1d4bc98793/"><time class="dt-published published" datetime="2026-02-05T19:00:00.000Z">02-06</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/bonus-daily-cartoon-let-it-melt"/>
    <summary>Bonus Daily Cartoon: Let It Melt - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_05__6984c01edd1830c11d321905/</id>
    <title>每日漫画：2月5日星期四——一幅以最新新闻和事件为灵感创作的漫画。</title>
    <updated>2026-02-05T16:57:05.055Z</updated>
    <published>2026-02-05T16:57:05.055Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/cartoons/6984bec4b9e2ad15c12cf314/master/pass/A61731.jpg" alt="media.newyorker.com image"></div><div>Daily Cartoon: Thursday, February 5th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/thursday-february-5th-westminster-trump">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_05__6984c01edd1830c11d321905/"><time class="dt-published published" datetime="2026-02-05T16:21:31.000Z">02-06</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/thursday-february-5th-westminster-trump"/>
    <summary>Daily Cartoon: Thursday, February 5th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_05__6984068fddb654b606813d5d/</id>
    <title>特朗普政府玩弄命名游戏——凡事都打上自己的烙印。</title>
    <updated>2026-02-05T13:38:54.479Z</updated>
    <published>2026-02-05T13:38:54.479Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6984071c176b90768962bdfd/master/pass/260204_Blitt_Kvetchbook_Srenaming.jpg" alt="media.newyorker.com image"></div><div>The Trump Administration Plays the Name Game - Puts its stamp on everything. (<a href="https://www.newyorker.com/cartoons/blitts-kvetchbook/the-trump-administration-plays-the-name-game">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_05__6984068fddb654b606813d5d/"><time class="dt-published published" datetime="2026-02-05T12:30:00.000Z">02-05</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/blitts-kvetchbook/the-trump-administration-plays-the-name-game"/>
    <summary>The Trump Administration Plays the Name Game - Puts its stamp on everything.</summary>
    <category term="Cartoons"/>
    <category term="Blitt’s Kvetchbook"/>
    <category term="Culture"/>
    <category term="Culture Desk"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_05__6982286295adeec9fc2c8b17/</id>
    <title>真正推动全民托儿服务落地的人群——佐兰·马姆达尼取得了一场政治胜利，但要将他的计划变为现实，需要依靠一支本已举步维艰的劳动力队伍。</title>
    <updated>2026-02-05T11:44:05.639Z</updated>
    <published>2026-02-05T11:44:05.639Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/698275a8aa7907cf1c54d03e/master/pass/NYT_Childcare_R3.jpg" alt="media.newyorker.com image"></div><div>The People Who Will Actually Make Universal Child Care Happen - Zohran Mamdani delivered a political victory—but making his plans a reality will require the help of a workforce that’s already struggling. (<a href="https://www.newyorker.com/news/new-york-journal/the-people-who-will-actually-make-universal-child-care-happen">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_05__6982286295adeec9fc2c8b17/"><time class="dt-published published" datetime="2026-02-05T11:00:00.000Z">02-05</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/new-york-journal/the-people-who-will-actually-make-universal-child-care-happen"/>
    <summary>The People Who Will Actually Make Universal Child Care Happen - Zohran Mamdani delivered a political victory—but making his plans a reality will require the help of a workforce that’s already struggling.</summary>
    <category term="News"/>
    <category term="New York Journal"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_05__697d10b164566e76506b471c/</id>
    <title>对乌克兰电网的袭击——俄罗斯如何将十多年来最严寒的冬季武器化</title>
    <updated>2026-02-05T11:44:05.635Z</updated>
    <published>2026-02-05T11:44:05.635Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/697d14dcebe1a52bb7190b02/master/pass/HOLTZ-UKRAINE-POWER-OUTAGE-GettyImages-2256766250.jpg" alt="media.newyorker.com image"></div><div>The Assault on Ukraine’s Power Grid - How Russia has weaponized the most frigid winter in more than a decade. (<a href="https://www.newyorker.com/news/the-lede/the-assault-on-ukraines-power-grid">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_05__697d10b164566e76506b471c/"><time class="dt-published published" datetime="2026-02-05T11:00:00.000Z">02-05</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/the-assault-on-ukraines-power-grid"/>
    <summary>The Assault on Ukraine’s Power Grid - How Russia has weaponized the most frigid winter in more than a decade.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_05__69724b879e68b7c684ea6660/</id>
    <title>如何与手机分手——它深谙你的生活节奏、你的不安、你的快速眼动周期——你的生理周期。它让你离不开它，如今你我已形影不离。</title>
    <updated>2026-02-05T11:44:05.631Z</updated>
    <published>2026-02-05T11:44:05.631Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69827a1c95f9de54a022266e/master/pass/0Y_Varon_phonebreakup.jpg" alt="media.newyorker.com image"></div><div>How to Break Up with Your Phone - He knows your rhythms, your insecurities, your REM cycle—your cycle. He’s made himself needed, and now you don’t exist without one another. (<a href="https://www.newyorker.com/humor/shouts-murmurs/how-to-break-up-with-your-phone">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_05__69724b879e68b7c684ea6660/"><time class="dt-published published" datetime="2026-02-05T11:00:00.000Z">02-05</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shouts-murmurs/how-to-break-up-with-your-phone"/>
