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  <title>纽约客 Lite</title>
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  <updated>2026-04-14T14:17:50.395Z</updated>
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  <subtitle>用中文浏览纽约客报道</subtitle>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_14__69de42e5add7dd9ad16add61/</id>
    <title>每日漫画：4月14日，星期二——一幅以最新新闻和时事为灵感创作的漫画。</title>
    <updated>2026-04-14T14:17:50.395Z</updated>
    <published>2026-04-14T14:17:50.395Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_14__69de42e5add7dd9ad16add61/">22:10</a>&nbsp;&nbsp;Daily Cartoon: Tuesday, April 14th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/tuesday-april-14th-make-sense-of-all-our-spending">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/tuesday-april-14th-make-sense-of-all-our-spending"/>
    <summary>Daily Cartoon: Tuesday, April 14th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_14__69c42021baac28e80e6d0960/</id>
    <title>“焦虑乐园”主题公园的热门景点——体验与周围人群彻底脱节的感觉。</title>
    <updated>2026-04-14T10:18:04.644Z</updated>
    <published>2026-04-14T10:18:04.644Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_14__69c42021baac28e80e6d0960/">18:00</a>&nbsp;&nbsp;Top Attractions at Anxietyland Amusement Park - Experience feeling totally disconnected from the people around you. (<a href="https://www.newyorker.com/humor/shouts-murmurs/top-attractions-at-anxietyland-amusement-park">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shouts-murmurs/top-attractions-at-anxietyland-amusement-park"/>
    <summary>Top Attractions at Anxietyland Amusement Park - Experience feeling totally disconnected from the people around you.</summary>
    <category term="Humor"/>
    <category term="Shouts &amp; Murmurs"/>
    <category term="Sketchbook"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_14__69d7ef217b115a944829986b/</id>
    <title>伊朗战争使美国的导弹储备消耗了多少？——特朗普政府内部的国防官员此前就已担忧，美国的导弹储备不足以应对与中国的潜在对峙。而在中东发动的一场自选战争，更是雪上加霜。</title>
    <updated>2026-04-14T10:18:04.640Z</updated>
    <published>2026-04-14T10:18:04.640Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_14__69d7ef217b115a944829986b/">18:00</a>&nbsp;&nbsp;How Much Has the War in Iran Depleted the U.S. Missile Supply? - Defense officials inside the Trump Administration were already concerned that American stockpiles were insufficient for a potential standoff with China. A war of choice in the Middle East has only made matters worse. (<a href="https://www.newyorker.com/news/the-lede/how-much-has-the-war-in-iran-depleted-the-us-missile-supply">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/how-much-has-the-war-in-iran-depleted-the-us-missile-supply"/>
    <summary>How Much Has the War in Iran Depleted the U.S. Missile Supply? - Defense officials inside the Trump Administration were already concerned that American stockpiles were insufficient for a potential standoff with China. A war of choice in the Middle East has only made matters worse.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69dd168d3ee7f123abc25552/</id>
    <title>“和平总统”对伊朗和教皇态度强硬——在旨在结束战争的谈判未能达成协议后，特朗普实施了海上封锁，切断了伊朗通过霍尔木兹海峡进行贸易的能力。</title>
    <updated>2026-04-13T21:49:54.374Z</updated>
    <published>2026-04-13T21:49:54.374Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69dd168d3ee7f123abc25552/">05:27</a>&nbsp;&nbsp;“The Peace President” Gets Belligerent with Iran and the Pope - After negotiations to end the war failed to produce a deal, Trump imposed a naval blockade to cut off the Islamic Republic’s ability to trade through the Strait of Hormuz. (<a href="https://www.newyorker.com/news/the-lede/the-peace-president-gets-belligerent-with-iran-and-the-pope">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/the-peace-president-gets-belligerent-with-iran-and-the-pope"/>
    <summary>“The Peace President” Gets Belligerent with Iran and the Pope - After negotiations to end the war failed to produce a deal, Trump imposed a naval blockade to cut off the Islamic Republic’s ability to trade through the Strait of Hormuz.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69dcf1edd066fc1d16807cf3/</id>
    <title>匈牙利大选表明，即便是强人也会落败——该国许多人难以想象维克托·奥尔班会落败。但一位哲学家也警告说，悲观主义可能会助长威权主义。</title>
    <updated>2026-04-13T17:20:56.055Z</updated>
    <published>2026-04-13T17:20:56.055Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69dcf1edd066fc1d16807cf3/">01:04</a>&nbsp;&nbsp;The Hungarian Election Shows That Even Strongmen Can Lose - Many people in the country had trouble imagining that Viktor Orbán could be defeated. But a philosopher also warned that defeatism can abet authoritarianism. (<a href="https://www.newyorker.com/news/the-lede/the-hungarian-election-shows-that-even-strongmen-can-lose">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/the-hungarian-election-shows-that-even-strongmen-can-lose"/>
    <summary>The Hungarian Election Shows That Even Strongmen Can Lose - Many people in the country had trouble imagining that Viktor Orbán could be defeated. But a philosopher also warned that defeatism can abet authoritarianism.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69dcfab914880ee0a899f3a4/</id>
    <title>每日漫画：4月13日，星期一——一幅以最新新闻和时事为灵感创作的漫画。</title>
    <updated>2026-04-13T14:57:52.738Z</updated>
    <published>2026-04-13T14:57:52.738Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69dcfab914880ee0a899f3a4/">04-13</a>&nbsp;&nbsp;Daily Cartoon: Monday, April 13th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/monday-april-13th-sun-impending-doom">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/monday-april-13th-sun-impending-doom"/>
    <summary>Daily Cartoon: Monday, April 13th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d644b54000fa5d975a894b/</id>
    <title>蕾·阿曼特鲁特（Rae Armantrout）的《号角》（Clarion）——“有些人脑海中听不到内心的独白或私密的对话。”</title>
    <updated>2026-04-13T10:10:34.194Z</updated>
    <published>2026-04-13T10:10:34.194Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d644b54000fa5d975a894b/">04-13</a>&nbsp;&nbsp;“Clarion,” by Rae Armantrout - “There are people who don’t hear an internal monologue or private dialogue in their heads.” (<a href="https://www.newyorker.com/magazine/2026/04/20/clarion-rae-armantrout-poem">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/20/clarion-rae-armantrout-poem"/>
    <summary>“Clarion,” by Rae Armantrout - “There are people who don’t hear an internal monologue or private dialogue in their heads.”</summary>
    <category term="Magazine"/>
    <category term="Poems"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d64627d898788eb038edbb/</id>
    <title>扎拉·拉尔森收获赞誉——在“午夜阳光”巡演中，这位瑞典歌手的回归之作令人感觉宛如首次登台。</title>
    <updated>2026-04-13T10:10:34.190Z</updated>
    <published>2026-04-13T10:10:34.190Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d64627d898788eb038edbb/">04-13</a>&nbsp;&nbsp;Zara Larsson Gets Her Flowers - On the “Midnight Sun” tour, the Swedish artist makes a comeback that feels like a début. (<a href="https://www.newyorker.com/magazine/2026/04/20/zara-larsson-music-review">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/20/zara-larsson-music-review"/>
    <summary>Zara Larsson Gets Her Flowers - On the “Midnight Sun” tour, the Swedish artist makes a comeback that feels like a début.</summary>
    <category term="Magazine"/>
    <category term="Pop Music"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d79cf8d2e3ee0e6350080c/</id>
    <title>华莱士·肖恩在《飞蛾岁月》开演前的故事——当肖恩话剧中的两位女主角请病假时，替补演员们在化妆间里手忙脚乱地做着准备。这两位替补演员是谁？正是黛博拉·艾森伯格和肖恩本人。</title>
    <updated>2026-04-13T10:10:34.187Z</updated>
    <published>2026-04-13T10:10:34.187Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d79cf8d2e3ee0e6350080c/">04-13</a>&nbsp;&nbsp;What Wallace Shawn Did Before His “Moth Days” - When the two lead actresses in Shawn’s play called in sick, their understudies scrambled to prep in the dressing room. The stand-ins? Deborah Eisenberg and Shawn himself. (<a href="https://www.newyorker.com/magazine/2026/04/20/what-wallace-shawn-did-before-his-moth-days">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/20/what-wallace-shawn-did-before-his-moth-days"/>
    <summary>What Wallace Shawn Did Before His “Moth Days” - When the two lead actresses in Shawn’s play called in sick, their understudies scrambled to prep in the dressing room. The stand-ins? Deborah Eisenberg and Shawn himself.</summary>
    <category term="Magazine"/>
    <category term="The Boards"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d99a3d6f152652a0f0495b/</id>
    <title>王萨姆，政治新秀——这位神经科学家从分析选举转而竞选国会议员。但这位新人能否赢得新泽西州当地选民——以及特朗普支持者的青睐？</title>
    <updated>2026-04-13T10:10:34.183Z</updated>
    <published>2026-04-13T10:10:34.183Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d99a3d6f152652a0f0495b/">04-13</a>&nbsp;&nbsp;Sam Wang, Politician-in-Training - The neuroscientist went from analyzing elections to running for Congress. But can this rookie win over New Jersey locals—and Trump voters? (<a href="https://www.newyorker.com/magazine/2026/04/20/sam-wang-politician-in-training">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/20/sam-wang-politician-in-training"/>
    <summary>Sam Wang, Politician-in-Training - The neuroscientist went from analyzing elections to running for Congress. But can this rookie win over New Jersey locals—and Trump voters?</summary>
    <category term="Magazine"/>
    <category term="Stump Dept."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d644a74c8fa229e64c057f/</id>
    <title>罗马尼亚导演拉杜·朱德的狂野之心——他的家乡让他发狂，也驱使他拍出这些疯狂而精彩的电影。</title>
    <updated>2026-04-13T10:10:34.180Z</updated>
    <published>2026-04-13T10:10:34.180Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d644a74c8fa229e64c057f/">04-13</a>&nbsp;&nbsp;The Wild Mind of the Romanian Director Radu Jude - The director’s native city drives him crazy—and drives him to make loony, brilliant films. (<a href="https://www.newyorker.com/magazine/2026/04/20/radu-jude-the-bard-of-bucharest">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/20/radu-jude-the-bard-of-bucharest"/>
    <summary>The Wild Mind of the Romanian Director Radu Jude - The director’s native city drives him crazy—and drives him to make loony, brilliant films.</summary>
    <category term="Magazine"/>
    <category term="Onward and Upward with the Arts"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d6446121fba0fb1464e198/</id>
    <title>读者来信——读者就E·塔米·金关于消费者金融保护局的文章、尼古拉斯·莱曼关于特朗普政府对高等教育发起的攻击的报道，以及吉尔·莱波尔关于人工智能是否需要宪法的文章发表了看法。</title>
    <updated>2026-04-13T10:10:34.176Z</updated>
    <published>2026-04-13T10:10:34.176Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d6446121fba0fb1464e198/">04-13</a>&nbsp;&nbsp;Letters from Our Readers - Readers respond to E. Tammy Kim’s article about the Consumer Financial Protection Bureau, Nicholas Lemann’s report about the Trump Administration’s attack on higher education, and Jill Lepore’s piece about whether A.I. needs a constitution. (<a href="https://www.newyorker.com/magazine/2026/04/20/letters-from-the-april-20-2026-issue">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/20/letters-from-the-april-20-2026-issue"/>
    <summary>Letters from Our Readers - Readers respond to E. Tammy Kim’s article about the Consumer Financial Protection Bureau, Nicholas Lemann’s report about the Trump Administration’s attack on higher education, and Jill Lepore’s piece about whether A.I. needs a constitution.</summary>
    <category term="Magazine"/>
    <category term="The Mail"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d6b28fdb3cd64ea553de0e/</id>
    <title>R. Kikuo Johnson 的《一见钟情》——新一代。</title>
    <updated>2026-04-13T10:10:34.173Z</updated>
    <published>2026-04-13T10:10:34.173Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d6b28fdb3cd64ea553de0e/">04-13</a>&nbsp;&nbsp;R. Kikuo Johnson’s “Meet-Cute” - The next generation. (<a href="https://www.newyorker.com/culture/cover-story/cover-story-2026-04-20">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/cover-story/cover-story-2026-04-20"/>
    <summary>R. Kikuo Johnson’s “Meet-Cute” - The next generation.</summary>
    <category term="Culture"/>
    <category term="Cover Story"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d51ba0f9e88e1b88f651b4/</id>
    <title>天气一暖和……——我就会涂上恰到好处的防晒霜，这样在冲浪板上就不会像个小丑脸的马克·扎克伯格，也不会像在参议院听证会上那样满脸通红。</title>
    <updated>2026-04-13T10:10:34.169Z</updated>
    <published>2026-04-13T10:10:34.169Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d51ba0f9e88e1b88f651b4/">04-13</a>&nbsp;&nbsp;When It Gets Warm . . . - I will wear the perfect amount of sunscreen so that I don’t look like clown-faced Mark Zuckerberg on that surfboard or red-faced Mark Zuckerberg at a Senate hearing. (<a href="https://www.newyorker.com/magazine/2026/04/20/when-it-gets-warm">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/20/when-it-gets-warm"/>
    <summary>When It Gets Warm . . . - I will wear the perfect amount of sunscreen so that I don’t look like clown-faced Mark Zuckerberg on that surfboard or red-faced Mark Zuckerberg at a Senate hearing.</summary>
    <category term="Magazine"/>
    <category term="Shouts &amp; Murmurs"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d644d3c729408bc73589c4/</id>
    <title>越南的教训：进场比撤场容易——这场战争之所以能持续下去，是因为人们抱有一种诱人的幻想：一场无法取胜的冲突，或许仍能被控制在不会招致耻辱的结局之内。</title>
    <updated>2026-04-13T10:10:34.166Z</updated>
    <published>2026-04-13T10:10:34.166Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d644d3c729408bc73589c4/">04-13</a>&nbsp;&nbsp;A Lesson of Vietnam: Getting in Is Easier than Getting Out - The war was sustained by a seductive delusion: that an unwinnable conflict might still be managed into an outcome short of humiliation. (<a href="https://www.newyorker.com/magazine/2026/04/20/done-in-a-day-telex-from-the-fall-of-saigon-elisa-tamarkin-book-review">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/20/done-in-a-day-telex-from-the-fall-of-saigon-elisa-tamarkin-book-review"/>
    <summary>A Lesson of Vietnam: Getting in Is Easier than Getting Out - The war was sustained by a seductive delusion: that an unwinnable conflict might still be managed into an outcome short of humiliation.</summary>
    <category term="Magazine"/>
    <category term="Books"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d644c1d898788eb038edb3/</id>
    <title>多比·吉布森的《Apocalypso》——“我也没能写完那篇关于 / 注意力持续时间短的文章， / 温迪汉堡里全副武装的联邦探员， / 土星正缓缓失去它的环。”</title>
    <updated>2026-04-13T10:10:34.162Z</updated>
    <published>2026-04-13T10:10:34.162Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d644c1d898788eb038edb3/">04-13</a>&nbsp;&nbsp;“Apocalypso,” by Dobby Gibson - “I couldn’t finish the article about / short attention spans either, / armed feds in the Wendy’s, / Saturn slowly losing its rings.” (<a href="https://www.newyorker.com/magazine/2026/04/20/apocalypso-dobby-gibson-poem">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/20/apocalypso-dobby-gibson-poem"/>
    <summary>“Apocalypso,” by Dobby Gibson - “I couldn’t finish the article about / short attention spans either, / armed feds in the Wendy’s, / Saturn slowly losing its rings.”</summary>
    <category term="Magazine"/>
    <category term="Poems"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d64624d898788eb038edb7/</id>
    <title>圣保罗重塑了人类历史。他是如何做到的？——最新学术研究重新审视了这位将一个犹太教派转变为世界性宗教的使徒——而两千年后的今天，他的历史遗产仍存在争议。</title>
    <updated>2026-04-13T10:10:34.159Z</updated>
    <published>2026-04-13T10:10:34.159Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d64624d898788eb038edb7/">04-13</a>&nbsp;&nbsp;St. Paul Remade Human History. How Did He Do It? - New scholarship reconsiders the apostle who turned a Jewish sect into a world religion—and whose legacy remains contested two millennia later. (<a href="https://www.newyorker.com/magazine/2026/04/20/paul-within-paganism-alexander-chantziantoniou-paula-fredriksen-stephen-l-young-book-review">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/20/paul-within-paganism-alexander-chantziantoniou-paula-fredriksen-stephen-l-young-book-review"/>
    <summary>St. Paul Remade Human History. How Did He Do It? - New scholarship reconsiders the apostle who turned a Jewish sect into a world religion—and whose legacy remains contested two millennia later.</summary>
    <category term="Magazine"/>
    <category term="A Critic at Large"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d6461c766de386b885a889/</id>
    <title>《维米尔画中的暴力》——人们很容易将这位荷兰艺术家视为一位温和的内省派画家——一位描绘家庭温馨场景的记录者。但他成长于一个充斥着战争、饥荒和屠杀的世界。他的画作便是避风港。</title>
    <updated>2026-04-13T10:10:34.155Z</updated>
    <published>2026-04-13T10:10:34.155Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d6461c766de386b885a889/">04-13</a>&nbsp;&nbsp;The Violence in Vermeer - It is easy to treat the Dutch artist as an agreeable intimist—a transcriber of domestic niceties. But he grew up in a world of war, starvation, and massacres. His paintings were safe havens. (<a href="https://www.newyorker.com/magazine/2026/04/20/vermeer-a-life-lost-and-found-andrew-graham-dixon-book-review">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/20/vermeer-a-life-lost-and-found-andrew-graham-dixon-book-review"/>
    <summary>The Violence in Vermeer - It is easy to treat the Dutch artist as an agreeable intimist—a transcriber of domestic niceties. But he grew up in a world of war, starvation, and massacres. His paintings were safe havens.</summary>
    <category term="Magazine"/>
    <category term="Books"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d79cf5d76bda7a699145e7/</id>
    <title>梁珊琪为作品系上蝴蝶结——这位设计师会给任何东西都增添褶边装饰，从Dr. Dre的耳机到Gap的连帽衫皆是如此。在弗里克美术馆的“褶边与缎带”展览中，她直面了“颓废”这一概念的深层含义。</title>
    <updated>2026-04-13T10:10:34.151Z</updated>
    <published>2026-04-13T10:10:34.151Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d79cf5d76bda7a699145e7/">04-13</a>&nbsp;&nbsp;Sandy Liang Puts a Bow on It - The designer will add frills to anything—from Dr. Dre headphones to Gap hoodies. At the Frick’s “Ruffles &amp; Ribbons” exhibit, she confronts the deeper meaning of decadence. (<a href="https://www.newyorker.com/magazine/2026/04/20/sandy-liang-puts-a-bow-on-it">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/20/sandy-liang-puts-a-bow-on-it"/>
    <summary>Sandy Liang Puts a Bow on It - The designer will add frills to anything—from Dr. Dre headphones to Gap hoodies. At the Frick’s “Ruffles &amp;amp; Ribbons” exhibit, she confronts the deeper meaning of decadence.</summary>
    <category term="Magazine"/>
    <category term="Trimmings Dept."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d79cfbd4ad4f9d96d9394b/</id>
    <title>埃德·所罗门的家庭肖像——这位编剧的最新电影《克里斯托弗一家》由伊恩·麦克莱恩主演，饰演一位半途而废的艺术家。在走访画廊之际，所罗门回想起自己与身为画家的母亲之间的关系，而这位母亲最近也已放下画笔。</title>
    <updated>2026-04-13T10:10:34.148Z</updated>
    <published>2026-04-13T10:10:34.148Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d79cfbd4ad4f9d96d9394b/">04-13</a>&nbsp;&nbsp;Ed Solomon’s Family Portrait - The screenwriter’s latest film, “The Christophers,” stars Ian McKellen as a lapsed artist. While gallery-hopping, Solomon reflects on his relationship with his painter mother, who recently put down her own paintbrush. (<a href="https://www.newyorker.com/magazine/2026/04/20/ed-solomons-family-portrait">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/20/ed-solomons-family-portrait"/>
    <summary>Ed Solomon’s Family Portrait - The screenwriter’s latest film, “The Christophers,” stars Ian McKellen as a lapsed artist. While gallery-hopping, Solomon reflects on his relationship with his painter mother, who recently put down her own paintbrush.</summary>
    <category term="Magazine"/>
    <category term="The Pictures"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d644bb091977b644c66a39/</id>
    <title>家庭拘留的卷土重来——在特朗普政府执政期间，数千名移民儿童遭到拘留，其中许多人遭受了医疗疏忽。</title>
    <updated>2026-04-13T10:10:34.144Z</updated>
    <published>2026-04-13T10:10:34.144Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d644bb091977b644c66a39/">04-13</a>&nbsp;&nbsp;The Return of Family Detention - Under the Trump Administration, thousands of immigrant children have been detained, and many have suffered from medical neglect. (<a href="https://www.newyorker.com/magazine/2026/04/20/the-return-of-family-detention">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/20/the-return-of-family-detention"/>
    <summary>The Return of Family Detention - Under the Trump Administration, thousands of immigrant children have been detained, and many have suffered from medical neglect.</summary>
    <category term="Magazine"/>
    <category term="Annals of Immigration"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d6449bb70d903f28f94ebb/</id>
    <title>《我为何想隐瞒自己的婚姻》，作者：大卫·塞达里斯——并不是因为我为休感到难为情，也不是因为我觉得可能会遇到更好的对象。只是每当听到男人说出“我的丈夫”这几个字时，我就会不寒而栗。</title>
    <updated>2026-04-13T10:10:34.141Z</updated>
    <published>2026-04-13T10:10:34.141Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d6449bb70d903f28f94ebb/">04-13</a>&nbsp;&nbsp;Why I Wanted to Keep My Marriage a Secret, by David Sedaris - It’s not that I was embarrassed by Hugh or that I thought someone better might come along. I just shudder when I hear a man say the words “my husband.” (<a href="https://www.newyorker.com/magazine/2026/04/20/why-i-wanted-to-keep-my-marriage-a-secret">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/20/why-i-wanted-to-keep-my-marriage-a-secret"/>
    <summary>Why I Wanted to Keep My Marriage a Secret, by David Sedaris - It’s not that I was embarrassed by Hugh or that I thought someone better might come along. I just shudder when I hear a man say the words “my husband.”</summary>
    <category term="Magazine"/>
    <category term="Personal History"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d646204000fa5d975a894f/</id>
    <title>简评书评——《安全通道》、《洞穴山》、《彼岸再会》和《几乎是生活》。</title>
    <updated>2026-04-13T10:10:34.137Z</updated>
    <published>2026-04-13T10:10:34.137Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d646204000fa5d975a894f/">04-13</a>&nbsp;&nbsp;Briefly Noted Book Reviews - “Safe Passage,” “Cave Mountain,” “See You on the Other Side,” and “Almost Life.” (<a href="https://www.newyorker.com/magazine/2026/04/20/safe-passage-cave-mountain-see-you-on-the-other-side-almost-life">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/20/safe-passage-cave-mountain-see-you-on-the-other-side-almost-life"/>
    <summary>Briefly Noted Book Reviews - “Safe Passage,” “Cave Mountain,” “See You on the Other Side,” and “Almost Life.”</summary>
    <category term="Magazine"/>
    <category term="Books"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d644b1db3cd64ea553da50/</id>
    <title>新奥尔良的“车祸阴谋”——高速事故、不择手段的律师，以及急需用钱的穷人——这般阴谋诡计，恐怕也只有在“轻松之城”新奥尔良才会酝酿出来。</title>
    <updated>2026-04-13T10:10:34.134Z</updated>
    <published>2026-04-13T10:10:34.134Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d644b1db3cd64ea553da50/">04-13</a>&nbsp;&nbsp;New Orleans’s Car-Crash Conspiracy - High-speed accidents, crooked lawyers, and poor people desperate for cash—it was the kind of scheme that could have been cooked up only in the Big Easy. (<a href="https://www.newyorker.com/magazine/2026/04/20/the-car-crash-conspiracy">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/20/the-car-crash-conspiracy"/>
    <summary>New Orleans’s Car-Crash Conspiracy - High-speed accidents, crooked lawyers, and poor people desperate for cash—it was the kind of scheme that could have been cooked up only in the Big Easy.</summary>
    <category term="Magazine"/>
    <category term="Letter from New Orleans"/>
    <category term="Portfolio"/>
    <category term="Inverted"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d92063382ec8c328e7d27a/</id>
    <title>诺亚·卡汉：一位意想不到的“家乡英雄”——在这位佛蒙特州唱作人的新歌及一部新纪录片中，他探讨了成名的苦恼如何让人开始怀念那个本想逃离的地方。</title>
    <updated>2026-04-13T10:10:34.130Z</updated>
    <published>2026-04-13T10:10:34.130Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/16/en_newyorker_2026_04_13__69d92063382ec8c328e7d27a/">04-13</a>&nbsp;&nbsp;Noah Kahan Makes an Unlikely Home-Town Hero - In his new songs—and a new documentary—the Vermont singer-songwriter considers how the misery of fame can make you yearn for the place you meant to escape. (<a href="https://www.newyorker.com/culture/pop-music/noah-kahan-makes-an-unlikely-home-town-hero">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/pop-music/noah-kahan-makes-an-unlikely-home-town-hero"/>
    <summary>Noah Kahan Makes an Unlikely Home-Town Hero - In his new songs—and a new documentary—the Vermont singer-songwriter considers how the misery of fame can make you yearn for the place you meant to escape.</summary>
    <category term="Culture"/>
    <category term="Pop Music"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_12__69d644c7e6a1e02e1eaf997b/</id>
    <title>道格拉斯·斯图尔特所著《私人视角》——“哦，别又是关于我的故事，”她喊道，“又是一本写我如何成为世界上最糟糕的母亲的书。真希望你能找点别的来写。”</title>
    <updated>2026-04-12T10:28:33.819Z</updated>
    <published>2026-04-12T10:28:33.819Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_12__69d644c7e6a1e02e1eaf997b/">04-12</a>&nbsp;&nbsp;“A Private View,” by Douglas Stuart - “Oh, not another story about me,” she cried. “Another book about how I was the world’s worst mother. I wish you could find something else to write about.” (<a href="https://www.newyorker.com/magazine/2026/04/20/a-private-view-fiction-douglas-stuart">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/20/a-private-view-fiction-douglas-stuart"/>
    <summary>“A Private View,” by Douglas Stuart - “Oh, not another story about me,” she cried. “Another book about how I was the world’s worst mother. I wish you could find something else to write about.”</summary>
    <category term="Magazine"/>
    <category term="Fiction"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_12__69d90bdbf54c42eba5726570/</id>
    <title>艾丽·范宁拍出“吸金大片”——这位奥斯卡提名女演员畅谈了与妮可·基德曼的合作、饰演表演者的艺术，以及她主演的新剧《玛戈的财务危机》，剧中她饰演一位单亲妈妈，为了维持生计而投身OnlyFans平台。</title>
    <updated>2026-04-12T10:28:33.816Z</updated>
    <published>2026-04-12T10:28:33.816Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_12__69d90bdbf54c42eba5726570/">04-12</a>&nbsp;&nbsp;Elle Fanning Gets the Money Shot - The Oscar-nominated actress discusses collaborating with Nicole Kidman, the art of playing a performer, and her new series, “Margo’s Got Money Troubles,” in which she stars as a single mom who turns to OnlyFans to make ends meet. (<a href="https://www.newyorker.com/culture/the-new-yorker-interview/elle-fanning-gets-the-money-shot">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-new-yorker-interview/elle-fanning-gets-the-money-shot"/>
    <summary>Elle Fanning Gets the Money Shot - The Oscar-nominated actress discusses collaborating with Nicole Kidman, the art of playing a performer, and her new series, “Margo’s Got Money Troubles,” in which she stars as a single mom who turns to OnlyFans to make ends meet.</summary>
    <category term="Culture"/>
    <category term="The New Yorker Interview"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_12__69d855def54c42eba572651e/</id>
    <title>道格拉斯·斯图尔特谈旧生活与新生活的拉锯战——作者探讨了他的短篇小说《私人视角》。</title>
    <updated>2026-04-12T10:28:33.812Z</updated>
    <published>2026-04-12T10:28:33.812Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_12__69d855def54c42eba572651e/">04-12</a>&nbsp;&nbsp;Douglas Stuart on the Push and Pull of an Old Life Versus a New One - The author discusses his story “A Private View.” (<a href="https://www.newyorker.com/books/this-week-in-fiction/douglas-stuart-04-20-26">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/this-week-in-fiction/douglas-stuart-04-20-26"/>
    <summary>Douglas Stuart on the Push and Pull of an Old Life Versus a New One - The author discusses his story “A Private View.”</summary>
    <category term="Books"/>
    <category term="This Week in Fiction"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_12__69d9288b1884a3f1c63048c6/</id>
    <title>《蓝鹭》是一部关于坎坷童年的动人剧作——索菲·罗姆瓦里的首部剧情长片以敏锐的洞察力和奇妙的想象力，讲述了与身陷危机的兄弟共同成长的准自传式故事。</title>
    <updated>2026-04-12T10:28:33.808Z</updated>
    <published>2026-04-12T10:28:33.808Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_12__69d9288b1884a3f1c63048c6/">04-12</a>&nbsp;&nbsp;“Blue Heron” Is an Exalted Drama of Troubled Childhood - Sophy Romvari’s first feature brings keen observation and wondrous imagination to the quasi-autobiographical story of growing up with a brother in crisis. (<a href="https://www.newyorker.com/culture/the-front-row/blue-heron-is-an-exalted-drama-of-troubled-childhood">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-front-row/blue-heron-is-an-exalted-drama-of-troubled-childhood"/>
    <summary>“Blue Heron” Is an Exalted Drama of Troubled Childhood - Sophy Romvari’s first feature brings keen observation and wondrous imagination to the quasi-autobiographical story of growing up with a brother in crisis.</summary>
    <category term="Culture"/>
    <category term="The Front Row"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_12__69d3cce4d6d42d3c9d811083/</id>
    <title>道格拉斯·斯图尔特朗读《私密视角》——作者朗读了其发表于2026年4月20日刊杂志上的短篇小说。</title>
    <updated>2026-04-12T10:28:33.804Z</updated>
    <published>2026-04-12T10:28:33.804Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_12__69d3cce4d6d42d3c9d811083/">04-12</a>&nbsp;&nbsp;Douglas Stuart Reads “A Private View” - The author reads his story from the April 20, 2026, issue of the magazine. (<a href="https://www.newyorker.com/podcast/the-writers-voice/douglas-stuart-reads-a-private-view">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/the-writers-voice/douglas-stuart-reads-a-private-view"/>
    <summary>Douglas Stuart Reads “A Private View” - The author reads his story from the April 20, 2026, issue of the magazine.</summary>
    <category term="Podcast"/>
    <category term="The Writer’s Voice"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_11__6995f75d9328c3bff315d826/</id>
    <title>《痴迷曼陀林》——晚年重拾音乐。</title>
    <updated>2026-04-11T10:29:51.636Z</updated>
    <published>2026-04-11T10:29:51.636Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_11__6995f75d9328c3bff315d826/">04-11</a>&nbsp;&nbsp;Mad About the Mandolin - Returning to making music later in life. (<a href="https://www.newyorker.com/culture/the-weekend-essay/mad-about-the-mandolin">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-weekend-essay/mad-about-the-mandolin"/>
    <summary>Mad About the Mandolin - Returning to making music later in life.</summary>
    <category term="Culture"/>
    <category term="The Weekend Essay"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_11__69d9277dd76a3c4ff77f2423/</id>
    <title>J·D·万斯会继承“让美国再次伟大”的旗帜吗？——据报道，这位副总统曾反对对伊战争。如今，他却被委以重任，负责领导美国结束这场战争的谈判。</title>
    <updated>2026-04-11T04:23:48.995Z</updated>
    <published>2026-04-11T04:23:48.995Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_11__69d9277dd76a3c4ff77f2423/">04-11</a>&nbsp;&nbsp;Will J. D. Vance Inherit MAGA? - The Vice-President reportedly opposed the Iran War. Now he’s tasked with leading American negotiations to end it. (<a href="https://www.newyorker.com/podcast/political-scene/will-j-d-vance-inherit-maga">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/political-scene/will-j-d-vance-inherit-maga"/>
    <summary>Will J. D. Vance Inherit MAGA? - The Vice-President reportedly opposed the Iran War. Now he’s tasked with leading American negotiations to end it.</summary>
    <category term="Podcast"/>
    <category term="The Political Scene Podcast"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_11__69d6845d7c10179e348c668a/</id>
    <title>《8号出口》是一部巧妙颠覆原著的电子游戏改编作品——在川村元气的这部无限循环惊悚片中，迷宫般的地铁站成为了一种隐喻，象征着一种视野极度狭隘的生活。</title>
    <updated>2026-04-11T01:41:15.942Z</updated>
    <published>2026-04-11T01:41:15.942Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_11__69d6845d7c10179e348c668a/">04-11</a>&nbsp;&nbsp;“Exit 8” Is a Video-Game Adaptation That Ingeniously Subverts Its Source - In Genki Kawamura’s infinity-loop thriller, a labyrinthine metro station becomes a metaphor for a life lived in extreme tunnel vision. (<a href="https://www.newyorker.com/culture/the-current-cinema/exit-8-is-a-video-game-adaptation-that-ingeniously-subverts-its-source">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-current-cinema/exit-8-is-a-video-game-adaptation-that-ingeniously-subverts-its-source"/>
    <summary>“Exit 8” Is a Video-Game Adaptation That Ingeniously Subverts Its Source - In Genki Kawamura’s infinity-loop thriller, a labyrinthine metro station becomes a metaphor for a life lived in extreme tunnel vision.</summary>
    <category term="Culture"/>
    <category term="The Current Cinema"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_10__69d548bb21f46ed820de452e/</id>
    <title>萨姆·阿尔特曼在OpenAI面临的信任危机——罗南·法罗与安德鲁·马兰茨探讨OpenAI首席执行官的崛起之路，以及有关欺骗行为的指控如何持续困扰着这位科技界最具影响力的人物之一。</title>
    <updated>2026-04-10T18:15:55.200Z</updated>
    <published>2026-04-10T18:15:55.200Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_10__69d548bb21f46ed820de452e/">04-11</a>&nbsp;&nbsp;Sam Altman’s Trust Issues at OpenAI - Ronan Farrow and Andrew Marantz on the rise of the C.E.O. of OpenAI, and how allegations of deceptive behavior continue to dog one of the most powerful figures in tech. (<a href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/sam-altmans-trust-issues-at-openai">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/sam-altmans-trust-issues-at-openai"/>
    <summary>Sam Altman’s Trust Issues at OpenAI - Ronan Farrow and Andrew Marantz on the rise of the C.E.O. of OpenAI, and how allegations of deceptive behavior continue to dog one of the most powerful figures in tech.</summary>
    <category term="Podcast"/>
    <category term="The New Yorker Radio Hour"/>
    <category term="News"/>
    <category term="The Political Scene"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_10__69d8fdd8a24326dc095e0318/</id>
    <title>每日漫画：4月10日，星期五——一幅以最新新闻和时事为灵感创作的漫画。</title>
    <updated>2026-04-10T14:16:36.623Z</updated>
    <published>2026-04-10T14:16:36.623Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_10__69d8fdd8a24326dc095e0318/">04-10</a>&nbsp;&nbsp;Daily Cartoon: Friday, April 10th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/daily-cartoon-friday-april-10th">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/daily-cartoon-friday-april-10th"/>
    <summary>Daily Cartoon: Friday, April 10th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_10__69d6c154db3cd64ea553def1/</id>
    <title>伊莎·根茨肯在秩序中发现混沌——此外：雷伊（Raye）雄心勃勃的新专辑、内森·莱恩饰演的威利·洛曼、哈莱姆舞蹈剧院开创性的《火鸟》等。</title>
    <updated>2026-04-10T10:17:10.945Z</updated>
    <published>2026-04-10T10:17:10.945Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_10__69d6c154db3cd64ea553def1/">04-10</a>&nbsp;&nbsp;Isa Genzken Finds Chaos in Order - Also: Raye’s ambitious new album, Nathan Lane’s Willy Loman, Dance Theatre of Harlem’s seminal “Firebird,” and more. (<a href="https://www.newyorker.com/culture/goings-on/isa-genzken-finds-chaos-in-order">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/goings-on/isa-genzken-finds-chaos-in-order"/>
    <summary>Isa Genzken Finds Chaos in Order - Also: Raye’s ambitious new album, Nathan Lane’s Willy Loman, Dance Theatre of Harlem’s seminal “Firebird,” and more.</summary>
    <category term="Culture"/>
    <category term="Goings On"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_10__69d5436a16f72fffe59ec2c7/</id>
    <title>匈牙利关键大选的全球影响——作为强人政治的先驱和全球右翼运动的宠儿，维克托·奥尔班的命运将对欧洲、俄罗斯、MAGA（让美国再次伟大）乃至更广阔的世界意味着什么。</title>
    <updated>2026-04-10T10:17:10.941Z</updated>
    <published>2026-04-10T10:17:10.941Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_10__69d5436a16f72fffe59ec2c7/">04-10</a>&nbsp;&nbsp;The Global Stakes of Hungary’s Pivotal Election - What the fate of Viktor Orbán, a pioneer of strongman politics and a darling of right-wing movements across the world, might mean for Europe, Russia, MAGA, and beyond. (<a href="https://www.newyorker.com/news/the-lede/the-global-stakes-of-hungarys-pivotal-election">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/the-global-stakes-of-hungarys-pivotal-election"/>