    <summary>How to Break Up with Your Phone - He knows your rhythms, your insecurities, your REM cycle—your cycle. He’s made himself needed, and now you don’t exist without one another.</summary>
    <category term="Humor"/>
    <category term="Shouts &amp; Murmurs"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_05__69800a348cb0d09ece6481a1/</id>
    <title>《梅拉尼娅》纪录片展现的私密内容寥寥无几——影片的制作与发行背景颇具启示性，而影片本身却远非如此。</title>
    <updated>2026-02-05T01:46:01.211Z</updated>
    <published>2026-02-05T01:46:01.211Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/637541f2b19ab8521b9fe1c2/master/pass/The%20Political%20Scene%20In%20Conversation.jpg" alt="media.newyorker.com image"></div><div>The “Melania” Documentary Offers an Intimate Look at Very Little - The circumstances of the movie’s production and release are revealing. The film itself is far less so. (<a href="https://www.newyorker.com/podcast/political-scene/the-melania-documentary-offers-an-intimate-look-at-very-little">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_05__69800a348cb0d09ece6481a1/"><time class="dt-published published" datetime="2026-02-05T01:00:00.000Z">02-05</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/political-scene/the-melania-documentary-offers-an-intimate-look-at-very-little"/>
    <summary>The “Melania” Documentary Offers an Intimate Look at Very Little - The circumstances of the movie’s production and release are revealing. The film itself is far less so.</summary>
    <category term="Podcast"/>
    <category term="The Political Scene Podcast"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_04__69822ddfec97826dc18a4eb7/</id>
    <title>斯图尔特·布兰德论进步如何发生——反主流文化偶像谈及几本启发其新项目《维护：万物篇》的著作。</title>
    <updated>2026-02-04T21:41:02.530Z</updated>
    <published>2026-02-04T21:41:02.530Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6851c4bc2e50bf4f03899837/master/pass/BookCurrents_SocialSite.jpg" alt="media.newyorker.com image"></div><div>Stewart Brand on How Progress Happens - The counterculture icon discusses a few of the books that informed his new project, “Maintenance: Of Everything.” (<a href="https://www.newyorker.com/books/book-currents/stewart-brand-on-how-progress-happens">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_04__69822ddfec97826dc18a4eb7/"><time class="dt-published published" datetime="2026-02-04T21:00:00.000Z">02-05</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/book-currents/stewart-brand-on-how-progress-happens"/>
    <summary>Stewart Brand on How Progress Happens - The counterculture icon discusses a few of the books that informed his new project, “Maintenance: Of Everything.”</summary>
    <category term="Books"/>
    <category term="Book Currents"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_04__697d480c6b92b4ed2f21773f/</id>
    <title>圣丹斯电影节是世界电影的盛宴——今年这场美国独立电影的顶级展演呈现了两部即刻成为经典的亚洲作品：《菲律宾女郎》与《zi》。</title>
    <updated>2026-02-04T21:03:44.505Z</updated>
    <published>2026-02-04T21:03:44.505Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69822c51912644fb5601b1df/master/pass/Brody-Sundance-FilipinZ%CC%8Cana_Still-2.jpg" alt="media.newyorker.com image"></div><div>Sundance Is a Feast of World Cinema - This year’s edition of the prime showcase for American independent filmmaking offered two instant classics, “Filipiñana” and “zi,” made in Asia. (<a href="https://www.newyorker.com/culture/the-front-row/sundance-is-a-feast-of-world-cinema">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_04__697d480c6b92b4ed2f21773f/"><time class="dt-published published" datetime="2026-02-04T20:27:13.000Z">02-05</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-front-row/sundance-is-a-feast-of-world-cinema"/>
    <summary>Sundance Is a Feast of World Cinema - This year’s edition of the prime showcase for American independent filmmaking offered two instant classics, “Filipiñana” and “zi,” made in Asia.</summary>
    <category term="Culture"/>
    <category term="The Front Row"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_04__69836a2030a34621518df658/</id>
    <title>每日漫画：2月4日星期三——一幅以最新新闻和事件为灵感创作的漫画。</title>
    <updated>2026-02-04T17:54:55.095Z</updated>
    <published>2026-02-04T17:54:55.095Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/cartoons/6983684a041b8b29c3deff5a/master/pass/A61725.jpg" alt="media.newyorker.com image"></div><div>Daily Cartoon: Wednesday, February 4th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/wednesday-february-4th-jesters-authoritarianism">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_04__69836a2030a34621518df658/"><time class="dt-published published" datetime="2026-02-04T17:08:30.000Z">02-05</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/wednesday-february-4th-jesters-authoritarianism"/>
    <summary>Daily Cartoon: Wednesday, February 4th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Magazine"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_04__697f736a0a93d7554e8f987a/</id>
    <title>杰夫·贝索斯如何让《华盛顿邮报》走向衰落——这位亚马逊创始人收购该报本意是拯救它，却因大规模裁员导致其陷入严重衰退。</title>
    <updated>2026-02-04T17:16:45.678Z</updated>