    <summary>The Global Stakes of Hungary’s Pivotal Election - What the fate of Viktor Orbán, a pioneer of strongman politics and a darling of right-wing movements across the world, might mean for Europe, Russia, MAGA, and beyond.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_10__69c69d6a62840bfb2940832e/</id>
    <title>照片中的祖母人生——在我认识她以来，老老总是随身带着一台装好胶卷、随时待命的傻瓜相机，用来记录花园、饭菜、新衣服和来访的客人。</title>
    <updated>2026-04-10T10:17:10.938Z</updated>
    <published>2026-04-10T10:17:10.938Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_10__69c69d6a62840bfb2940832e/">04-10</a>&nbsp;&nbsp;A Grandmother’s Life in Photos - As long as I’d known her, Laolao had a point-and-shoot camera loaded and ready to record—gardens, meals, new outfits, and visitors. (<a href="https://www.newyorker.com/humor/sketchbook/a-grandmothers-life-in-photos">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/sketchbook/a-grandmothers-life-in-photos"/>
    <summary>A Grandmother’s Life in Photos - As long as I’d known her, Laolao had a point-and-shoot camera loaded and ready to record—gardens, meals, new outfits, and visitors.</summary>
    <category term="Humor"/>
    <category term="Sketchbook"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_10__69d79cf0dbf604982ee30b20/</id>
    <title>特朗普在伊朗问题上的战略与道德失败——自就任总统的第一天起，特朗普就给美国和世界都带来了危机。</title>
    <updated>2026-04-10T10:17:10.934Z</updated>
    <published>2026-04-10T10:17:10.934Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_10__69d79cf0dbf604982ee30b20/">04-10</a>&nbsp;&nbsp;Trump’s Strategic and Moral Failure in Iran - From the first day of his Presidency, Trump has posed an emergency to both his country and the world. (<a href="https://www.newyorker.com/magazine/2026/04/20/donald-trumps-strategic-failure-and-moral-calamity-in-iran">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/20/donald-trumps-strategic-failure-and-moral-calamity-in-iran"/>
    <summary>Trump’s Strategic and Moral Failure in Iran - From the first day of his Presidency, Trump has posed an emergency to both his country and the world.</summary>
    <category term="Magazine"/>
    <category term="Comment"/>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_10__69d52be2f9e88e1b88f653ab/</id>
    <title>佐兰·曼达尼，《城市的永恒学生》——市长与布朗克斯科学高中的几名青少年一起，回顾了他上任后的头一百天。</title>
    <updated>2026-04-10T10:17:10.930Z</updated>
    <published>2026-04-10T10:17:10.930Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_10__69d52be2f9e88e1b88f653ab/">04-10</a>&nbsp;&nbsp;Zohran Mamdani, Perpetual Student of the City - The Mayor, along with some teen-agers from Bronx Science, takes stock of his first hundred days. (<a href="https://www.newyorker.com/news/new-york-journal/zohran-mamdani-perpetual-student-of-the-city">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/new-york-journal/zohran-mamdani-perpetual-student-of-the-city"/>
    <summary>Zohran Mamdani, Perpetual Student of the City - The Mayor, along with some teen-agers from Bronx Science, takes stock of his first hundred days.</summary>
    <category term="News"/>
    <category term="New York Journal"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_10__69d81839d4ad4f9d96d93d36/</id>
    <title>以色列在黎巴嫩的战争尚未停止——尽管美国和伊朗正在商讨停火协议，但贝鲁特仍处于被围困状态。</title>
    <updated>2026-04-10T00:41:48.408Z</updated>
    <published>2026-04-10T00:41:48.408Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_10__69d81839d4ad4f9d96d93d36/">04-10</a>&nbsp;&nbsp;Israel’s War in Lebanon Has Not Stopped - While America and Iran negotiate a ceasefire, Beirut remains under siege. (<a href="https://www.newyorker.com/news/q-and-a/israels-war-in-lebanon-has-not-stopped">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/q-and-a/israels-war-in-lebanon-has-not-stopped"/>
    <summary>Israel’s War in Lebanon Has Not Stopped - While America and Iran negotiate a ceasefire, Beirut remains under siege.</summary>
    <category term="News"/>
    <category term="Q. &amp; A."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_09__69d81ace890fe233710b91a6/</id>
    <title>特朗普发动伊朗战争的愚行所付出的代价——如果这算“彻底而完胜”，那失败会是何等光景？</title>
    <updated>2026-04-09T23:21:41.869Z</updated>
    <published>2026-04-09T23:21:41.869Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_09__69d81ace890fe233710b91a6/">04-10</a>&nbsp;&nbsp;The Costs of Trump’s Iran-War Folly - If this is “total and complete victory,” imagine what failure looks like. (<a href="https://www.newyorker.com/news/letter-from-trumps-washington/the-costs-of-trumps-iran-war-folly">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/letter-from-trumps-washington/the-costs-of-trumps-iran-war-folly"/>
    <summary>The Costs of Trump’s Iran-War Folly - If this is “total and complete victory,” imagine what failure looks like.</summary>
    <category term="News"/>
    <category term="Letter from Trump’s Washington"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_09__69d688c174c2b9573cec1b2a/</id>
    <title>《大错特错》是一部面向女性和同性恋群体的犯罪剧——这是丹·莱维自《施蒂克溪》以来首部编剧剧集，又是一部“鱼离水”式的喜剧，只不过这次的故事背景截然不同。</title>
    <updated>2026-04-09T22:01:42.025Z</updated>
    <published>2026-04-09T22:01:42.025Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_09__69d688c174c2b9573cec1b2a/">04-10</a>&nbsp;&nbsp;“Big Mistakes” Is a Crime Show for the Girls and the Gays - Dan Levy’s first scripted series since “Schitt’s Creek” is another fish-out-of-water comedy—this one set in a very different milieu. (<a href="https://www.newyorker.com/culture/on-television/big-mistakes-is-a-crime-show-for-the-girls-and-the-gays">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/on-television/big-mistakes-is-a-crime-show-for-the-girls-and-the-gays"/>
    <summary>“Big Mistakes” Is a Crime Show for the Girls and the Gays - Dan Levy’s first scripted series since “Schitt’s Creek” is another fish-out-of-water comedy—this one set in a very different milieu.</summary>
    <category term="Culture"/>
    <category term="On Television"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_09__69d7b6137b115a944829973a/</id>
    <title>每日漫画：4月9日，星期四——一幅以最新新闻和时事为灵感创作的漫画。</title>
    <updated>2026-04-09T14:49:57.482Z</updated>
    <published>2026-04-09T14:49:57.482Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_09__69d7b6137b115a944829973a/">04-09</a>&nbsp;&nbsp;Daily Cartoon: Thursday, April 9th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/thursday-april-9th-food-pyramid-sharks">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/thursday-april-9th-food-pyramid-sharks"/>
    <summary>Daily Cartoon: Thursday, April 9th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_09__69d00159b8f58ac6594636ef/</id>
    <title>真抱歉——我刚刚意识到自己终有一死——我觉得我最好还是待在这里，抱着这些小松鼠。这大概是我现在唯一能做的事了。</title>
    <updated>2026-04-09T10:19:40.198Z</updated>
    <published>2026-04-09T10:19:40.198Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_09__69d00159b8f58ac6594636ef/">04-09</a>&nbsp;&nbsp;So Sorry—I Was Just Reminded of My Own Mortality - I think it’s best that I stay here cradling these baby squirrels. That’s pretty much all I’m capable of doing right now. (<a href="https://www.newyorker.com/humor/shouts-murmurs/so-sorry-i-was-just-reminded-of-my-own-mortality">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shouts-murmurs/so-sorry-i-was-just-reminded-of-my-own-mortality"/>
    <summary>So Sorry—I Was Just Reminded of My Own Mortality - I think it’s best that I stay here cradling these baby squirrels. That’s pretty much all I’m capable of doing right now.</summary>
    <category term="Humor"/>
    <category term="Shouts &amp; Murmurs"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_09__69d51a3ad0ff219e7583b53d/</id>
    <title>针对Meta和谷歌的判决揭示了我们当今的生活方式——加州陪审团的裁决标志着针对我们这个时代核心焦虑之一的一场斗争拉开了法律战幕。</title>
    <updated>2026-04-09T10:19:40.194Z</updated>
    <published>2026-04-09T10:19:40.194Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_09__69d51a3ad0ff219e7583b53d/">04-09</a>&nbsp;&nbsp;What the Verdict Against Meta and Google Says About the Way We Live Now - The finding of a California jury represents the opening legal salvo in a fight against one of the central anxieties of our time. (<a href="https://www.newyorker.com/news/the-lede/what-the-verdict-against-meta-and-google-says-about-the-way-we-live-now">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/what-the-verdict-against-meta-and-google-says-about-the-way-we-live-now"/>
    <summary>What the Verdict Against Meta and Google Says About the Way We Live Now - The finding of a California jury represents the opening legal salvo in a fight against one of the central anxieties of our time.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_09__69d6e7a97c10179e348c696e/</id>
    <title>这简直是“似曾相识”的重演——但这次他是认真的。</title>
    <updated>2026-04-09T00:13:29.649Z</updated>
    <published>2026-04-09T00:13:29.649Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_09__69d6e7a97c10179e348c696e/">04-09</a>&nbsp;&nbsp;It’s Déjà Vu All Over Again - But this time he means it. (<a href="https://www.newyorker.com/cartoons/blitts-kvetchbook/its-deja-vu-all-over-again">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/blitts-kvetchbook/its-deja-vu-all-over-again"/>
    <summary>It’s Déjà Vu All Over Again - But this time he means it.</summary>
    <category term="Cartoons"/>
    <category term="Blitt’s Kvetchbook"/>
    <category term="Culture"/>
    <category term="Culture Desk"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_09__69d6c06d4c8fa229e64c09db/</id>
    <title>帕姆·邦迪未能说服公众——邦迪在司法部的任期充斥着无能表现。但特约撰稿人露丝·马库斯指出，她试图将司法部打造成唐纳德·特朗普风格的努力，却成了“一场悲剧性的成功”。</title>
    <updated>2026-04-09T00:13:29.645Z</updated>
    <published>2026-04-09T00:13:29.645Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_09__69d6c06d4c8fa229e64c09db/">04-09</a>&nbsp;&nbsp;Pam Bondi Fails to Make Her Case - Bondi’s tenure at the Justice Department was marked by incompetence. But her effort to remake it in Donald Trump’s image was “a tragic success,” the contributing writer Ruth Marcus says. (<a href="https://www.newyorker.com/podcast/political-scene/pam-bondi-fails-to-make-her-case">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/political-scene/pam-bondi-fails-to-make-her-case"/>
    <summary>Pam Bondi Fails to Make Her Case - Bondi’s tenure at the Justice Department was marked by incompetence. But her effort to remake it in Donald Trump’s image was “a tragic success,” the contributing writer Ruth Marcus says.</summary>
    <category term="Podcast"/>
    <category term="The Political Scene Podcast"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_08__69d57f24f9e88e1b88f657aa/</id>
    <title>野口美术馆馆长推荐书单——艾米·豪（Amy Hau）谈及玛丽莲·蔡斯（Marilyn Chase）、卡琳·比加（Karin Higa）和埃德蒙·德·瓦尔（Edmund de Waal）的著作，这些书籍对她作为策展人的工作产生了重要影响。</title>
    <updated>2026-04-08T20:59:02.456Z</updated>
    <published>2026-04-08T20:59:02.456Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_08__69d57f24f9e88e1b88f657aa/">04-09</a>&nbsp;&nbsp;A Reading List from the Director of the Noguchi Museum - Amy Hau discusses some books by Marilyn Chase, Karin Higa, and Edmund de Waal that have guided her work as a curator. (<a href="https://www.newyorker.com/books/book-currents/a-reading-list-from-the-director-of-the-noguchi-museum">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/book-currents/a-reading-list-from-the-director-of-the-noguchi-museum"/>
    <summary>A Reading List from the Director of the Noguchi Museum - Amy Hau discusses some books by Marilyn Chase, Karin Higa, and Edmund de Waal that have guided her work as a curator.</summary>
    <category term="Books"/>
    <category term="Book Currents"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_08__69d6675626a15776e0c31803/</id>
    <title>每日漫画：4月8日，星期三——一幅以最新新闻和时事为灵感创作的漫画。</title>
    <updated>2026-04-08T20:59:02.452Z</updated>
    <published>2026-04-08T20:59:02.452Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_08__69d6675626a15776e0c31803/">04-08</a>&nbsp;&nbsp;Daily Cartoon: Wednesday, April 8th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/wednesday-april-8th-water-lilies-allergies">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/wednesday-april-8th-water-lilies-allergies"/>
    <summary>Daily Cartoon: Wednesday, April 8th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_08__69d63a51f7a584c79bb82e26/</id>
    <title>美伊停火协议已达成，但特朗普的“石器时代”思维依然如故——一场由白宫挑起却从未真正理解的战争所造成的混乱，绝非临时停火所能消除。</title>
    <updated>2026-04-08T14:05:29.500Z</updated>
    <published>2026-04-08T14:05:29.499Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_08__69d63a51f7a584c79bb82e26/">04-08</a>&nbsp;&nbsp;A U.S.-Iran Ceasefire Is Here, but Trump’s Stone Age Mentality Endures - A temporary truce can’t erase the chaos of a war that the White House started and never fully understood. (<a href="https://www.newyorker.com/news/the-lede/a-us-iran-ceasefire-is-here-but-trumps-stone-age-mentality-endures">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/a-us-iran-ceasefire-is-here-but-trumps-stone-age-mentality-endures"/>
    <summary>A U.S.-Iran Ceasefire Is Here, but Trump’s Stone Age Mentality Endures - A temporary truce can’t erase the chaos of a war that the White House started and never fully understood.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_08__69d567722b038f77570ab937/</id>
    <title>对技术的古老破坏冲动——新书《Techno-Negative》提醒我们，对新发明的抵制在某种形式上已存在数千年之久。</title>
    <updated>2026-04-08T10:21:40.465Z</updated>
    <published>2026-04-08T10:21:40.465Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_08__69d567722b038f77570ab937/">04-08</a>&nbsp;&nbsp;The Age-Old Urge to Destroy Technology - The new book “Techno-Negative” reminds us that resistance to new inventions has existed in some form across millennia. (<a href="https://www.newyorker.com/culture/infinite-scroll/the-age-old-urge-to-destroy-technology">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/infinite-scroll/the-age-old-urge-to-destroy-technology"/>
    <summary>The Age-Old Urge to Destroy Technology - The new book “Techno-Negative” reminds us that resistance to new inventions has existed in some form across millennia.</summary>
    <category term="Culture"/>
    <category term="Infinite Scroll"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_08__69d3d3e935315d1145d161cf/</id>
    <title>怪咖与问题青年的守护神——新奥尔良作家南希·莱曼描绘出酒气熏天的灾难场景，其中每个人、每件事物都濒临腐朽。</title>
    <updated>2026-04-08T10:21:40.461Z</updated>
    <published>2026-04-08T10:21:40.461Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_08__69d3d3e935315d1145d161cf/">04-08</a>&nbsp;&nbsp;The Patron Saint of Oddballs and Delinquents - The New Orleans writer Nancy Lemann conjures scenes of booze-soaked calamity, where everyone and everything is on the verge of rot. (<a href="https://www.newyorker.com/books/under-review/the-patron-saint-of-oddballs-and-delinquents">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/under-review/the-patron-saint-of-oddballs-and-delinquents"/>
    <summary>The Patron Saint of Oddballs and Delinquents - The New Orleans writer Nancy Lemann conjures scenes of booze-soaked calamity, where everyone and everything is on the verge of rot.</summary>
    <category term="Books"/>
    <category term="Under Review"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_07__69d513f2d1180f683bf8321a/</id>
    <title>《The Drama》是一场漫长的恶作剧——赞达亚和罗伯特·帕丁森饰演的情侣面对骇人听闻的真相所引发的后果时极具魅力，但这部电影本身似乎纯粹是为了引发热议而精心策划的。</title>
    <updated>2026-04-07T22:55:30.191Z</updated>
    <published>2026-04-07T22:55:30.191Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_07__69d513f2d1180f683bf8321a/">04-08</a>&nbsp;&nbsp;“The Drama” Is One Long Troll - Zendaya and Robert Pattinson are charismatic as a couple confronting the fallout from an appalling revelation, but the film itself seems engineered solely to stimulate discourse. (<a href="https://www.newyorker.com/culture/the-front-row/the-drama-is-one-long-troll">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-front-row/the-drama-is-one-long-troll"/>
    <summary>“The Drama” Is One Long Troll - Zendaya and Robert Pattinson are charismatic as a couple confronting the fallout from an appalling revelation, but the film itself seems engineered solely to stimulate discourse.</summary>
    <category term="Culture"/>
    <category term="The Front Row"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_07__69d5120ff281472ee321aece/</id>
    <title>对伊朗发动地面入侵会是怎样的局面？——随着特朗普总统要求伊朗开放霍尔木兹海峡的最后期限临近，德黑兰正借鉴两伊战争的经验，为美国可能采取的升级行动做准备。</title>
    <updated>2026-04-07T22:07:57.311Z</updated>
    <published>2026-04-07T22:07:57.311Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_07__69d5120ff281472ee321aece/">04-08</a>&nbsp;&nbsp;What Would a Ground Invasion of Iran Look Like? - As President Trump’s deadline for Iran to open the Strait of Hormuz looms, Tehran is using lessons from the Iran-Iraq War to prepare for an American escalation. (<a href="https://www.newyorker.com/news/the-lede/what-would-a-ground-invasion-of-iran-look-like">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/what-would-a-ground-invasion-of-iran-look-like"/>
    <summary>What Would a Ground Invasion of Iran Look Like? - As President Trump’s deadline for Iran to open the Strait of Hormuz looms, Tehran is using lessons from the Iran-Iraq War to prepare for an American escalation.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_07__69d51869e56a823dc9e109d7/</id>
    <title>每日漫画：4月7日，星期二——一幅以最新新闻和时事为灵感创作的漫画。</title>
    <updated>2026-04-07T15:27:42.572Z</updated>
    <published>2026-04-07T15:27:42.572Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_07__69d51869e56a823dc9e109d7/">04-07</a>&nbsp;&nbsp;Daily Cartoon: Tuesday, April 7th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/tuesday-april-7th-artemis-moon-mission">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/tuesday-april-7th-artemis-moon-mission"/>
    <summary>Daily Cartoon: Tuesday, April 7th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_07__69d2a05c60d1d74742715200/</id>
    <title>特朗普重组美国林务局对美国农村意味着什么——木材游说团体大有可为，而森林科学研究却举步维艰。</title>
    <updated>2026-04-07T10:07:33.787Z</updated>
    <published>2026-04-07T10:07:33.787Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_07__69d2a05c60d1d74742715200/">04-07</a>&nbsp;&nbsp;What Trump’s Reorganization of the Forest Service Means for Rural America - Lots of room for lumber lobbyists, less for forest science. (<a href="https://www.newyorker.com/news/the-lede/the-forest-service-a-force-across-rural-america-reorganizes-under-trump">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/the-forest-service-a-force-across-rural-america-reorganizes-under-trump"/>
    <summary>What Trump’s Reorganization of the Forest Service Means for Rural America - Lots of room for lumber lobbyists, less for forest science.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_07__69c2cc6cb3d6289d11b06e27/</id>
    <title>“共享育儿经济”的丑闻——随着“儿童网红”逐渐长大成人，有些人可能会发现，法律并非弥补童年时期所失去和受损之物的完美途径。</title>
    <updated>2026-04-07T10:07:33.783Z</updated>
    <published>2026-04-07T10:07:33.783Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_07__69c2cc6cb3d6289d11b06e27/">04-07</a>&nbsp;&nbsp;The Scandal of the Sharenting Economy - As kidfluencers come of age, some may find the law an imperfect means of restitution for what was lost and broken in their childhoods. (<a href="https://www.newyorker.com/culture/the-lede/the-scandal-of-the-sharenting-economy">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-lede/the-scandal-of-the-sharenting-economy"/>
    <summary>The Scandal of the Sharenting Economy - As kidfluencers come of age, some may find the law an imperfect means of restitution for what was lost and broken in their childhoods.</summary>
    <category term="Culture"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_07__69c4330e346b201230d6b012/</id>
    <title>根据你身边有多少朋友正在成为心理咨询师，我对你有些了解——如果你身边有朋友正在学习成为心理咨询师，那人就是你的妻子，而且她正考虑离开你。</title>
    <updated>2026-04-07T10:07:33.779Z</updated>
    <published>2026-04-07T10:07:33.779Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_07__69c4330e346b201230d6b012/">04-07</a>&nbsp;&nbsp;What I Know About You Based on How Many of Your Friends Are Becoming Therapists - If one of your friends is studying to be a therapist, it’s your wife and she’s thinking of leaving you. (<a href="https://www.newyorker.com/humor/shouts-murmurs/what-i-know-about-you-based-on-how-many-of-your-friends-are-becoming-therapists">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shouts-murmurs/what-i-know-about-you-based-on-how-many-of-your-friends-are-becoming-therapists"/>
    <summary>What I Know About You Based on How Many of Your Friends Are Becoming Therapists - If one of your friends is studying to be a therapist, it’s your wife and she’s thinking of leaving you.</summary>
    <category term="Humor"/>
    <category term="Shouts &amp; Murmurs"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69d10916f3496a47ae9d9273/</id>
    <title>“阿耳忒弥斯2号”登月任务将带给我们哪些启示？——四名宇航员将深入太空，抵达人类历史上从未到达过的区域。美国宇航局从此将焕然一新。</title>
    <updated>2026-04-06T21:03:43.967Z</updated>
    <published>2026-04-06T21:03:43.967Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69d10916f3496a47ae9d9273/">04-07</a>&nbsp;&nbsp;What Will the Artemis II Moon Mission Teach Us? - Four astronauts are travelling deeper into space than anyone in history. NASA will never be the same. (<a href="https://www.newyorker.com/news/the-lede/what-will-the-artemis-ii-moon-mission-teach-us">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/what-will-the-artemis-ii-moon-mission-teach-us"/>
    <summary>What Will the Artemis II Moon Mission Teach Us? - Four astronauts are travelling deeper into space than anyone in history. NASA will never be the same.</summary>
    <category term="News"/>
    <category term="The Lede"/>
    <category term="Science"/>
    <category term="Elements"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69d3d43a350381577b5bf2b2/</id>
    <title>每日漫画：4月6日，星期一——一幅以最新新闻和时事为灵感创作的漫画。</title>
    <updated>2026-04-06T15:59:45.136Z</updated>
    <published>2026-04-06T15:59:45.136Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69d3d43a350381577b5bf2b2/">04-06</a>&nbsp;&nbsp;Daily Cartoon: Monday, April 6th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/monday-april-6th-american-woodcock-birds">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/monday-april-6th-american-woodcock-birds"/>
    <summary>Daily Cartoon: Monday, April 6th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cbd3ccc824fb790dd77f16/</id>
    <title>泰希姆巴·杰斯所著《西奥多·罗斯福·泰勒》——“简而言之，他让金属在琴弦上滑动，直到恶魔 / 被逗乐了，笑出了蓝调。”</title>
    <updated>2026-04-06T10:23:53.684Z</updated>
    <published>2026-04-06T10:23:53.684Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cbd3ccc824fb790dd77f16/">04-06</a>&nbsp;&nbsp;“Theodore Roosevelt Taylor,” by Tyehimba Jess - “In short, he slid metal on string till the devil / got tickled and laughed up the Blues.” (<a href="https://www.newyorker.com/magazine/2026/04/13/theodore-roosevelt-taylor-tyehimba-jess-poem">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/13/theodore-roosevelt-taylor-tyehimba-jess-poem"/>
    <summary>“Theodore Roosevelt Taylor,” by Tyehimba Jess - “In short, he slid metal on string till the devil / got tickled and laughed up the Blues.”</summary>
    <category term="Magazine"/>
    <category term="Poems"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cbd3d8d35e235594a73dd3/</id>
    <title>我们都在不断发生变异——这反而是件好事 - 基因研究正在动摇“基因组是决定性蓝图”这一观念。</title>
    <updated>2026-04-06T10:23:53.681Z</updated>
    <published>2026-04-06T10:23:53.681Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cbd3d8d35e235594a73dd3/">04-06</a>&nbsp;&nbsp;We Are All Constantly Mutating—and That’s a Good Thing - Genetic research has been complicating the idea of the genome as a determinative blueprint. (<a href="https://www.newyorker.com/magazine/2026/04/13/beyond-inheritance-roxanne-khamsi-book-review">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/13/beyond-inheritance-roxanne-khamsi-book-review"/>
    <summary>We Are All Constantly Mutating—and That’s a Good Thing - Genetic research has been complicating the idea of the genome as a determinative blueprint.</summary>
    <category term="Magazine"/>
    <category term="Books"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cfc94d90f7258065adda71/</id>
    <title>一位经济学家致力于解决美国的工资问题——阿林德拉吉特·杜贝认为，解决之道在于赋予工人更多权利，并在各行业制定强制性的工资标准。</title>
    <updated>2026-04-06T10:23:53.677Z</updated>
    <published>2026-04-06T10:23:53.677Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cfc94d90f7258065adda71/">04-06</a>&nbsp;&nbsp;An Economist’s Quest to Solve America’s Wage Problem - Arindrajit Dube argues that the answer is empowering workers and setting mandatory wage standards across industries. (<a href="https://www.newyorker.com/news/the-financial-page/an-economists-quest-to-solve-americas-wage-problem">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-financial-page/an-economists-quest-to-solve-americas-wage-problem"/>
    <summary>An Economist’s Quest to Solve America’s Wage Problem - Arindrajit Dube argues that the answer is empowering workers and setting mandatory wage standards across industries.</summary>
    <category term="News"/>
    <category term="The Financial Page"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69a1f2fe9652c6b9a867ad5a/</id>
    <title>在《电影免疫力》一书中，最精彩的戏剧发生在银幕之外——迈克尔·李·尼伦伯格这部关于纽约经典电影制作的口述历史，聚焦于那些用辛勤劳动铸就电影的幕后工作人员，并揭示了塑造这一艺术形式的幕后激情与张力。</title>
    <updated>2026-04-06T10:23:53.673Z</updated>
    <published>2026-04-06T10:23:53.673Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69a1f2fe9652c6b9a867ad5a/">04-06</a>&nbsp;&nbsp;In “Cinematic Immunity,” the Greatest Drama Is Offscreen - Michael Lee Nirenberg’s oral history of classic New York filmmaking centers on crew members whose labor the movies are made of, and reveals behind-the-scenes passions and tensions that shape the art. (<a href="https://www.newyorker.com/culture/the-front-row/in-cinematic-immunity-the-greatest-drama-is-offscreen">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-front-row/in-cinematic-immunity-the-greatest-drama-is-offscreen"/>
    <summary>In “Cinematic Immunity,” the Greatest Drama Is Offscreen - Michael Lee Nirenberg’s oral history of classic New York filmmaking centers on crew members whose labor the movies are made of, and reveals behind-the-scenes passions and tensions that shape the art.</summary>
    <category term="Culture"/>
    <category term="The Front Row"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cbd39542d3a8df4623d1ed/</id>
    <title>为什么人们要给自己注射肽类物质？——健康与养生领域的网红正在灰色市场上兜售未经批准的疗法。美国食品药品监督管理局（FDA）的未来——以及消费者的健康——正面临威胁。</title>
    <updated>2026-04-06T10:23:53.670Z</updated>
    <published>2026-04-06T10:23:53.670Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cbd39542d3a8df4623d1ed/">04-06</a>&nbsp;&nbsp;Why Are People Injecting Themselves with Peptides? - Health and wellness influencers are hawking unapproved treatments on the gray market. The future of the F.D.A.—and the health of consumers—is at stake. (<a href="https://www.newyorker.com/magazine/2026/04/13/why-are-people-injecting-themselves-with-peptides">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/13/why-are-people-injecting-themselves-with-peptides"/>
    <summary>Why Are People Injecting Themselves with Peptides? - Health and wellness influencers are hawking unapproved treatments on the gray market. The future of the F.D.A.—and the health of consumers—is at stake.</summary>
    <category term="Magazine"/>
    <category term="Brave New World Dept."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cbd38facc52502dc1b5c71/</id>
    <title>我们的家庭式数据中心——早上好，各位技术同仁！快来我们的信息超级乡间小道上逛逛吧。</title>
    <updated>2026-04-06T10:23:53.667Z</updated>
    <published>2026-04-06T10:23:53.667Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cbd38facc52502dc1b5c71/">04-06</a>&nbsp;&nbsp;Our Mom-and-Pop Data Center - Mornin’, tech brothers and sisters! Come take a walk on our information super country road. (<a href="https://www.newyorker.com/magazine/2026/04/13/our-mom-and-pop-data-center">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/13/our-mom-and-pop-data-center"/>
    <summary>Our Mom-and-Pop Data Center - Mornin’, tech brothers and sisters! Come take a walk on our information super country road.</summary>
    <category term="Magazine"/>
    <category term="Shouts &amp; Murmurs"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cbd3c0cf6c7ba2b16f51e2/</id>
    <title>“海绵城市”能拯救我们免受即将到来的洪水之灾吗？——随着地球变暖、降雨加剧，未来的防洪措施似乎不再是筑墙，而是更像一个公园。</title>
    <updated>2026-04-06T10:23:53.663Z</updated>
    <published>2026-04-06T10:23:53.663Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cbd3c0cf6c7ba2b16f51e2/">04-06</a>&nbsp;&nbsp;Can Sponge Cities Save Us from the Coming Floods? - As the planet gets warmer and the rains fall harder, the future of flood control is looking less like a wall and something more like a park. (<a href="https://www.newyorker.com/magazine/2026/04/13/can-sponge-cities-save-us-from-the-coming-floods">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/13/can-sponge-cities-save-us-from-the-coming-floods"/>
    <summary>Can Sponge Cities Save Us from the Coming Floods? - As the planet gets warmer and the rains fall harder, the future of flood control is looking less like a wall and something more like a park.</summary>
    <category term="Magazine"/>
    <category term="The Control of Nature"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cd5e2c54049aa03e2d9dcf/</id>
    <title>克里斯托弗·尼曼的《新视野》——科技与未来。</title>
    <updated>2026-04-06T10:23:53.660Z</updated>
    <published>2026-04-06T10:23:53.660Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cd5e2c54049aa03e2d9dcf/">04-06</a>&nbsp;&nbsp;Christoph Niemann’s “New Horizons” - Technology and the future. (<a href="https://www.newyorker.com/culture/cover-story/cover-story-2026-04-13">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/cover-story/cover-story-2026-04-13"/>
    <summary>Christoph Niemann’s “New Horizons” - Technology and the future.</summary>
    <category term="Culture"/>
    <category term="Cover Story"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69caefffc824fb790dd77c4e/</id>
    <title>简评书评——《年少时，我被告知何为男子汉》、《真色》、《半他之龄》和《水下》。</title>
    <updated>2026-04-06T10:23:53.656Z</updated>
    <published>2026-04-06T10:23:53.656Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69caefffc824fb790dd77c4e/">04-06</a>&nbsp;&nbsp;Briefly Noted Book Reviews - “In the Days of My Youth I Was Told What It Means to Be a Man,” “True Color,” “Half His Age,” and “Under Water.” (<a href="https://www.newyorker.com/magazine/2026/04/13/in-the-days-of-my-youth-i-was-told-what-it-means-to-be-a-man-true-color-half-his-age-and-under-water">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/13/in-the-days-of-my-youth-i-was-told-what-it-means-to-be-a-man-true-color-half-his-age-and-under-water"/>
    <summary>Briefly Noted Book Reviews - “In the Days of My Youth I Was Told What It Means to Be a Man,” “True Color,” “Half His Age,” and “Under Water.”</summary>
    <category term="Magazine"/>
    <category term="Books"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cbd3d2acc52502dc1b5c75/</id>
    <title>摩根·帕克的《与此同时，雨下了两周，酷热却未曾消退》——“有时我给朋友发消息说我在哭／他们却回复‘哈哈’。”</title>
    <updated>2026-04-06T10:23:53.652Z</updated>
    <published>2026-04-06T10:23:53.652Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cbd3d2acc52502dc1b5c75/">04-06</a>&nbsp;&nbsp;“Meanwhile It Rains for Two Weeks and the Heat Never Breaks,” by Morgan Parker - “Sometimes I text my friends I’m crying / and they reply lol.” (<a href="https://www.newyorker.com/magazine/2026/04/13/meanwhile-it-rains-for-two-weeks-and-the-heat-never-break-morgan-parker-poem">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/13/meanwhile-it-rains-for-two-weeks-and-the-heat-never-break-morgan-parker-poem"/>
    <summary>“Meanwhile It Rains for Two Weeks and the Heat Never Breaks,” by Morgan Parker - “Sometimes I text my friends I’m crying / and they reply lol.”</summary>
    <category term="Magazine"/>
    <category term="Poems"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cbd3dc38d298aff3f4ab0f/</id>
    <title>在玛丽·恩迪亚耶这部引人入胜的新作中，巫术代代相传——在《女巫》一书中，一位母亲将一种秘密而沉重的力量传给了女儿们，但巫术却无力挽救这个分崩离析的家庭。</title>
    <updated>2026-04-06T10:23:53.649Z</updated>
    <published>2026-04-06T10:23:53.649Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cbd3dc38d298aff3f4ab0f/">04-06</a>&nbsp;&nbsp;In Marie NDiaye’s Spellbinding New Novel, Witchcraft Stays in the Family - In “The Witch,” a mother passes to her daughters a secret, burdensome power, but sorcery can’t fix a household that’s coming apart. (<a href="https://www.newyorker.com/magazine/2026/04/13/the-witch-marie-ndiaye-book-review">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/13/the-witch-marie-ndiaye-book-review"/>
    <summary>In Marie NDiaye’s Spellbinding New Novel, Witchcraft Stays in the Family - In “The Witch,” a mother passes to her daughters a secret, burdensome power, but sorcery can’t fix a household that’s coming apart.</summary>
    <category term="Magazine"/>
    <category term="Books"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cbd3cf38d298aff3f4ab0b/</id>
    <title>互联网边缘势力如何渗透共和党政治——探秘“让美国再次伟大”时代后的共和党争夺战</title>
    <updated>2026-04-06T10:23:53.645Z</updated>
    <published>2026-04-06T10:23:53.645Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cbd3cf38d298aff3f4ab0b/">04-06</a>&nbsp;&nbsp;How the Internet Fringe Infiltrated Republican Politics - Inside the battle for the post-MAGA G.O.P. (<a href="https://www.newyorker.com/magazine/2026/04/13/how-the-internet-fringe-infiltrated-republican-politics">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/13/how-the-internet-fringe-infiltrated-republican-politics"/>
    <summary>How the Internet Fringe Infiltrated Republican Politics - Inside the battle for the post-MAGA G.O.P.</summary>
    <category term="Magazine"/>
    <category term="The Political Scene"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cbd3c6d35e235594a73dcf/</id>
    <title>“圣经式的女性形象”会束缚你，还是让你获得自由？——来自不同福音派世代的两位作家，对婚姻、母职和抱负提出了截然不同的见解。</title>
    <updated>2026-04-06T10:23:53.642Z</updated>
    <published>2026-04-06T10:23:53.642Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cbd3c6d35e235594a73dcf/">04-06</a>&nbsp;&nbsp;Will Biblical Womanhood Box You In or Set You Free? - Two writers of different evangelical generations offer rival visions of marriage, motherhood, and ambition. (<a href="https://www.newyorker.com/magazine/2026/04/13/awake-jen-hatmaker-book-review-lead-like-jael-emma-waters">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/13/awake-jen-hatmaker-book-review-lead-like-jael-emma-waters"/>
    <summary>Will Biblical Womanhood Box You In or Set You Free? - Two writers of different evangelical generations offer rival visions of marriage, motherhood, and ambition.</summary>
    <category term="Magazine"/>
    <category term="Books"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cd2a8cc7aeb03ad692c516/</id>
    <title>鹅，已死——随着禽流感席卷汉普顿，长岛最豪华的海滩正沦为倒下的禽鸟的集体坟场。</title>
    <updated>2026-04-06T10:23:53.638Z</updated>
    <published>2026-04-06T10:23:53.638Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cd2a8cc7aeb03ad692c516/">04-06</a>&nbsp;&nbsp;Geese, Cooked - As bird flu hits the Hamptons, Long Island’s fanciest beaches are becoming mass graves for felled fowl. (<a href="https://www.newyorker.com/magazine/2026/04/13/geese-cooked">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/13/geese-cooked"/>
    <summary>Geese, Cooked - As bird flu hits the Hamptons, Long Island’s fanciest beaches are becoming mass graves for felled fowl.</summary>
    <category term="Magazine"/>
    <category term="Winging It"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cd2a890ea09b19d037ff57/</id>
    <title>与伊曼纽尔·阿克斯的欢乐时光——为庆祝其全新WQXR播客节目上线，这位资深钢琴家将举办一场特别的现场演出，并邀请了一位神秘嘉宾——他的老酒友马友友。</title>
    <updated>2026-04-06T10:23:53.634Z</updated>
    <published>2026-04-06T10:23:53.634Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cd2a890ea09b19d037ff57/">04-06</a>&nbsp;&nbsp;Happy Hour with Emanuel Ax - To ring in his new WQXR podcast, the veteran pianist puts on a special live show with a secret surprise guest—his old drinking buddy Yo-Yo Ma. (<a href="https://www.newyorker.com/magazine/2026/04/13/happy-hour-with-emanuel-ax">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/13/happy-hour-with-emanuel-ax"/>
    <summary>Happy Hour with Emanuel Ax - To ring in his new WQXR podcast, the veteran pianist puts on a special live show with a secret surprise guest—his old drinking buddy Yo-Yo Ma.</summary>
    <category term="Magazine"/>
    <category term="Old Friends"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cd2a86d33acf742b1d97f9/</id>
    <title>在借阅台旁翩然起舞——纽约公共图书馆的新系列活动“午餐舞会”呈现了一系列以书架上的藏品为灵感编排的舞蹈。一个旋转动作能否讲述一本20世纪中叶女同性恋杂志的故事？</title>
    <updated>2026-04-06T10:23:53.631Z</updated>
    <published>2026-04-06T10:23:53.631Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cd2a86d33acf742b1d97f9/">04-06</a>&nbsp;&nbsp;Do the Circulation-Desk Shuffle - The New York Public Library’s new series, Lunch Dances, features choreography based on objects in the stacks. Can a pirouette tell the story of a mid-century lesbian magazine? (<a href="https://www.newyorker.com/magazine/2026/04/13/do-the-circulation-desk-shuffle">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/13/do-the-circulation-desk-shuffle"/>
    <summary>Do the Circulation-Desk Shuffle - The New York Public Library’s new series, Lunch Dances, features choreography based on objects in the stacks. Can a pirouette tell the story of a mid-century lesbian magazine?</summary>
    <category term="Magazine"/>
    <category term="In the Stacks"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69ceedc4eebb1f7eea5bd239/</id>
    <title>与克莱尔·巴伦和安妮·考夫曼共度时光——在樱桃巷剧院，由阿莉亚·肖卡特和彼得·弗里德曼主演的《你老了》的编剧和导演，畅谈生死、爱情烦恼以及说唱歌手皮特布尔。</title>
    <updated>2026-04-06T10:23:53.627Z</updated>
    <published>2026-04-06T10:23:53.627Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69ceedc4eebb1f7eea5bd239/">04-06</a>&nbsp;&nbsp;Getting Older with Clare Barron and Anne Kauffman - At Cherry Lane Theatre, the writer and the director of “You Got Older,” starring Alia Shawkat and Peter Friedman, dish on mortality, romantic angst, and the rapper Pitbull. (<a href="https://www.newyorker.com/magazine/2026/04/13/getting-older-with-clare-barron-and-anne-kauffman">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/13/getting-older-with-clare-barron-and-anne-kauffman"/>
    <summary>Getting Older with Clare Barron and Anne Kauffman - At Cherry Lane Theatre, the writer and the director of “You Got Older,” starring Alia Shawkat and Peter Friedman, dish on mortality, romantic angst, and the rapper Pitbull.</summary>
    <category term="Magazine"/>
    <category term="The Boards"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cbd3c9cf6c7ba2b16f51e6/</id>
    <title>萨姆·阿尔特曼或将掌控我们的未来——他值得信赖吗？——最新采访和严加保密的文件揭示了人们对OpenAI掌门人持续存在的疑虑。</title>
    <updated>2026-04-06T10:23:53.624Z</updated>
    <published>2026-04-06T10:23:53.624Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/15/en_newyorker_2026_04_06__69cbd3c9cf6c7ba2b16f51e6/">04-06</a>&nbsp;&nbsp;Sam Altman May Control Our Future—Can He Be Trusted? - New interviews and closely guarded documents shed light on the persistent doubts about the head of OpenAI. (<a href="https://www.newyorker.com/magazine/2026/04/13/sam-altman-may-control-our-future-can-he-be-trusted">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/13/sam-altman-may-control-our-future-can-he-be-trusted"/>
    <summary>Sam Altman May Control Our Future—Can He Be Trusted? - New interviews and closely guarded documents shed light on the persistent doubts about the head of OpenAI.</summary>
    <category term="Magazine"/>
    <category term="A Reporter at Large"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_05__69ce8167bc0bf24e7126c119/</id>
    <title>餐厅点评：Kelang——位于格林波因特的Kelang，以现代而多元的方式诠释了何为真正的美食。</title>
    <updated>2026-04-05T16:15:29.351Z</updated>
    <published>2026-04-05T16:15:29.351Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_05__69ce8167bc0bf24e7126c119/">04-05</a>&nbsp;&nbsp;Restaurant Review: Kelang - Kelang, in Greenpoint, offers a modern, wide-ranging definition of culinary authenticity. (<a href="https://www.newyorker.com/culture/the-food-scene/a-malaysian-menu-laced-with-the-flavors-of-brooklyn">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-food-scene/a-malaysian-menu-laced-with-the-flavors-of-brooklyn"/>
    <summary>Restaurant Review: Kelang - Kelang, in Greenpoint, offers a modern, wide-ranging definition of culinary authenticity.</summary>
    <category term="Culture"/>
    <category term="The Food Scene"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_05__69cbd3d57795d2aa3f1023ec/</id>
    <title>凯瑟琳·莱西的《评定你的幸福》——失败是多么自然，无法做出决定是多么自然，在毫无意义的忙碌中徘徊是多么自然。</title>
    <updated>2026-04-05T16:15:29.348Z</updated>
    <published>2026-04-05T16:15:29.348Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_05__69cbd3d57795d2aa3f1023ec/">04-05</a>&nbsp;&nbsp;“Rate Your Happiness,” by Catherine Lacey - How natural it is to fail, to fail to decide, to remain in meaningless motion. (<a href="https://www.newyorker.com/magazine/2026/04/13/rate-your-happiness-fiction-catherine-lacey">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/13/rate-your-happiness-fiction-catherine-lacey"/>
    <summary>“Rate Your Happiness,” by Catherine Lacey - How natural it is to fail, to fail to decide, to remain in meaningless motion.</summary>
    <category term="Magazine"/>
    <category term="Fiction"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_05__69ca8e26b81a8eb9e3a34552/</id>
    <title>凯瑟琳·莱西朗读《给你的幸福打分》——作者朗读了她发表在2026年4月13日刊上的这篇故事。</title>
    <updated>2026-04-05T16:15:29.344Z</updated>
    <published>2026-04-05T16:15:29.344Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_05__69ca8e26b81a8eb9e3a34552/">04-05</a>&nbsp;&nbsp;Catherine Lacey Reads “Rate Your Happiness” - The author reads her story from the April 13, 2026, issue of the magazine. (<a href="https://www.newyorker.com/podcast/the-writers-voice/catherine-lacey-reads-rate-your-happiness">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/the-writers-voice/catherine-lacey-reads-rate-your-happiness"/>
    <summary>Catherine Lacey Reads “Rate Your Happiness” - The author reads her story from the April 13, 2026, issue of the magazine.</summary>
    <category term="Podcast"/>
    <category term="The Writer’s Voice"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_05__69ceb5c00883575003277552/</id>
    <title>本·勒纳与那场“不可能的访谈”——这位小说家兼诗人探讨了智能手机如何“充盈我们周遭的空气”，小说能记录而文字记录无法捕捉的内容，以及为何书籍本身也是一种手持设备。</title>
    <updated>2026-04-05T16:15:29.340Z</updated>
    <published>2026-04-05T16:15:29.340Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_05__69ceb5c00883575003277552/">04-05</a>&nbsp;&nbsp;Ben Lerner and the Impossible Interview - The novelist and poet discusses how smartphones “charge the air around us,” what fiction can record that a transcript can’t, and why the book is also a handheld device. (<a href="https://www.newyorker.com/culture/the-new-yorker-interview/ben-lerner-and-the-impossible-interview">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-new-yorker-interview/ben-lerner-and-the-impossible-interview"/>
    <summary>Ben Lerner and the Impossible Interview - The novelist and poet discusses how smartphones “charge the air around us,” what fiction can record that a transcript can’t, and why the book is also a handheld device.</summary>
    <category term="Culture"/>
    <category term="The New Yorker Interview"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_05__69bc1f05c9f6dab45c86935b/</id>
    <title>特朗普的海上钻井梦想无异于给海洋下毒——特朗普憧憬着海上石油钻井的新时代。科学家们却心知肚明，这终将以何种结局收场。</title>
    <updated>2026-04-05T16:15:29.337Z</updated>
    <published>2026-04-05T16:15:29.337Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_05__69bc1f05c9f6dab45c86935b/">04-05</a>&nbsp;&nbsp;Trump’s Offshore-Drilling Dream Is a Recipe for Poisoning the Oceans - Trump envisions a new era of offshore oil drilling. Scientists know all too well how that story ends. (<a href="https://www.newyorker.com/news/annals-of-a-warming-planet/how-to-poison-an-ocean">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/annals-of-a-warming-planet/how-to-poison-an-ocean"/>
    <summary>Trump’s Offshore-Drilling Dream Is a Recipe for Poisoning the Oceans - Trump envisions a new era of offshore oil drilling. Scientists know all too well how that story ends.</summary>
    <category term="News"/>
    <category term="Annals of a Warming Planet"/>
    <category term="Science"/>
    <category term="Elements"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_05__69c4305b1d2b9b4988bca4c4/</id>
    <title>凯瑟琳·莱西的《逃离自我》——作者谈论她的短篇小说《给你的幸福打分》。</title>
    <updated>2026-04-05T16:15:29.333Z</updated>
    <published>2026-04-05T16:15:29.333Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_05__69c4305b1d2b9b4988bca4c4/">04-05</a>&nbsp;&nbsp;Catherine Lacey’s Escape from the Self - The author discusses her story “Rate Your Happiness.” (<a href="https://www.newyorker.com/books/this-week-in-fiction/catherine-lacey-04-13-26">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/this-week-in-fiction/catherine-lacey-04-13-26"/>
    <summary>Catherine Lacey’s Escape from the Self - The author discusses her story “Rate Your Happiness.”</summary>
    <category term="Books"/>
    <category term="This Week in Fiction"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_04__69cd50ead33acf742b1d9956/</id>
    <title>我与小约翰·F·肯尼迪的那段单相思——我与小约翰·F·肯尼迪相识不深，相处时间也不长，但足以让我感受到他所散发出的那种引力，就像一轮巨大的月亮。</title>
    <updated>2026-04-04T10:11:20.394Z</updated>
    <published>2026-04-04T10:11:20.394Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_04__69cd50ead33acf742b1d9956/">04-04</a>&nbsp;&nbsp;My Unrequited Love Story with J.F.K., Jr. - I knew John F. Kennedy, Jr., not that well and not that long, but enough to have experienced the gravitational pull he exerted, like some great big moon. (<a href="https://www.newyorker.com/culture/the-weekend-essay/my-unrequited-love-story-with-jfk-jr">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-weekend-essay/my-unrequited-love-story-with-jfk-jr"/>
    <summary>My Unrequited Love Story with J.F.K., Jr. - I knew John F. Kennedy, Jr., not that well and not that long, but enough to have experienced the gravitational pull he exerted, like some great big moon.</summary>
    <category term="Culture"/>
    <category term="The Weekend Essay"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_04__69cd410154049aa03e2d9d9f/</id>
    <title>罗伯特·劳森伯格如何让现实更显真实——这位艺术家将摄影这一媒介加以改造，使其契合自己的创作。</title>
    <updated>2026-04-04T10:11:20.390Z</updated>
    <published>2026-04-04T10:11:20.390Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_04__69cd410154049aa03e2d9d9f/">04-04</a>&nbsp;&nbsp;How Robert Rauschenberg Made the Real Realer - The artist bent the medium of photography to suit his creations. (<a href="https://www.newyorker.com/culture/photo-booth/how-robert-rauschenberg-made-the-real-realer">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/photo-booth/how-robert-rauschenberg-made-the-real-realer"/>
    <summary>How Robert Rauschenberg Made the Real Realer - The artist bent the medium of photography to suit his creations.</summary>
    <category term="Culture"/>
    <category term="Photo Booth"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_04__69ce5e05088357500327726d/</id>
    <title>今年复活节，一位美国教皇直面一场美国战争——上周，当被问及是否对特朗普总统关于伊朗战争有何寄语时，利奥十四世表示：“希望他正在寻找一条退路。”</title>
    <updated>2026-04-04T10:11:20.386Z</updated>
    <published>2026-04-04T10:11:20.386Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_04__69ce5e05088357500327726d/">04-04</a>&nbsp;&nbsp;This Easter, an American Pope Confronts an American War - Last week, when asked if he had a message about the war in Iran for President Trump, Leo XIV said, “Hopefully, he’s looking for an off-ramp.” (<a href="https://www.newyorker.com/news/the-lede/this-easter-an-american-pope-confronts-an-american-war">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/this-easter-an-american-pope-confronts-an-american-war"/>
    <summary>This Easter, an American Pope Confronts an American War - Last week, when asked if he had a message about the war in Iran for President Trump, Leo XIV said, “Hopefully, he’s looking for an off-ramp.”</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_04__69d0067bb8f58ac6594636f3/</id>
    <title>《无协议的艺术：特朗普应对伊朗战争的策略》——“计划就是没有计划，”专栏作家苏珊·B·格拉瑟说道。</title>
    <updated>2026-04-04T04:21:16.228Z</updated>
    <published>2026-04-04T04:21:16.228Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_04__69d0067bb8f58ac6594636f3/">04-04</a>&nbsp;&nbsp;The Art of No Deal: Trump’s Approach to the Iran War - “The plan is not to have a plan,” the staff writer Susan B. Glasser says. (<a href="https://www.newyorker.com/podcast/political-scene/the-art-of-no-deal-trumps-approach-to-the-iran-war">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/political-scene/the-art-of-no-deal-trumps-approach-to-the-iran-war"/>
    <summary>The Art of No Deal: Trump’s Approach to the Iran War - “The plan is not to have a plan,” the staff writer Susan B. Glasser says.</summary>
    <category term="Podcast"/>
    <category term="The Political Scene Podcast"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_03__69cfbbce91aa4251ae87f616/</id>
    <title>（部分）政府停摆的离奇（部分）结局——民主党人宣称取得了胜利。但他们究竟得到了什么？</title>
    <updated>2026-04-03T20:54:00.888Z</updated>
    <published>2026-04-03T20:54:00.888Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_03__69cfbbce91aa4251ae87f616/">04-04</a>&nbsp;&nbsp;The Strange (Partial) End to the (Partial) Government Shutdown - Democrats are claiming victory. But what did they really gain? (<a href="https://www.newyorker.com/news/the-lede/the-strange-partial-end-to-the-partial-government-shutdown">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/the-strange-partial-end-to-the-partial-government-shutdown"/>
    <summary>The Strange (Partial) End to the (Partial) Government Shutdown - Democrats are claiming victory. But what did they really gain?</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_03__69d0096fe233b4ac074d1f4b/</id>
    <title>战争部的人事变动——看看谁在“looksmaxxing”。</title>
    <updated>2026-04-03T20:06:08.861Z</updated>
    <published>2026-04-03T20:06:08.861Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_03__69d0096fe233b4ac074d1f4b/">04-04</a>&nbsp;&nbsp;Who’s In, Who’s Out at the Department of War - Look who’s looksmaxxing. (<a href="https://www.newyorker.com/cartoons/blitts-kvetchbook/whos-in-whos-out-at-the-department-of-war">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/blitts-kvetchbook/whos-in-whos-out-at-the-department-of-war"/>
    <summary>Who’s In, Who’s Out at the Department of War - Look who’s looksmaxxing.</summary>
    <category term="Cartoons"/>
    <category term="Blitt’s Kvetchbook"/>
    <category term="Culture"/>
    <category term="Culture Desk"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_03__69cd4d84d1995bc37f7a4599/</id>
    <title>唐纳德·特朗普对伊朗的战争如何助长弗拉基米尔·普京对乌克兰的战争——《基辅独立报》总编辑奥尔加·鲁登科阐述了俄罗斯如何通过无人机技术支持伊朗，以及全球油价的剧烈波动如何助长了俄罗斯的势头。</title>
    <updated>2026-04-03T18:29:46.970Z</updated>
    <published>2026-04-03T18:29:46.970Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_03__69cd4d84d1995bc37f7a4599/">04-04</a>&nbsp;&nbsp;How Donald Trump’s War on Iran Helps Vladimir Putin’s War on Ukraine - Olga Rudenko, the editor-in-chief of the Kyiv Independent, explains how Russia is supporting Iran with drone technology, and how the worldwide shock to oil prices is aiding Russia. (<a href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/how-donald-trumps-war-on-iran-helps-vladimir-putins-war-on-ukraine">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/how-donald-trumps-war-on-iran-helps-vladimir-putins-war-on-ukraine"/>
    <summary>How Donald Trump’s War on Iran Helps Vladimir Putin’s War on Ukraine - Olga Rudenko, the editor-in-chief of the Kyiv Independent, explains how Russia is supporting Iran with drone technology, and how the worldwide shock to oil prices is aiding Russia.</summary>
    <category term="Podcast"/>
    <category term="The New Yorker Radio Hour"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_03__69cd4eb1851dfc3cae81a861/</id>
    <title>精选三则：春季体育新闻——《纽约客》特约撰稿人路易莎·托马斯盘点本赛季最受关注的篮球新闻。</title>
    <updated>2026-04-03T18:29:46.966Z</updated>
    <published>2026-04-03T18:29:46.966Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_03__69cd4eb1851dfc3cae81a861/">04-04</a>&nbsp;&nbsp;Pick Three: Spring Sports News - The New Yorker staff writer Louisa Thomas on the season’s biggest basketball stories. (<a href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/pick-three-spring-sports-news">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/pick-three-spring-sports-news"/>
    <summary>Pick Three: Spring Sports News - The New Yorker staff writer Louisa Thomas on the season’s biggest basketball stories.</summary>
    <category term="Podcast"/>
    <category term="The New Yorker Radio Hour"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_03__69cfd5444b6e81c4955ac6fb/</id>
    <title>每日漫画：4月3日，星期五——一幅以最新新闻和时事为题材的漫画。</title>
    <updated>2026-04-03T15:50:06.021Z</updated>
    <published>2026-04-03T15:50:06.021Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_03__69cfd5444b6e81c4955ac6fb/">04-03</a>&nbsp;&nbsp;Daily Cartoon: Friday, April 3rd - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/friday-april-3rd-marshmallow-peeps-park">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/friday-april-3rd-marshmallow-peeps-park"/>
    <summary>Daily Cartoon: Friday, April 3rd - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_03__69cf154591aa4251ae87f5a5/</id>
    <title>帕姆·邦迪留下的奉承与破坏的遗产——没有哪位司法部长给司法部造成的损害比她更大。她的继任者可能更加危险。</title>
    <updated>2026-04-03T13:59:43.567Z</updated>
    <published>2026-04-03T13:59:43.567Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_03__69cf154591aa4251ae87f5a5/">04-03</a>&nbsp;&nbsp;Pam Bondi’s Legacy of Flattery and Destruction - No Attorney General has done more damage to the Justice Department. Her successor could be even more dangerous. (<a href="https://www.newyorker.com/news/the-lede/pam-bondis-legacy-of-flattery-and-destruction">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/pam-bondis-legacy-of-flattery-and-destruction"/>
    <summary>Pam Bondi’s Legacy of Flattery and Destruction - No Attorney General has done more damage to the Justice Department. Her successor could be even more dangerous.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_03__69cd2a80f8f1289c024c5740/</id>
    <title>唐纳德·特朗普和皮特·赫格塞斯对伊朗战争的扭曲看法——这两个人或许希望生活在一个“谁投下的炸弹最多，谁就能如愿以偿”的世界里。但战争已经证明，事实并非如此。</title>
    <updated>2026-04-03T10:16:01.797Z</updated>
    <published>2026-04-03T10:16:01.797Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_03__69cd2a80f8f1289c024c5740/">04-03</a>&nbsp;&nbsp;Donald Trump and Pete Hegseth’s Warped Vision of the Iran War - The two men might wish that they lived in a world where whoever dropped the most bombs got whatever he wanted. But the war has shown that this isn’t true. (<a href="https://www.newyorker.com/magazine/2026/04/13/donald-trump-and-pete-hegseths-warped-vision-of-the-iran-war">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/13/donald-trump-and-pete-hegseths-warped-vision-of-the-iran-war"/>
    <summary>Donald Trump and Pete Hegseth’s Warped Vision of the Iran War - The two men might wish that they lived in a world where whoever dropped the most bombs got whatever he wanted. But the war has shown that this isn’t true.</summary>
    <category term="Magazine"/>
    <category term="Comment"/>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_03__69cbd3ec96ee7468cbdaa646/</id>
    <title>《克里斯托弗夫妇》：史蒂文·索德伯格新片剧评——在这部史蒂文·索德伯格执导的影片中，伊恩·麦克莱恩与米凯拉·科尔饰演的两位技艺精湛的画家，从充满诡计的纠葛中逐渐找到共同语言，两人配合得天衣无缝。</title>
    <updated>2026-04-03T10:16:01.793Z</updated>
    <published>2026-04-03T10:16:01.793Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_03__69cbd3ec96ee7468cbdaa646/">04-03</a>&nbsp;&nbsp;“The Christophers”: A Review of Steven Soderbergh’s New Drama - In Steven Soderbergh’s film, Ian McKellen and Michaela Coel are superbly matched as two skilled painters who find their way from slippery deception to common ground. (<a href="https://www.newyorker.com/magazine/2026/04/13/the-christophers-movie-review">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/13/the-christophers-movie-review"/>
    <summary>“The Christophers”: A Review of Steven Soderbergh’s New Drama - In Steven Soderbergh’s film, Ian McKellen and Michaela Coel are superbly matched as two skilled painters who find their way from slippery deception to common ground.</summary>
    <category term="Magazine"/>
    <category term="The Current Cinema"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_03__69c57d8fb62005faa594c1f1/</id>
    <title>借助人工智能写书有错吗？——作者的本质并非表面上看起来那么简单。</title>
    <updated>2026-04-03T10:16:01.790Z</updated>
    <published>2026-04-03T10:16:01.790Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_03__69c57d8fb62005faa594c1f1/">04-03</a>&nbsp;&nbsp;Is It Wrong to Write a Book With A.I.? - The nature of authorship isn’t as straightforward as it seems. (<a href="https://www.newyorker.com/culture/open-questions/is-it-wrong-to-write-a-book-with-ai">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/open-questions/is-it-wrong-to-write-a-book-with-ai"/>
    <summary>Is It Wrong to Write a Book With A.I.? - The nature of authorship isn’t as straightforward as it seems.</summary>
    <category term="Culture"/>
    <category term="Open Questions"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_03__69cc5d9bc81cb134fea5da7e/</id>
    <title>寻找伊朗失踪囚犯——家属们正在自行开展法医鉴定，以确认被拘留亲人的下落。这些亲人已被转移至不明地点，面临遭受虐待或处决的风险。</title>
    <updated>2026-04-03T10:16:01.786Z</updated>
    <published>2026-04-03T10:16:01.786Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_03__69cc5d9bc81cb134fea5da7e/">04-03</a>&nbsp;&nbsp;Searching for Iran’s Disappeared Prisoners - Families are doing ad-hoc forensics to confirm the whereabouts of their detained loved ones, who have been transferred to undisclosed locations, and are at risk of abuse or execution. (<a href="https://www.newyorker.com/news/the-lede/searching-for-irans-disappeared-prisoners">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/searching-for-irans-disappeared-prisoners"/>
    <summary>Searching for Iran’s Disappeared Prisoners - Families are doing ad-hoc forensics to confirm the whereabouts of their detained loved ones, who have been transferred to undisclosed locations, and are at risk of abuse or execution.</summary>
    <category term="News"/>
    <category term="Annals of War"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_03__69caf097c824fb790dd77c52/</id>
    <title>新导演，新电影——此外：赞达亚与罗伯特·帕丁森联袂出演《The Drama》，迈克尔·舒尔曼畅谈春季时尚风尚，瑞秋·赛姆解析风衣最新潮流，以及更多精彩内容。</title>
    <updated>2026-04-03T10:16:01.782Z</updated>
    <published>2026-04-03T10:16:01.782Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_03__69caf097c824fb790dd77c52/">04-03</a>&nbsp;&nbsp;New Directors, New Films - Also: Zendaya and Robert Pattinson in “The Drama,” Michael Schulman on spring fabulosity, Rachel Syme on the latest in trenchcoats, and more. (<a href="https://www.newyorker.com/culture/goings-on/new-directors-new-films">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/goings-on/new-directors-new-films"/>
    <summary>New Directors, New Films - Also: Zendaya and Robert Pattinson in “The Drama,” Michael Schulman on spring fabulosity, Rachel Syme on the latest in trenchcoats, and more.</summary>
    <category term="Culture"/>
    <category term="Goings On"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_02__69ca6f4532b05c524416bf1b/</id>
    <title>《The Drama》的剧情设定极具火药味，却难以自圆其说——在这部由克里斯托弗·博格利执导的波士顿爱情片中，罗伯特·帕丁森和赞达亚饰演的一对情侣，正经历着远超常人的婚前焦虑。</title>
    <updated>2026-04-02T18:31:58.489Z</updated>
    <published>2026-04-02T18:31:58.489Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_02__69ca6f4532b05c524416bf1b/">04-03</a>&nbsp;&nbsp;“The Drama” Has a Combustible Premise That It Struggles to Justify - In Kristoffer Borgli’s Boston romance, Robert Pattinson and Zendaya play a couple weathering more than their fair share of premarital jitters. (<a href="https://www.newyorker.com/culture/the-current-cinema/the-drama-has-a-combustible-premise-that-it-struggles-to-justify">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-current-cinema/the-drama-has-a-combustible-premise-that-it-struggles-to-justify"/>
    <summary>“The Drama” Has a Combustible Premise That It Struggles to Justify - In Kristoffer Borgli’s Boston romance, Robert Pattinson and Zendaya play a couple weathering more than their fair share of premarital jitters.</summary>
    <category term="Culture"/>
    <category term="The Current Cinema"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_02__69cea6fbf9cf00141b917f69/</id>
    <title>每日漫画：4月2日，星期四——一幅以最新新闻和时事为灵感创作的漫画。</title>
    <updated>2026-04-02T18:00:55.426Z</updated>
    <published>2026-04-02T18:00:55.426Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_02__69cea6fbf9cf00141b917f69/">04-03</a>&nbsp;&nbsp;Daily Cartoon: Thursday, April 2nd - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/thursday-april-2nd-barron-trump-hereditary">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/thursday-april-2nd-barron-trump-hereditary"/>
    <summary>Daily Cartoon: Thursday, April 2nd - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_02__69cd7c935abc120dd42ebad0/</id>
    <title>那位打造了“造出佐兰·曼达尼的机器”的女性——塔莎·范·奥肯——帮助将民主社会主义者联盟（D.S.A.）打造成了一支选举力量。她将在市政厅内发挥怎样的作用？</title>
    <updated>2026-04-02T17:13:31.381Z</updated>
    <published>2026-04-02T17:13:31.381Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_02__69cd7c935abc120dd42ebad0/">04-03</a>&nbsp;&nbsp;The Woman Who Made the Machine That Made Zohran Mamdani - Tascha Van Auken helped turn the D.S.A. into an electoral force. What will she do inside City Hall? (<a href="https://www.newyorker.com/news/new-york-journal/the-woman-who-made-the-machine-that-made-zohran-mamdani">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/new-york-journal/the-woman-who-made-the-machine-that-made-zohran-mamdani"/>
    <summary>The Woman Who Made the Machine That Made Zohran Mamdani - Tascha Van Auken helped turn the D.S.A. into an electoral force. What will she do inside City Hall?</summary>
    <category term="News"/>
    <category term="New York Journal"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_02__69ca8c791f881e625034b5e2/</id>
    <title>支持伊朗的乐高主题病毒式视频活动背后的团队——“爆炸性新闻”利用人工智能生成的视频已被伊朗政府账号转发，并被“No Kings”抗议者所采用。该组织的一位发言人表示：“让我们面对现实吧——如果真相不够炫目，它就会显得有些孤单。”</title>
    <updated>2026-04-02T16:41:29.138Z</updated>
    <published>2026-04-02T16:41:29.138Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_02__69ca8c791f881e625034b5e2/">04-03</a>&nbsp;&nbsp;The Team Behind a Pro-Iran, Lego-Themed Viral-Video Campaign - Explosive News’ A.I.-generated videos have been shared by Iranian-government accounts and co-opted by No Kings protesters. A spokesperson for the group says, “Let’s face it—if truth isn’t flashy, it’s kinda lonely.” (<a href="https://www.newyorker.com/culture/infinite-scroll/the-team-behind-a-pro-iran-lego-themed-viral-video-campaign">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/infinite-scroll/the-team-behind-a-pro-iran-lego-themed-viral-video-campaign"/>
    <summary>The Team Behind a Pro-Iran, Lego-Themed Viral-Video Campaign - Explosive News’ A.I.-generated videos have been shared by Iranian-government accounts and co-opted by No Kings protesters. A spokesperson for the group says, “Let’s face it—if truth isn’t flashy, it’s kinda lonely.”</summary>
    <category term="Culture"/>
    <category term="Infinite Scroll"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_02__69ce49165c2fd02e50577947/</id>
    <title>特朗普的开战论点未提及如何取胜——总统提出了一个关乎存亡的问题：如果没有计划，与伊朗的一切进展真的能按计划进行吗？</title>
    <updated>2026-04-02T12:59:58.316Z</updated>
    <published>2026-04-02T12:59:58.316Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_02__69ce49165c2fd02e50577947/">04-02</a>&nbsp;&nbsp;Trump’s Case for War Fails to Mention How to Win It - The President poses an existential question: Can everything be going according to the plan with Iran if there is no plan? (<a href="https://www.newyorker.com/news/letter-from-trumps-washington/trumps-case-for-war-fails-to-mention-how-to-win-it">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/letter-from-trumps-washington/trumps-case-for-war-fails-to-mention-how-to-win-it"/>
    <summary>Trump’s Case for War Fails to Mention How to Win It - The President poses an existential question: Can everything be going according to the plan with Iran if there is no plan?</summary>
    <category term="News"/>
    <category term="Letter from Trump’s Washington"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_02__69cbd3e6e9aeb1e50332e5a8/</id>
    <title>百老汇剧目《狗日午后》剧评——西德尼·吕美特那部节奏明快、情感复杂的电影，如今被改编成了一部夹杂着枪声的俗套情景喜剧。</title>
    <updated>2026-04-02T10:19:49.778Z</updated>
    <published>2026-04-02T10:19:49.778Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_02__69cbd3e6e9aeb1e50332e5a8/">04-02</a>&nbsp;&nbsp;“Dog Day Afternoon” on Broadway, Reviewed - Sidney Lumet’s kinetic, emotionally complex film has been transformed into a hokey sitcom with gunshots. (<a href="https://www.newyorker.com/magazine/2026/04/13/dog-day-afternoon-theatre-review">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/13/dog-day-afternoon-theatre-review"/>
    <summary>“Dog Day Afternoon” on Broadway, Reviewed - Sidney Lumet’s kinetic, emotionally complex film has been transformed into a hokey sitcom with gunshots.</summary>
    <category term="Magazine"/>
    <category term="The Theatre"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_02__69a9b2dccb07e09a9175b58e/</id>
    <title>社交媒体广告与现实：产后服装篇——许多人急于警告你怀孕会带来怎样的身体变化，却没人告诉你产后几个月（甚至几年？！）会发生什么。</title>
    <updated>2026-04-02T10:19:49.774Z</updated>
    <published>2026-04-02T10:19:49.774Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_02__69a9b2dccb07e09a9175b58e/">04-02</a>&nbsp;&nbsp;Social-Media Advertisements vs. Reality: Postpartum-Clothes Edition - Many people are eager to warn you of the body horrors caused by pregnancy, but no one tells you what’s going to happen in the months (maybe years?!) after birth. (<a href="https://www.newyorker.com/humor/shouts-murmurs/social-media-advertisements-vs-reality-postpartum-clothes-edition">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shouts-murmurs/social-media-advertisements-vs-reality-postpartum-clothes-edition"/>
    <summary>Social-Media Advertisements vs. Reality: Postpartum-Clothes Edition - Many people are eager to warn you of the body horrors caused by pregnancy, but no one tells you what’s going to happen in the months (maybe years?!) after birth.</summary>
    <category term="Humor"/>
    <category term="Shouts &amp; Murmurs"/>
    <category term="Sketchbook"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_02__69cd482286ea2b9f169eb14f/</id>
    <title>“DTF圣路易斯”与郊区的新篇章——郊区的描绘长期以来一直是国家不满情绪的镜子。如今，它们又揭示了什么？</title>
    <updated>2026-04-02T10:19:49.770Z</updated>
    <published>2026-04-02T10:19:49.770Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_02__69cd482286ea2b9f169eb14f/">04-02</a>&nbsp;&nbsp;“DTF St. Louis” and the New Story of the Suburbs - Depictions of the suburbs have long been a mirror for the nation’s discontents. What do they reveal today? (<a href="https://www.newyorker.com/podcast/critics-at-large/dtf-st-louis-and-the-new-story-of-the-suburbs">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/critics-at-large/dtf-st-louis-and-the-new-story-of-the-suburbs"/>
    <summary>“DTF St. Louis” and the New Story of the Suburbs - Depictions of the suburbs have long been a mirror for the nation’s discontents. What do they reveal today?</summary>
    <category term="Podcast"/>
    <category term="Critics at Large"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_01__69c709fc62840bfb294086a7/</id>
    <title>废除出生公民权的希望渺茫——在最高法院的辩论中，绝大多数大法官似乎倾向于维护这一权利。</title>
    <updated>2026-04-01T21:53:44.628Z</updated>
    <published>2026-04-01T21:53:44.628Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_01__69c709fc62840bfb294086a7/">04-02</a>&nbsp;&nbsp;The Long Odds of Undoing Birthright Citizenship - In arguments at the Supreme Court, a clear majority of the Justices seemed inclined to uphold the right. (<a href="https://www.newyorker.com/news/the-lede/the-long-odds-of-undoing-birthright-citizenship">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/the-long-odds-of-undoing-birthright-citizenship"/>
    <summary>The Long Odds of Undoing Birthright Citizenship - In arguments at the Supreme Court, a clear majority of the Justices seemed inclined to uphold the right.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_01__69cc26c64809e672783dc812/</id>
    <title>辛西娅·达普里克斯·斯威尼谈七十年代的解放浪潮——《鸟巢》和《湖效》的作者探讨了若干揭示该时代道德标准变迁的著作。</title>
    <updated>2026-04-01T20:17:29.567Z</updated>
    <published>2026-04-01T20:17:29.567Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_01__69cc26c64809e672783dc812/">04-02</a>&nbsp;&nbsp;Cynthia D’Aprix Sweeney on the Liberations of the Seventies - The author of “The Nest” and “Lake Effect” discusses some books that shed light on the era’s changing moral standards. (<a href="https://www.newyorker.com/books/book-currents/cynthia-daprix-sweeney-on-the-liberations-of-the-seventies">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/book-currents/cynthia-daprix-sweeney-on-the-liberations-of-the-seventies"/>
    <summary>Cynthia D’Aprix Sweeney on the Liberations of the Seventies - The author of “The Nest” and “Lake Effect” discusses some books that shed light on the era’s changing moral standards.</summary>
    <category term="Books"/>
    <category term="Book Currents"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_01__69cd41db9a862e83d1dbb51f/</id>
    <title>每日漫画：4月1日，星期三——一幅以最新新闻和时事为灵感创作的漫画。</title>
    <updated>2026-04-01T16:33:23.690Z</updated>
    <published>2026-04-01T16:33:23.690Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_01__69cd41db9a862e83d1dbb51f/">04-02</a>&nbsp;&nbsp;Daily Cartoon: Wednesday, April 1st - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/wednesday-april-1st-situation-room-agenda">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/wednesday-april-1st-situation-room-agenda"/>
    <summary>Daily Cartoon: Wednesday, April 1st - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_01__69a9caf0bbe7520f09780e08/</id>
    <title>断头台是如何被废除的——在美国，死刑正卷土重来。我们能从法国成功废除死刑的运动中汲取哪些经验教训？</title>
    <updated>2026-04-01T10:25:41.833Z</updated>
    <published>2026-04-01T10:25:41.833Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_01__69a9caf0bbe7520f09780e08/">04-01</a>&nbsp;&nbsp;How the Guillotine Got Axed - In the U.S., capital punishment is resurgent. What lessons can we glean from France’s successful campaign to abolish it? (<a href="https://www.newyorker.com/news/letter-from-europe/how-the-guillotine-got-axed">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/letter-from-europe/how-the-guillotine-got-axed"/>
    <summary>How the Guillotine Got Axed - In the U.S., capital punishment is resurgent. What lessons can we glean from France’s successful campaign to abolish it?</summary>
    <category term="News"/>
    <category term="Letter from Europe"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_01__69b466c7078888787d3fc074/</id>
    <title>那位消失数十年的科幻小说家——在《我们所追寻的》中，这位备受推崇的作家卡梅隆·里德重返文坛，向我们展现了一个既诡异又完全陌生的世界，却又莫名地让人感到似曾相识。</title>