    <published>2026-02-04T17:16:45.678Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69823708afa37297f9cff815/master/pass/Marcus-GettyImages-2257983026.jpg" alt="media.newyorker.com image"></div><div>How Jeff Bezos Brought Down the Washington Post - The Amazon founder bought the paper to save it. Instead, with a mass layoff, he’s forced it into severe decline. (<a href="https://www.newyorker.com/news/annals-of-communications/how-jeff-bezos-brought-down-the-washington-post">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_04__697f736a0a93d7554e8f987a/"><time class="dt-published published" datetime="2026-02-04T16:43:46.000Z">02-05</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/annals-of-communications/how-jeff-bezos-brought-down-the-washington-post"/>
    <summary>How Jeff Bezos Brought Down the Washington Post - The Amazon founder bought the paper to save it. Instead, with a mass layoff, he’s forced it into severe decline.</summary>
    <category term="News"/>
    <category term="Annals of Communications"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_04__6980b1e2aa1d42692b8a3c41/</id>
    <title>动物会说"你好"，但会说"再见"吗？——近年来，研究人员对"告别是人类独有行为"这一观点提出了质疑。</title>
    <updated>2026-02-04T11:42:04.555Z</updated>
    <published>2026-02-04T11:42:04.555Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69825bbd0efed2fe3a26954b/master/pass/AnimalGoodbyes_Finalart_GraceJKim.jpg" alt="media.newyorker.com image"></div><div>Animals Say Hello, but Do They Say Goodbye? - In recent years, researchers have challenged the idea that farewells are uniquely human. (<a href="https://www.newyorker.com/culture/annals-of-inquiry/animals-say-hello-but-do-they-say-goodbye">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_04__6980b1e2aa1d42692b8a3c41/"><time class="dt-published published" datetime="2026-02-04T11:00:00.000Z">02-04</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/annals-of-inquiry/animals-say-hello-but-do-they-say-goodbye"/>
    <summary>Animals Say Hello, but Do They Say Goodbye? - In recent years, researchers have challenged the idea that farewells are uniquely human.</summary>
    <category term="Culture"/>
    <category term="Annals of Inquiry"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_04__696a8e93d45ee69ed24336e9/</id>
    <title>体育博彩的黄金年代——退休庄家阿特·曼特里斯与传奇赌徒比利·沃尔特斯近期出版的回忆录，既展现了该行业初创时期的风貌，也为即将到来的DraftKings时代拉开了序幕。</title>
    <updated>2026-02-04T11:42:04.552Z</updated>
    <published>2026-02-04T11:42:04.552Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/696a8ea51d4236e6d67d1f01/master/pass/ChantallVeerman_revised_Bookie_newyorker.jpg" alt="media.newyorker.com image"></div><div>The Good Old Days of Sports Gambling - Recent memoirs by the retired bookie Art Manteris and the storied gambler Billy Walters provide a glimpse of an industry in its fledgling form—and a preview of the DraftKings era to come. (<a href="https://www.newyorker.com/books/under-review/the-good-old-days-of-sports-gambling">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_04__696a8e93d45ee69ed24336e9/"><time class="dt-published published" datetime="2026-02-04T11:00:00.000Z">02-04</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/under-review/the-good-old-days-of-sports-gambling"/>
    <summary>The Good Old Days of Sports Gambling - Recent memoirs by the retired bookie Art Manteris and the storied gambler Billy Walters provide a glimpse of an industry in its fledgling form—and a preview of the DraftKings era to come.</summary>
    <category term="Books"/>
    <category term="Under Review"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_04__697bc8e64ce73c3a2a4060c7/</id>
    <title>《破冰者》：同性恋花滑选手开辟新路——玛洛·波拉斯与乔斯林·格拉策的短片探索了同志运动会作为奥运会包容性替代方案的传承，并颂扬了那些努力重塑这项运动的酷儿冰舞选手们。</title>
    <updated>2026-02-04T11:42:04.548Z</updated>
    <published>2026-02-04T11:42:04.548Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/697bc94e30fff2c4f1331452/master/pass/Icebreakers_gif.gif" alt="media.newyorker.com image"></div><div>Gay Figure Skaters Pave Their Own Way in “Icebreakers” - Marlo Poras and Jocelyn Glatzer’s short film explores the legacy of the Gay Games as an all-inclusive answer to the Olympics—and celebrates the queer ice dancers striving to redefine their sport. (<a href="https://www.newyorker.com/culture/the-new-yorker-documentary/gay-figure-skaters-pave-their-own-way-in-icebreakers">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_04__697bc8e64ce73c3a2a4060c7/"><time class="dt-published published" datetime="2026-02-04T11:00:00.000Z">02-04</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-new-yorker-documentary/gay-figure-skaters-pave-their-own-way-in-icebreakers"/>
    <summary>Gay Figure Skaters Pave Their Own Way in “Icebreakers” - Marlo Poras and Jocelyn Glatzer’s short film explores the legacy of the Gay Games as an all-inclusive answer to the Olympics—and celebrates the queer ice dancers striving to redefine their sport.</summary>
    <category term="Culture"/>
    <category term="The New Yorker Documentary"/>
    <category term="Video Dept."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_03__69811180d74b68ab6ea9a675/</id>
    <title>积雪不化会怎样？——纽约街头人行横道上堆积的冰层被称为"雪冰坨"。一些城市规划师认为，这种现象预示着未来城市将减少对汽车的依赖。</title>
    <updated>2026-02-03T21:19:13.660Z</updated>
    <published>2026-02-03T21:19:13.660Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6981119635fcbbb2f4a227c0/master/pass/Zhou-Sneckdown-GettyImages-2257771206.jpg" alt="media.newyorker.com image"></div><div>What Happens When the Snow Doesn’t Melt? - The icy buildups blocking crosswalks around New York have been dubbed sneckdowns. Some urbanists think they offer a vision of a less car-dependent city. (<a href="https://www.newyorker.com/news/our-local-correspondents/what-happens-when-the-snow-doesnt-melt">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_03__69811180d74b68ab6ea9a675/"><time class="dt-published published" datetime="2026-02-03T20:24:30.000Z">02-04</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/our-local-correspondents/what-happens-when-the-snow-doesnt-melt"/>