    <updated>2026-04-01T10:25:41.829Z</updated>
    <published>2026-04-01T10:25:41.829Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_01__69b466c7078888787d3fc074/">04-01</a>&nbsp;&nbsp;The Sci-Fi Novelist Who Disappeared for Decades - In “What We Are Seeking,” the cult author Cameron Reed returns to show us a strange, totally alien world that somehow feels like our own. (<a href="https://www.newyorker.com/books/under-review/the-sci-fi-novelist-who-disappeared-for-decades">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/under-review/the-sci-fi-novelist-who-disappeared-for-decades"/>
    <summary>The Sci-Fi Novelist Who Disappeared for Decades - In “What We Are Seeking,” the cult author Cameron Reed returns to show us a strange, totally alien world that somehow feels like our own.</summary>
    <category term="Books"/>
    <category term="Under Review"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_01__69b8155a60e3c0829cb16964/</id>
    <title>瓦莱丽娅·路易塞利朗读胡利奥·科塔萨尔的作品——这位作家将与黛博拉·特雷斯曼一同朗读并探讨发表于1967年《纽约客》杂志上的《仰面朝天的夜晚》。</title>
    <updated>2026-04-01T10:25:41.825Z</updated>
    <published>2026-04-01T10:25:41.825Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_01__69b8155a60e3c0829cb16964/">04-01</a>&nbsp;&nbsp;Valeria Luiselli Reads Julio Cortázar - The author joins Deborah Treisman to read and discuss “The Night Face Up,” which was published in The New Yorker in 1967. (<a href="https://www.newyorker.com/podcast/fiction/valeria-luiselli-reads-julio-cortazar">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/fiction/valeria-luiselli-reads-julio-cortazar"/>
    <summary>Valeria Luiselli Reads Julio Cortázar - The author joins Deborah Treisman to read and discuss “The Night Face Up,” which was published in The New Yorker in 1967.</summary>
    <category term="Podcast"/>
    <category term="Fiction Podcast"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_01__69cbd3e97795d2aa3f1023f0/</id>
    <title>萨凡纳·古斯里在《今日秀》中讲述的令人心碎的故事——这位晨间节目主持人以充满宗教色彩的语言，向数百万观众讲述了母亲南希失踪的经过及其后续影响。</title>
    <updated>2026-04-01T10:25:41.821Z</updated>
    <published>2026-04-01T10:25:41.821Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_04_01__69cbd3e97795d2aa3f1023f0/">04-01</a>&nbsp;&nbsp;Savannah Guthrie’s Excruciating Story, on “Today” - The morning-show host recounted the disappearance of her mother, Nancy, and its aftermath in boldly religious terms, as millions of viewers watched. (<a href="https://www.newyorker.com/magazine/2026/04/13/savannah-guthries-excruciating-story-on-today">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/13/savannah-guthries-excruciating-story-on-today"/>
    <summary>Savannah Guthrie’s Excruciating Story, on “Today” - The morning-show host recounted the disappearance of her mother, Nancy, and its aftermath in boldly religious terms, as millions of viewers watched.</summary>
    <category term="Magazine"/>
    <category term="On Television"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_31__69cbd9e9d35e235594a73e0e/</id>
    <title>每日漫画：3月31日（星期二）——一幅以最新新闻和时事为灵感创作的漫画。</title>
    <updated>2026-03-31T15:01:42.347Z</updated>
    <published>2026-03-31T15:01:42.347Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_31__69cbd9e9d35e235594a73e0e/">03-31</a>&nbsp;&nbsp;Daily Cartoon: Tuesday, March 31st - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/tuesday-march-31st-dinner-party-gasoline">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/tuesday-march-31st-dinner-party-gasoline"/>
    <summary>Daily Cartoon: Tuesday, March 31st - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_31__69ca8c631f881e625034b5da/</id>
    <title>战争的壮观景象与抗议的挣扎——在社交媒体上，伊朗的毁灭画面正逐渐被评论员的言论所取代，这使得战争的真实面貌变得模糊不清。</title>
    <updated>2026-03-31T10:14:21.933Z</updated>
    <published>2026-03-31T10:14:21.933Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_31__69ca8c631f881e625034b5da/">03-31</a>&nbsp;&nbsp;The Spectacle of War and the Struggle to Protest - On social media, images of destruction in Iran are giving way to commentary from talking heads, dulling the reality of war. (<a href="https://www.newyorker.com/news/fault-lines/the-spectacle-of-war-and-the-struggle-to-protest">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/fault-lines/the-spectacle-of-war-and-the-struggle-to-protest"/>
    <summary>The Spectacle of War and the Struggle to Protest - On social media, images of destruction in Iran are giving way to commentary from talking heads, dulling the reality of war.</summary>
    <category term="News"/>
    <category term="Fault Lines"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_31__69ca7d161f881e625034b577/</id>
    <title>世界杯球员如何应对特朗普的移民 crackdown - 尽管美国已对部分参赛国暂停发放旅游签证，但今年夏天该国仍将作为联合主办国之一承办本届赛事。</title>
    <updated>2026-03-31T10:14:21.930Z</updated>
    <published>2026-03-31T10:14:21.930Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_31__69ca7d161f881e625034b577/">03-31</a>&nbsp;&nbsp;How World Cup Players Are Navigating Trump’s Immigration Crackdown - The U.S. is co-hosting the tournament this summer, despite having banned tourist visas for some participating countries. (<a href="https://www.newyorker.com/culture/the-lede/how-world-cup-players-are-navigating-trumps-immigration-crackdown">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-lede/how-world-cup-players-are-navigating-trumps-immigration-crackdown"/>
    <summary>How World Cup Players Are Navigating Trump’s Immigration Crackdown - The U.S. is co-hosting the tournament this summer, despite having banned tourist visas for some participating countries.</summary>
    <category term="Culture"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_31__69ca82c3b38682cb123b63f6/</id>
    <title>新博物馆携“新人类：未来的记忆”重开——历经耗资八千二百万美元的翻新工程后，该馆推出了一场规模宏大的展览，探讨人类与技术之间的博弈。我们似乎正在败下阵来。</title>
    <updated>2026-03-31T10:14:21.926Z</updated>
    <published>2026-03-31T10:14:21.926Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_31__69ca82c3b38682cb123b63f6/">03-31</a>&nbsp;&nbsp;The New Museum Reopens with “New Humans: Memories of the Future” - After an eighty-two-million-dollar renovation, the museum has put on a sprawling show about the war between humanity and technology. We seem to be losing. (<a href="https://www.newyorker.com/magazine/2026/04/13/the-new-museum-returns-but-humans-are-left-behind">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/13/the-new-museum-returns-but-humans-are-left-behind"/>
    <summary>The New Museum Reopens with “New Humans: Memories of the Future” - After an eighty-two-million-dollar renovation, the museum has put on a sprawling show about the war between humanity and technology. We seem to be losing.</summary>
    <category term="Magazine"/>
    <category term="The Art World"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_31__69bdb9f0c1409b726e02888d/</id>
    <title>如何以一种具有市场价值的方式展现深度——发布一些关于自我实现的模糊引语，这些话虽然具有普世性，但最终毫无意义。例如，配上一张你手持未点燃火柴的照片，并写上“追随你内心的光芒”。</title>
    <updated>2026-03-31T10:14:21.922Z</updated>
    <published>2026-03-31T10:14:21.922Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_31__69bdb9f0c1409b726e02888d/">03-31</a>&nbsp;&nbsp;How to Be Deep in a Marketable Way - Post vague quotes about self-realization that are universal, but ultimately mean nothing. For instance, “Follow your own light,” with a picture of you holding an unlit match. (<a href="https://www.newyorker.com/humor/shouts-murmurs/how-to-be-deep-in-a-marketable-way">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shouts-murmurs/how-to-be-deep-in-a-marketable-way"/>
    <summary>How to Be Deep in a Marketable Way - Post vague quotes about self-realization that are universal, but ultimately mean nothing. For instance, “Follow your own light,” with a picture of you holding an unlit match.</summary>
    <category term="Humor"/>
    <category term="Shouts &amp; Murmurs"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69ca8c6f1f881e625034b5de/</id>
    <title>巴基斯坦如何成为美伊和平谈判中的重要角色——巴基斯坦军方为了在该地区施加更大影响力，一方面拉拢唐纳德·特朗普，另一方面却与昔日的塔利班盟友决裂。</title>
    <updated>2026-03-30T23:52:31.385Z</updated>
    <published>2026-03-30T23:52:31.385Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69ca8c6f1f881e625034b5de/">03-31</a>&nbsp;&nbsp;How Pakistan Became a Major Player in Peace Negotiations Between the U.S. and Iran - The Pakistani military has wooed Donald Trump, and fallen out with its former Taliban allies, as it looks to wield more influence in the region. (<a href="https://www.newyorker.com/news/q-and-a/how-pakistan-became-a-major-player-in-peace-negotiations-between-the-us-and-iran">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/q-and-a/how-pakistan-became-a-major-player-in-peace-negotiations-between-the-us-and-iran"/>
    <summary>How Pakistan Became a Major Player in Peace Negotiations Between the U.S. and Iran - The Pakistani military has wooed Donald Trump, and fallen out with its former Taliban allies, as it looks to wield more influence in the region.</summary>
    <category term="News"/>
    <category term="Q. &amp; A."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c6d286c12e7c798e255f71/</id>
    <title>坎耶·韦斯特为人工智能时代录制专辑——粉丝们想知道他新专辑《Bully》中的演唱是否真的是他本人。但“真正的”坎耶声音究竟是什么样，这个问题从来都不简单。</title>
    <updated>2026-03-30T23:04:14.302Z</updated>
    <published>2026-03-30T23:04:14.302Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c6d286c12e7c798e255f71/">03-31</a>&nbsp;&nbsp;Kanye West Makes a Record for the A.I. Era - Fans want to know whether the vocals on his new album, “Bully,” are truly his. But the question of what the “real” Kanye sounds like has never been simple. (<a href="https://www.newyorker.com/magazine/2026/04/13/kanye-west-music-review-bully">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/13/kanye-west-music-review-bully"/>
    <summary>Kanye West Makes a Record for the A.I. Era - Fans want to know whether the vocals on his new album, “Bully,” are truly his. But the question of what the “real” Kanye sounds like has never been simple.</summary>
    <category term="Magazine"/>
    <category term="Pop Music"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69a5f13c6b155cdea2c61dd2/</id>
    <title>一位西班牙语新闻博主的崛起——卡洛斯·爱德华多·埃斯皮纳如何吸引数百万粉丝。</title>
    <updated>2026-03-30T15:37:37.736Z</updated>
    <published>2026-03-30T15:37:37.736Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69a5f13c6b155cdea2c61dd2/">03-30</a>&nbsp;&nbsp;The Rise of a Spanish-Language News Influencer - How Carlos Eduardo Espina reaches millions of followers. (<a href="https://www.newyorker.com/news/the-lede/the-rise-of-a-spanish-language-news-influencer">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/the-rise-of-a-spanish-language-news-influencer"/>
    <summary>The Rise of a Spanish-Language News Influencer - How Carlos Eduardo Espina reaches millions of followers.</summary>
    <category term="News"/>
    <category term="Persons of Interest"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69ca85ed4c3ffb830de2112b/</id>
    <title>每日漫画：3月30日（星期一）——一幅以最新新闻和时事为灵感创作的漫画。</title>
    <updated>2026-03-30T15:05:30.838Z</updated>
    <published>2026-03-30T15:05:30.838Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69ca85ed4c3ffb830de2112b/">03-30</a>&nbsp;&nbsp;Daily Cartoon: Monday, March 30th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/monday-march-30th-inflation-slow-steady">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/monday-march-30th-inflation-slow-steady"/>
    <summary>Daily Cartoon: Monday, March 30th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c3e2e9542d8a5fb774a928/</id>
    <title>桑德拉·林（Sandra Lim）的《曾祖母们》——“其中一位用一排牙齿付了房租。”</title>
    <updated>2026-03-30T10:17:18.503Z</updated>
    <published>2026-03-30T10:17:18.503Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c3e2e9542d8a5fb774a928/">03-30</a>&nbsp;&nbsp;“The Great-Grandmothers,” by Sandra Lim - “One paid the rent with a row of her teeth.” (<a href="https://www.newyorker.com/magazine/2026/04/06/the-great-grandmothers-sandra-lim-poem">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/06/the-great-grandmothers-sandra-lim-poem"/>
    <summary>“The Great-Grandmothers,” by Sandra Lim - “One paid the rent with a row of her teeth.”</summary>
    <category term="Magazine"/>
    <category term="Poems"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c3e2f5542d8a5fb774a92c/</id>
    <title>鲍勃·霍尔曼的《追随芭蕉的“内径”之行》——“盛满白水的球体／漂浮在枯山水庭园中／啊！这是谁的梦？”</title>
    <updated>2026-03-30T10:17:18.499Z</updated>
    <published>2026-03-30T10:17:18.499Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c3e2f5542d8a5fb774a92c/">03-30</a>&nbsp;&nbsp;“Following Bashō’s Narrow Walk Into the Interior,” by Bob Holman - “White water-filled spheres / Floating in a rock garden / Ah! Whose dream is this?” (<a href="https://www.newyorker.com/magazine/2026/04/06/following-bashos-narrow-walk-into-the-interior-bob-holman-poem">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/06/following-bashos-narrow-walk-into-the-interior-bob-holman-poem"/>
    <summary>“Following Bashō’s Narrow Walk Into the Interior,” by Bob Holman - “White water-filled spheres / Floating in a rock garden / Ah! Whose dream is this?”</summary>
    <category term="Magazine"/>
    <category term="Poems"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c6f25295965e9a750ee4bc/</id>
    <title>签收、封存、送达——还有水上运输——该市的“蓝色公路”配送计划旨在在为您送达丝芙兰包裹的同时，减少卡车尾气排放和道路拥堵。其解决方案是什么？船只。</title>
    <updated>2026-03-30T10:17:18.495Z</updated>
    <published>2026-03-30T10:17:18.495Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c6f25295965e9a750ee4bc/">03-30</a>&nbsp;&nbsp;Signed, Sealed, Delivered—and Afloat - The city’s Blue Highways distribution program aims to decrease truck emissions and road congestion while delivering your Sephora package. Its solution? Boats. (<a href="https://www.newyorker.com/magazine/2026/04/06/signed-sealed-delivered-and-afloat">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/06/signed-sealed-delivered-and-afloat"/>
    <summary>Signed, Sealed, Delivered—and Afloat - The city’s Blue Highways distribution program aims to decrease truck emissions and road congestion while delivering your Sephora package. Its solution? Boats.</summary>
    <category term="Magazine"/>
    <category term="Here To There Dept."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c6f24872867f192fc9c345/</id>
    <title>特朗普的战争波及了街头茶贩——霍尔木兹海峡的限制措施和袭击导致燃油价格飙升。问问新德里的路边茶贩就知道了。</title>
    <updated>2026-03-30T10:17:18.492Z</updated>
    <published>2026-03-30T10:17:18.492Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c6f24872867f192fc9c345/">03-30</a>&nbsp;&nbsp;Trump’s War Hits the Chaiwalas - Restrictions and attacks in the Strait of Hormuz have made fuel prices rocket. Just ask the roadside tea venders in New Delhi. (<a href="https://www.newyorker.com/magazine/2026/04/06/trumps-war-hits-the-chaiwalas">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/06/trumps-war-hits-the-chaiwalas"/>
    <summary>Trump’s War Hits the Chaiwalas - Restrictions and attacks in the Strait of Hormuz have made fuel prices rocket. Just ask the roadside tea venders in New Delhi.</summary>
    <category term="Magazine"/>
    <category term="New Delhi Postcard"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c3e2da23202cb03dac7da2/</id>
    <title>他曾协助阻止伊朗获得核武器——一位前中情局官员表示，他曾招募科学家，作为美国破坏伊朗核计划行动的一部分。</title>
    <updated>2026-03-30T10:17:18.488Z</updated>
    <published>2026-03-30T10:17:18.488Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c3e2da23202cb03dac7da2/">03-30</a>&nbsp;&nbsp;He Helped Stop Iran from Getting the Bomb - A former C.I.A. officer says that he recruited scientists as part of the United States’ effort to disrupt Iran’s nuclear program. (<a href="https://www.newyorker.com/magazine/2026/04/06/he-helped-stop-iran-from-getting-the-bomb">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/06/he-helped-stop-iran-from-getting-the-bomb"/>
    <summary>He Helped Stop Iran from Getting the Bomb - A former C.I.A. officer says that he recruited scientists as part of the United States’ effort to disrupt Iran’s nuclear program.</summary>
    <category term="Magazine"/>
    <category term="A Reporter at Large"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c6f24d8557df58c42d011e/</id>
    <title>斯蒂芬妮·许穿越时空——这位曾出演《一切皆有可能》的女演员重返百老汇，将在Studio 54剧院版《洛基恐怖秀》中饰演苏珊·萨兰登曾演的角色。</title>
    <updated>2026-03-30T10:17:18.484Z</updated>
    <published>2026-03-30T10:17:18.484Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c6f24d8557df58c42d011e/">03-30</a>&nbsp;&nbsp;Stephanie Hsu Does the Time Warp - The “Everything Everywhere All at Once” actress returns to Broadway, playing the Susan Sarandon role in “Rocky Horror,” at Studio 54. (<a href="https://www.newyorker.com/magazine/2026/04/06/stephanie-hsu-does-the-time-warp">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/06/stephanie-hsu-does-the-time-warp"/>
    <summary>Stephanie Hsu Does the Time Warp - The “Everything Everywhere All at Once” actress returns to Broadway, playing the Susan Sarandon role in “Rocky Horror,” at Studio 54.</summary>
    <category term="Magazine"/>
    <category term="The Boards"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c3e2fbb9b47af836db3135/</id>
    <title>《你人生的意义》书评——在一本新书中，保守派评论家亚瑟·C·布鲁克斯为“年轻奋斗者”提供了关于如何最大化其“每日意义商”的建议。</title>
    <updated>2026-03-30T10:17:18.481Z</updated>
    <published>2026-03-30T10:17:18.481Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c3e2fbb9b47af836db3135/">03-30</a>&nbsp;&nbsp;“The Meaning of Your Life,” Reviewed - In a new book, the conservative pundit Arthur C. Brooks offers tips to “young strivers” on maximizing their daily meaning quotient. (<a href="https://www.newyorker.com/magazine/2026/04/06/the-meaning-of-your-life-arthur-c-brooks-book-review">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/06/the-meaning-of-your-life-arthur-c-brooks-book-review"/>
    <summary>“The Meaning of Your Life,” Reviewed - In a new book, the conservative pundit Arthur C. Brooks offers tips to “young strivers” on maximizing their daily meaning quotient.</summary>
    <category term="Magazine"/>
    <category term="Books"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c3e30423202cb03dac7da6/</id>
    <title>《基娅·戴蒙的大胆佛罗里达料理》——这位来自奥兰多的年轻黑人主厨，通过她的料理，勾勒出家乡佛罗里达州独特的一面，超越了迈阿密的浮华奢靡和基韦斯特群岛的俗艳风格。</title>
    <updated>2026-03-30T10:17:18.477Z</updated>
    <published>2026-03-30T10:17:18.477Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c3e30423202cb03dac7da6/">03-30</a>&nbsp;&nbsp;Kia Damon’s Audacious Florida Cooking - A young Black chef from Orlando conjures a distinctive image of her home state, beyond the loud luxury of Miami and the kitsch of the Keys. (<a href="https://www.newyorker.com/magazine/2026/04/06/kia-damons-audacious-florida-cooking">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/06/kia-damons-audacious-florida-cooking"/>
    <summary>Kia Damon’s Audacious Florida Cooking - A young Black chef from Orlando conjures a distinctive image of her home state, beyond the loud luxury of Miami and the kitsch of the Keys.</summary>
    <category term="Magazine"/>
    <category term="On and Off the Menu"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c3e2ff3400352c4f181da8/</id>
    <title>本·勒纳这部篇幅精炼的新作带来的丰厚回报——在探讨记忆与影响的小说《转录》中，对一位年迈知识分子的采访并未被记录下来。还是说，其实被记录下来了？</title>
    <updated>2026-03-30T10:17:18.474Z</updated>
    <published>2026-03-30T10:17:18.474Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c3e2ff3400352c4f181da8/">03-30</a>&nbsp;&nbsp;The Ample Rewards of Ben Lerner’s Slender New Novel - In “Transcription,” a novel about memory and influence, an interview with an aging intellectual goes unrecorded. Or does it? (<a href="https://www.newyorker.com/magazine/2026/04/06/transcription-ben-lerner-book-review">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/06/transcription-ben-lerner-book-review"/>
    <summary>The Ample Rewards of Ben Lerner’s Slender New Novel - In “Transcription,” a novel about memory and influence, an interview with an aging intellectual goes unrecorded. Or does it?</summary>
    <category term="Magazine"/>
    <category term="Books"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c6f257f3caae83d3d45293/</id>
    <title>《真人秀解构者》——撰写了探讨真人秀节目中建筑设计的著作《梦幻外墙》的作者，将带您游览纽约的几个著名取景地，其中包括贝瑟妮·弗兰克尔（Bethenny Frankel）的旧居。</title>
    <updated>2026-03-30T10:17:18.470Z</updated>
    <published>2026-03-30T10:17:18.470Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c6f257f3caae83d3d45293/">03-30</a>&nbsp;&nbsp;Reality-TV Deconstructor - The author of the book “Dream Facades,” about the architecture in reality-TV shows, gives a tour of notable New York locations—including Bethenny Frankel’s old apartment. (<a href="https://www.newyorker.com/magazine/2026/04/06/reality-tv-deconstructor">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/06/reality-tv-deconstructor"/>
    <summary>Reality-TV Deconstructor - The author of the book “Dream Facades,” about the architecture in reality-TV shows, gives a tour of notable New York locations—including Bethenny Frankel’s old apartment.</summary>
    <category term="Magazine"/>
    <category term="House-Hunters"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c70c7437b0808e59564b64/</id>
    <title>特朗普、伊朗与苏伊士运河的阴影——随着伊朗对霍尔木兹海峡实施封锁，全球经济面临挤压，特朗普正面临一场危机，这场危机让人联想到历史上最具启示意义的战略失败之一。</title>
    <updated>2026-03-30T10:17:18.467Z</updated>
    <published>2026-03-30T10:17:18.467Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c70c7437b0808e59564b64/">03-30</a>&nbsp;&nbsp;Trump, Iran, and the Shadow of Suez - As Iran imposes a chokehold on the Strait of Hormuz, squeezing the global economy, Trump faces a crisis that echoes one of history’s most revealing strategic failures. (<a href="https://www.newyorker.com/news/the-lede/trump-iran-and-the-shadow-of-suez">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/trump-iran-and-the-shadow-of-suez"/>
    <summary>Trump, Iran, and the Shadow of Suez - As Iran imposes a chokehold on the Strait of Hormuz, squeezing the global economy, Trump faces a crisis that echoes one of history’s most revealing strategic failures.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c6d98704e8992f82428cc2/</id>
    <title>当特朗普推迟轰炸伊朗时，谁在市场上发了大财？——一系列在油价和股价上时机诡异的押注，理应受到彻底调查。但目前尚不清楚是否会进行调查。</title>
    <updated>2026-03-30T10:17:18.463Z</updated>
    <published>2026-03-30T10:17:18.463Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c6d98704e8992f82428cc2/">03-30</a>&nbsp;&nbsp;Who Struck It Rich in the Markets When Trump Postponed Bombing Iran? - A series of uncannily timed bets on the price of oil and stocks deserves a proper investigation. It’s far from clear that they’ll get one. (<a href="https://www.newyorker.com/news/the-financial-page/who-struck-it-rich-in-the-markets-when-trump-postponed-bombing-iran">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-financial-page/who-struck-it-rich-in-the-markets-when-trump-postponed-bombing-iran"/>
    <summary>Who Struck It Rich in the Markets When Trump Postponed Bombing Iran? - A series of uncannily timed bets on the price of oil and stocks deserves a proper investigation. It’s far from clear that they’ll get one.</summary>
    <category term="News"/>
    <category term="The Financial Page"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c3e2d67f26cd24da50b890/</id>
    <title>莉娜·杜汉姆谈她如何成为电影人——大学毕业后，我加入了一个由电影迷组成的奇特小团体，他们在下百老汇的一间办公室里工作。后来，这种运作模式的可持续性开始令人怀疑。</title>
    <updated>2026-03-30T10:17:18.459Z</updated>
    <published>2026-03-30T10:17:18.459Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c3e2d67f26cd24da50b890/">03-30</a>&nbsp;&nbsp;Lena Dunham on How She Became a Filmmaker - After college, I joined an odd little utopia of movie nerds working out of an office on lower Broadway. Then the sustainability of the setup started to seem questionable. (<a href="https://www.newyorker.com/magazine/2026/04/06/how-i-became-a-filmmaker">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/06/how-i-became-a-filmmaker"/>
    <summary>Lena Dunham on How She Became a Filmmaker - After college, I joined an odd little utopia of movie nerds working out of an office on lower Broadway. Then the sustainability of the setup started to seem questionable.</summary>
    <category term="Magazine"/>
    <category term="Personal History"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c3e2f10e2444c6b177c44a/</id>
    <title>在新泽西州贝斯·埃尔犹太会堂，围绕以色列问题存在深刻分歧——关于加沙问题和犹太复国主义的分歧已使会众分裂。</title>
    <updated>2026-03-30T10:17:18.456Z</updated>
    <published>2026-03-30T10:17:18.456Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c3e2f10e2444c6b177c44a/">03-30</a>&nbsp;&nbsp;At Beth El, a New Jersey Synagogue, a Deep Divide Over Israel - Disagreements about Gaza and Zionism have divided congregations. (<a href="https://www.newyorker.com/magazine/2026/04/06/at-synagogues-tensions-are-boiling-over">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/06/at-synagogues-tensions-are-boiling-over"/>
    <summary>At Beth El, a New Jersey Synagogue, a Deep Divide Over Israel - Disagreements about Gaza and Zionism have divided congregations.</summary>
    <category term="Magazine"/>
    <category term="Annals of Religion"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c2c8b87f26cd24da50b580/</id>
    <title>那些承诺将你——或你的儿子——塑造成“霸主”的训练营——“战争熔炉”训练营中，你要匍匐爬行穿越河流；在“勇士周”活动中，你要亲手挖掘自己的坟墓；而在“侍从计划”中，你的青少年子女也能参与其中。</title>
    <updated>2026-03-30T10:17:18.452Z</updated>
    <published>2026-03-30T10:17:18.452Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c2c8b87f26cd24da50b580/">03-30</a>&nbsp;&nbsp;The Camps Promising to Turn You—or Your Son—Into an Alpha Male - At the Men of War Crucible, you bear crawl through rivers. At Warrior Week, you dig your own grave. At the Squire Program, your teen-ager can take part, too. (<a href="https://www.newyorker.com/magazine/2026/04/06/the-camps-promising-to-turn-you-or-your-son-into-an-alpha-male">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/06/the-camps-promising-to-turn-you-or-your-son-into-an-alpha-male"/>
    <summary>The Camps Promising to Turn You—or Your Son—Into an Alpha Male - At the Men of War Crucible, you bear crawl through rivers. At Warrior Week, you dig your own grave. At the Squire Program, your teen-ager can take part, too.</summary>
    <category term="Magazine"/>
    <category term="American Chronicles"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c596bb8ff7e3db087d9563/</id>
    <title>维多利亚·滕特勒-克里洛夫的《平行人生》——正在施工中。</title>
    <updated>2026-03-30T10:17:18.448Z</updated>
    <published>2026-03-30T10:17:18.448Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c596bb8ff7e3db087d9563/">03-30</a>&nbsp;&nbsp;Victoria Tentler-Krylov’s “Parallel Lives” - Around and under construction. (<a href="https://www.newyorker.com/culture/cover-story/cover-story-2026-04-06">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/cover-story/cover-story-2026-04-06"/>
    <summary>Victoria Tentler-Krylov’s “Parallel Lives” - Around and under construction.</summary>
    <category term="Culture"/>
    <category term="Cover Story"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c2c8bb40e4ec07b403896f/</id>
    <title>如果我设计创意T恤——你是否曾好奇“I’m with Stupid”是什么意思？让我来解释一下。</title>
    <updated>2026-03-30T10:17:18.445Z</updated>
    <published>2026-03-30T10:17:18.445Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c2c8bb40e4ec07b403896f/">03-30</a>&nbsp;&nbsp;If I Made Novelty T-Shirts - Ever wondered why “I’m with Stupid”? Let me explain. (<a href="https://www.newyorker.com/magazine/2026/04/06/if-i-made-novelty-t-shirts">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/06/if-i-made-novelty-t-shirts"/>
    <summary>If I Made Novelty T-Shirts - Ever wondered why “I’m with Stupid”? Let me explain.</summary>
    <category term="Magazine"/>
    <category term="Shouts &amp; Murmurs"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c2fd6ba7e37f7b1311c1e8/</id>
    <title>简评书评——近期新书的简短评论。</title>
    <updated>2026-03-30T10:17:18.441Z</updated>
    <published>2026-03-30T10:17:18.441Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/14/en_newyorker_2026_03_30__69c2fd6ba7e37f7b1311c1e8/">03-30</a>&nbsp;&nbsp;Briefly Noted Book Reviews - Short reviews of recent releases. (<a href="https://www.newyorker.com/magazine/2026/04/06/kids-wait-till-you-hear-this-money-beyond-borders-a-beautiful-loan-spoiled-milk">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/06/kids-wait-till-you-hear-this-money-beyond-borders-a-beautiful-loan-spoiled-milk"/>
    <summary>Briefly Noted Book Reviews - Short reviews of recent releases.</summary>
    <category term="Magazine"/>
    <category term="Books"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_29__69c2c8c7d7c5fc8dec38f6bf/</id>
    <title>卡桑德拉·内耶内什的《暂且如此》——她翻阅着日记，寻找自己的名字。她是希望找不到自己，还是内心某个扭曲的角落其实正渴望找到？</title>
    <updated>2026-03-29T10:20:39.422Z</updated>
    <published>2026-03-29T10:20:39.422Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_29__69c2c8c7d7c5fc8dec38f6bf/">03-29</a>&nbsp;&nbsp;“Enough for Now,” by Cassandra Neyenesch - She flipped through the diary, looking for her name. Was she hoping not to find herself, or did a perverse part of her want to? (<a href="https://www.newyorker.com/magazine/2026/04/06/enough-for-now-fiction-cassandra-neyenesch">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/06/enough-for-now-fiction-cassandra-neyenesch"/>
    <summary>“Enough for Now,” by Cassandra Neyenesch - She flipped through the diary, looking for her name. Was she hoping not to find herself, or did a perverse part of her want to?</summary>
    <category term="Magazine"/>
    <category term="Fiction"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_29__69c195ee3a323acb99356cf8/</id>
    <title>卡桑德拉·内耶内什朗读《暂且如此》——作者朗读了她发表在2026年4月6日刊上的故事。</title>
    <updated>2026-03-29T10:20:39.418Z</updated>
    <published>2026-03-29T10:20:39.418Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_29__69c195ee3a323acb99356cf8/">03-29</a>&nbsp;&nbsp;Cassandra Neyenesch Reads “Enough for Now” - The author reads her story from the April 6, 2026, issue of the magazine. (<a href="https://www.newyorker.com/podcast/the-writers-voice/cassandra-neyenesch-reads-enough-for-now">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/the-writers-voice/cassandra-neyenesch-reads-enough-for-now"/>
    <summary>Cassandra Neyenesch Reads “Enough for Now” - The author reads her story from the April 6, 2026, issue of the magazine.</summary>
    <category term="Podcast"/>
    <category term="The Writer’s Voice"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_29__69c19dfbf2086f3780ce41de/</id>
    <title>卡桑德拉·内耶内什谈背包客的临时关系——作者探讨了她的短篇小说《暂且如此》。</title>
    <updated>2026-03-29T10:20:39.415Z</updated>
    <published>2026-03-29T10:20:39.415Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_29__69c19dfbf2086f3780ce41de/">03-29</a>&nbsp;&nbsp;Cassandra Neyenesch on the Provisional Relationships of Backpackers - The author discusses her story “Enough for Now.” (<a href="https://www.newyorker.com/books/this-week-in-fiction/cassandra-neyenesch-04-06-26">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/this-week-in-fiction/cassandra-neyenesch-04-06-26"/>
    <summary>Cassandra Neyenesch on the Provisional Relationships of Backpackers - The author discusses her story “Enough for Now.”</summary>
    <category term="Books"/>
    <category term="This Week in Fiction"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_29__69c6f24404e8992f8242911d/</id>
    <title>美国运输安全管理局（TSA）为何陷入混乱？——当前的混乱局面源于白宫两个相互交织、具有决定性意义的项目：DOGE计划以及美国移民与海关执法局（ICE）那令人难以置信的扩张。</title>
    <updated>2026-03-29T10:20:39.411Z</updated>
    <published>2026-03-29T10:20:39.411Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_29__69c6f24404e8992f8242911d/">03-29</a>&nbsp;&nbsp;What Was Behind the T.S.A. Meltdown? - The present mess has roots in two entangled, defining White House projects: DOGE and the mind-bending expansion of ICE. (<a href="https://www.newyorker.com/magazine/2026/04/06/what-was-behind-the-tsa-meltdown">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/06/what-was-behind-the-tsa-meltdown"/>
    <summary>What Was Behind the T.S.A. Meltdown? - The present mess has roots in two entangled, defining White House projects: DOGE and the mind-bending expansion of ICE.</summary>
    <category term="Magazine"/>
    <category term="Comment"/>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_29__69c42e00eb73100babf4460c/</id>
    <title>阿塞尼奥·霍尔如何构想自己的人生——这位演员、喜剧演员兼前脱口秀主持人讲述了他从表演魔术、讲笑话，到为整个文化群体打造一档电视节目的历程。</title>
    <updated>2026-03-29T10:20:39.407Z</updated>
    <published>2026-03-29T10:20:39.407Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_29__69c42e00eb73100babf4460c/">03-29</a>&nbsp;&nbsp;How Arsenio Hall Dreamed Up His Life - The actor, comedian, and former talk-show host on his path from doing magic tricks and telling jokes to creating a TV show for the culture. (<a href="https://www.newyorker.com/culture/the-new-yorker-interview/how-arsenio-hall-dreamed-up-his-life">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-new-yorker-interview/how-arsenio-hall-dreamed-up-his-life"/>
    <summary>How Arsenio Hall Dreamed Up His Life - The actor, comedian, and former talk-show host on his path from doing magic tricks and telling jokes to creating a TV show for the culture.</summary>
    <category term="Culture"/>
    <category term="The New Yorker Interview"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_28__69c68aeba07d9bb886284221/</id>
    <title>托尔比约恩·罗德兰：触及浪漫与世俗——在最新展览中，这位挪威摄影师以多种迥异的方式，突破视觉过载带来的麻木，触动观众的心弦。</title>
    <updated>2026-03-28T10:21:52.897Z</updated>
    <published>2026-03-28T10:21:52.897Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_28__69c68aeba07d9bb886284221/">03-28</a>&nbsp;&nbsp;Torbjørn Rødland Touches the Romantic and the Profane - In a new exhibit, the Norwegian photographer finds divergent ways to break through and touch an audience numbed by visual glut. (<a href="https://www.newyorker.com/culture/photo-booth/torbjorn-rodland-touches-the-romantic-and-the-profane">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/photo-booth/torbjorn-rodland-touches-the-romantic-and-the-profane"/>
    <summary>Torbjørn Rødland Touches the Romantic and the Profane - In a new exhibit, the Norwegian photographer finds divergent ways to break through and touch an audience numbed by visual glut.</summary>
    <category term="Culture"/>
    <category term="Photo Booth"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_28__68c98d6974048c27504a8ac0/</id>
    <title>ICEBlock 应用程序曾帮助人们躲避移民执法人员。这合法吗？——ICEBlock 本意是作为一套预警系统，帮助人们躲避移民执法行动——特朗普政府声称，该应用程序危及了其大规模驱逐行动中执法人员的安危。</title>
    <updated>2026-03-28T10:21:52.894Z</updated>
    <published>2026-03-28T10:21:52.894Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_28__68c98d6974048c27504a8ac0/">03-28</a>&nbsp;&nbsp;The ICEBlock App Has Helped People Avoid Immigration Agents. Is It Legal? - ICEBlock was meant to be an early-warning system to help people avoid immigration enforcement—the Trump Administration claims that it endangered the agents of its mass deportation campaign. (<a href="https://www.newyorker.com/news/the-lede/the-rise-and-fall-of-ice-tracking-apps">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/the-rise-and-fall-of-ice-tracking-apps"/>
    <summary>The ICEBlock App Has Helped People Avoid Immigration Agents. Is It Legal? - ICEBlock was meant to be an early-warning system to help people avoid immigration enforcement—the Trump Administration claims that it endangered the agents of its mass deportation campaign.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_28__69bac6dd784a7491c75dfff3/</id>
    <title>我在“气象地下组织”中的童年——我的父母创立了这个激进的革命组织，随后沦为通缉犯。我是在藏身之处出生的，童年时光都在逃亡中度过。</title>
    <updated>2026-03-28T10:21:52.890Z</updated>