    <summary>What Happens When the Snow Doesn’t Melt? - The icy buildups blocking crosswalks around New York have been dubbed sneckdowns. Some urbanists think they offer a vision of a less car-dependent city.</summary>
    <category term="News"/>
    <category term="Our Local Correspondents"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_03__697e3c5f1a1c7b01039cbd4c/</id>
    <title>移民与海关执法局正将我们推向宪法危机吗？——聚焦该机构屡屡藐视法庭命令的惊人记录，以及司法机构可能采取的应对措施。</title>
    <updated>2026-02-03T19:29:20.435Z</updated>
    <published>2026-02-03T19:29:20.435Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6981274cc8efc2da06e66841/master/pass/CHOTINER-SUPREME-COURT-GettyImages-2257975554.jpg" alt="media.newyorker.com image"></div><div>Is ICE Leading Us Into a Constitutional Crisis? - A look at the agency’s astonishing record of defying court orders, and what the judiciary might do to respond. (<a href="https://www.newyorker.com/news/q-and-a/is-ice-leading-us-into-a-constitutional-crisis">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_03__697e3c5f1a1c7b01039cbd4c/"><time class="dt-published published" datetime="2026-02-03T18:48:28.000Z">02-04</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/q-and-a/is-ice-leading-us-into-a-constitutional-crisis"/>
    <summary>Is ICE Leading Us Into a Constitutional Crisis? - A look at the agency’s astonishing record of defying court orders, and what the judiciary might do to respond.</summary>
    <category term="News"/>
    <category term="Q. &amp; A."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_03__697cf63e64566e76506b471b/</id>
    <title>明尼阿波利斯前所未有的寒冬——全新摄影系列记录了当地居民面对移民海关执法局特工涌入城市时日益强烈的抵抗。</title>
    <updated>2026-02-03T18:10:37.067Z</updated>
    <published>2026-02-03T18:10:37.067Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6980ebce2643e2ffcc2de207/master/pass/witt-photo-booth-philip-cheung-1-20260118Minneapolis0050.jpg" alt="media.newyorker.com image"></div><div>A Minneapolis Winter Like No Other - A new series of photographs documents residents’ evolving resistance to the surge of ICE agents in their city. (<a href="https://www.newyorker.com/culture/photo-booth/a-minneapolis-winter-like-no-other">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_03__697cf63e64566e76506b471b/"><time class="dt-published published" datetime="2026-02-03T17:31:09.000Z">02-04</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/photo-booth/a-minneapolis-winter-like-no-other"/>
    <summary>A Minneapolis Winter Like No Other - A new series of photographs documents residents’ evolving resistance to the surge of ICE agents in their city.</summary>
    <category term="Culture"/>
    <category term="Photo Booth"/>
    <category term="Magazine"/>
    <category term="Portfolio"/>
    <category term="Inverted"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_03__69822391110ef25eb50ee10f/</id>
    <title>每日漫画：2月3日星期二——一幅以最新新闻和事件为灵感创作的漫画。</title>
    <updated>2026-02-03T17:32:33.845Z</updated>
    <published>2026-02-03T17:32:33.845Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/cartoons/69821f69bf3d1f7c6d026867/master/pass/A61724.jpg" alt="media.newyorker.com image"></div><div>Daily Cartoon: Tuesday, February 3rd - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/tuesday-february-3rd-midwinter-grayscale-palette">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_03__69822391110ef25eb50ee10f/"><time class="dt-published published" datetime="2026-02-03T16:45:05.000Z">02-04</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/tuesday-february-3rd-midwinter-grayscale-palette"/>
    <summary>Daily Cartoon: Tuesday, February 3rd - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_03__697cd3c3ebe1a52bb7190aec/</id>
    <title>移民神学——“我们谁都无法在这个世界上拥有永久居留权，”丹·格鲁迪牧师如是说。</title>
    <updated>2026-02-03T16:54:52.905Z</updated>
    <published>2026-02-03T16:54:52.905Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6980d2eabf3d1f7c6d026750/master/pass/JCK-Church-3-bleed.jpg" alt="media.newyorker.com image"></div><div>A Theology of Immigration - “None of us have a permanent residence here in this world,” the Reverend Dan Groody says. (<a href="https://www.newyorker.com/news/fault-lines/a-theology-of-immigration">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_03__697cd3c3ebe1a52bb7190aec/"><time class="dt-published published" datetime="2026-02-03T15:43:51.000Z">02-03</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/fault-lines/a-theology-of-immigration"/>
    <summary>A Theology of Immigration - “None of us have a permanent residence here in this world,” the Reverend Dan Groody says.</summary>
    <category term="News"/>
    <category term="Fault Lines"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_03__69656cb03f0e5bc6b4a07286/</id>
    <title>探索兴趣所在——你对烘焙的兴趣纯属虚构，但你对烘焙食品的热爱却真实不虚。</title>
    <updated>2026-02-03T11:59:46.055Z</updated>
    <published>2026-02-03T11:59:46.055Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/69791b51ee6c6f7806aaac70/master/pass/Shouts-Interests-Lie-GettyImages-1329887913.jpg" alt="media.newyorker.com image"></div><div>Discovering Where Your Interests Lie - Your interest in baking is a lie, although your interest in baked goods remains very much true. (<a href="https://www.newyorker.com/humor/shouts-murmurs/discovering-where-your-interests-lie">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_03__69656cb03f0e5bc6b4a07286/"><time class="dt-published published" datetime="2026-02-03T11:00:00.000Z">02-03</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shouts-murmurs/discovering-where-your-interests-lie"/>
    <summary>Discovering Where Your Interests Lie - Your interest in baking is a lie, although your interest in baked goods remains very much true.</summary>
    <category term="Humor"/>
    <category term="Shouts &amp; Murmurs"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_03__6980bb46ccb0e7b6a5ad2a79/</id>
    <title>巴拿马歌手巴尼如何拯救格莱美——在这场罕见地一切顺利的颁奖礼上，这位波多黎各巨星斩获最高奖项，并抨击特朗普政府部署移民海关执法局的行径。</title>
    <updated>2026-02-03T00:48:18.972Z</updated>
    <published>2026-02-03T00:48:18.972Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6980d4a0c9b3835d9e49c1e5/master/pass/GettyImages-2258940597-v2.jpg" alt="media.newyorker.com image"></div><div>How Bad Bunny Saved the Grammys - At a ceremony that got things uncharacteristically right, the Puerto Rican superstar claimed the top prize and criticized Trump’s deployment of ICE. (<a href="https://www.newyorker.com/culture/the-lede/how-bad-bunny-saved-the-grammys">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_03__6980bb46ccb0e7b6a5ad2a79/"><time class="dt-published published" datetime="2026-02-03T00:20:22.000Z">02-03</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-lede/how-bad-bunny-saved-the-grammys"/>
    <summary>How Bad Bunny Saved the Grammys - At a ceremony that got things uncharacteristically right, the Puerto Rican superstar claimed the top prize and criticized Trump’s deployment of ICE.</summary>
    <category term="Culture"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_03__697f7ce333f5e7d493607e9e/</id>
    <title>凯瑟琳·奥哈拉令人难忘的表演——这位加拿大女演员古怪的台词成为经久不衰的喜剧金句，其中最经典的当属她在《小鬼当家》中那声单词尖叫："凯文！"</title>
    <updated>2026-02-03T00:12:46.186Z</updated>
    <published>2026-02-03T00:12:46.186Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/697f8029018bc347dbc02edc/master/pass/Syme-GettyImages-138431790-uncropped.jpg" alt="media.newyorker.com image"></div><div>Catherine O’Hara’s Unforgettable Delivery - The Canadian actress’s oddball utterances became lasting comedic earworms, among them her one-word scream in “Home Alone”: “Kevin!” (<a href="https://www.newyorker.com/culture/postscript/catherine-oharas-unforgettable-delivery">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_03__697f7ce333f5e7d493607e9e/"><time class="dt-published published" datetime="2026-02-02T23:09:21.000Z">02-03</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/postscript/catherine-oharas-unforgettable-delivery"/>
    <summary>Catherine O’Hara’s Unforgettable Delivery - The Canadian actress’s oddball utterances became lasting comedic earworms, among them her one-word scream in “Home Alone”: “Kevin!”</summary>
    <category term="Culture"/>
    <category term="Postscript"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__697fcfc9a8637f572cd05a9e/</id>
    <title>电影评论：《梅拉尼娅》，布雷特·拉特纳执导——这位第一夫人的奢华新纪录片，将世界大事当作换装间隙的B卷镜头来呈现。</title>
    <updated>2026-02-02T17:25:16.031Z</updated>
    <published>2026-02-02T17:25:16.031Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/697fdae4d5838b0c0cfcf0cd/master/pass/Collins-Melania_2026_003_CREDIT__Amazon_MGM_Studios.jpg" alt="media.newyorker.com image"></div><div>Movie Review: “Melania,” Directed by Brett Ratner - The First Lady’s lavish new documentary portrays world events as B-roll between wardrobe changes. (<a href="https://www.newyorker.com/culture/critics-notebook/melania-is-a-forty-million-dollar-journey-into-the-void">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__697fcfc9a8637f572cd05a9e/"><time class="dt-published published" datetime="2026-02-02T16:55:07.000Z">02-03</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/critics-notebook/melania-is-a-forty-million-dollar-journey-into-the-void"/>
    <summary>Movie Review: “Melania,” Directed by Brett Ratner - The First Lady’s lavish new documentary portrays world events as B-roll between wardrobe changes.</summary>
    <category term="Culture"/>
    <category term="Critic’s Notebook"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__6980beafaadffb99604ac639/</id>
    <title>每日漫画：2月2日星期一——一幅以最新新闻和事件为灵感创作的漫画。</title>
    <updated>2026-02-02T16:14:00.889Z</updated>
    <published>2026-02-02T16:14:00.889Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/cartoons/6980bca6c9b3835d9e49c1e3/master/pass/A61723.jpg" alt="media.newyorker.com image"></div><div>Daily Cartoon: Monday, February 2nd - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/monday-february-2nd-punxsutawney-phil">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__6980beafaadffb99604ac639/"><time class="dt-published published" datetime="2026-02-02T15:21:19.000Z">02-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/monday-february-2nd-punxsutawney-phil"/>
    <summary>Daily Cartoon: Monday, February 2nd - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__697a1bdd211f666421e35490/</id>
    <title>《鸟浴盆》，亨利·科尔作——“伫立窗前，我凝望知更鸟在水泥鸟浴盆里梳理羽翼。”</title>
    <updated>2026-02-02T11:32:22.657Z</updated>