    <published>2026-03-28T10:21:52.890Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_28__69bac6dd784a7491c75dfff3/">03-28</a>&nbsp;&nbsp;My Childhood in the Weather Underground - My parents founded the radical revolutionary group, then became fugitives. I was born in hiding, and spent my early years on the run. (<a href="https://www.newyorker.com/culture/the-weekend-essay/my-childhood-in-the-weather-underground">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-weekend-essay/my-childhood-in-the-weather-underground"/>
    <summary>My Childhood in the Weather Underground - My parents founded the radical revolutionary group, then became fugitives. I was born in hiding, and spent my early years on the run.</summary>
    <category term="Culture"/>
    <category term="The Weekend Essay"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_28__69c6efdd8ff7e3db087da29b/</id>
    <title>一位曼达尼学派战略家的建议：民主党如何在2026年中期选举中谈论“可负担性”。</title>
    <updated>2026-03-28T06:51:29.081Z</updated>
    <published>2026-03-28T06:51:29.081Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_28__69c6efdd8ff7e3db087da29b/">03-28</a>&nbsp;&nbsp;A Mamdani Strategist’s Advice for Democrats in the 2026 Midterms - How to talk about affordability. (<a href="https://www.newyorker.com/podcast/political-scene/a-mamdani-strategists-advice-for-democrats-in-the-2026-midterms">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/political-scene/a-mamdani-strategists-advice-for-democrats-in-the-2026-midterms"/>
    <summary>A Mamdani Strategist’s Advice for Democrats in the 2026 Midterms - How to talk about affordability.</summary>
    <category term="Podcast"/>
    <category term="The Political Scene Podcast"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_27__69c2aa3a89179d2847c8c940/</id>
    <title>在《Yes》中，一位以色列导演指责以色列沉溺于自鸣得意的暴行——纳达夫·拉皮德这部充满尖锐讽刺的剧情片，讲述了一位音乐家在自己深恶痛绝的战争中主动充当帮凶的故事，从而展现了一幅关于个人与国家堕落的宏大图景。</title>
    <updated>2026-03-27T22:22:09.328Z</updated>
    <published>2026-03-27T22:22:09.328Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_27__69c2aa3a89179d2847c8c940/">03-28</a>&nbsp;&nbsp;In “Yes,” an Israeli Filmmaker Charges Israel with Self-Satisfied Brutality - Nadav Lapid’s furiously satirical drama, about a musician’s willful complicity in a war he reviles, tells a vast story of personal and national degradation. (<a href="https://www.newyorker.com/culture/the-front-row/in-yes-an-israeli-filmmaker-charges-israel-with-self-satisfied-brutality">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-front-row/in-yes-an-israeli-filmmaker-charges-israel-with-self-satisfied-brutality"/>
    <summary>In “Yes,” an Israeli Filmmaker Charges Israel with Self-Satisfied Brutality - Nadav Lapid’s furiously satirical drama, about a musician’s willful complicity in a war he reviles, tells a vast story of personal and national degradation.</summary>
    <category term="Culture"/>
    <category term="The Front Row"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_27__69c420d1a8e03e5992e2da51/</id>
    <title>约翰·利思戈谈争议作家罗尔德·达尔与J·K·罗琳——这位主演百老汇新剧《巨人》（该剧探讨了达尔充满争议的遗产）的演员，探讨了我们能否将艺术与艺术家区分开来。</title>
    <updated>2026-03-27T18:23:32.891Z</updated>
    <published>2026-03-27T18:23:32.891Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_27__69c420d1a8e03e5992e2da51/">03-28</a>&nbsp;&nbsp;John Lithgow on the Controversial Authors Roald Dahl and J. K. Rowling - The actor, who stars in the new Broadway production “Giant,” about Dahl’s fraught legacy, discusses whether we can separate the art from the artist. (<a href="https://www.newyorker.com/culture/the-new-yorker-interview/john-lithgow-on-the-controversial-authors-roald-dahl-and-j-k-rowling">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-new-yorker-interview/john-lithgow-on-the-controversial-authors-roald-dahl-and-j-k-rowling"/>
    <summary>John Lithgow on the Controversial Authors Roald Dahl and J. K. Rowling - The actor, who stars in the new Broadway production “Giant,” about Dahl’s fraught legacy, discusses whether we can separate the art from the artist.</summary>
    <category term="Culture"/>
    <category term="The New Yorker Interview"/>
    <category term="Podcast"/>
    <category term="The New Yorker Radio Hour"/>
    <category term="News"/>
    <category term="The Political Scene"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_27__69c421cc591c96a389db0205/</id>
    <title>一位前联邦检察官谈为何辞去唐纳德·特朗普领导下的司法部职务——特洛伊·爱德华兹向露丝·马库斯讲述了他为何辞去政府高级职位，以及他的岳父詹姆斯·科米与此事有何关联。</title>
    <updated>2026-03-27T18:23:32.886Z</updated>
    <published>2026-03-27T18:23:32.886Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_27__69c421cc591c96a389db0205/">03-28</a>&nbsp;&nbsp;A Former Federal Prosecutor on Why He Quit Donald Trump’s Department of Justice - Troy Edwards tells Ruth Marcus why he left his senior position in the government, and what his father-in-law, James Comey, had to do with it. (<a href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/a-former-federal-prosecutor-on-why-he-quit-donald-trumps-department-of-justice">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/a-former-federal-prosecutor-on-why-he-quit-donald-trumps-department-of-justice"/>
    <summary>A Former Federal Prosecutor on Why He Quit Donald Trump’s Department of Justice - Troy Edwards tells Ruth Marcus why he left his senior position in the government, and what his father-in-law, James Comey, had to do with it.</summary>
    <category term="Podcast"/>
    <category term="The New Yorker Radio Hour"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_27__69c69c94c12e7c798e255959/</id>
    <title>每日漫画：3月27日，星期五——一幅以最新新闻和时事为灵感创作的漫画。</title>
    <updated>2026-03-27T16:16:16.902Z</updated>
    <published>2026-03-27T16:16:16.902Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_27__69c69c94c12e7c798e255959/">03-27</a>&nbsp;&nbsp;Daily Cartoon: Friday, March 27th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/friday-march-27th-long-lines-airport">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/friday-march-27th-long-lines-airport"/>
    <summary>Daily Cartoon: Friday, March 27th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_27__69c1a89f1f383d0f13fb0655/</id>
    <title>在《大陆25》中，良心的谴责远远不够——拉杜·朱德在这部对罗伯托·罗塞里尼作品的犀利当代诠释中，一场悲剧性的死亡让一名法警陷入了一场徒劳的自我鞭笞之中。</title>
    <updated>2026-03-27T10:09:29.059Z</updated>
    <published>2026-03-27T10:09:29.059Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_27__69c1a89f1f383d0f13fb0655/">03-27</a>&nbsp;&nbsp;In “Kontinental ’25,” a Guilty Conscience Isn’t Enough - In Radu Jude’s blistering contemporary riff on Roberto Rossellini, a tragic death sends a bailiff spiralling into a futile campaign of self-flagellation. (<a href="https://www.newyorker.com/culture/the-current-cinema/in-kontinental-25-a-guilty-conscience-isnt-enough">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-current-cinema/in-kontinental-25-a-guilty-conscience-isnt-enough"/>
    <summary>In “Kontinental ’25,” a Guilty Conscience Isn’t Enough - In Radu Jude’s blistering contemporary riff on Roberto Rossellini, a tragic death sends a bailiff spiralling into a futile campaign of self-flagellation.</summary>
    <category term="Culture"/>
    <category term="The Current Cinema"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_27__69c15b20adc5a2b082b59ffc/</id>
    <title>亲爱的佩珀：亲爱的老公，你在吗？是我，老婆——这些年来，我渐渐觉得自己就像一件家具。</title>
    <updated>2026-03-27T10:09:29.055Z</updated>
    <published>2026-03-27T10:09:29.055Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_27__69c15b20adc5a2b082b59ffc/">03-27</a>&nbsp;&nbsp;Dear Pepper: Are You There Husband? It’s Me, Wife - Over the years, I’ve begun to feel like a piece of furniture. (<a href="https://www.newyorker.com/humor/shouts-murmurs/dear-pepper-are-you-there-husband-its-me-wife">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shouts-murmurs/dear-pepper-are-you-there-husband-its-me-wife"/>
    <summary>Dear Pepper: Are You There Husband? It’s Me, Wife - Over the years, I’ve begun to feel like a piece of furniture.</summary>
    <category term="Humor"/>
    <category term="Shouts &amp; Murmurs"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_27__69c43f9d371b5b650a152f81/</id>
    <title>弗里克美术馆展出玛丽·安托瓦内特时期的时装画——此外：丹尼尔·雷德克里夫主演《万物皆美》，罗伯特·普兰特在大教堂演唱根源民谣，贝福德·史密斯的深情回顾展，以及更多精彩内容。</title>
    <updated>2026-03-27T10:09:29.051Z</updated>
    <published>2026-03-27T10:09:29.051Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_27__69c43f9d371b5b650a152f81/">03-27</a>&nbsp;&nbsp;Marie Antoinette-Era Fashion Plates, at the Frick - Also: Daniel Radcliffe stars in “Every Brilliant Thing,” Robert Plant sings roots folk in a cathedral, a soulful retrospective of Beuford Smith, and more. (<a href="https://www.newyorker.com/culture/goings-on/marie-antoinette-era-fashion-plates">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/goings-on/marie-antoinette-era-fashion-plates"/>
    <summary>Marie Antoinette-Era Fashion Plates, at the Frick - Also: Daniel Radcliffe stars in “Every Brilliant Thing,” Robert Plant sings roots folk in a cathedral, a soulful retrospective of Beuford Smith, and more.</summary>
    <category term="Culture"/>
    <category term="Goings On"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_27__69c3e30e542d8a5fb774a930/</id>
    <title>伊朗最伟大电影人之一不为人知的作品——对于导演马尼·哈吉希而言，祖国的丰富电影传统就像是家传的珍宝。</title>
    <updated>2026-03-27T10:09:29.047Z</updated>
    <published>2026-03-27T10:09:29.047Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_27__69c3e30e542d8a5fb774a930/">03-27</a>&nbsp;&nbsp;The Unseen Work of One of Iran’s Greatest Filmmakers - For the director Mani Haghighi, his country’s rich cinematic tradition is a family affair. (<a href="https://www.newyorker.com/magazine/2026/04/06/mani-haghighi-movie-review">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/06/mani-haghighi-movie-review"/>
    <summary>The Unseen Work of One of Iran’s Greatest Filmmakers - For the director Mani Haghighi, his country’s rich cinematic tradition is a family affair.</summary>
    <category term="Magazine"/>
    <category term="A Critic at Large"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_27__69c3e308b6eda3795bfa427f/</id>
    <title>《陪审团任务：公司团建》与《声望恶作剧秀》——这部即将回归第二季的系列节目，是新兴节目类型的最新代表，其特色在于依赖精心设计的沉浸式实验，而非一次性恶作剧。</title>
    <updated>2026-03-27T10:09:29.044Z</updated>
    <published>2026-03-27T10:09:29.044Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_27__69c3e308b6eda3795bfa427f/">03-27</a>&nbsp;&nbsp;“Jury Duty Presents: Company Retreat” and Age of the Prestige Prank Show - The series, returning for a second season, is the latest example of a new breed—one that relies on elaborate, full-immersion experiments rather than on one-off stunts. (<a href="https://www.newyorker.com/magazine/2026/04/06/jury-duty-presents-company-retreat-tv-review">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/04/06/jury-duty-presents-company-retreat-tv-review"/>
    <summary>“Jury Duty Presents: Company Retreat” and Age of the Prestige Prank Show - The series, returning for a second season, is the latest example of a new breed—one that relies on elaborate, full-immersion experiments rather than on one-off stunts.</summary>
    <category term="Magazine"/>
    <category term="On Television"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_27__69c3060fa395b0db947ddff2/</id>
    <title>防弹少年团还能重现昔日辉煌吗？——这支韩国超级偶像团体休团近四年。他们离开期间，有些事情已经发生了变化。</title>
    <updated>2026-03-27T10:09:29.040Z</updated>
    <published>2026-03-27T10:09:29.040Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_27__69c3060fa395b0db947ddff2/">03-27</a>&nbsp;&nbsp;Can BTS Recapture the Magic? - The superstar K-pop group took an almost four-year hiatus. A few things have changed since they’ve been gone. (<a href="https://www.newyorker.com/culture/pop-music/can-bts-recapture-the-magic">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/pop-music/can-bts-recapture-the-magic"/>
    <summary>Can BTS Recapture the Magic? - The superstar K-pop group took an almost four-year hiatus. A few things have changed since they’ve been gone.</summary>
    <category term="Culture"/>
    <category term="Pop Music"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_27__69c5aaa3b62005faa594c47b/</id>
    <title>特朗普发飙——严格遵守法律条文。</title>
    <updated>2026-03-27T07:42:33.017Z</updated>
    <published>2026-03-27T07:42:33.017Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_27__69c5aaa3b62005faa594c47b/">03-27</a>&nbsp;&nbsp;Trump Goes Postal - Following the letter of the law. (<a href="https://www.newyorker.com/cartoons/blitts-kvetchbook/trump-goes-postal">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/blitts-kvetchbook/trump-goes-postal"/>
    <summary>Trump Goes Postal - Following the letter of the law.</summary>
    <category term="Cartoons"/>
    <category term="Blitt’s Kvetchbook"/>
    <category term="Culture"/>
    <category term="Culture Desk"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_26__69c45c91e755e945d56bd205/</id>
    <title>唐纳德·特朗普正在与欧洲“分手”——而伊朗战争正助他一臂之力。</title>
    <updated>2026-03-26T23:13:42.970Z</updated>
    <published>2026-03-26T23:13:42.970Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_26__69c45c91e755e945d56bd205/">03-27</a>&nbsp;&nbsp;Donald Trump Is Breaking Up with Europe - And the war in Iran is helping him do it. (<a href="https://www.newyorker.com/news/letter-from-trumps-washington/donald-trump-is-breaking-up-with-europe">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/letter-from-trumps-washington/donald-trump-is-breaking-up-with-europe"/>
    <summary>Donald Trump Is Breaking Up with Europe - And the war in Iran is helping him do it.</summary>
    <category term="News"/>
    <category term="Letter from Trump’s Washington"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_26__69c173cf7ebc26b107e371e4/</id>
    <title>鲸鱼出生时会发生什么？——研究人员偶然目睹了一头抹香鲸幼崽的诞生，他们发现，这是一个复杂的家庭协作过程。</title>
    <updated>2026-03-26T18:25:46.010Z</updated>
    <published>2026-03-26T18:25:46.010Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_26__69c173cf7ebc26b107e371e4/">03-27</a>&nbsp;&nbsp;What Happens When a Whale Is Born? - Researchers happened on the birth of a sperm-whale calf—which, they found, is a complex family endeavor. (<a href="https://www.newyorker.com/culture/the-lede/what-happens-when-a-whale-is-born">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-lede/what-happens-when-a-whale-is-born"/>
    <summary>What Happens When a Whale Is Born? - Researchers happened on the birth of a sperm-whale calf—which, they found, is a complex family endeavor.</summary>
    <category term="Culture"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_26__69c54232371b5b650a1532aa/</id>
    <title>每日漫画：3月26日，星期四——一幅以最新新闻和时事为灵感创作的漫画。</title>
    <updated>2026-03-26T15:13:45.956Z</updated>
    <published>2026-03-26T15:13:45.956Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_26__69c54232371b5b650a1532aa/">03-26</a>&nbsp;&nbsp;Daily Cartoon: Thursday, March 26th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/thursday-march-26th-sisyphus-greek-boulder">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/thursday-march-26th-sisyphus-greek-boulder"/>
    <summary>Daily Cartoon: Thursday, March 26th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_26__69aee22b0ff738fa15af41ad/</id>
    <title>被控恐怖主义的反ICE抗议者受审案——在ICE设施发生枪击事件后，针对所谓“反法西斯主义者”（Antifa）成员的审判，是某种令人不安的策略的一部分。</title>
    <updated>2026-03-26T10:25:52.227Z</updated>
    <published>2026-03-26T10:25:52.227Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_26__69aee22b0ff738fa15af41ad/">03-26</a>&nbsp;&nbsp;The Trial of Anti-ICE Protesters Accused of Terrorism - The trial of supposed Antifa members after a shooting at an ICE facility is part of a disturbing strategy. (<a href="https://www.newyorker.com/news/letter-from-the-southwest/how-the-trump-administration-has-turned-left-wing-activism-into-terrorism">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/letter-from-the-southwest/how-the-trump-administration-has-turned-left-wing-activism-into-terrorism"/>
    <summary>The Trial of Anti-ICE Protesters Accused of Terrorism - The trial of supposed Antifa members after a shooting at an ICE facility is part of a disturbing strategy.</summary>
    <category term="News"/>
    <category term="Letter from the Southwest"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_26__69b9c05a22de9e8813a01ee3/</id>
    <title>“给这次行动起个名字！”——“特朗普行动：战争”、“海湾战争三号行动”、“委内瑞拉行动2：原子布加卢”以及其他入围作品。</title>
    <updated>2026-03-26T10:25:52.223Z</updated>
    <published>2026-03-26T10:25:52.223Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_26__69b9c05a22de9e8813a01ee3/">03-26</a>&nbsp;&nbsp;Operation Name That Excursion! - Operation Trump: The War, Operation Gulf War III, Operation Venezuela 2: Atomic Boogaloo, and other runners-up. (<a href="https://www.newyorker.com/humor/shouts-murmurs/operation-name-that-excursion">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shouts-murmurs/operation-name-that-excursion"/>
    <summary>Operation Name That Excursion! - Operation Trump: The War, Operation Gulf War III, Operation Venezuela 2: Atomic Boogaloo, and other runners-up.</summary>
    <category term="Humor"/>
    <category term="Shouts &amp; Murmurs"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_26__69c45372346b201230d6b0f6/</id>
    <title>防弹少年团的软实力——这支超人气韩流天团已暂停活动近四年。他们的新专辑《Arirang》将检验该组合在全球文化市场中的持久力。</title>
    <updated>2026-03-26T10:25:52.219Z</updated>
    <published>2026-03-26T10:25:52.219Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_26__69c45372346b201230d6b0f6/">03-26</a>&nbsp;&nbsp;The Soft Power of BTS - The mega-popular K-pop stars have been on hiatus for nearly four years. Their new album, “Arirang,” tests the group’s staying power in the global cultural marketplace. (<a href="https://www.newyorker.com/podcast/critics-at-large/the-soft-power-of-bts">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/critics-at-large/the-soft-power-of-bts"/>
    <summary>The Soft Power of BTS - The mega-popular K-pop stars have been on hiatus for nearly four years. Their new album, “Arirang,” tests the group’s staying power in the global cultural marketplace.</summary>
    <category term="Podcast"/>
    <category term="Critics at Large"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_25__69c3fc171d2b9b4988bca2d5/</id>
    <title>战争如何重塑了伊朗人的生活——随着冲突持续，平民们发现自己被夹在外国的轰炸与暴力镇压的政权之间。</title>
    <updated>2026-03-25T23:45:55.037Z</updated>
    <published>2026-03-25T23:45:55.037Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_25__69c3fc171d2b9b4988bca2d5/">03-26</a>&nbsp;&nbsp;How the War Has Reshaped Life in Iran - As the conflict continues, civilians find themselves caught between foreign bombardment and a regime that is violently cracking down. (<a href="https://www.newyorker.com/podcast/political-scene/how-the-war-has-reshaped-life-in-iran">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/political-scene/how-the-war-has-reshaped-life-in-iran"/>
    <summary>How the War Has Reshaped Life in Iran - As the conflict continues, civilians find themselves caught between foreign bombardment and a regime that is violently cracking down.</summary>
    <category term="Podcast"/>
    <category term="The Political Scene Podcast"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_25__69c2e73250937062c35ed21d/</id>
    <title>路易丝·埃尔德里奇谈关于无父母儿童的小说——《圆屋》和《蟒蛇之吻》的作者探讨了几部探讨无父母环境下成长心理状态的书籍。</title>
    <updated>2026-03-25T20:19:57.030Z</updated>
    <published>2026-03-25T20:19:57.030Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_25__69c2e73250937062c35ed21d/">03-26</a>&nbsp;&nbsp;Louise Erdrich on Novels of Parentless Children - The “Round House” and “Python’s Kiss” author discusses a few books that examine the psychological terrain of growing up without parents. (<a href="https://www.newyorker.com/books/book-currents/louise-erdrich-on-novels-of-parentless-children">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/book-currents/louise-erdrich-on-novels-of-parentless-children"/>
    <summary>Louise Erdrich on Novels of Parentless Children - The “Round House” and “Python’s Kiss” author discusses a few books that examine the psychological terrain of growing up without parents.</summary>
    <category term="Books"/>
    <category term="Book Currents"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_25__69b982361952cd41380f8aa1/</id>
    <title>玛雅·C·波帕朗读布伦达·肖内西的作品——这位诗人将与凯文·杨一同朗读并探讨布伦达·肖内西的诗作《无为》，以及她自己的诗作《世界尽在他们眼前》。</title>
    <updated>2026-03-25T20:19:57.026Z</updated>
    <published>2026-03-25T20:19:57.026Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_25__69b982361952cd41380f8aa1/">03-26</a>&nbsp;&nbsp;Maya C. Popa Reads Brenda Shaughnessy - The poet joins Kevin Young to read and discuss “Artless,” by Brenda Shaughnessy, and her own poem “The World Was All Before Them.” (<a href="https://www.newyorker.com/podcast/poetry/maya-c-popa-reads-brenda-shaughnessy">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/poetry/maya-c-popa-reads-brenda-shaughnessy"/>
    <summary>Maya C. Popa Reads Brenda Shaughnessy - The poet joins Kevin Young to read and discuss “Artless,” by Brenda Shaughnessy, and her own poem “The World Was All Before Them.”</summary>
    <category term="Podcast"/>
    <category term="Poetry Podcast"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_25__69c40e5c371b5b650a152e03/</id>
    <title>唐纳德·特朗普是如何可能破坏了与伊朗达成协议的机会的——伊朗政权封锁了霍尔木兹海峡，导致全球市场动荡，使美国陷入进退两难的境地。</title>
    <updated>2026-03-25T17:58:32.901Z</updated>
    <published>2026-03-25T17:58:32.901Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_25__69c40e5c371b5b650a152e03/">03-26</a>&nbsp;&nbsp;How Donald Trump May Have Sabotaged His Chances for a Deal with Iran - The Iranian regime has shut down the Strait of Hormuz, destabilizing global markets and leaving the U.S. with no good options. (<a href="https://www.newyorker.com/news/q-and-a/how-donald-trump-may-have-sabotaged-his-chances-for-a-deal-with-iran">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/q-and-a/how-donald-trump-may-have-sabotaged-his-chances-for-a-deal-with-iran"/>
    <summary>How Donald Trump May Have Sabotaged His Chances for a Deal with Iran - The Iranian regime has shut down the Strait of Hormuz, destabilizing global markets and leaving the U.S. with no good options.</summary>
    <category term="News"/>
    <category term="Q. &amp; A."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_25__69c414a57ab2342773defa06/</id>
    <title>每日漫画：3月25日，星期三——一幅以最新新闻和时事为灵感创作的漫画。</title>
    <updated>2026-03-25T17:23:42.026Z</updated>
    <published>2026-03-25T17:23:42.026Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_25__69c414a57ab2342773defa06/">03-26</a>&nbsp;&nbsp;Daily Cartoon: Wednesday, March 25th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/wednesday-march-25th-spring-break-travel">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/wednesday-march-25th-spring-break-travel"/>
    <summary>Daily Cartoon: Wednesday, March 25th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_25__69bc06f805b204672b81a91d/</id>
    <title>莉莎·明奈利破例转向自我坦白——在新出版的回忆录中，明奈利比以往任何时候都更坦率地讲述了自己的生活。但她最真实的自我，始终是在舞台上展现出来的。</title>
    <updated>2026-03-25T10:27:40.604Z</updated>
    <published>2026-03-25T10:27:40.604Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_25__69bc06f805b204672b81a91d/">03-25</a>&nbsp;&nbsp;Liza Minnelli’s Uncharacteristic Pivot to Self-Disclosure - In a new memoir, Minnelli discusses her life more candidly than she has before. But her truest self has always emerged on stage. (<a href="https://www.newyorker.com/books/under-review/liza-minnellis-uncharacteristic-pivot-to-self-disclosure">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/under-review/liza-minnellis-uncharacteristic-pivot-to-self-disclosure"/>
    <summary>Liza Minnelli’s Uncharacteristic Pivot to Self-Disclosure - In a new memoir, Minnelli discusses her life more candidly than she has before. But her truest self has always emerged on stage.</summary>
    <category term="Books"/>
    <category term="Under Review"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_25__69c2be1aa32bf792f82b3dac/</id>
    <title>伊朗战争如何演变为一场稳定全球经济秩序的竞赛——该国正处于生存模式，并通过封锁霍尔木兹海峡、阻断全球大部分石油供应的运输，展开了有效的反击。</title>
    <updated>2026-03-25T10:27:40.601Z</updated>
    <published>2026-03-25T10:27:40.601Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_25__69c2be1aa32bf792f82b3dac/">03-25</a>&nbsp;&nbsp;How the War in Iran Became a Race to Stabilize the Global Economic Order - The country is in survival mode, and effectively fighting back by shutting down the Strait of Hormuz and blocking the transport of much of the world’s oil supply. (<a href="https://www.newyorker.com/news/the-lede/how-the-war-in-iran-became-a-race-to-stabilize-the-global-economic-order">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/how-the-war-in-iran-became-a-race-to-stabilize-the-global-economic-order"/>
    <summary>How the War in Iran Became a Race to Stabilize the Global Economic Order - The country is in survival mode, and effectively fighting back by shutting down the Strait of Hormuz and blocking the transport of much of the world’s oil supply.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_25__69c304483a323acb99357248/</id>
    <title>为什么你会讨厌你的天气应用——随着天气变得越来越难以预测，我们需要的是能更好地告诉我们未知信息的预报。</title>
    <updated>2026-03-25T10:27:40.597Z</updated>
    <published>2026-03-25T10:27:40.597Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_25__69c304483a323acb99357248/">03-25</a>&nbsp;&nbsp;Why You Hate Your Weather App - As the weather becomes less predictable, we need forecasts that are better at telling us what we don’t know. (<a href="https://www.newyorker.com/culture/infinite-scroll/why-you-hate-your-weather-app">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/infinite-scroll/why-you-hate-your-weather-app"/>
    <summary>Why You Hate Your Weather App - As the weather becomes less predictable, we need forecasts that are better at telling us what we don’t know.</summary>
    <category term="Culture"/>
    <category term="Infinite Scroll"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_24__69c16e55e1846aacd313577a/</id>
    <title>迈克尔·伊恩·布莱克参加漫画配文大赛——这位演员兼喜剧演员尝试为《纽约客》的漫画配文。</title>
    <updated>2026-03-24T16:37:31.441Z</updated>
    <published>2026-03-24T16:37:31.441Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_24__69c16e55e1846aacd313577a/">03-25</a>&nbsp;&nbsp;Michael Ian Black Enters the Cartoon Caption Contest - The actor and comedian tries his hand at captioning New Yorker cartoons. (<a href="https://www.newyorker.com/humor/celebrity-caption-contest/michael-ian-black-enters-the-cartoon-caption-contest">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/celebrity-caption-contest/michael-ian-black-enters-the-cartoon-caption-contest"/>
    <summary>Michael Ian Black Enters the Cartoon Caption Contest - The actor and comedian tries his hand at captioning New Yorker cartoons.</summary>
    <category term="Humor"/>
    <category term="Celebrity Caption Contest"/>
    <category term="Culture"/>
    <category term="Video Dept."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_24__69c29f46e09c6ff8a9d96fc5/</id>
    <title>每日漫画：3月24日，星期二——一幅以最新新闻和时事为灵感创作的漫画。</title>
    <updated>2026-03-24T15:33:29.493Z</updated>
    <published>2026-03-24T15:33:29.493Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_24__69c29f46e09c6ff8a9d96fc5/">03-24</a>&nbsp;&nbsp;Daily Cartoon: Tuesday, March 24th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/tuesday-march-24th-ice-tsa-airports">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/tuesday-march-24th-ice-tsa-airports"/>
    <summary>Daily Cartoon: Tuesday, March 24th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_24__69c04c798707dfd78fd8ddd3/</id>
    <title>CNN的《Podcast Look》与有线新闻的缓慢衰亡——该网络在风格上的尝试令人尴尬，但这或许更能反映播客行业的现状，而非传统媒体的现状。</title>
    <updated>2026-03-24T10:29:32.504Z</updated>
    <published>2026-03-24T10:29:32.504Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_24__69c04c798707dfd78fd8ddd3/">03-24</a>&nbsp;&nbsp;CNN’s “Podcast Look” and the Slow Death of Cable News - The network’s experiment in style was embarrassing, but it may tell us more about the state of podcasting than it does about legacy media. (<a href="https://www.newyorker.com/news/fault-lines/cnns-podcast-look-and-the-slow-death-of-cable-news">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/fault-lines/cnns-podcast-look-and-the-slow-death-of-cable-news"/>
    <summary>CNN’s “Podcast Look” and the Slow Death of Cable News - The network’s experiment in style was embarrassing, but it may tell us more about the state of podcasting than it does about legacy media.</summary>
    <category term="News"/>
    <category term="Fault Lines"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_24__69baff23f307f74eb0161676/</id>
    <title>曾被伊朗政权囚禁的男子目睹特朗普的战争——一位曾遭错误拘留长达五百四十四天的记者，始终未能向德黑兰道别。如今，他不断收到关于故土陷入混乱与毁灭的消息。</title>
    <updated>2026-03-24T10:29:32.500Z</updated>
    <published>2026-03-24T10:29:32.500Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_24__69baff23f307f74eb0161676/">03-24</a>&nbsp;&nbsp;A Former Prisoner of the Iranian Regime Watches Trump’s War - A journalist who was wrongfully detained for five hundred and forty-four days never got to say goodbye to Tehran. Now he’s fielding messages about chaos and destruction in the home he left behind. (<a href="https://www.newyorker.com/news/the-lede/a-former-prisoner-of-the-iranian-regime-watches-trumps-war">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/a-former-prisoner-of-the-iranian-regime-watches-trumps-war"/>
    <summary>A Former Prisoner of the Iranian Regime Watches Trump’s War - A journalist who was wrongfully detained for five hundred and forty-four days never got to say goodbye to Tehran. Now he’s fielding messages about chaos and destruction in the home he left behind.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_24__699ca55f5ad369a89f673ccb/</id>
    <title>会计师发来的邮件字面意思与潜台词——嗨，我是你爸爸的朋友比尔。无论是你父亲还是我，对你都不太了解，因此都不相信你能独自完成报税。</title>
    <updated>2026-03-24T10:29:32.495Z</updated>
    <published>2026-03-24T10:29:32.495Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_24__699ca55f5ad369a89f673ccb/">03-24</a>&nbsp;&nbsp;The Text of E-mails from My Accountant vs. the Subtext - Hi, your dad’s friend Bill here. Neither your father, nor I, knowing very little about you, have any confidence that you can be expected to handle filing your taxes by yourself. (<a href="https://www.newyorker.com/humor/shouts-murmurs/the-text-of-e-mails-from-my-accountant-vs-the-subtext">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shouts-murmurs/the-text-of-e-mails-from-my-accountant-vs-the-subtext"/>
    <summary>The Text of E-mails from My Accountant vs. the Subtext - Hi, your dad’s friend Bill here. Neither your father, nor I, knowing very little about you, have any confidence that you can be expected to handle filing your taxes by yourself.</summary>
    <category term="Humor"/>
    <category term="Shouts &amp; Murmurs"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69c142f4115e36f827563895/</id>
    <title>每日漫画3月23日，星期一--以最新新闻和事件为题材的漫画。</title>
    <updated>2026-03-23T14:49:41.582Z</updated>
    <published>2026-03-23T14:49:41.582Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69c142f4115e36f827563895/">03-23</a>&nbsp;&nbsp;Daily Cartoon: Monday, March 23rd - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/monday-march-23rd-there-goes-my-bracket">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/monday-march-23rd-there-goes-my-bracket"/>
    <summary>Daily Cartoon: Monday, March 23rd - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69baa8688355e6f890e613f0/</id>
    <title>"罗珊娜-沃伦的《库特鸟》--"它们是库特鸟吗，那些黑黑的鸟儿，有着艳丽的/白色的喙，一起在/冬日的波浪中/绕着圈游动？</title>
    <updated>2026-03-23T12:59:33.466Z</updated>
    <published>2026-03-23T12:59:33.466Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69baa8688355e6f890e613f0/">03-23</a>&nbsp;&nbsp;“Coots,” by Rosanna Warren - “Were they coots, those dark birds with flashy / white bills, swimming together in circles / on winter waves?” (<a href="https://www.newyorker.com/magazine/2026/03/30/coots-rosanna-warren-poem">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/30/coots-rosanna-warren-poem"/>
    <summary>“Coots,” by Rosanna Warren - “Were they coots, those dark birds with flashy / white bills, swimming together in circles / on winter waves?”</summary>
    <category term="Magazine"/>
    <category term="Poems"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69baa873dc732fd8cc11abf5/</id>
    <title>唐娜-马西尼（Donna Masini）的《午夜在 CVS 止痛药货架上思考 "不可知之云"》--"疼痛在我的头骨上回荡/就像 60 年代的阿司匹林广告"。</title>
    <updated>2026-03-23T12:59:33.462Z</updated>
    <published>2026-03-23T12:59:33.462Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69baa873dc732fd8cc11abf5/">03-23</a>&nbsp;&nbsp;“Midnight in the Pain-Relief Aisle of CVS Thinking About ‘The Cloud of Unknowing’,” by Donna Masini - “Pain ricochets around my skull / like an aspirin commercial from the sixties.” (<a href="https://www.newyorker.com/magazine/2026/03/30/midnight-in-the-pain-relief-aisle-of-cvs-thinking-about-the-cloud-of-unknowing-donna-masini-poem">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/30/midnight-in-the-pain-relief-aisle-of-cvs-thinking-about-the-cloud-of-unknowing-donna-masini-poem"/>
    <summary>“Midnight in the Pain-Relief Aisle of CVS Thinking About ‘The Cloud of Unknowing’,” by Donna Masini - “Pain ricochets around my skull / like an aspirin commercial from the sixties.”</summary>
    <category term="Magazine"/>
    <category term="Poems"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69baa87fbc215026e7e5a0d3/</id>
    <title>外场的恩格斯》--大都会棒球队的激进历史坚持认为，棒球仍然是人民的运动。</title>
    <updated>2026-03-23T12:59:33.459Z</updated>
    <published>2026-03-23T12:59:33.459Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69baa87fbc215026e7e5a0d3/">03-23</a>&nbsp;&nbsp;Engels in the Outfield - A radical history of the Mets insists that baseball can still be the people’s game. (<a href="https://www.newyorker.com/magazine/2026/03/30/metropolitans-a-m-gittlitz-book-review">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/30/metropolitans-a-m-gittlitz-book-review"/>
    <summary>Engels in the Outfield - A radical history of the Mets insists that baseball can still be the people’s game.</summary>
    <category term="Magazine"/>
    <category term="Books"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69baa86c784a7491c75dff10/</id>
    <title>下一个是古巴吗？- 特朗普在推翻外国对手的运动中遇到了一个饱受摧残但仍顽强抵抗的政权。</title>
    <updated>2026-03-23T12:59:33.452Z</updated>
    <published>2026-03-23T12:59:33.452Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69baa86c784a7491c75dff10/">03-23</a>&nbsp;&nbsp;Is Cuba Next? - Trump’s campaign to topple foreign adversaries encounters a battered but defiant regime. (<a href="https://www.newyorker.com/magazine/2026/03/30/is-cuba-next">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/30/is-cuba-next"/>
    <summary>Is Cuba Next? - Trump’s campaign to topple foreign adversaries encounters a battered but defiant regime.</summary>
    <category term="Magazine"/>
    <category term="Letter from Havana"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69bd659903e63c8e4d323311/</id>
    <title>在斯汀和深蓝之海之间--2014 年，警察乐队主唱的音乐剧《最后的船》的灵感来自于他在英国工人阶级的艰苦童年。如今，这部由长毛出演的改编版音乐剧即将登陆大都会歌剧院。</title>
    <updated>2026-03-23T12:59:33.448Z</updated>
    <published>2026-03-23T12:59:33.448Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69bd659903e63c8e4d323311/">03-23</a>&nbsp;&nbsp;Between Sting and the Deep Blue Sea - The Police front man’s 2014 musical, “The Last Ship,” was inspired by his gritty working-class childhood in England. Now a revamped production—featuring Shaggy—is docking at the Metropolitan Opera. (<a href="https://www.newyorker.com/magazine/2026/03/30/between-sting-and-the-deep-blue-sea">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/30/between-sting-and-the-deep-blue-sea"/>
    <summary>Between Sting and the Deep Blue Sea - The Police front man’s 2014 musical, “The Last Ship,” was inspired by his gritty working-class childhood in England. Now a revamped production—featuring Shaggy—is docking at the Metropolitan Opera.</summary>