    <published>2026-02-02T11:32:22.657Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/5d484e5a07028900096464cd/master/pass/hp-poetryspots9.jpg" alt="media.newyorker.com image"></div><div>“Birdbath,” by Henri Cole - “Standing at the window, I watch robins clean themselves / in the cement birdbath.” (<a href="https://www.newyorker.com/magazine/2026/02/09/birdbath-henri-cole-poem">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__697a1bdd211f666421e35490/"><time class="dt-published published" datetime="2026-02-02T11:00:00.000Z">02-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/09/birdbath-henri-cole-poem"/>
    <summary>“Birdbath,” by Henri Cole - “Standing at the window, I watch robins clean themselves / in the cement birdbath.”</summary>
    <category term="Magazine"/>
    <category term="Poems"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__697a1bc7917196cd30bd5c5c/</id>
    <title>住在特蕾西·查普曼的房子里——刚从大学毕业，我们这群不合群的人挤在混乱破败的合租屋里，拼命想弄清楚自己该成为什么样的人。</title>
    <updated>2026-02-02T11:32:22.653Z</updated>
    <published>2026-02-02T11:32:22.653Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6979368e6c4d17597d21f4c1/master/pass/r48459.jpg" alt="media.newyorker.com image"></div><div>Living in Tracy Chapman’s House - Fresh out of college, we were a bunch of misfits, in a chaotic, run-down communal home, desperately trying to figure out who we were meant to be. (<a href="https://www.newyorker.com/magazine/2026/02/09/living-in-tracy-chapmans-house">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__697a1bc7917196cd30bd5c5c/"><time class="dt-published published" datetime="2026-02-02T11:00:00.000Z">02-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/09/living-in-tracy-chapmans-house"/>
    <summary>Living in Tracy Chapman’s House - Fresh out of college, we were a bunch of misfits, in a chaotic, run-down communal home, desperately trying to figure out who we were meant to be.</summary>
    <category term="Magazine"/>
    <category term="Personal History"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__697b981fc52a23778f7a1d83/</id>
    <title>《幸存者》第五十季开拍，超级粉丝齐聚斐济——五位铁杆粉丝赢得了现场观摩拍摄的旅程。抵达后他们将面临哪些挑战？</title>
    <updated>2026-02-02T11:32:22.650Z</updated>
    <published>2026-02-02T11:32:22.650Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/697d3458dd6088ab2f5ce738/master/pass/r48598.png" alt="media.newyorker.com image"></div><div>For “Survivor” ’s Season 50, Superfans Flock to Fiji - Five hard-core diehards won a trip to watch the show filming. What challenges will be on once they arrive? (<a href="https://www.newyorker.com/magazine/2026/02/09/for-survivors-season-50-superfans-flock-to-fiji">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__697b981fc52a23778f7a1d83/"><time class="dt-published published" datetime="2026-02-02T11:00:00.000Z">02-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/09/for-survivors-season-50-superfans-flock-to-fiji"/>
    <summary>For “Survivor” ’s Season 50, Superfans Flock to Fiji - Five hard-core diehards won a trip to watch the show filming. What challenges will be on once they arrive?</summary>
    <category term="Magazine"/>
    <category term="Make a Wish Dept."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__695d47adc448329275da4c80/</id>
    <title>深度伪造奥森·威尔斯的残缺杰作——人工智能修复《安伯森家的大落魄》究竟是在弥补历史遗憾，还是玷污经典？</title>
    <updated>2026-02-02T11:32:22.646Z</updated>
    <published>2026-02-02T11:32:22.646Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/697a3f12a5271b4a555dfbc4/master/pass/r48554.gif" alt="media.newyorker.com image"></div><div>Deepfaking Orson Welles’s Mangled Masterpiece - Will an A.I. restoration of “The Magnificent Ambersons” right a historic wrong or desecrate a classic? (<a href="https://www.newyorker.com/magazine/2026/02/09/deepfaking-orson-welless-mangled-masterpiece">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__695d47adc448329275da4c80/"><time class="dt-published published" datetime="2026-02-02T11:00:00.000Z">02-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/09/deepfaking-orson-welless-mangled-masterpiece"/>
    <summary>Deepfaking Orson Welles’s Mangled Masterpiece - Will an A.I. restoration of “The Magnificent Ambersons” right a historic wrong or desecrate a classic?</summary>
    <category term="Magazine"/>
    <category term="Brave New World Dept."/>
    <category term="Portfolio"/>
    <category term="Inverted"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__697a1bd1a5271b4a555dfbbb/</id>
    <title>谋杀最词谜——五个神秘字母能引发怎样的恶作剧与混乱？</title>
    <updated>2026-02-02T11:32:22.643Z</updated>
    <published>2026-02-02T11:32:22.643Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/697bc4eaab61e9c4501ef9da/master/pass/r48561.png" alt="media.newyorker.com image"></div><div>Murder Most Wordle - What kind of mischief and mayhem can five mysterious letters cause? (<a href="https://www.newyorker.com/magazine/2026/02/09/murder-most-wordle">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__697a1bd1a5271b4a555dfbbb/"><time class="dt-published published" datetime="2026-02-02T11:00:00.000Z">02-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/09/murder-most-wordle"/>
    <summary>Murder Most Wordle - What kind of mischief and mayhem can five mysterious letters cause?</summary>
    <category term="Magazine"/>
    <category term="Shouts &amp; Murmurs"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__697921c76c4d17597d21f4bf/</id>
    <title>简评书评——《开普热潮》《酷寒之冬》《陌生人》及《绅士化改造的生死存亡》</title>
    <updated>2026-02-02T11:32:22.639Z</updated>
    <published>2026-02-02T11:32:22.639Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6979360bff6dca99d1788be5/master/pass/r48547.jpg" alt="media.newyorker.com image"></div><div>Briefly Noted Book Reviews - “Cape Fever,” “A Very Cold Winter,” “Strangers,” and “The Death and Life of Gentrification.” (<a href="https://www.newyorker.com/magazine/2026/02/09/cape-fever-a-very-cold-winter-strangers-the-death-and-life-of-gentrification">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__697921c76c4d17597d21f4bf/"><time class="dt-published published" datetime="2026-02-02T11:00:00.000Z">02-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/09/cape-fever-a-very-cold-winter-strangers-the-death-and-life-of-gentrification"/>
    <summary>Briefly Noted Book Reviews - “Cape Fever,” “A Very Cold Winter,” “Strangers,” and “The Death and Life of Gentrification.”</summary>
    <category term="Magazine"/>
    <category term="Books"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__697a1e340f016558c1fa3bd3/</id>
    <title>默多克家族如何建立媒体帝国——并重塑新闻业——如今，这个名字代表着一个与众不同的利润与权力故事。但要追溯默多克家族丑闻的渊源，需要长久的记忆。</title>
    <updated>2026-02-02T11:32:22.636Z</updated>
    <published>2026-02-02T11:32:22.636Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/697a86980f016558c1fa3c5e/master/pass/r48437.png" alt="media.newyorker.com image"></div><div>How the Murdoch Family Built an Empire—and Remade the News - Today, the name represents a story of profit and power unlike any other. But tracing the genealogy of Murdoch sleaze requires a long memory. (<a href="https://www.newyorker.com/magazine/2026/02/09/bonfire-of-the-murdochs-gabriel-sherman-book-review">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__697a1e340f016558c1fa3bd3/"><time class="dt-published published" datetime="2026-02-02T11:00:00.000Z">02-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/09/bonfire-of-the-murdochs-gabriel-sherman-book-review"/>
    <summary>How the Murdoch Family Built an Empire—and Remade the News - Today, the name represents a story of profit and power unlike any other. But tracing the genealogy of Murdoch sleaze requires a long memory.</summary>
    <category term="Magazine"/>
    <category term="A Critic at Large"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__697a1e3badf348d3f550f7a0/</id>
    <title>《文案撰稿人》书评——在丹尼尔·波皮克的《文案撰稿人》中，一位诗人于日复一日的机械化工作中追寻意义。</title>
    <updated>2026-02-02T11:32:22.632Z</updated>
    <published>2026-02-02T11:32:22.632Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6979365852f5f8587066e709/master/pass/r48446_rd.jpg" alt="media.newyorker.com image"></div><div>“The Copywriter,” Reviewed - In “The Copywriter,” by Daniel Poppick, a poet searches for meaning in the grindset. (<a href="https://www.newyorker.com/magazine/2026/02/09/the-copywriter-daniel-poppick-book-review">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__697a1e3badf348d3f550f7a0/"><time class="dt-published published" datetime="2026-02-02T11:00:00.000Z">02-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/09/the-copywriter-daniel-poppick-book-review"/>
    <summary>“The Copywriter,” Reviewed - In “The Copywriter,” by Daniel Poppick, a poet searches for meaning in the grindset.</summary>
    <category term="Magazine"/>
    <category term="Books"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__697d2d5ecca2a81327707500/</id>
    <title>特朗普如何贬损美元并侵蚀美国经济主导地位——总统的胁迫性政策，包括其近期对格陵兰岛的威胁，正促使部分外国投资者重新考虑是否将资金存入美国国库。</title>
    <updated>2026-02-02T11:32:22.629Z</updated>
    <published>2026-02-02T11:32:22.629Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/697fdd084f2ec63461c664a2/master/pass/Cassidy:Financial%20Page:%20Dollar:GettyImages-2257446321.jpg" alt="media.newyorker.com image"></div><div>How Trump Is Debasing the Dollar and Eroding U.S. Economic Dominance - The President’s coercive policies, including his latest threats against Greenland, are prompting some foreign investors to think twice about parking their money with Uncle Sam. (<a href="https://www.newyorker.com/news/the-financial-page/how-trump-is-debasing-the-dollar-and-eroding-us-economic-dominance">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__697d2d5ecca2a81327707500/"><time class="dt-published published" datetime="2026-02-02T11:00:00.000Z">02-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-financial-page/how-trump-is-debasing-the-dollar-and-eroding-us-economic-dominance"/>
    <summary>How Trump Is Debasing the Dollar and Eroding U.S. Economic Dominance - The President’s coercive policies, including his latest threats against Greenland, are prompting some foreign investors to think twice about parking their money with Uncle Sam.</summary>
    <category term="News"/>
    <category term="The Financial Page"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__697a1bebc53f86e2765a26f8/</id>
    <title>俄罗斯在欧洲的秘密破坏行动内幕——俄军情报部门如何通过网络招募年轻人，在欧洲大陆实施间谍活动、纵火及其他袭击。</title>
    <updated>2026-02-02T11:32:22.625Z</updated>
    <published>2026-02-02T11:32:22.625Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/6979368f1fcac6bbbf94cb55/master/pass/r48433.jpg" alt="media.newyorker.com image"></div><div>Inside Russia’s Secret Campaign of Sabotage in Europe - How Russian military intelligence is recruiting young people online to carry out espionage, arson, and other attacks across the Continent. (<a href="https://www.newyorker.com/magazine/2026/02/09/to-build-a-fire">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__697a1bebc53f86e2765a26f8/"><time class="dt-published published" datetime="2026-02-02T11:00:00.000Z">02-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/09/to-build-a-fire"/>