    <category term="Magazine"/>
    <category term="The Boards"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69b81c4d2a5ea0655b782351/</id>
    <title>最后一代--家庭农场的生活。</title>
    <updated>2026-03-23T12:59:33.445Z</updated>
    <published>2026-03-23T12:59:33.445Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69b81c4d2a5ea0655b782351/">03-23</a>&nbsp;&nbsp;The Last Generation - Life on a family farm. (<a href="https://www.newyorker.com/magazine/2026/03/30/the-last-generation">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/30/the-last-generation"/>
    <summary>The Last Generation - Life on a family farm.</summary>
    <category term="Magazine"/>
    <category term="Portfolio"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69bd9cf23a3a9a3e9bcd99a8/</id>
    <title>纽约春天的宾果游戏卡 - 您有 "穿短裤的 UPS 快递员"、"门廊怪人 "或 "公园里挤满了铰链约会者 "吗？</title>
    <updated>2026-03-23T12:59:33.441Z</updated>
    <published>2026-03-23T12:59:33.441Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69bd9cf23a3a9a3e9bcd99a8/">03-23</a>&nbsp;&nbsp;A Bingo Card for Spring in New York City - Do you have “UPS Guy in Shorts,” “Stoop Weirdo,” or “Park Teeming with Hinge Dates”? (<a href="https://www.newyorker.com/magazine/2026/03/30/nyc-spring-bingo">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/30/nyc-spring-bingo"/>
    <summary>A Bingo Card for Spring in New York City - Do you have “UPS Guy in Shorts,” “Stoop Weirdo,” or “Park Teeming with Hinge Dates”?</summary>
    <category term="Magazine"/>
    <category term="Sketchbook"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69bc58e1ae3881665c967a8a/</id>
    <title>罗兹-查斯特（Roz Chast）的 "城市野兽"--野兽出没的地方。</title>
    <updated>2026-03-23T12:59:33.438Z</updated>
    <published>2026-03-23T12:59:33.438Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69bc58e1ae3881665c967a8a/">03-23</a>&nbsp;&nbsp;Roz Chast’s “City Beasts” - Where the wild things are. (<a href="https://www.newyorker.com/culture/cover-story/cover-story-2026-03-30">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/cover-story/cover-story-2026-03-30"/>
    <summary>Roz Chast’s “City Beasts” - Where the wild things are.</summary>
    <category term="Culture"/>
    <category term="Cover Story"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69b9801a1952cd41380f8a92/</id>
    <title>简短书评 - "Kin"、"The Optimists"、"The Elusive Body "和 "Leaving Home"。</title>
    <updated>2026-03-23T12:59:33.434Z</updated>
    <published>2026-03-23T12:59:33.434Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69b9801a1952cd41380f8a92/">03-23</a>&nbsp;&nbsp;Briefly Noted Book Reviews - “Kin,” “The Optimists,” “The Elusive Body,” and “Leaving Home.” (<a href="https://www.newyorker.com/magazine/2026/03/30/kin-the-optimists-the-elusive-body-leaving-home">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/30/kin-the-optimists-the-elusive-body-leaving-home"/>
    <summary>Briefly Noted Book Reviews - “Kin,” “The Optimists,” “The Elusive Body,” and “Leaving Home.”</summary>
    <category term="Magazine"/>
    <category term="Books"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69baa87676d25db08a72c802/</id>
    <title>惠特尼双年展上的 "影响"--本年度调查中的艺术家们是如何承认或（更常见的是）不承认那些为他们铺平道路的人的。</title>
    <updated>2026-03-23T12:59:33.431Z</updated>
    <published>2026-03-23T12:59:33.431Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69baa87676d25db08a72c802/">03-23</a>&nbsp;&nbsp;Under the Influence at the Whitney Biennial - How the artists in this year’s survey do or, more often, don’t acknowledge those who paved the way for them. (<a href="https://www.newyorker.com/magazine/2026/03/30/the-anxiety-of-influence-in-the-whitney-biennial">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/30/the-anxiety-of-influence-in-the-whitney-biennial"/>
    <summary>Under the Influence at the Whitney Biennial - How the artists in this year’s survey do or, more often, don’t acknowledge those who paved the way for them.</summary>
    <category term="Magazine"/>
    <category term="The Art World"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69bd659e38b12dad37a5b4fb/</id>
    <title>史蒂夫-赞（Steve Zahn）的父女之舞--在百老汇演播室，史蒂夫-赞与女儿奥黛丽（Audrey）跳起了父女之舞，奥黛丽也是史蒂夫-赞新片《她在跳舞》的灵感来源（联合主演）。</title>
    <updated>2026-03-23T12:59:33.427Z</updated>
    <published>2026-03-23T12:59:33.427Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69bd659e38b12dad37a5b4fb/">03-23</a>&nbsp;&nbsp;Steve Zahn’s Father-Daughter Dance - At a Broadway studio, the actor busts a move with his daughter, Audrey, who also happens to be his inspiration (and co-star) for his new film, “She Dances.” (<a href="https://www.newyorker.com/magazine/2026/03/30/steve-zahns-father-daughter-dance">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/30/steve-zahns-father-daughter-dance"/>
    <summary>Steve Zahn’s Father-Daughter Dance - At a Broadway studio, the actor busts a move with his daughter, Audrey, who also happens to be his inspiration (and co-star) for his new film, “She Dances.”</summary>
    <category term="Magazine"/>
    <category term="The Pictures"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69baa8835752edcb32c2e0bf/</id>
    <title>男中音 "迈克尔-斯派瑞斯在大都会歌剧院新版《特里斯坦与伊索尔德》中高歌猛进 - 在大都会歌剧院，迈克尔-斯派瑞斯利用其宽广的音域达到了令人惊叹的效果，但丽萨-戴维森在离开其出色的高音区时却失去了力量。</title>
    <updated>2026-03-23T12:59:33.423Z</updated>
    <published>2026-03-23T12:59:33.423Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69baa8835752edcb32c2e0bf/">03-23</a>&nbsp;&nbsp;The “Baritenor” Michael Spyres Soars in the Met’s New “Tristan und Isolde” - At the Met, Michael Spyres uses his broad vocal range to stunning effect, but Lise Davidsen loses power when she leaves her brilliant upper register. (<a href="https://www.newyorker.com/magazine/2026/03/30/tristan-at-the-met-music-review">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/30/tristan-at-the-met-music-review"/>
    <summary>The “Baritenor” Michael Spyres Soars in the Met’s New “Tristan und Isolde” - At the Met, Michael Spyres uses his broad vocal range to stunning effect, but Lise Davidsen loses power when she leaves her brilliant upper register.</summary>
    <category term="Magazine"/>
    <category term="Musical Events"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69bd656a41d7d8b133c8aa39/</id>
    <title>到底是谁的线路？- 排队是一种新常态，尤其是在 T.S.A.。50 分钟、两小时、半天--一架航班（或一个可颂甜甜圈或一张哈里-斯泰尔斯（Harry Styles）演出的门票）值多少时间？</title>
    <updated>2026-03-23T12:59:33.420Z</updated>
    <published>2026-03-23T12:59:33.420Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69bd656a41d7d8b133c8aa39/">03-23</a>&nbsp;&nbsp;Whose Line Is It Anyway? - Queuing up is the new normal, especially when it comes to the T.S.A. Fifty minutes, two hours, half a day—how much time is a flight (or a cronut or a ticket to a Harry Styles show) worth? (<a href="https://www.newyorker.com/magazine/2026/03/30/whose-line-is-it-anyway">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/30/whose-line-is-it-anyway"/>
    <summary>Whose Line Is It Anyway? - Queuing up is the new normal, especially when it comes to the T.S.A. Fifty minutes, two hours, half a day—how much time is a flight (or a cronut or a ticket to a Harry Styles show) worth?</summary>
    <category term="Magazine"/>
    <category term="Between the Lines"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69bdac8a38b12dad37a5b93b/</id>
    <title>特朗普的伊朗战争会如何烧毁全球经济--一场本应短暂的冲突导致油价飙升，并增加了全球经济衰退的风险。</title>
    <updated>2026-03-23T12:59:33.416Z</updated>
    <published>2026-03-23T12:59:33.416Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69bdac8a38b12dad37a5b93b/">03-23</a>&nbsp;&nbsp;How Trump’s Iran War Could Torch the Global Economy - A conflict that was supposed to be brief has sent oil prices soaring and raised the risk of a worldwide recession. (<a href="https://www.newyorker.com/news/the-financial-page/how-trumps-iran-war-could-torch-the-global-economy">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-financial-page/how-trumps-iran-war-could-torch-the-global-economy"/>
    <summary>How Trump’s Iran War Could Torch the Global Economy - A conflict that was supposed to be brief has sent oil prices soaring and raised the risk of a worldwide recession.</summary>
    <category term="News"/>
    <category term="The Financial Page"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69bc2ecaf0aac228ce6d87d3/</id>
    <title>史坦顿岛分离运动的回归--一百多年来，这座城市最孤立的行政区一直威胁要离开。在佐赫兰-马姆达尼（Zohran Mamdani）当选后，岛上一些人认为是时候了。</title>
    <updated>2026-03-23T12:59:33.413Z</updated>
    <published>2026-03-23T12:59:33.413Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69bc2ecaf0aac228ce6d87d3/">03-23</a>&nbsp;&nbsp;The Return of Staten Island’s Secession Movement - For more than a hundred years, the city’s most isolated borough has threatened to leave. After the election of Zohran Mamdani, some on the island think it’s time. (<a href="https://www.newyorker.com/news/the-lede/the-return-of-staten-islands-secession-movement">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/the-return-of-staten-islands-secession-movement"/>
    <summary>The Return of Staten Island’s Secession Movement - For more than a hundred years, the city’s most isolated borough has threatened to leave. After the election of Zohran Mamdani, some on the island think it’s time.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69baa85f1acd112ac9b1cdf3/</id>
    <title>在分组失败后支持的学校 - 为了保持疯狂三月的趣味性，为什么不选择你妈妈的母校呢？或者选择有名人孩子的大学？</title>
    <updated>2026-03-23T12:59:33.409Z</updated>
    <published>2026-03-23T12:59:33.409Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69baa85f1acd112ac9b1cdf3/">03-23</a>&nbsp;&nbsp;Schools to Root for After Your Bracket Fails - To keep March Madness interesting, why not go with your mom’s alma mater? Or the college with a celebrity’s kid? (<a href="https://www.newyorker.com/magazine/2026/03/30/schools-to-root-for-after-your-bracket-fails">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/30/schools-to-root-for-after-your-bracket-fails"/>
    <summary>Schools to Root for After Your Bracket Fails - To keep March Madness interesting, why not go with your mom’s alma mater? Or the college with a celebrity’s kid?</summary>
    <category term="Magazine"/>
    <category term="Shouts &amp; Murmurs"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69baa863c6ec2c812040bae2/</id>
    <title>人工智能需要宪法吗？- 吉尔-勒波尔撰写了《人工智能医生：Or How I Became an Apocaloptimist》和人工智能宪法，如 Anthropic 的聊天机器人克劳德的宪法。</title>
    <updated>2026-03-23T12:59:33.405Z</updated>
    <published>2026-03-23T12:59:33.405Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69baa863c6ec2c812040bae2/">03-23</a>&nbsp;&nbsp;Does A.I. Need a Constitution? - Jill Lepore writes about “The AI Doc: Or How I Became an Apocaloptimist” and A.I. constitutions, like that of Anthropic’s chatbot Claude. (<a href="https://www.newyorker.com/magazine/2026/03/30/does-ai-need-a-constitution">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/30/does-ai-need-a-constitution"/>
    <summary>Does A.I. Need a Constitution? - Jill Lepore writes about “The AI Doc: Or How I Became an Apocaloptimist” and A.I. constitutions, like that of Anthropic’s chatbot Claude.</summary>
    <category term="Magazine"/>
    <category term="Annals of Technology"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69baa85af0f6d9a4f97837dc/</id>
    <title>Robyn, on Her Own - 这位流行歌星将母亲的身份和中年经历带入舞池。</title>
    <updated>2026-03-23T12:59:33.402Z</updated>
    <published>2026-03-23T12:59:33.402Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/13/en_newyorker_2026_03_23__69baa85af0f6d9a4f97837dc/">03-23</a>&nbsp;&nbsp;Robyn, on Her Own - The pop star brings motherhood and middle age to the dance floor. (<a href="https://www.newyorker.com/magazine/2026/03/30/robyn-profile">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/30/robyn-profile"/>
    <summary>Robyn, on Her Own - The pop star brings motherhood and middle age to the dance floor.</summary>
    <category term="Magazine"/>
    <category term="Profiles"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_22__69bacbdaa3c9cec288d0ed8c/</id>
    <title>素食者是纽约最美味的三明治 - 这座城市最美味的意大利套餐不含任何肉类。</title>
    <updated>2026-03-22T10:28:18.342Z</updated>
    <published>2026-03-22T10:28:18.342Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_22__69bacbdaa3c9cec288d0ed8c/">03-22</a>&nbsp;&nbsp;The Vegetalian Is New York’s Finest Sandwich - The best Italian combo in the city contains no meat whatsoever. (<a href="https://www.newyorker.com/culture/the-food-scene/-the-vegetalian-is-new-yorks-finest-sandwich">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-food-scene/-the-vegetalian-is-new-yorks-finest-sandwich"/>
    <summary>The Vegetalian Is New York’s Finest Sandwich - The best Italian combo in the city contains no meat whatsoever.</summary>
    <category term="Culture"/>
    <category term="The Food Scene"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_22__69bafd1e05b204672b81a735/</id>
    <title>伊朗未来国王的遥远承诺 - 美以对伊斯兰共和国的战争是礼萨-巴列维近五十年来恢复其家族统治的最佳机会--他会错过吗？</title>
    <updated>2026-03-22T10:28:18.338Z</updated>
    <published>2026-03-22T10:28:18.338Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_22__69bafd1e05b204672b81a735/">03-22</a>&nbsp;&nbsp;The Distant Promise of Iran’s Would-Be King - The U.S.-Israeli war on the Islamic Republic is Reza Pahlavi’s best chance to resume his family’s reign in nearly fifty years—will it pass him by? (<a href="https://www.newyorker.com/news/the-lede/the-distant-promise-of-irans-would-be-king">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/the-distant-promise-of-irans-would-be-king"/>
    <summary>The Distant Promise of Iran’s Would-Be King - The U.S.-Israeli war on the Islamic Republic is Reza Pahlavi’s best chance to resume his family’s reign in nearly fifty years—will it pass him by?</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_22__69baec60784a7491c75e0181/</id>
    <title>Souvankham Thammavongsa 谈约会和年龄的清晰度 - 作者讨论了她的故事 "漂浮"。</title>
    <updated>2026-03-22T10:28:18.335Z</updated>
    <published>2026-03-22T10:28:18.335Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_22__69baec60784a7491c75e0181/">03-22</a>&nbsp;&nbsp;Souvankham Thammavongsa on Dating and the Clarity of Age - The author discusses her story “Floating.” (<a href="https://www.newyorker.com/books/this-week-in-fiction/souvankham-thammavongsa-03-30-26">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/this-week-in-fiction/souvankham-thammavongsa-03-30-26"/>
    <summary>Souvankham Thammavongsa on Dating and the Clarity of Age - The author discusses her story “Floating.”</summary>
    <category term="Books"/>
    <category term="This Week in Fiction"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_22__69baa87afcce01c74ce57fef/</id>
    <title>剽窃到底有多严重？- 从古罗马到人工智能时代，人们一直崇尚原创，但影响的终点和剽窃的起点之间的界限却出了名的模糊。</title>
    <updated>2026-03-22T10:28:18.331Z</updated>
    <published>2026-03-22T10:28:18.331Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_22__69baa87afcce01c74ce57fef/">03-22</a>&nbsp;&nbsp;How Bad Is Plagiarism, Really? - From ancient Rome to the era of A.I., people have prized originality, but the line where influence ends and cribbing begins is notoriously blurry. (<a href="https://www.newyorker.com/magazine/2026/03/30/strikingly-similar-roger-kreuz-book-review">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/30/strikingly-similar-roger-kreuz-book-review"/>
    <summary>How Bad Is Plagiarism, Really? - From ancient Rome to the era of A.I., people have prized originality, but the line where influence ends and cribbing begins is notoriously blurry.</summary>
    <category term="Magazine"/>
    <category term="Books"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_22__69b98551f5a3dfed66f4df9b/</id>
    <title>"他走后，我对朋友说："我喜欢他。他单身吗？"我朋友说他从没提过有伴侣。</title>
    <updated>2026-03-22T10:12:21.804Z</updated>
    <published>2026-03-22T10:12:21.804Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_22__69b98551f5a3dfed66f4df9b/">03-22</a>&nbsp;&nbsp;“Floating,” by Souvankham Thammavongsa - After he left, I said to my friend, “I like him. Is he single?” My friend said he’d never mentioned a partner. (<a href="https://www.newyorker.com/magazine/2026/03/30/floating-fiction-souvankham-thammavongsa">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/30/floating-fiction-souvankham-thammavongsa"/>
    <summary>“Floating,” by Souvankham Thammavongsa - After he left, I said to my friend, “I like him. Is he single?” My friend said he’d never mentioned a partner.</summary>
    <category term="Magazine"/>
    <category term="Fiction"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_22__69b8136f0c092a8e975820e6/</id>
    <title>Souvankham Thammavongsa 朗读《漂浮》--作者朗读了她在 2026 年 3 月 30 日出版的杂志上的故事。</title>
    <updated>2026-03-22T10:12:21.800Z</updated>
    <published>2026-03-22T10:12:21.800Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_22__69b8136f0c092a8e975820e6/">03-22</a>&nbsp;&nbsp;Souvankham Thammavongsa Reads “Floating” - The author reads her story from the March 30, 2026, issue of the magazine. (<a href="https://www.newyorker.com/podcast/the-writers-voice/souvankham-thammavongsa-reads-floating">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/the-writers-voice/souvankham-thammavongsa-reads-floating"/>
    <summary>Souvankham Thammavongsa Reads “Floating” - The author reads her story from the March 30, 2026, issue of the magazine.</summary>
    <category term="Podcast"/>
    <category term="The Writer’s Voice"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_21__69bd6d71b17e4b2e582f1829/</id>
    <title>索菲亚-科波拉（Sofia Coppola）的马克-雅各布斯（Marc Jacobs）纪录片《风格即实质》 - 这位设计师的一生经历了相当多的波折。但《索菲亚的马克》并未涉及这些，而是将各种轻纱般的画面串联在一起。</title>
    <updated>2026-03-21T13:14:11.872Z</updated>
    <published>2026-03-21T13:14:11.872Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_21__69bd6d71b17e4b2e582f1829/">03-21</a>&nbsp;&nbsp;The Style Is the Substance in Sofia Coppola’s Marc Jacobs Documentary - The designer has experienced a fair amount of tumult in his life. But “Marc by Sofia” addresses none of this, instead stringing together an assortment of gauzy images. (<a href="https://www.newyorker.com/culture/critics-notebook/the-style-is-the-substance-in-sofia-coppolas-marc-jacobs-documentary">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/critics-notebook/the-style-is-the-substance-in-sofia-coppolas-marc-jacobs-documentary"/>
    <summary>The Style Is the Substance in Sofia Coppola’s Marc Jacobs Documentary - The designer has experienced a fair amount of tumult in his life. But “Marc by Sofia” addresses none of this, instead stringing together an assortment of gauzy images.</summary>
    <category term="Culture"/>
    <category term="Critic’s Notebook"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_21__69b2cbeb55704d39ec74b8b3/</id>
    <title>阿曼达-皮特（Amanda Peet）谈患乳腺癌同时失去双亲--我的双亲都在临终关怀医院，分别在两个不同的海岸。后来我发现自己得了乳腺癌。</title>
    <updated>2026-03-21T13:14:11.869Z</updated>
    <published>2026-03-21T13:14:11.869Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_21__69b2cbeb55704d39ec74b8b3/">03-21</a>&nbsp;&nbsp;Amanda Peet on Getting Breast Cancer While Losing Her Parents - Both of my parents were in hospice, on opposite coasts. Then I found out that I had breast cancer. (<a href="https://www.newyorker.com/culture/the-weekend-essay/my-season-of-ativan">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-weekend-essay/my-season-of-ativan"/>
    <summary>Amanda Peet on Getting Breast Cancer While Losing Her Parents - Both of my parents were in hospice, on opposite coasts. Then I found out that I had breast cancer.</summary>
    <category term="Culture"/>
    <category term="The Weekend Essay"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_21__69bd6566e13d584da2def4b3/</id>
    <title>特朗普伊朗战争的第一个牺牲者是真相--一位总统用解放的语言向伊朗人民讲话，然后又威胁国内的新闻自由，这是最残酷的讽刺。</title>
    <updated>2026-03-21T13:14:11.865Z</updated>
    <published>2026-03-21T13:14:11.865Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_21__69bd6566e13d584da2def4b3/">03-21</a>&nbsp;&nbsp;The First Casualty of Trump’s War in Iran Was the Truth - The cruellest irony is that of a President who addresses the Iranian people in the language of liberation and then threatens freedom of the press back home. (<a href="https://www.newyorker.com/magazine/2026/03/30/the-first-casualty-of-trumps-war-in-iran-was-the-truth">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/30/the-first-casualty-of-trumps-war-in-iran-was-the-truth"/>
    <summary>The First Casualty of Trump’s War in Iran Was the Truth - The cruellest irony is that of a President who addresses the Iranian people in the language of liberation and then threatens freedom of the press back home.</summary>
    <category term="Magazine"/>
    <category term="Comment"/>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_21__69aa01755e3618322fb5c8dc/</id>
    <title>中国与农村关系的转变 - Catherine Hyland 的图片展示了大迁徙到城市之后发生的事情。</title>
    <updated>2026-03-21T13:14:11.861Z</updated>
    <published>2026-03-21T13:14:11.861Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_21__69aa01755e3618322fb5c8dc/">03-21</a>&nbsp;&nbsp;China’s Shifting Relationship to the Countryside - Catherine Hyland’s images show what happened after the giant migration to the cities. (<a href="https://www.newyorker.com/culture/photo-booth/chinas-shifting-relationship-to-the-countryside">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/photo-booth/chinas-shifting-relationship-to-the-countryside"/>
    <summary>China’s Shifting Relationship to the Countryside - Catherine Hyland’s images show what happened after the giant migration to the cities.</summary>
    <category term="Culture"/>
    <category term="Photo Booth"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_20__69b42193e019b13c13332bf7/</id>
    <title>《两位检察官》、《1936年的巴勒斯坦》以及三十年代抵抗运动的艰辛——导演谢尔盖·洛兹尼察和安妮玛丽·贾西尔的历史剧均以勇敢的反抗行为为核心。</title>
    <updated>2026-03-20T23:42:55.898Z</updated>
    <published>2026-03-20T23:42:55.898Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_20__69b42193e019b13c13332bf7/">03-21</a>&nbsp;&nbsp;“Two Prosecutors,” “Palestine ’36,” and the Tribulations of Resistance in the Thirties - Historical dramas from the directors Sergei Loznitsa and Annemarie Jacir are built around courageous acts of opposition. (<a href="https://www.newyorker.com/culture/the-current-cinema/two-prosecutors-palestine-36-and-the-tribulations-of-resistance-in-the-thirties">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-current-cinema/two-prosecutors-palestine-36-and-the-tribulations-of-resistance-in-the-thirties"/>
    <summary>“Two Prosecutors,” “Palestine ’36,” and the Tribulations of Resistance in the Thirties - Historical dramas from the directors Sergei Loznitsa and Annemarie Jacir are built around courageous acts of opposition.</summary>
    <category term="Culture"/>
    <category term="The Current Cinema"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_20__69bd773f38b12dad37a5b55e/</id>
    <title>以色列为何袭击黎巴嫩——真主党、伊朗和以色列共同助长了黎巴嫩这场灾难性的政治危机。如今，内塔尼亚胡政府正利用这一局势为更大规模的冲突寻找借口。</title>
    <updated>2026-03-20T20:31:41.209Z</updated>
    <published>2026-03-20T20:31:41.209Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_20__69bd773f38b12dad37a5b55e/">03-21</a>&nbsp;&nbsp;Why Israel Is Attacking Lebanon - Hezbollah, Iran, and Israel helped fuel a disastrous political crisis in Lebanon. Now the Netanyahu government is using it to justify a larger conflict. (<a href="https://www.newyorker.com/news/q-and-a/why-israel-is-attacking-lebanon">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/q-and-a/why-israel-is-attacking-lebanon"/>
    <summary>Why Israel Is Attacking Lebanon - Hezbollah, Iran, and Israel helped fuel a disastrous political crisis in Lebanon. Now the Netanyahu government is using it to justify a larger conflict.</summary>
    <category term="News"/>
    <category term="Q. &amp; A."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_20__69baebc6dc76d8a1a3d80d8f/</id>
    <title>胡里奥·托雷斯让一切都变得有趣——包括色彩理论 - 这位喜剧演员兼作家谈论他将于3月27日推出的HBO特别节目《色彩理论》。</title>
    <updated>2026-03-20T18:07:44.519Z</updated>
    <published>2026-03-20T18:07:44.519Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_20__69baebc6dc76d8a1a3d80d8f/">03-21</a>&nbsp;&nbsp;Julio Torres Makes Everything Funny—Including Color Theory - The comedian and writer on his new HBO special, “Color Theories,” which comes out on March 27th. (<a href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/julio-torres-makes-everything-funny-including-color-theory">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/julio-torres-makes-everything-funny-including-color-theory"/>
    <summary>Julio Torres Makes Everything Funny—Including Color Theory - The comedian and writer on his new HBO special, “Color Theories,” which comes out on March 27th.</summary>
    <category term="Podcast"/>
    <category term="The New Yorker Radio Hour"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_20__69baeb07f307f74eb01614d2/</id>
    <title>阿达·费雷尔论美国在古巴的帝国主义冒险——这位普利策奖得主的历史学家探讨了两国关系，以及古巴人可能对美国干预持何种看法。</title>
    <updated>2026-03-20T18:07:44.515Z</updated>
    <published>2026-03-20T18:07:44.515Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_20__69baeb07f307f74eb01614d2/">03-21</a>&nbsp;&nbsp;Ada Ferrer on America’s Imperial Adventures in Cuba - The Pulitzer Prize-winning historian on the relationship between the two countries, and how Cubans might feel about an American intervention. (<a href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/ada-ferrer-on-americas-imperial-adventures-in-cuba">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/ada-ferrer-on-americas-imperial-adventures-in-cuba"/>
    <summary>Ada Ferrer on America’s Imperial Adventures in Cuba - The Pulitzer Prize-winning historian on the relationship between the two countries, and how Cubans might feel about an American intervention.</summary>
    <category term="Podcast"/>
    <category term="The New Yorker Radio Hour"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_20__69bae964f0f6d9a4f97838fa/</id>
    <title>古巴会是特朗普的下一个目标吗？——本刊撰稿人乔恩·李·安德森就美古正在进行的谈判、马可·卢比奥的策略以及政权更迭可能呈现的局面发表了看法。</title>
    <updated>2026-03-20T18:07:44.511Z</updated>
    <published>2026-03-20T18:07:44.511Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_20__69bae964f0f6d9a4f97838fa/">03-21</a>&nbsp;&nbsp;Is Cuba Trump’s Next Target? - The staff writer Jon Lee Anderson on the ongoing negotiations between the U.S. and Cuba, Marco Rubio’s strategy, and what regime change could look like. (<a href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/is-cuba-trumps-next-target">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/is-cuba-trumps-next-target"/>
    <summary>Is Cuba Trump’s Next Target? - The staff writer Jon Lee Anderson on the ongoing negotiations between the U.S. and Cuba, Marco Rubio’s strategy, and what regime change could look like.</summary>
    <category term="Podcast"/>
    <category term="The New Yorker Radio Hour"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_20__69bd58501d7f0658321e796b/</id>
    <title>每日漫画：3月20日（星期五）——一幅以最新新闻和时事为灵感创作的漫画。</title>
    <updated>2026-03-20T14:55:48.239Z</updated>
    <published>2026-03-20T14:55:48.239Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_20__69bd58501d7f0658321e796b/">03-20</a>&nbsp;&nbsp;Daily Cartoon: Friday, March 20th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/friday-march-20th-march-madness-spring">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/friday-march-20th-march-madness-spring"/>
    <summary>Daily Cartoon: Friday, March 20th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_20__69b723dc462783bdc42b2899/</id>
    <title>缅怀人物特写大师卡尔文·汤姆金斯——近七十年来，他为《纽约客》记录了众多现代艺术家的生活。</title>
    <updated>2026-03-20T13:20:16.216Z</updated>
    <published>2026-03-20T13:20:16.216Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_20__69b723dc462783bdc42b2899/">03-20</a>&nbsp;&nbsp;Remembering Calvin Tomkins, a Master of the Profile - For nearly seventy years, he captured the lives of modern artists for The New Yorker. (<a href="https://www.newyorker.com/culture/postscript/remembering-calvin-tomkins-a-master-of-the-profile">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/postscript/remembering-calvin-tomkins-a-master-of-the-profile"/>
    <summary>Remembering Calvin Tomkins, a Master of the Profile - For nearly seventy years, he captured the lives of modern artists for The New Yorker.</summary>
    <category term="Culture"/>
    <category term="Postscript"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_20__69b9c455d50ee6ef8384b102/</id>
    <title>伊莱恩·雷切克的刺绣革命——此外还有：罗·雷迪克荒诞主义作品《冷战时期的合唱排练》、索菲亚·科波拉为马克·雅各布斯拍摄的肖像、佩吉·威廉姆斯谈音乐如何提升心灵境界，以及更多精彩内容。</title>
    <updated>2026-03-20T10:23:42.295Z</updated>
    <published>2026-03-20T10:23:42.295Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_20__69b9c455d50ee6ef8384b102/">03-20</a>&nbsp;&nbsp;Elaine Reichek’s Needlepoint Revolution - Also: Ro Reddick’s absurdist “Cold War Choir Practice,” Sofia Coppola’s portrait of Marc Jacobs, Paige Williams on music for spiritual uplift, and more. (<a href="https://www.newyorker.com/culture/goings-on/elaine-reicheks-needlepoint-revolution">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/goings-on/elaine-reicheks-needlepoint-revolution"/>
    <summary>Elaine Reichek’s Needlepoint Revolution - Also: Ro Reddick’s absurdist “Cold War Choir Practice,” Sofia Coppola’s portrait of Marc Jacobs, Paige Williams on music for spiritual uplift, and more.</summary>
    <category term="Culture"/>
    <category term="Goings On"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_20__69b964645a1cb1ecc60f4558/</id>
    <title>战争给伊朗人带来了什么——一位德黑兰平民记录了一个被夹在轰炸与镇压之间的国家——人们因恐惧而不敢动弹，更遑论发起起义。</title>
    <updated>2026-03-20T10:23:42.291Z</updated>
    <published>2026-03-20T10:23:42.291Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_20__69b964645a1cb1ecc60f4558/">03-20</a>&nbsp;&nbsp;What the War Has Done to Iranians - A civilian in Tehran chronicles a country trapped between bombardment and repression—too terrorized to move, let alone start an uprising. (<a href="https://www.newyorker.com/news/dispatch/what-the-war-has-done-to-iranians">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/dispatch/what-the-war-has-done-to-iranians"/>
    <summary>What the War Has Done to Iranians - A civilian in Tehran chronicles a country trapped between bombardment and repression—too terrorized to move, let alone start an uprising.</summary>
    <category term="News"/>
    <category term="Dispatch"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_20__69b9c5a24fb4699b375b2bd5/</id>
    <title>《用手机录下的诗，大多是在车里等候时写的》——我十三岁的女儿需要一件参加婚礼的礼服，于是我们去了肖特希尔斯购物中心的Aritzia。</title>
    <updated>2026-03-20T10:23:42.288Z</updated>
    <published>2026-03-20T10:23:42.288Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_20__69b9c5a24fb4699b375b2bd5/">03-20</a>&nbsp;&nbsp;Poems Dictated to My Phone, Mostly While Waiting in My Car - My thirteen-year-old daughter needed a dress for a wedding, so we went to Aritzia in the Short Hills mall. (<a href="https://www.newyorker.com/humor/shouts-murmurs/poems-dictated-to-my-phone-mostly-while-waiting-in-my-car">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shouts-murmurs/poems-dictated-to-my-phone-mostly-while-waiting-in-my-car"/>
    <summary>Poems Dictated to My Phone, Mostly While Waiting in My Car - My thirteen-year-old daughter needed a dress for a wedding, so we went to Aritzia in the Short Hills mall.</summary>
    <category term="Humor"/>
    <category term="Shouts &amp; Murmurs"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_20__69b027ac90720f101425ca42/</id>
    <title>《DTF圣路易斯》窥探郊区男性的心理世界——杰森·贝特曼在这部HBO新推出的喜剧悬疑片中饰演一位充满倦怠感与压抑冲动的“普通人”，表现出色；大卫·哈伯和琳达·卡德琳妮也加盟演出。</title>
    <updated>2026-03-20T10:23:42.284Z</updated>
    <published>2026-03-20T10:23:42.284Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_20__69b027ac90720f101425ca42/">03-20</a>&nbsp;&nbsp;“DTF St. Louis” Peers Into the Suburban Male Psyche - Jason Bateman excels as the Everyman, reeking of ennui and buried impulses, in the new HBO comic whodunnit, also with David Harbour and Linda Cardellini. (<a href="https://www.newyorker.com/magazine/2026/03/30/dtf-st-louis-tv-review-hbo">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/30/dtf-st-louis-tv-review-hbo"/>
    <summary>“DTF St. Louis” Peers Into the Suburban Male Psyche - Jason Bateman excels as the Everyman, reeking of ennui and buried impulses, in the new HBO comic whodunnit, also with David Harbour and Linda Cardellini.</summary>
    <category term="Magazine"/>
    <category term="On Television"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_20__69b9b0a8c3a24dd295ad167e/</id>
    <title>佐兰·曼达尼笔下的纽约：一张床的权利——贝尔维尤收容所的关闭标志着一个时代的终结。但接下来会发生什么？</title>
    <updated>2026-03-20T10:23:42.281Z</updated>
    <published>2026-03-20T10:23:42.281Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_20__69b9b0a8c3a24dd295ad167e/">03-20</a>&nbsp;&nbsp;The Right to a Bed in Zohran Mamdani’s New York - The closing of the Bellevue shelter marks the end of an era. But what comes next? (<a href="https://www.newyorker.com/news/new-york-journal/the-right-to-a-bed-in-zohran-mamdanis-new-york">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/new-york-journal/the-right-to-a-bed-in-zohran-mamdanis-new-york"/>
    <summary>The Right to a Bed in Zohran Mamdani’s New York - The closing of the Bellevue shelter marks the end of an era. But what comes next?</summary>
    <category term="News"/>
    <category term="New York Journal"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_20__69bc4cf5f0aac228ce6d8906/</id>
    <title>为什么你总是无法完成任何事情？——收尾所需的技能往往与你想象的不同。</title>
    <updated>2026-03-20T10:23:42.277Z</updated>
    <published>2026-03-20T10:23:42.277Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_20__69bc4cf5f0aac228ce6d8906/">03-20</a>&nbsp;&nbsp;Why Can’t You Finish Anything? - The skills needed for wrapping up aren’t always what you expect. (<a href="https://www.newyorker.com/culture/open-questions/why-cant-you-finish-anything">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/open-questions/why-cant-you-finish-anything"/>
    <summary>Why Can’t You Finish Anything? - The skills needed for wrapping up aren’t always what you expect.</summary>
    <category term="Culture"/>
    <category term="Open Questions"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_20__69bc076bf2b076e0a3092765/</id>
    <title>克里斯蒂安·佩措尔德的《鬼故事》——这位德国作者型导演凭借一系列令人心神不宁的心理惊悚片崭露头角。他的新片《镜像3号》正是源于他自身的失去。</title>
    <updated>2026-03-20T10:23:42.273Z</updated>
    <published>2026-03-20T10:23:42.273Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_20__69bc076bf2b076e0a3092765/">03-20</a>&nbsp;&nbsp;Christian Petzold’s Ghost Stories - The German auteur made his name with a series of haunting psychological thrillers. His new film, “Miroirs No. 3,” was shaped by losses of his own. (<a href="https://www.newyorker.com/culture/persons-of-interest/christian-petzolds-ghost-stories">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/persons-of-interest/christian-petzolds-ghost-stories"/>
    <summary>Christian Petzold’s Ghost Stories - The German auteur made his name with a series of haunting psychological thrillers. His new film, “Miroirs No. 3,” was shaped by losses of his own.</summary>
    <category term="Culture"/>
    <category term="Persons of Interest"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_19__6983b9c6041b8b29c3deffe7/</id>
    <title>《肯尼迪中心的挽歌》——一位华盛顿特区本地人，在特朗普的“拆迁队”开始对这座艺术中心大刀阔斧之前，向它道别。</title>
    <updated>2026-03-19T21:06:45.233Z</updated>
    <published>2026-03-19T21:06:45.233Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_19__6983b9c6041b8b29c3deffe7/">03-20</a>&nbsp;&nbsp;An Elegy for the Kennedy Center - A Washington, D.C., native says goodbye to the arts complex before Trump’s wrecking crew goes to work on it. (<a href="https://www.newyorker.com/culture/the-lede/an-elegy-for-the-kennedy-center">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-lede/an-elegy-for-the-kennedy-center"/>