    <summary>Inside Russia’s Secret Campaign of Sabotage in Europe - How Russian military intelligence is recruiting young people online to carry out espionage, arson, and other attacks across the Continent.</summary>
    <category term="Magazine"/>
    <category term="A Reporter at Large"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__697b98242d3a11fb89565191/</id>
    <title>马修·谢弗：冰球界最年轻（也最友善）的超级新星——这位18岁的岛民队球员是去年NHL选秀大会的状元秀。在最近的休赛日里，他拍摄商业广告、与汤姆·布雷迪畅谈，还对看护工作赞不绝口。</title>
    <updated>2026-02-02T11:32:22.622Z</updated>
    <published>2026-02-02T11:32:22.622Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/697d345869ff5b02a006e575/master/pass/r48596.png" alt="media.newyorker.com image"></div><div>Matthew Schaefer, Hockey’s Youngest (and Nicest) Big Shot - The eighteen-year-old Islander was last year’s No. 1 pick in the N.H.L. draft. On a recent day off, he shoots a commercial, chats with Tom Brady, and raves about babysitting. (<a href="https://www.newyorker.com/magazine/2026/02/09/matthew-schaefer-hockeys-youngest-and-nicest-big-shot">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__697b98242d3a11fb89565191/"><time class="dt-published published" datetime="2026-02-02T11:00:00.000Z">02-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/09/matthew-schaefer-hockeys-youngest-and-nicest-big-shot"/>
    <summary>Matthew Schaefer, Hockey’s Youngest (and Nicest) Big Shot - The eighteen-year-old Islander was last year’s No. 1 pick in the N.H.L. draft. On a recent day off, he shoots a commercial, chats with Tom Brady, and raves about babysitting.</summary>
    <category term="Magazine"/>
    <category term="Rookie Dept."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__697a1bf20f016558c1fa3bce/</id>
    <title>《日落分支》，作者：W·S·迪皮耶罗——“我们何时才能找到自我，又在何处寻得真我？”</title>
    <updated>2026-02-02T11:32:22.618Z</updated>
    <published>2026-02-02T11:32:22.618Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/5d484e9dd7f1280008aa97b0/master/pass/hp-poetryspots10.jpg" alt="media.newyorker.com image"></div><div>“The Sunset Branch,” by W. S. Di Piero - “When do we find ourselves, and where?” (<a href="https://www.newyorker.com/magazine/2026/02/09/the-sunset-branch-w-s-di-piero-poem">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__697a1bf20f016558c1fa3bce/"><time class="dt-published published" datetime="2026-02-02T11:00:00.000Z">02-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/09/the-sunset-branch-w-s-di-piero-poem"/>
    <summary>“The Sunset Branch,” by W. S. Di Piero - “When do we find ourselves, and where?”</summary>
    <category term="Magazine"/>
    <category term="Poems"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__697a1e38211f666421e35497/</id>
    <title>现代恐怖主义的诞生——一部新史书揭示了1970年代巴勒斯坦武装分子如何与西德激进左翼结成同盟。</title>
    <updated>2026-02-02T11:32:22.614Z</updated>
    <published>2026-02-02T11:32:22.614Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/697d2a2ee61a7f80853fae24/master/pass/r48363_RD.png" alt="media.newyorker.com image"></div><div>How Modern Terrorism Was Born - A new history charts how Palestinian militants of the nineteen-seventies made common cause with West Germany’s radical left. (<a href="https://www.newyorker.com/magazine/2026/02/09/the-revolutionists-jason-burke-book-review">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/6/en_newyorker_2026_02_02__697a1e38211f666421e35497/"><time class="dt-published published" datetime="2026-02-02T11:00:00.000Z">02-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/02/09/the-revolutionists-jason-burke-book-review"/>
    <summary>How Modern Terrorism Was Born - A new history charts how Palestinian militants of the nineteen-seventies made common cause with West Germany’s radical left.</summary>
    <category term="Magazine"/>
    <category term="Books"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/newyorker/posts/2026/5/en_newyorker_2026_02_01__697f5cd7685954d3c40280f5/</id>
    <title>一位"梅拉尼娅"摄影师的野心——丹特·斯皮诺蒂拥有传奇般的好莱坞生涯，为何要为特朗普家族拍摄宣传片？</title>
    <updated>2026-02-01T23:09:13.493Z</updated>
    <published>2026-02-01T23:09:13.493Z</published>
    <content type="html"><![CDATA[<div><img loading="lazy" class="u-photo" src="https://media.newyorker.com/photos/697f94212ba185128431263e/master/pass/Chotiner:Q&A:Dante%20Spinotti:GettyImages-2258387191.jpg" alt="media.newyorker.com image"></div><div>What a “Melania” Cinematographer Hoped to Accomplish - Dante Spinotti has had a legendary Hollywood career. Why is he making propaganda for the Trump family? (<a href="https://www.newyorker.com/culture/q-and-a/what-a-melania-cinematographer-hoped-to-accomplish">www.newyorker.com</a>)</div><footer><a href="https://i.buzzing.cc/newyorker/posts/2026/5/en_newyorker_2026_02_01__697f5cd7685954d3c40280f5/"><time class="dt-published published" datetime="2026-02-01T22:22:44.000Z">02-02</time></a>&nbsp;&nbsp;</footer>]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/q-and-a/what-a-melania-cinematographer-hoped-to-accomplish"/>
    <summary>What a “Melania” Cinematographer Hoped to Accomplish - Dante Spinotti has had a legendary Hollywood career. Why is he making propaganda for the Trump family?</summary>
    <category term="Culture"/>
    <category term="Q. &amp; A."/>
  </entry>
</feed>