    <summary>An Elegy for the Kennedy Center - A Washington, D.C., native says goodbye to the arts complex before Trump’s wrecking crew goes to work on it.</summary>
    <category term="Culture"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_19__69bc0956b732d12f838ab195/</id>
    <title>每日漫画：3月19日，星期四——一幅以最新新闻和时事为灵感创作的漫画。</title>
    <updated>2026-03-19T15:15:30.233Z</updated>
    <published>2026-03-19T15:15:30.233Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_19__69bc0956b732d12f838ab195/">03-19</a>&nbsp;&nbsp;Daily Cartoon: Thursday, March 19th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/thursday-march-19th-mission-impossible-trump">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/thursday-march-19th-mission-impossible-trump"/>
    <summary>Daily Cartoon: Thursday, March 19th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_19__69b2f4eddbbf54387d1ff84a/</id>
    <title>《最传统的老婆》——我决定给孩子们做一份传统风味的Pop-Tarts。我按照任何传统食谱的第一步开始：大喊大叫。</title>
    <updated>2026-03-19T10:12:02.372Z</updated>
    <published>2026-03-19T10:12:02.372Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_19__69b2f4eddbbf54387d1ff84a/">03-19</a>&nbsp;&nbsp;The Trad-est Wife - I decided I would give my children a traditional spin on Pop-Tarts. I started with the first step of any traditional recipe: screaming. (<a href="https://www.newyorker.com/humor/shouts-murmurs/the-trad-est-wife">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shouts-murmurs/the-trad-est-wife"/>
    <summary>The Trad-est Wife - I decided I would give my children a traditional spin on Pop-Tarts. I started with the first step of any traditional recipe: screaming.</summary>
    <category term="Humor"/>
    <category term="Shouts &amp; Murmurs"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_19__69b9a31152a295547796a0c0/</id>
    <title>迪拜作为避风港的地位正逐渐瓦解——吸引许多人来到这座城市的不只是奢华，更是这里的稳定，以及远离战火的感觉。随着伊朗对阿联酋发动袭击，这种距离感正在逐渐消退。</title>
    <updated>2026-03-19T10:12:02.368Z</updated>
    <published>2026-03-19T10:12:02.368Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_19__69b9a31152a295547796a0c0/">03-19</a>&nbsp;&nbsp;The Unravelling of Dubai as a Safe Haven - What drew many people to the city was not luxury but rather stability, and the feeling of remove from war. As Iran attacks the U.A.E., that sense of distance is eroding. (<a href="https://www.newyorker.com/news/the-lede/the-unravelling-of-dubai-as-a-safe-haven">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/the-unravelling-of-dubai-as-a-safe-haven"/>
    <summary>The Unravelling of Dubai as a Safe Haven - What drew many people to the city was not luxury but rather stability, and the feeling of remove from war. As Iran attacks the U.A.E., that sense of distance is eroding.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_18__69baec9a1acd112ac9b1cfe7/</id>
    <title>五角大楼想要一名服从命令的人工智能士兵。它能如愿以偿吗？——据报道，克劳德（Claude）在近期军事行动中的应用，已改变了人们对人工智能在战争中作用的认知——并引发了Anthropic公司与美国国防部之间的一场博弈。</title>
    <updated>2026-03-18T23:18:10.762Z</updated>
    <published>2026-03-18T23:18:10.762Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_18__69baec9a1acd112ac9b1cfe7/">03-19</a>&nbsp;&nbsp;The Pentagon Wants an Obedient A.I. Soldier. Will It Get One? - The reported use of Claude in recent military operations has shifted the Overton window around A.I. in warfare—and sparked a battle between Anthropic and the Department of War. (<a href="https://www.newyorker.com/podcast/political-scene/the-pentagon-wants-an-obedient-ai-soldier-will-it-get-one">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/political-scene/the-pentagon-wants-an-obedient-ai-soldier-will-it-get-one"/>
    <summary>The Pentagon Wants an Obedient A.I. Soldier. Will It Get One? - The reported use of Claude in recent military operations has shifted the Overton window around A.I. in warfare—and sparked a battle between Anthropic and the Department of War.</summary>
    <category term="Podcast"/>
    <category term="The Political Scene Podcast"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_18__69bac02efcce01c74ce57ff3/</id>
    <title>每日漫画：3月18日，星期三——一幅以最新新闻和时事为灵感创作的漫画。</title>
    <updated>2026-03-18T15:37:50.501Z</updated>
    <published>2026-03-18T15:37:50.501Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_18__69bac02efcce01c74ce57ff3/">03-18</a>&nbsp;&nbsp;Daily Cartoon: Wednesday, March 18th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/wednesday-march-18th-trump-dog-years">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/wednesday-march-18th-trump-dog-years"/>
    <summary>Daily Cartoon: Wednesday, March 18th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_18__69a99d4d21c266b72e49b438/</id>
    <title>概率计算器：今晚朋友放你鸽子的几率——“我八点多一点应该就能到！” 带上格兰诺拉能量棒吧。你将在晚上9点17分吃到晚餐的第一口。</title>
    <updated>2026-03-18T10:06:05.817Z</updated>
    <published>2026-03-18T10:06:05.817Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_18__69a99d4d21c266b72e49b438/">03-18</a>&nbsp;&nbsp;Probability Calculator: Chances That Your Friend Bails Tonight - “I’ll most likely be able to get there a little after 8!” Bring granola bars. You’ll eat your first bite of dinner at 9:17 P.M. (<a href="https://www.newyorker.com/humor/shouts-murmurs/probability-calculator-chances-that-your-friend-bails-tonight">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shouts-murmurs/probability-calculator-chances-that-your-friend-bails-tonight"/>
    <summary>Probability Calculator: Chances That Your Friend Bails Tonight - “I’ll most likely be able to get there a little after 8!” Bring granola bars. You’ll eat your first bite of dinner at 9:17 P.M.</summary>
    <category term="Humor"/>
    <category term="Shouts &amp; Murmurs"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_18__69b97331dec84fbd62abd27a/</id>
    <title>《朱迪·布鲁姆：一生》与传记写作的难题——这部关于这位儿童文学作家的新书态度严谨、充满敬意，而且正如任何优秀的传记一样，致力于还原那些生动、有时甚至令人不安的细节。</title>
    <updated>2026-03-18T10:06:05.813Z</updated>
    <published>2026-03-18T10:06:05.813Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_18__69b97331dec84fbd62abd27a/">03-18</a>&nbsp;&nbsp;“Judy Blume: A Life” and the Problem of Biography - A new book about the children’s author is conscientious, respectful—and, like any good biography, dedicated to recovering vivid, occasionally unsettling particulars. (<a href="https://www.newyorker.com/books/under-review/judy-blume-a-life-and-the-problem-of-biography">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/under-review/judy-blume-a-life-and-the-problem-of-biography"/>
    <summary>“Judy Blume: A Life” and the Problem of Biography - A new book about the children’s author is conscientious, respectful—and, like any good biography, dedicated to recovering vivid, occasionally unsettling particulars.</summary>
    <category term="Books"/>
    <category term="Under Review"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_18__69b868e71b62e80fdcfe8faf/</id>
    <title>伊朗战争是放弃石油的又一理由——如果无人机之于战争，正如太阳能电池板之于能源呢？</title>
    <updated>2026-03-18T10:06:05.810Z</updated>
    <published>2026-03-18T10:06:05.810Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_18__69b868e71b62e80fdcfe8faf/">03-18</a>&nbsp;&nbsp;The Iran War Is Another Reason to Quit Oil - What if the drone is to warfare as the solar panel is to energy? (<a href="https://www.newyorker.com/news/the-lede/the-iran-war-is-another-reason-to-quit-oil">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/the-iran-war-is-another-reason-to-quit-oil"/>
    <summary>The Iran War Is Another Reason to Quit Oil - What if the drone is to warfare as the solar panel is to energy?</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_18__69b9a642cd8fdd362aec00c9/</id>
    <title>为何科技大佬们如今对“品味”如此着迷——在人工智能时代，这个词已成为硅谷的陈词滥调，就像“颠覆”在2010年代那样。</title>
    <updated>2026-03-18T10:06:05.806Z</updated>
    <published>2026-03-18T10:06:05.806Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_18__69b9a642cd8fdd362aec00c9/">03-18</a>&nbsp;&nbsp;Why Tech Bros Are Now Obsessed with Taste - In the age of A.I., the term has become as much of a Silicon Valley cliché as “disruption” was in the twenty-tens. (<a href="https://www.newyorker.com/culture/infinite-scroll/why-tech-bros-are-now-obsessed-with-taste">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/infinite-scroll/why-tech-bros-are-now-obsessed-with-taste"/>
    <summary>Why Tech Bros Are Now Obsessed with Taste - In the age of A.I., the term has become as much of a Silicon Valley cliché as “disruption” was in the twenty-tens.</summary>
    <category term="Culture"/>
    <category term="Infinite Scroll"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_17__69b95b95b26f543544d816e0/</id>
    <title>每日漫画：3月17日，星期二——一幅以最新新闻和时事为灵感创作的漫画。</title>
    <updated>2026-03-17T14:24:01.090Z</updated>
    <published>2026-03-17T14:24:01.090Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_17__69b95b95b26f543544d816e0/">03-17</a>&nbsp;&nbsp;Daily Cartoon: Tuesday, March 17th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/tuesday-march-17th-irish-setters">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/tuesday-march-17th-irish-setters"/>
    <summary>Daily Cartoon: Tuesday, March 17th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_17__69b2e66f152d567119356d80/</id>
    <title>伊利诺伊州初选地图：实时选举结果——该州副州长与一位加密货币界宠儿在民主党初选中展开角逐，争夺迪克·德宾留下的美国参议院席位；共和党方面则正在遴选候选人，以挑战州长J.B.普利兹克。</title>
    <updated>2026-03-17T10:29:34.056Z</updated>
    <published>2026-03-17T10:29:34.056Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_17__69b2e66f152d567119356d80/">03-17</a>&nbsp;&nbsp;Illinois Primary Map: Live Election Results - The state’s lieutenant governor and a cryptocurrency darling square off in the Democratic race to fill Dick Durbin’s U.S. Senate seat; Republicans are picking a candidate to challenge Governor J. B. Pritzker. (<a href="https://www.newyorker.com/news/election-2026/illinois-primary-map-live-election-results">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/election-2026/illinois-primary-map-live-election-results"/>
    <summary>Illinois Primary Map: Live Election Results - The state’s lieutenant governor and a cryptocurrency darling square off in the Democratic race to fill Dick Durbin’s U.S. Senate seat; Republicans are picking a candidate to challenge Governor J. B. Pritzker.</summary>
    <category term="News"/>
    <category term="Election 2026"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_17__69b80be5cdfee500a91cc54c/</id>
    <title>我们该如何铭记嬉皮士？——他们常被当作笑柄，但通过将政治信念与更广泛的文化认同相融合，他们似乎找到了我们已经失去的东西。</title>
    <updated>2026-03-17T10:29:34.052Z</updated>
    <published>2026-03-17T10:29:34.052Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_17__69b80be5cdfee500a91cc54c/">03-17</a>&nbsp;&nbsp;How Should We Remember the Hippies? - They’ve often been a punch line, but by fusing their political convictions to a broader cultural identity they seemed to find something that we’ve lost. (<a href="https://www.newyorker.com/news/fault-lines/how-should-we-remember-the-hippies">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/fault-lines/how-should-we-remember-the-hippies"/>
    <summary>How Should We Remember the Hippies? - They’ve often been a punch line, but by fusing their political convictions to a broader cultural identity they seemed to find something that we’ve lost.</summary>
    <category term="News"/>
    <category term="Fault Lines"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_17__69b846e3ff9e4fdfd42fcafa/</id>
    <title>以色列在伊朗战争中的海湾国家豪赌——本雅明·内塔尼亚胡曾预测，这场冲突可能会拉近以色列与其阿拉伯邻国的距离。但这或许只是他的一厢情愿。</title>
    <updated>2026-03-17T10:29:34.048Z</updated>
    <published>2026-03-17T10:29:34.048Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_17__69b846e3ff9e4fdfd42fcafa/">03-17</a>&nbsp;&nbsp;Israel’s Gulf-State Gamble in the Iran War - Benjamin Netanyahu has predicted that the conflict could draw Israel closer to its Arab neighbors. That may be wishful thinking. (<a href="https://www.newyorker.com/news/the-lede/israels-gulf-state-gamble-in-the-iran-war">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/israels-gulf-state-gamble-in-the-iran-war"/>
    <summary>Israel’s Gulf-State Gamble in the Iran War - Benjamin Netanyahu has predicted that the conflict could draw Israel closer to its Arab neighbors. That may be wishful thinking.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_17__69b8348421430b7a34596dbf/</id>
    <title>大卫·博伊斯为何认为我们应该支持特朗普对伊朗的战争——这位知名律师表示，民主党人应该支持总统，并确保他完成这项任务。</title>
    <updated>2026-03-17T00:00:12.386Z</updated>
    <published>2026-03-17T00:00:12.386Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_17__69b8348421430b7a34596dbf/">03-17</a>&nbsp;&nbsp;Why David Boies Thinks We Should Support Trump’s Iran War - The prominent lawyer says that Democrats should get behind the President, and make sure that he finishes the job. (<a href="https://www.newyorker.com/news/q-and-a/why-david-boies-thinks-we-should-support-trumps-iran-war">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/q-and-a/why-david-boies-thinks-we-should-support-trumps-iran-war"/>
    <summary>Why David Boies Thinks We Should Support Trump’s Iran War - The prominent lawyer says that Democrats should get behind the President, and make sure that he finishes the job.</summary>
    <category term="News"/>
    <category term="Q. &amp; A."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b83ef921430b7a34596dc9/</id>
    <title>2026年奥斯卡颁奖礼会是华纳兄弟的谢幕演出吗？——在奥斯卡颁奖礼上，《纽约客》的记者目睹了《罪人》和《一战接一战》背后的制片公司迎来了一场双赢之夜，而整个电影行业却陷入了双输的境地。</title>
    <updated>2026-03-16T20:47:56.674Z</updated>
    <published>2026-03-16T20:47:56.674Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b83ef921430b7a34596dc9/">03-17</a>&nbsp;&nbsp;Were the 2026 Oscars a Swan Song for Warner Bros.? - At the Academy Awards, The New Yorker’s correspondent saw a win-win night for the studio behind “Sinners” and “One Battle After Another”—and a lose-lose situation for the industry. (<a href="https://www.newyorker.com/culture/notes-on-hollywood/were-the-2026-oscars-a-swan-song-for-warner-bros">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/notes-on-hollywood/were-the-2026-oscars-a-swan-song-for-warner-bros"/>
    <summary>Were the 2026 Oscars a Swan Song for Warner Bros.? - At the Academy Awards, The New Yorker’s correspondent saw a win-win night for the studio behind “Sinners” and “One Battle After Another”—and a lose-lose situation for the industry.</summary>
    <category term="Culture"/>
    <category term="Notes on Hollywood"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69a9b866d6bd0700daff2f66/</id>
    <title>随着电影与时俱进，奥斯卡只能望其项背——2026年奥斯卡颁奖典礼上弥漫的末日式幽默，掩盖了其所表彰的众多作品中展现出的勇敢创新精神。</title>
    <updated>2026-03-16T16:00:03.551Z</updated>
    <published>2026-03-16T16:00:03.551Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69a9b866d6bd0700daff2f66/">03-16</a>&nbsp;&nbsp;As Movies Adapt to the Times, the Oscars Can Only Look On - Doom-laden humor at the 2026 Academy Awards ceremony obscures the courageous innovation of much of the work it celebrated. (<a href="https://www.newyorker.com/culture/the-front-row/as-movies-adapt-to-the-times-the-oscars-can-only-look-on">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-front-row/as-movies-adapt-to-the-times-the-oscars-can-only-look-on"/>
    <summary>As Movies Adapt to the Times, the Oscars Can Only Look On - Doom-laden humor at the 2026 Academy Awards ceremony obscures the courageous innovation of much of the work it celebrated.</summary>
    <category term="Culture"/>
    <category term="The Front Row"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b81319cafdb5702a11a747/</id>
    <title>每日漫画：3月16日，星期一——一幅以最新新闻和时事为灵感创作的漫画。</title>
    <updated>2026-03-16T14:57:00.254Z</updated>
    <published>2026-03-16T14:57:00.254Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b81319cafdb5702a11a747/">03-16</a>&nbsp;&nbsp;Daily Cartoon: Monday, March 16th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/monday-march-16th-weather-raining-frogs">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/monday-march-16th-weather-raining-frogs"/>
    <summary>Daily Cartoon: Monday, March 16th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69a9b87317ae93d180834c17/</id>
    <title>2026年奥斯卡颁奖礼实则是一场针对自身边缘化的抗议——除少数例外，这场表彰了近年来两部最具政治锋芒的好莱坞动作惊悚片的颁奖礼，在政治议题上的探讨却仅是零星几句。</title>
    <updated>2026-03-16T14:25:03.116Z</updated>
    <published>2026-03-16T14:25:03.116Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69a9b87317ae93d180834c17/">03-16</a>&nbsp;&nbsp;The 2026 Oscars Were a Protest Against Their Own Irrelevance - With few exceptions, a ceremony that honored two of the most politically ferocious Hollywood action-thrillers in recent memory engaged only fitfully with politics. (<a href="https://www.newyorker.com/culture/the-current-cinema/the-2026-oscars-were-a-protest-against-their-own-irrelevance">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-current-cinema/the-2026-oscars-were-a-protest-against-their-own-irrelevance"/>
    <summary>The 2026 Oscars Were a Protest Against Their Own Irrelevance - With few exceptions, a ceremony that honored two of the most politically ferocious Hollywood action-thrillers in recent memory engaged only fitfully with politics.</summary>
    <category term="Culture"/>
    <category term="The Current Cinema"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b0279620a7a3a00bb3b869/</id>
    <title>阿塞尼奥·霍尔如何颠覆深夜脱口秀——他的节目成为了九十年代初潮流文化的风向标，从汤姆·克鲁斯到比尔·克林顿，那个年代最炙手可热的人物都曾造访节目，以此来提升自己的街头信誉。</title>
    <updated>2026-03-16T10:14:05.567Z</updated>
    <published>2026-03-16T10:14:05.567Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b0279620a7a3a00bb3b869/">03-16</a>&nbsp;&nbsp;How Arsenio Hall Shook Up Late Night - His show became the epicenter of early-nineties cool, with the decade’s biggest names, from Tom Cruise to Bill Clinton, stopping by to earn street cred. (<a href="https://www.newyorker.com/magazine/2026/03/23/how-arsenio-hall-shook-up-late-night">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/23/how-arsenio-hall-shook-up-late-night"/>
    <summary>How Arsenio Hall Shook Up Late Night - His show became the epicenter of early-nineties cool, with the decade’s biggest names, from Tom Cruise to Bill Clinton, stopping by to earn street cred.</summary>
    <category term="Magazine"/>
    <category term="A Critic at Large"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b027641fb4e95cf6d8692e/</id>
    <title>“杜德犬”如何成为当红犬种——贵宾犬混种犬的流行势头势不可挡，在狗狗公园和犬舍俱乐部中均引发了争议。</title>
    <updated>2026-03-16T10:14:05.563Z</updated>
    <published>2026-03-16T10:14:05.563Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b027641fb4e95cf6d8692e/">03-16</a>&nbsp;&nbsp;How Doodles Became the Dog du Jour - Poodle crossbreeds have grown overwhelmingly popular, sparking controversy in dog parks and kennel clubs alike. (<a href="https://www.newyorker.com/magazine/2026/03/23/how-doodles-became-the-dog-du-jour">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/23/how-doodles-became-the-dog-du-jour"/>
    <summary>How Doodles Became the Dog du Jour - Poodle crossbreeds have grown overwhelmingly popular, sparking controversy in dog parks and kennel clubs alike.</summary>
    <category term="Magazine"/>
    <category term="Dispatches"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69af2d818dae2d475cfcd50d/</id>
    <title>简评书评——《论莫里森》、《鳞片男孩》、《黄衣姐妹》和《白河渡口》</title>
    <updated>2026-03-16T10:14:05.559Z</updated>
    <published>2026-03-16T10:14:05.559Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69af2d818dae2d475cfcd50d/">03-16</a>&nbsp;&nbsp;Briefly Noted Book Reviews - “On Morrison,” “Scale Boy,” “Sisters in Yellow,” and “White River Crossing.” (<a href="https://www.newyorker.com/magazine/2026/03/23/on-morrison-scale-boy-sisters-in-yellow-white-river-crossing">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/23/on-morrison-scale-boy-sisters-in-yellow-white-river-crossing"/>
    <summary>Briefly Noted Book Reviews - “On Morrison,” “Scale Boy,” “Sisters in Yellow,” and “White River Crossing.”</summary>
    <category term="Magazine"/>
    <category term="Books"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b0275f934e467634d54abf/</id>
    <title>特朗普“新世界无序”的背后是什么？——一种摆脱了自由主义伪装和帝国野心的外交政策，可能会带来克制——或者，正如对伊朗的袭击所显示的那样，仅仅是纵容了打一枪换一个地方的侵略行径。</title>
    <updated>2026-03-16T10:14:05.556Z</updated>
    <published>2026-03-16T10:14:05.556Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b0275f934e467634d54abf/">03-16</a>&nbsp;&nbsp;What’s Behind Trump’s New World Disorder? - A foreign policy freed of liberal pretenses and imperial ambitions could lead to restraint—or, as the Iran attack shows, simply license hit-and-run belligerence. (<a href="https://www.newyorker.com/magazine/2026/03/23/whats-behind-trumps-new-world-disorder">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/23/whats-behind-trumps-new-world-disorder"/>
    <summary>What’s Behind Trump’s New World Disorder? - A foreign policy freed of liberal pretenses and imperial ambitions could lead to restraint—or, as the Iran attack shows, simply license hit-and-run belligerence.</summary>
    <category term="Magazine"/>
    <category term="Annals of War"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b0279f934e467634d54ac3/</id>
    <title>《你想要的生活》书评——在新作中，亚当·菲利普斯以一种妙趣横生的方式向传统谈话疗法的种种束缚发起了挑战。</title>
    <updated>2026-03-16T10:14:05.552Z</updated>
    <published>2026-03-16T10:14:05.552Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b0279f934e467634d54ac3/">03-16</a>&nbsp;&nbsp;“The Life You Want,” Reviewed - In a new book, Adam Phillips wages a playful war on the strictures of traditional talk therapy. (<a href="https://www.newyorker.com/magazine/2026/03/23/the-life-you-want-adam-phillips-book-review">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/23/the-life-you-want-adam-phillips-book-review"/>
    <summary>“The Life You Want,” Reviewed - In a new book, Adam Phillips wages a playful war on the strictures of traditional talk therapy.</summary>
    <category term="Magazine"/>
    <category term="Books"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b027696e6502ea8b161e88/</id>
    <title>推出全新人工智能工具——内部备忘录：请认识我们这套经过人工智能优化的“失败者”和“混蛋”组合。尽管它们具备完全自主性，但我们确信，它们会以你所熟悉的一切方式来烦扰你。</title>
    <updated>2026-03-16T10:14:05.549Z</updated>
    <published>2026-03-16T10:14:05.549Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b027696e6502ea8b161e88/">03-16</a>&nbsp;&nbsp;Rolling Out Our New A.I. Tools - Internal memo: Meet our new suite of A.I.-optimized losers and douche bags. Although they are fully agentic, we’re sure they will annoy you in all the ways you’re accustomed to. (<a href="https://www.newyorker.com/magazine/2026/03/23/rolling-out-our-new-ai-tools">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/23/rolling-out-our-new-ai-tools"/>
    <summary>Rolling Out Our New A.I. Tools - Internal memo: Meet our new suite of A.I.-optimized losers and douche bags. Although they are fully agentic, we’re sure they will annoy you in all the ways you’re accustomed to.</summary>
    <category term="Magazine"/>
    <category term="Shouts &amp; Murmurs"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b027777259a82c7d987104/</id>
    <title>托瓦·加纳纳的《水库》——“这是用脚踩碎接骨木叶的季节。”</title>
    <updated>2026-03-16T10:14:05.545Z</updated>
    <published>2026-03-16T10:14:05.545Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b027777259a82c7d987104/">03-16</a>&nbsp;&nbsp;“Réservoir,” by Tova Gannana - “This is the season of crushing elder box leaves with our feet.” (<a href="https://www.newyorker.com/magazine/2026/03/23/reservoir-tove-gannana-poem">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/23/reservoir-tove-gannana-poem"/>
    <summary>“Réservoir,” by Tova Gannana - “This is the season of crushing elder box leaves with our feet.”</summary>
    <category term="Magazine"/>
    <category term="Poems"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b3613a9944ea5a6f255a3c/</id>
    <title>主持人朱尼尔·拉贝贾——这位舞厅传奇人物在《猫：杰利克舞会》中首次登上百老汇舞台，他回顾了自己曾用生鸡肉做配饰，以及模仿阿尔·卡彭的装扮。</title>
    <updated>2026-03-16T10:14:05.541Z</updated>
    <published>2026-03-16T10:14:05.541Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b3613a9944ea5a6f255a3c/">03-16</a>&nbsp;&nbsp;Junior LaBeija, Master of Ceremonies - As the ballroom legend makes their Broadway début in “Cats: The Jellicle Ball,” they reflect on accessorizing with raw chicken and dressing like Al Capone. (<a href="https://www.newyorker.com/magazine/2026/03/23/junior-labeija-master-of-ceremonies">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/23/junior-labeija-master-of-ceremonies"/>
    <summary>Junior LaBeija, Master of Ceremonies - As the ballroom legend makes their Broadway début in “Cats: The Jellicle Ball,” they reflect on accessorizing with raw chicken and dressing like Al Capone.</summary>
    <category term="Magazine"/>
    <category term="The Boards"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b02780b1bc082729ba0225/</id>
    <title>乔里·格雷厄姆的《那时》——“那时，一轮 / 满月升起 / 并填满了 / 窗户。”</title>
    <updated>2026-03-16T10:14:05.538Z</updated>
    <published>2026-03-16T10:14:05.538Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b02780b1bc082729ba0225/">03-16</a>&nbsp;&nbsp;“Then,” by Jorie Graham - “Then the full / moon rose / &amp; filled the / windows.” (<a href="https://www.newyorker.com/magazine/2026/03/23/then-jorie-graham-poem">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/23/then-jorie-graham-poem"/>
    <summary>“Then,” by Jorie Graham - “Then the full / moon rose / &amp;amp; filled the / windows.”</summary>
    <category term="Magazine"/>
    <category term="Poems"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b3613ed38bd0dc4e288799/</id>
    <title>如何成为自己的超级英雄——门把手坏了？别担心——一位上西区的维修工正伸出援手，开设了一门入门课程，教你如何解决公寓里的（各种）小问题。</title>
    <updated>2026-03-16T10:14:05.534Z</updated>
    <published>2026-03-16T10:14:05.534Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b3613ed38bd0dc4e288799/">03-16</a>&nbsp;&nbsp;How to Be Your Own Super - Doorknob troubles? No sweat—an Upper West Side handyman is helping the helpless, with a beginner’s class on how to fix your (many) apartment problems. (<a href="https://www.newyorker.com/magazine/2026/03/23/how-to-be-your-own-super">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/23/how-to-be-your-own-super"/>
    <summary>How to Be Your Own Super - Doorknob troubles? No sweat—an Upper West Side handyman is helping the helpless, with a beginner’s class on how to fix your (many) apartment problems.</summary>
    <category term="Magazine"/>
    <category term="D.I.Y. Dept."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b36136d38bd0dc4e288795/</id>
    <title>温迪·雷德·斯塔如愿以偿——这位艺术家的新展聚焦于贸易珠子的历史，她在运河街选购了一个路易威登仿款包，并就此思考着“真品”的含义。</title>
    <updated>2026-03-16T10:14:05.531Z</updated>
    <published>2026-03-16T10:14:05.531Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b36136d38bd0dc4e288795/">03-16</a>&nbsp;&nbsp;Wendy Red Star Gets Her Bag - The artist, whose new show centers on the history of trade beads, shops for a knockoff Louis Vuitton bag on Canal Street and ruminates on authenticity. (<a href="https://www.newyorker.com/magazine/2026/03/23/wendy-red-star-gets-her-bag">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/23/wendy-red-star-gets-her-bag"/>
    <summary>Wendy Red Star Gets Her Bag - The artist, whose new show centers on the history of trade beads, shops for a knockoff Louis Vuitton bag on Canal Street and ruminates on authenticity.</summary>
    <category term="Magazine"/>
    <category term="World on a String"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b361332d82e6ee0aa60b4b/</id>
    <title>《迈克医生的网络医学》——被《人物》杂志评为“最性感医生”的米哈伊尔·瓦尔沙夫斯基不仅拥有医学学位，还在YouTube上拥有数百万粉丝。他在该平台上揭穿小罗伯特·肯尼迪的谎言、采访卡玛拉·哈里斯，并分析《匹特》这部电影。安德鲁·特伦斯基撰文。</title>
    <updated>2026-03-16T10:14:05.527Z</updated>
    <published>2026-03-16T10:14:05.527Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b361332d82e6ee0aa60b4b/">03-16</a>&nbsp;&nbsp;Doctor Mike’s Internet Medicine - Mikhail Varshavski, People’s “sexiest doctor,” has a medical degree—and millions of fans on YouTube, where he debunks R.F.K., Jr., interviews Kamala Harris, and analyzes “The Pitt.” Andrew Trunsky writes. (<a href="https://www.newyorker.com/magazine/2026/03/23/dr-mikes-internet-medicine">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/23/dr-mikes-internet-medicine"/>
    <summary>Doctor Mike’s Internet Medicine - Mikhail Varshavski, People’s “sexiest doctor,” has a medical degree—and millions of fans on YouTube, where he debunks R.F.K., Jr., interviews Kamala Harris, and analyzes “The Pitt.” Andrew Trunsky writes.</summary>
    <category term="Magazine"/>
    <category term="Dept. of Debunking"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b027725838eee651432709/</id>
    <title>扎克·波森如何从设计舞会礼服转型为重塑盖璞——这位时装设计师受聘担任盖璞公司（Gap Inc.）创意总监，旨在帮助公司重拾文化影响力。盖璞复兴时代是否已经到来？</title>
    <updated>2026-03-16T10:14:05.524Z</updated>
    <published>2026-03-16T10:14:05.524Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b027725838eee651432709/">03-16</a>&nbsp;&nbsp;How Zac Posen Went from Making Ball Gowns to Remaking the Gap - The fashion designer was brought on as Gap Inc.’s creative director to help restore the company’s cultural relevance. Has the Gapaissance arrived? (<a href="https://www.newyorker.com/magazine/2026/03/23/how-zac-posen-went-from-making-ball-gowns-to-remaking-the-gap">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/23/how-zac-posen-went-from-making-ball-gowns-to-remaking-the-gap"/>
    <summary>How Zac Posen Went from Making Ball Gowns to Remaking the Gap - The fashion designer was brought on as Gap Inc.’s creative director to help restore the company’s cultural relevance. Has the Gapaissance arrived?</summary>
    <category term="Magazine"/>
    <category term="The World of Fashion"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b027a3d72ca9b57acdcee6/</id>
    <title>埃贡·席勒：《埃尔温·冯·格拉夫医生的肖像》展评——新画廊（Neue Galerie）的这场展览表明，艺术家对人体的粗犷、扭曲的描绘，受到其与一位医生之间一段关键性关系的启发。</title>
    <updated>2026-03-16T10:14:05.520Z</updated>
    <published>2026-03-16T10:14:05.520Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b027a3d72ca9b57acdcee6/">03-16</a>&nbsp;&nbsp;Egon Schiele: “Portrait of Dr. Erwin von Graff,” Reviewed - At the Neue Galerie, a show suggests that the artist’s raw, contorted depictions of the body were influenced by a formative relationship with a doctor. (<a href="https://www.newyorker.com/magazine/2026/03/23/what-egon-schiele-saw-at-the-hospital">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/23/what-egon-schiele-saw-at-the-hospital"/>
    <summary>Egon Schiele: “Portrait of Dr. Erwin von Graff,” Reviewed - At the Neue Galerie, a show suggests that the artist’s raw, contorted depictions of the body were influenced by a formative relationship with a doctor.</summary>
    <category term="Magazine"/>
    <category term="The Art World"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b0279a90720f101425ca3e/</id>
    <title>谁资助了美国革命？——我们的历史往往回避了资金问题。但空洞的理想无法为军队提供军装、枪支和口粮。</title>
    <updated>2026-03-16T10:14:05.516Z</updated>
    <published>2026-03-16T10:14:05.516Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b0279a90720f101425ca3e/">03-16</a>&nbsp;&nbsp;Who Bankrolled the American Revolution? - Our history too often sidesteps the question of finances. But sonorous ideals don’t keep an army supplied with uniforms, guns, and grub. (<a href="https://www.newyorker.com/magazine/2026/03/23/the-banker-who-made-america-richard-vague-book-review">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/23/the-banker-who-made-america-richard-vague-book-review"/>
    <summary>Who Bankrolled the American Revolution? - Our history too often sidesteps the question of finances. But sonorous ideals don’t keep an army supplied with uniforms, guns, and grub.</summary>
    <category term="Magazine"/>
    <category term="Books"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b0275ae6e5e543cfafcd9e/</id>
    <title>读者来信——读者就伯克哈德·比尔格（Burkhard Bilger）关于“湍流”的文章、吉迪恩·刘易斯-克劳斯（Gideon Lewis-Kraus）关于“人类中心主义”（Anthropic）的文章、阿瓦·科夫曼（Ava Kofman）关于代孕的故事，以及凯蒂·沃尔德曼（Katy Waldman）关于阿谀奉承的随笔发表了看法。</title>
    <updated>2026-03-16T10:14:05.513Z</updated>
    <published>2026-03-16T10:14:05.513Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b0275ae6e5e543cfafcd9e/">03-16</a>&nbsp;&nbsp;Letters from Our Readers - Readers respond to Burkhard Bilger’s piece about turbulence, Gideon Lewis-Kraus’s article on Anthropic, Ava Kofman’s story concerning surrogacy, and Katy Waldman’s essay about fawning. (<a href="https://www.newyorker.com/magazine/2026/03/23/letters-from-the-march-23-2026-issue">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/23/letters-from-the-march-23-2026-issue"/>
    <summary>Letters from Our Readers - Readers respond to Burkhard Bilger’s piece about turbulence, Gideon Lewis-Kraus’s article on Anthropic, Ava Kofman’s story concerning surrogacy, and Katy Waldman’s essay about fawning.</summary>
    <category term="Magazine"/>
    <category term="The Mail"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b0276d7091116c399a2867/</id>
    <title>丽莎·库卓再度回归——在《老友记》完结二十二年后，这位女演员携新剧《The Comeback》重返荧屏。</title>
    <updated>2026-03-16T10:14:05.509Z</updated>
    <published>2026-03-16T10:14:05.509Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b0276d7091116c399a2867/">03-16</a>&nbsp;&nbsp;Lisa Kudrow Is Back—Again - Twenty two years after the end of “Friends,” the actress returns with a new installment of “The Comeback.” (<a href="https://www.newyorker.com/magazine/2026/03/23/lisa-kudrow-profile">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/23/lisa-kudrow-profile"/>
    <summary>Lisa Kudrow Is Back—Again - Twenty two years after the end of “Friends,” the actress returns with a new installment of “The Comeback.”</summary>
    <category term="Magazine"/>
    <category term="Profiles"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b191206e6502ea8b1623f0/</id>
    <title>迈拉·卡尔曼的《万象之中》——花朵竞相绽放。</title>
    <updated>2026-03-16T10:14:05.505Z</updated>
    <published>2026-03-16T10:14:05.505Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b191206e6502ea8b1623f0/">03-16</a>&nbsp;&nbsp;Maira Kalman’s “Amid It All” - The blooms burst forth. (<a href="https://www.newyorker.com/culture/cover-story/cover-story-2026-03-23">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/cover-story/cover-story-2026-03-23"/>
    <summary>Maira Kalman’s “Amid It All” - The blooms burst forth.</summary>
    <category term="Culture"/>
    <category term="Cover Story"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__698ca340108d89889479066d/</id>
    <title>寻求第二本护照——对一些美国人来说，获得祖先当年逃离的那个国家的国籍，如今成了一种保障。</title>
    <updated>2026-03-16T10:14:05.502Z</updated>
    <published>2026-03-16T10:14:05.502Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__698ca340108d89889479066d/">03-16</a>&nbsp;&nbsp;Seeking a Second Passport - For some Americans, citizenship in a country their ancestors fled is now an insurance plan. (<a href="https://www.newyorker.com/news/the-lede/seeking-a-second-passport">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/seeking-a-second-passport"/>
    <summary>Seeking a Second Passport - For some Americans, citizenship in a country their ancestors fled is now an insurance plan.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b6ec630d3c403a63d890ab/</id>
    <title>《纽约客》短片《两人交换唾液》斩获2026年奥斯卡奖——这部主要在巴黎一家百货公司取景拍摄的黑色讽刺短片，在罕见的并列情况下摘得奥斯卡最佳真人短片奖。</title>
    <updated>2026-03-16T00:53:49.786Z</updated>
    <published>2026-03-16T00:53:49.786Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/12/en_newyorker_2026_03_16__69b6ec630d3c403a63d890ab/">03-16</a>&nbsp;&nbsp;The New Yorker’s “Two People Exchanging Saliva” Wins a 2026 Oscar - The dark satire, shot largely in a Paris department store, claimed the Academy Award for Best Live Action Short, in a rare tie. (<a href="https://www.newyorker.com/news/press-room/the-new-yorkers-two-people-exchanging-saliva-wins-a-2026-oscar">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/press-room/the-new-yorkers-two-people-exchanging-saliva-wins-a-2026-oscar"/>
    <summary>The New Yorker’s “Two People Exchanging Saliva” Wins a 2026 Oscar - The dark satire, shot largely in a Paris department store, claimed the Academy Award for Best Live Action Short, in a rare tie.</summary>
    <category term="News"/>
    <category term="Press Room"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_15__69b0277ce627452b88a3eaec/</id>
    <title>汉·翁的《我的巴伦西亚加》——这或许是大师的一次尝试。一份初稿。一次未遂的即兴之作。</title>
    <updated>2026-03-15T10:15:43.161Z</updated>
    <published>2026-03-15T10:15:43.161Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_15__69b0277ce627452b88a3eaec/">03-15</a>&nbsp;&nbsp;“My Balenciaga,” by Han Ong - It could have been an experiment by the master. An early draft. A failed caprice. (<a href="https://www.newyorker.com/magazine/2026/03/23/my-balenciaga-fiction-han-ong">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/23/my-balenciaga-fiction-han-ong"/>
    <summary>“My Balenciaga,” by Han Ong - It could have been an experiment by the master. An early draft. A failed caprice.</summary>
    <category term="Magazine"/>
    <category term="Fiction"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_15__696561fbd23d4cabcc26ee7f/</id>
    <title>基督教民族主义的新面孔——特朗普已使《约翰逊修正案》名存实亡，该修正案曾禁止教会支持候选人。位于沃斯堡的“慈悲文化”组织已迅速采取行动。</title>
    <updated>2026-03-15T10:15:43.157Z</updated>
    <published>2026-03-15T10:15:43.157Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_15__696561fbd23d4cabcc26ee7f/">03-15</a>&nbsp;&nbsp;The New Faces of Christian Nationalism - Trump has hollowed out the Johnson Amendment, which prohibited churches from endorsing candidates. Mercy Culture, in Fort Worth, has sprung into action. (<a href="https://www.newyorker.com/magazine/letter-from-the-southwest/the-new-faces-of-christian-nationalism">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/letter-from-the-southwest/the-new-faces-of-christian-nationalism"/>
    <summary>The New Faces of Christian Nationalism - Trump has hollowed out the Johnson Amendment, which prohibited churches from endorsing candidates. Mercy Culture, in Fort Worth, has sprung into action.</summary>
    <category term="Magazine"/>
    <category term="Letter from the Southwest"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_15__69b067cf2c67e398da2dc553/</id>
    <title>韩·翁谈诺拉·奥诺尔与真实性——作者探讨了他的故事《我的巴伦西亚加》。</title>
    <updated>2026-03-15T10:15:43.154Z</updated>
    <published>2026-03-15T10:15:43.154Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_15__69b067cf2c67e398da2dc553/">03-15</a>&nbsp;&nbsp;Han Ong on Nora Aunor and Authentication - The author discusses his story “My Balenciaga.” (<a href="https://www.newyorker.com/books/this-week-in-fiction/han-ong-03-23-26">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/this-week-in-fiction/han-ong-03-23-26"/>
    <summary>Han Ong on Nora Aunor and Authentication - The author discusses his story “My Balenciaga.”</summary>
    <category term="Books"/>
    <category term="This Week in Fiction"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_15__69b35f547c512441582aa2fe/</id>
    <title>特朗普的大规模拘留行动——尽管克里斯蒂·诺姆已离任，但本届政府的移民政策并未显露任何放缓迹象——事实上，这正将引发一场新的 humanitarian and legal crisis。</title>
    <updated>2026-03-15T10:15:43.150Z</updated>
    <published>2026-03-15T10:15:43.150Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_15__69b35f547c512441582aa2fe/">03-15</a>&nbsp;&nbsp;Trump’s Mass-Detention Campaign - Even with Kristi Noem gone, the Administration’s immigration agenda shows no signs of flagging—in fact, it is leading toward a new humanitarian and legal crisis. (<a href="https://www.newyorker.com/magazine/2026/03/23/trumps-mass-detention-campaign">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/23/trumps-mass-detention-campaign"/>
    <summary>Trump’s Mass-Detention Campaign - Even with Kristi Noem gone, the Administration’s immigration agenda shows no signs of flagging—in fact, it is leading toward a new humanitarian and legal crisis.</summary>
    <category term="Magazine"/>
    <category term="Comment"/>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_15__69b1f1444f3cde5a52eba5a7/</id>
    <title>大银幕翻拍——源自硅谷。</title>
    <updated>2026-03-15T10:15:43.147Z</updated>
    <published>2026-03-15T10:15:43.147Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_15__69b1f1444f3cde5a52eba5a7/">03-15</a>&nbsp;&nbsp;Big-Screen Remakes - Fresh from Silicon Valley. (<a href="https://www.newyorker.com/cartoons/blitts-kvetchbook/big-screen-remakes">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/blitts-kvetchbook/big-screen-remakes"/>
    <summary>Big-Screen Remakes - Fresh from Silicon Valley.</summary>
    <category term="Cartoons"/>
    <category term="Blitt’s Kvetchbook"/>
    <category term="Culture"/>
    <category term="Culture Desk"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_15__69b43c2bbf77fe5641fa1183/</id>
    <title>诺玛餐厅一顿饭的真实代价——“世界最佳餐厅”因主厨雷内·雷泽皮（René Redzepi）的虐待行为曝光而再次陷入动荡。</title>
    <updated>2026-03-15T10:15:43.143Z</updated>
    <published>2026-03-15T10:15:43.143Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_15__69b43c2bbf77fe5641fa1183/">03-15</a>&nbsp;&nbsp;The Real Cost of a Meal at Noma - The “world’s best restaurant” has been rocked—again—by revelations of the chef René Redzepi’s abusive behavior. (<a href="https://www.newyorker.com/culture/the-food-scene/the-real-cost-of-a-meal-at-noma">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-food-scene/the-real-cost-of-a-meal-at-noma"/>
    <summary>The Real Cost of a Meal at Noma - The “world’s best restaurant” has been rocked—again—by revelations of the chef René Redzepi’s abusive behavior.</summary>
    <category term="Culture"/>
    <category term="The Food Scene"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_15__69aedfc2eb47175599058bc6/</id>
    <title>韩翁朗读《我的巴伦西亚加》——作者朗读了刊载于2026年3月23日刊的这篇故事。</title>
    <updated>2026-03-15T10:15:43.139Z</updated>
    <published>2026-03-15T10:15:43.139Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_15__69aedfc2eb47175599058bc6/">03-15</a>&nbsp;&nbsp;Han Ong Reads “My Balenciaga” - The author reads his story from the March 23, 2026, issue of the magazine. (<a href="https://www.newyorker.com/podcast/the-writers-voice/han-ong-reads-my-balenciaga">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/the-writers-voice/han-ong-reads-my-balenciaga"/>
    <summary>Han Ong Reads “My Balenciaga” - The author reads his story from the March 23, 2026, issue of the magazine.</summary>
    <category term="Podcast"/>
    <category term="The Writer’s Voice"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_14__69a9e1f8d6bd0700daff304a/</id>
    <title>Anthropic与唐纳德·特朗普的危险对齐问题——特朗普政府希望“克劳德”像一名听话的士兵一样行事。但该公司指出，如果你要求制造杀人机器人，你可能会得到超出预期的东西。</title>
    <updated>2026-03-14T10:16:25.255Z</updated>
    <published>2026-03-14T10:16:25.255Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_14__69a9e1f8d6bd0700daff304a/">03-14</a>&nbsp;&nbsp;Anthropic and Donald Trump’s Dangerous Alignment Problem - The Trump Administration wants Claude to act like an obedient soldier. But, if you ask for a killer robot, the company argues, you might get more than you bargained for. (<a href="https://www.newyorker.com/news/annals-of-inquiry/the-pentagon-went-to-war-with-anthropic-whats-really-at-stake">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/annals-of-inquiry/the-pentagon-went-to-war-with-anthropic-whats-really-at-stake"/>
    <summary>Anthropic and Donald Trump’s Dangerous Alignment Problem - The Trump Administration wants Claude to act like an obedient soldier. But, if you ask for a killer robot, the company argues, you might get more than you bargained for.</summary>
    <category term="News"/>
    <category term="Annals of Inquiry"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_14__69b06af86a4aeea1d47c5726/</id>
    <title>以色列如何利用加沙战争加速约旦河西岸定居点建设——内塔尼亚胡政府正推行扩张主义政策，而美国却对此视而不见。</title>
    <updated>2026-03-14T10:16:25.251Z</updated>
    <published>2026-03-14T10:16:25.251Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_14__69b06af86a4aeea1d47c5726/">03-14</a>&nbsp;&nbsp;How Israel Used the War in Gaza to Accelerate Settlements in the West Bank - The Netanyahu government is pushing expansionist policies, while America looks the other way. (<a href="https://www.newyorker.com/news/q-and-a/how-israel-used-the-war-in-gaza-to-accelerate-settlements-in-the-west-bank">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/q-and-a/how-israel-used-the-war-in-gaza-to-accelerate-settlements-in-the-west-bank"/>
    <summary>How Israel Used the War in Gaza to Accelerate Settlements in the West Bank - The Netanyahu government is pushing expansionist policies, while America looks the other way.</summary>
    <category term="News"/>
    <category term="Q. &amp; A."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_14__699dc4e2da6ebfcfe5049201/</id>
    <title>白人南非人如何重塑密西西比河三角洲——就在唐纳德·特朗普向阿非利卡人提供美国庇护之际，已有数千人持农业签证在美国工作。</title>
    <updated>2026-03-14T10:16:25.248Z</updated>
    <published>2026-03-14T10:16:25.248Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_14__699dc4e2da6ebfcfe5049201/">03-14</a>&nbsp;&nbsp;How White South Africans Are Reshaping the Mississippi Delta - As Donald Trump offers U.S. asylum to Afrikaners, thousands are already working in the country on agricultural visas. (<a href="https://www.newyorker.com/news/the-lede/how-white-south-africans-are-reshaping-the-mississippi-delta">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/how-white-south-africans-are-reshaping-the-mississippi-delta"/>
    <summary>How White South Africans Are Reshaping the Mississippi Delta - As Donald Trump offers U.S. asylum to Afrikaners, thousands are already working in the country on agricultural visas.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_14__69b350aa78387336ffa52f69/</id>
    <title>当无人表演时，片场是何种景象——西岛敦（人称Jima）曾为过去十年间的多部大片担任摄影师，捕捉演员们在拍摄间隙的瞬间，有时甚至是在那些敏感而紧张的时刻。</title>
    <updated>2026-03-14T10:16:25.244Z</updated>
    <published>2026-03-14T10:16:25.244Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_14__69b350aa78387336ffa52f69/">03-14</a>&nbsp;&nbsp;What a Movie Set Looks Like When No One’s Performing - Atsushi Nishijima, known as Jima, has photographed some of the biggest films of the last decade, capturing actors in between takes, sometimes at sensitive, stressful moments. (<a href="https://www.newyorker.com/culture/critics-notebook/what-a-movie-set-looks-like-when-no-ones-performing">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/critics-notebook/what-a-movie-set-looks-like-when-no-ones-performing"/>
    <summary>What a Movie Set Looks Like When No One’s Performing - Atsushi Nishijima, known as Jima, has photographed some of the biggest films of the last decade, capturing actors in between takes, sometimes at sensitive, stressful moments.</summary>
    <category term="Culture"/>
    <category term="Critic’s Notebook"/>
    <category term="Photo Booth"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_14__6983ae544e91198f4f710ece/</id>
    <title>苏珊·桑塔格与托马斯·曼相遇时发生了什么？——一位目击者回忆了这位早熟的美国女大学生与德国文学巨匠之间那场充满张力的会面。</title>
    <updated>2026-03-14T10:16:25.240Z</updated>
    <published>2026-03-14T10:16:25.240Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_14__6983ae544e91198f4f710ece/">03-14</a>&nbsp;&nbsp;What Went Wrong When Susan Sontag Met Thomas Mann? - An eyewitness recalls the fraught encounter between a precocious American college student and a titan of German literature. (<a href="https://www.newyorker.com/culture/the-weekend-essay/what-went-wrong-when-susan-sontag-met-thomas-mann">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/the-weekend-essay/what-went-wrong-when-susan-sontag-met-thomas-mann"/>
    <summary>What Went Wrong When Susan Sontag Met Thomas Mann? - An eyewitness recalls the fraught encounter between a precocious American college student and a titan of German literature.</summary>
    <category term="Culture"/>
    <category term="The Weekend Essay"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_14__69b4234e49ba355725b06661/</id>
    <title>皮特·赫格塞斯的“圣战”——基督教民族主义曾是美国的一种边缘意识形态。这位战争部长已将其引入美国军队的核心。</title>
    <updated>2026-03-14T04:08:34.107Z</updated>
    <published>2026-03-14T04:08:34.107Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_14__69b4234e49ba355725b06661/">03-14</a>&nbsp;&nbsp;Pete Hegseth’s Holy War - Christian nationalism was once a fringe ideology in America. The Secretary of War has ushered it into the heart of U.S. military force. (<a href="https://www.newyorker.com/podcast/political-scene/pete-hegseths-holy-war">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/political-scene/pete-hegseths-holy-war"/>
    <summary>Pete Hegseth’s Holy War - Christian nationalism was once a fringe ideology in America. The Secretary of War has ushered it into the heart of U.S. military force.</summary>
    <category term="Podcast"/>
    <category term="The Political Scene Podcast"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_13__69a99e3a4f6729fc18e83de1/</id>
    <title>身处耶路撒冷，关注伊朗战争——唐纳德·特朗普会支持本雅明·内塔尼亚胡的先发制人战争吗？</title>
    <updated>2026-03-13T19:05:50.232Z</updated>
    <published>2026-03-13T19:05:50.232Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_13__69a99e3a4f6729fc18e83de1/">03-14</a>&nbsp;&nbsp;Sheltering in Jerusalem and Looking at the Iran War - Will Donald Trump sustain Benjamin Netanyahu’s preëmptive wars? (<a href="https://www.newyorker.com/news/the-lede/sheltering-in-jerusalem-and-looking-at-the-iran-war">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/sheltering-in-jerusalem-and-looking-at-the-iran-war"/>
    <summary>Sheltering in Jerusalem and Looking at the Iran War - Will Donald Trump sustain Benjamin Netanyahu’s preëmptive wars?</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_13__69b1ab9fe5a8a2b8199f9ab2/</id>
    <title>我们能让孩子们远离社交媒体吗？——社会心理学家乔纳森·海特探讨了社交媒体如何“从物种层面破坏了人类的注意力能力”，政策制定者正在采取哪些干预措施，以及我们还应做些什么来保护儿童。</title>
    <updated>2026-03-13T18:17:46.704Z</updated>
    <published>2026-03-13T18:17:46.704Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_13__69b1ab9fe5a8a2b8199f9ab2/">03-14</a>&nbsp;&nbsp;Can We Save Kids from Social Media? - The social psychologist Jonathan Haidt discusses social media’s “subversion of the ability to pay attention on a species-wide level,” how policymakers are intervening, and what more we should be doing to protect children. (<a href="https://www.newyorker.com/news/the-new-yorker-interview/can-we-save-kids-from-social-media">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-new-yorker-interview/can-we-save-kids-from-social-media"/>
    <summary>Can We Save Kids from Social Media? - The social psychologist Jonathan Haidt discusses social media’s “subversion of the ability to pay attention on a species-wide level,” how policymakers are intervening, and what more we should be doing to protect children.</summary>
    <category term="News"/>
    <category term="The New Yorker Interview"/>
    <category term="Podcast"/>
    <category term="The New Yorker Radio Hour"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_13__69b1ac9a9f5cd055db5c5246/</id>
    <title>曾获奥斯卡最佳导演奖的赵婷谈其入围八项奥斯卡奖提名的影片《哈姆内特》——赵婷与迈克尔·舒尔曼探讨了这部广受好评的影片。</title>
    <updated>2026-03-13T18:17:46.701Z</updated>
    <published>2026-03-13T18:17:46.701Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_13__69b1ac9a9f5cd055db5c5246/">03-14</a>&nbsp;&nbsp;Chloé Zhao on “Hamnet,” Which Is Nominated for Eight Academy Awards - Zhao, a previous Oscar winner, for Best Director, discusses her acclaimed film with Michael Schulman. (<a href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/chloe-zhao-on-hamnet-which-is-nominated-for-eight-academy-awards">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/the-new-yorker-radio-hour/chloe-zhao-on-hamnet-which-is-nominated-for-eight-academy-awards"/>
    <summary>Chloé Zhao on “Hamnet,” Which Is Nominated for Eight Academy Awards - Zhao, a previous Oscar winner, for Best Director, discusses her acclaimed film with Michael Schulman.</summary>
    <category term="Podcast"/>
    <category term="The New Yorker Radio Hour"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_13__69b40edeb5bdfd3e3ef73e4b/</id>
    <title>每日漫画：3月13日，星期五——一幅以最新新闻和时事为灵感创作的漫画。</title>
    <updated>2026-03-13T13:45:44.412Z</updated>
    <published>2026-03-13T13:45:44.412Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_13__69b40edeb5bdfd3e3ef73e4b/">03-13</a>&nbsp;&nbsp;Daily Cartoon: Friday, March 13th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/friday-march-13th-kendras-boyfriend">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/friday-march-13th-kendras-boyfriend"/>
    <summary>Daily Cartoon: Friday, March 13th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_13__69b027b36e6502ea8b161e8c/</id>
    <title>《末日浩劫》电影：一部科幻喜剧的影评——在菲尔·洛德与克里斯托弗·米勒改编自安迪·威尔小说的影片中，瑞恩·高斯林的明星魅力为这段跨越星际的友谊传奇注入了非凡魅力。</title>
    <updated>2026-03-13T10:14:00.441Z</updated>
    <published>2026-03-13T10:14:00.441Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_13__69b027b36e6502ea8b161e8c/">03-13</a>&nbsp;&nbsp;“Project Hail Mary” Movie: A Review of a Sci-Fi Comedy - In Phil Lord and Christopher Miller’s adaptation of Andy Weir’s novel, Ryan Gosling’s star power fuels an unlikely tale of far-flung friendship. (<a href="https://www.newyorker.com/magazine/2026/03/23/project-hail-mary-movie-review">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/23/project-hail-mary-movie-review"/>
    <summary>“Project Hail Mary” Movie: A Review of a Sci-Fi Comedy - In Phil Lord and Christopher Miller’s adaptation of Andy Weir’s novel, Ryan Gosling’s star power fuels an unlikely tale of far-flung friendship.</summary>
    <category term="Magazine"/>
    <category term="The Current Cinema"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_13__69a07c664d0f71437bcf40d2/</id>
    <title>为何改变意识的药物能让人感觉更好？——科学家希望重新设计致幻剂，使其不再诱发幻觉体验，却仍能改善心理健康。</title>
    <updated>2026-03-13T10:14:00.438Z</updated>
    <published>2026-03-13T10:14:00.438Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_13__69a07c664d0f71437bcf40d2/">03-13</a>&nbsp;&nbsp;Why Do Mind-Altering Drugs Make People Feel Better? - Scientists want to redesign psychedelics so that they don’t induce a trip—but they still improve mental health. (<a href="https://www.newyorker.com/culture/annals-of-inquiry/why-do-mind-altering-drugs-make-people-feel-better">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/annals-of-inquiry/why-do-mind-altering-drugs-make-people-feel-better"/>
    <summary>Why Do Mind-Altering Drugs Make People Feel Better? - Scientists want to redesign psychedelics so that they don’t induce a trip—but they still improve mental health.</summary>
    <category term="Culture"/>
    <category term="Annals of Inquiry"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_13__69ab670d3984cf3431ec7a45/</id>
    <title>迷失方向的女权先驱——伊丽莎白·凯迪·斯坦顿自诩为"才智超群、勇气非凡"之人。这份信念既推动了她激进的政治主张，也最终使她滑向偏执的深渊。</title>
    <updated>2026-03-13T10:14:00.434Z</updated>
    <published>2026-03-13T10:14:00.434Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_13__69ab670d3984cf3431ec7a45/">03-13</a>&nbsp;&nbsp;The Feminist Visionary Who Lost the Plot - Elizabeth Cady Stanton believed that she was a person of “superior intelligence and courage.” This fuelled her radical politics—and her eventual descent into bigotry. (<a href="https://www.newyorker.com/books/under-review/the-feminist-visionary-who-lost-the-plot">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/under-review/the-feminist-visionary-who-lost-the-plot"/>
    <summary>The Feminist Visionary Who Lost the Plot - Elizabeth Cady Stanton believed that she was a person of “superior intelligence and courage.” This fuelled her radical politics—and her eventual descent into bigotry.</summary>
    <category term="Books"/>
    <category term="Under Review"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_13__69af3bde7259a82c7d986ea0/</id>
    <title>《狂野派对》重磅回归——另有：FKA twigs、电影《母亲俄罗斯》、卡拉瓦乔等精彩内容。</title>
    <updated>2026-03-13T10:14:00.431Z</updated>
    <published>2026-03-13T10:14:00.431Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_13__69af3bde7259a82c7d986ea0/">03-13</a>&nbsp;&nbsp;“The Wild Party” Returns - Also: FKA twigs, “Mother Russia,” Caravaggio, and more. (<a href="https://www.newyorker.com/culture/goings-on/the-wild-party-returns">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/goings-on/the-wild-party-returns"/>
    <summary>“The Wild Party” Returns - Also: FKA twigs, “Mother Russia,” Caravaggio, and more.</summary>
    <category term="Culture"/>
    <category term="Goings On"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_13__69b1e59f11362165008fbe78/</id>
    <title>特朗普应对伊朗石油危机的不可原谅的准备不足——在总统首个任期内，伊朗已展示出其与美国对抗时将采取的策略。然而本届政府似乎毫无应对方案。</title>
    <updated>2026-03-13T10:14:00.427Z</updated>
    <published>2026-03-13T10:14:00.427Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_13__69b1e59f11362165008fbe78/">03-13</a>&nbsp;&nbsp;Trump’s Inexcusable Unpreparedness for the Iranian Oil Crisis - In the President’s first term, Iran demonstrated what tactics it would use in a confrontation with the U.S. Yet the Administration seems to have no game plan. (<a href="https://www.newyorker.com/news/the-financial-page/trumps-inexcusable-unpreparedness-for-the-iranian-oil-crisis">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-financial-page/trumps-inexcusable-unpreparedness-for-the-iranian-oil-crisis"/>
    <summary>Trump’s Inexcusable Unpreparedness for the Iranian Oil Crisis - In the President’s first term, Iran demonstrated what tactics it would use in a confrontation with the U.S. Yet the Administration seems to have no game plan.</summary>
    <category term="News"/>
    <category term="The Financial Page"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_12__69b32eb77c512441582aa0c8/</id>
    <title>特朗普不愿提及的那场战争——这位将伊朗冲突当成电子游戏的总统宣称：“我们赢了”，但“尚未结束”。</title>
    <updated>2026-03-12T23:23:30.273Z</updated>
    <published>2026-03-12T23:23:30.273Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_12__69b32eb77c512441582aa0c8/">03-13</a>&nbsp;&nbsp;The War Trump Doesn’t Want to Talk About - “We won,” the President who’s treating the conflict with Iran like a video game says, but “we’re not finished yet.” (<a href="https://www.newyorker.com/news/letter-from-trumps-washington/the-war-trump-doesnt-want-to-talk-about">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/letter-from-trumps-washington/the-war-trump-doesnt-want-to-talk-about"/>
    <summary>The War Trump Doesn’t Want to Talk About - “We won,” the President who’s treating the conflict with Iran like a video game says, but “we’re not finished yet.”</summary>
    <category term="News"/>
    <category term="Letter from Trump’s Washington"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_12__69b2bf1252586d34949f9998/</id>
    <title>每日漫画：3月12日星期四——一幅以最新新闻和事件为灵感创作的漫画。</title>
    <updated>2026-03-12T14:36:21.642Z</updated>
    <published>2026-03-12T14:36:21.642Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_12__69b2bf1252586d34949f9998/">03-12</a>&nbsp;&nbsp;Daily Cartoon: Thursday, March 12th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/thursday-march-12th-fake-news">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/thursday-march-12th-fake-news"/>
    <summary>Daily Cartoon: Thursday, March 12th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_12__69a5f24ff903305955469ae5/</id>
    <title>遭边境巡逻队枪击后被指为"国内恐怖分子"——芝加哥美国公民玛丽玛·马丁内斯遭警员枪击的案例，为近期频发的国土安全部枪击事件及其后续抹黑运动提供了罕见观察视角。</title>
    <updated>2026-03-12T10:20:05.998Z</updated>
    <published>2026-03-12T10:20:05.998Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_12__69a5f24ff903305955469ae5/">03-12</a>&nbsp;&nbsp;Shot by Border Patrol, Then Called a “Domestic Terrorist” - The case of Marimar Martinez, a U.S. citizen shot by an officer in Chicago, offers a rare window into the recent spate of D.H.S. shootings—and the smear campaigns that often follow. (<a href="https://www.newyorker.com/news/annals-of-immigration/shot-by-border-patrol-then-called-a-domestic-terrorist">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/annals-of-immigration/shot-by-border-patrol-then-called-a-domestic-terrorist"/>
    <summary>Shot by Border Patrol, Then Called a “Domestic Terrorist” - The case of Marimar Martinez, a U.S. citizen shot by an officer in Chicago, offers a rare window into the recent spate of D.H.S. shootings—and the smear campaigns that often follow.</summary>
    <category term="News"/>
    <category term="Annals of Immigration"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_12__69b03e6aba5b3e08fe406156/</id>
    <title>伊朗代理帝国的局限——该国耗费数十年培育"抵抗轴心"，但随着战争持续，胡塞武装及其他盟军有充分理由置身事外。</title>
    <updated>2026-03-12T10:20:05.994Z</updated>
    <published>2026-03-12T10:20:05.994Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_12__69b03e6aba5b3e08fe406156/">03-12</a>&nbsp;&nbsp;The Limits of Iran’s Proxy Empire - The country spent decades cultivating the Axis of Resistance, but, as the war continues, the Houthis and other allied forces have plenty of reason to stay out of it. (<a href="https://www.newyorker.com/news/the-lede/the-limits-of-irans-proxy-empire">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/the-limits-of-irans-proxy-empire"/>
    <summary>The Limits of Iran’s Proxy Empire - The country spent decades cultivating the Axis of Resistance, but, as the war continues, the Houthis and other allied forces have plenty of reason to stay out of it.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_12__69b1e74c6a4aeea1d47c5dd9/</id>
    <title>《爱情故事》与我们为何执着于肯尼迪神话——这部讲述小约翰·肯尼迪与卡罗琳·贝塞特恋情的新剧不过是本时尚画册，但其热度恰恰印证了肯尼迪家族经久不衰的魅力。</title>
    <updated>2026-03-12T10:20:05.990Z</updated>
    <published>2026-03-12T10:20:05.990Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_12__69b1e74c6a4aeea1d47c5dd9/">03-12</a>&nbsp;&nbsp;“Love Story” and Why We Cling to the Kennedy Myth - The new series about the romance between John F. Kennedy, Jr., and Carolyn Bessette is little more than a look-book—but its popularity is proof of the Kennedys’ enduring allure. (<a href="https://www.newyorker.com/podcast/critics-at-large/love-story-and-why-we-cling-to-the-kennedy-myth">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/critics-at-large/love-story-and-why-we-cling-to-the-kennedy-myth"/>
    <summary>“Love Story” and Why We Cling to the Kennedy Myth - The new series about the romance between John F. Kennedy, Jr., and Carolyn Bessette is little more than a look-book—but its popularity is proof of the Kennedys’ enduring allure.</summary>
    <category term="Podcast"/>
    <category term="Critics at Large"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_12__69b027a82c67e398da2dc3c0/</id>
    <title>两位剧作家笔下的父亲形象——克莱尔·巴伦的《你老了》罕见地刻画了一位好父亲，而华莱士·肖恩的《蛾日之前》则以叛逆的温柔描绘了一个不道德的父亲。</title>
    <updated>2026-03-12T10:20:05.987Z</updated>
    <published>2026-03-12T10:20:05.987Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_12__69b027a82c67e398da2dc3c0/">03-12</a>&nbsp;&nbsp;Two Playwrights Tackle Father Figures - Clare Barron’s “You Got Older” is a rare play about a good dad. Wallace Shawn’s “What We Did Before Our Moth Days” is defiantly tender about an amoral one. (<a href="https://www.newyorker.com/magazine/2026/03/23/you-got-older-theatre-review-what-we-did-before-our-moth-days">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/magazine/2026/03/23/you-got-older-theatre-review-what-we-did-before-our-moth-days"/>
    <summary>Two Playwrights Tackle Father Figures - Clare Barron’s “You Got Older” is a rare play about a good dad. Wallace Shawn’s “What We Did Before Our Moth Days” is defiantly tender about an amoral one.</summary>
    <category term="Magazine"/>
    <category term="The Theatre"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_12__69a99bfe85783cc4bb6a236f/</id>
    <title>点击诱饵揭秘——“我一周内把10美元变成100万美元——秘诀在此！”真实情况：我只是慢慢地加了五个零和两个逗号。</title>
    <updated>2026-03-12T10:20:05.983Z</updated>
    <published>2026-03-12T10:20:05.983Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_12__69a99bfe85783cc4bb6a236f/">03-12</a>&nbsp;&nbsp;Clickbait, Decoded - “I Turned 10 Into 1,000,000 in One Week—Here’s How!” What it actually means: I very slowly added five zeroes and two commas. (<a href="https://www.newyorker.com/humor/shouts-murmurs/clickbait-decoded">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/humor/shouts-murmurs/clickbait-decoded"/>
    <summary>Clickbait, Decoded - “I Turned 10 Into 1,000,000 in One Week—Here’s How!” What it actually means: I very slowly added five zeroes and two commas.</summary>
    <category term="Humor"/>
    <category term="Shouts &amp; Murmurs"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_12__69aee31f9c5bf567494366a2/</id>
    <title>《克里斯蒂·诺姆秀》被取消——乔纳森·布利策指出，作为国土安全部长，诺姆推动了特朗普最严厉的移民政策，并体现了"执法只是拍照机会"的理念。</title>
    <updated>2026-03-12T00:46:07.323Z</updated>
    <published>2026-03-12T00:46:07.323Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_12__69aee31f9c5bf567494366a2/">03-12</a>&nbsp;&nbsp;The Kristi Noem Show Is Cancelled - As Secretary of Homeland Security, Noem enabled Donald Trump’s harshest immigration policies—and embodied the idea of “law enforcement as just a photo op,” Jonathan Blitzer says. (<a href="https://www.newyorker.com/podcast/political-scene/the-kristi-noem-show-is-cancelled">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/podcast/political-scene/the-kristi-noem-show-is-cancelled"/>
    <summary>The Kristi Noem Show Is Cancelled - As Secretary of Homeland Security, Noem enabled Donald Trump’s harshest immigration policies—and embodied the idea of “law enforcement as just a photo op,” Jonathan Blitzer says.</summary>
    <category term="Podcast"/>
    <category term="The Political Scene Podcast"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_11__69b01a7eba5b3e08fe40610b/</id>
    <title>帕特里夏·康威尔谈犯罪与创作——这位高产小说家（其最著名的角色法医病理学家凯·斯卡佩塔由妮可·基德曼饰演，改编电视剧将于三月首播）谈及几部她反复重读的经典作品。</title>
    <updated>2026-03-11T20:30:20.547Z</updated>
    <published>2026-03-11T20:30:20.547Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_11__69b01a7eba5b3e08fe40610b/">03-12</a>&nbsp;&nbsp;Patricia Cornwell on Crime and Creativity - The prolific novelist—whose most famous character, the forensic pathologist Kay Scarpetta, is played by Nicole Kidman in a TV adaptation premièring in March—discusses a few of her perennial rereads. (<a href="https://www.newyorker.com/books/book-currents/patricia-cornwell-on-crime-and-creativity">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/books/book-currents/patricia-cornwell-on-crime-and-creativity"/>
    <summary>Patricia Cornwell on Crime and Creativity - The prolific novelist—whose most famous character, the forensic pathologist Kay Scarpetta, is played by Nicole Kidman in a TV adaptation premièring in March—discusses a few of her perennial rereads.</summary>
    <category term="Books"/>
    <category term="Book Currents"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_11__69b181ee18a52636d2f3287a/</id>
    <title>普京如何看待特朗普在伊朗的战争——俄罗斯总统正从油价上涨中获利，但他同时也面临着一个严峻的新现实：他不再是战后全球秩序的主要颠覆者。</title>
    <updated>2026-03-11T19:42:05.550Z</updated>
    <published>2026-03-11T19:42:05.550Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_11__69b181ee18a52636d2f3287a/">03-12</a>&nbsp;&nbsp;How Putin Views Trump’s War in Iran - Russia’s President is profiting from rising oil prices, but he’s also facing a hard new reality: he’s no longer the lead disruptor of the postwar global order. (<a href="https://www.newyorker.com/news/the-lede/how-putin-views-trumps-war-in-iran">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/the-lede/how-putin-views-trumps-war-in-iran"/>
    <summary>How Putin Views Trump’s War in Iran - Russia’s President is profiting from rising oil prices, but he’s also facing a hard new reality: he’s no longer the lead disruptor of the postwar global order.</summary>
    <category term="News"/>
    <category term="The Lede"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_11__69aee3e6c08cbf354f59212b/</id>
    <title>特朗普对伊朗的战争如何动摇海湾地区——尽管对伊朗怀有敌意，美国在中东的盟友们仍担忧该地区正走向更广泛的冲突。</title>
    <updated>2026-03-11T17:17:59.647Z</updated>
    <published>2026-03-11T17:17:59.647Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_11__69aee3e6c08cbf354f59212b/">03-12</a>&nbsp;&nbsp;How Donald Trump’s Iran War Is Destabilizing the Gulf - Despite their animosity toward Iran, America’s allies in the Middle East are worried that the region is headed for wider conflict. (<a href="https://www.newyorker.com/news/q-and-a/how-donald-trumps-iran-war-is-destabilizing-the-gulf">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/news/q-and-a/how-donald-trumps-iran-war-is-destabilizing-the-gulf"/>
    <summary>How Donald Trump’s Iran War Is Destabilizing the Gulf - Despite their animosity toward Iran, America’s allies in the Middle East are worried that the region is headed for wider conflict.</summary>
    <category term="News"/>
    <category term="Q. &amp; A."/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_11__69b05e28ba5b3e08fe406172/</id>
    <title>网络“信息炸弹”时代的战争——诸如“密切关注事态发展”之类的网络梗，反映出一种错觉：我们并非只是被数字弹片击中的被动、困惑的旁观者。</title>
    <updated>2026-03-11T15:42:27.450Z</updated>
    <published>2026-03-11T15:42:27.450Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_11__69b05e28ba5b3e08fe406172/">03-11</a>&nbsp;&nbsp;War in the Age of the Online “Information Bomb” - Memes such as “monitoring the situation” reflect a deluded belief that we can be more than just passive, confused bystanders to a spray of digital shrapnel. (<a href="https://www.newyorker.com/culture/infinite-scroll/war-in-the-age-of-the-online-information-bomb">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/culture/infinite-scroll/war-in-the-age-of-the-online-information-bomb"/>
    <summary>War in the Age of the Online “Information Bomb” - Memes such as “monitoring the situation” reflect a deluded belief that we can be more than just passive, confused bystanders to a spray of digital shrapnel.</summary>
    <category term="Culture"/>
    <category term="Infinite Scroll"/>
  </entry>
  <entry>
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    <title>每日漫画：3月11日星期三——一幅以最新新闻和事件为灵感创作的漫画。</title>
    <updated>2026-03-11T15:26:07.183Z</updated>
    <published>2026-03-11T15:26:07.183Z</published>
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    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/wednesday-march-11th-weather-gas-prices"/>
    <summary>Daily Cartoon: Wednesday, March 11th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_10__69b03e20d72ca9b57acdceea/</id>
    <title>每日加赠漫画：水坑跳跃者——一幅以最新新闻和事件为灵感创作的漫画。</title>
    <updated>2026-03-10T16:32:06.637Z</updated>
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    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/bonus-daily-cartoon-puddle-jumper"/>
    <summary>Bonus Daily Cartoon: Puddle Jumper - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
  <entry>
    <id>https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_10__69b03b6dc167feda7d49262e/</id>
    <title>每日漫画：3月10日星期二——一幅以最新新闻和事件为灵感的漫画。</title>
    <updated>2026-03-10T16:32:06.633Z</updated>
    <published>2026-03-10T16:32:06.633Z</published>
    <content type="html"><![CDATA[<a href="https://i.buzzing.cc/lite/newyorker/posts/2026/11/en_newyorker_2026_03_10__69b03b6dc167feda7d49262e/">03-11</a>&nbsp;&nbsp;Daily Cartoon: Tuesday, March 10th - A drawing that riffs on the latest news and happenings. (<a href="https://www.newyorker.com/cartoons/daily-cartoon/tuesday-march-10th-timothee-chalamet-center">www.newyorker.com</a>)]]></content>
    <link rel="alternate" href="https://www.newyorker.com/cartoons/daily-cartoon/tuesday-march-10th-timothee-chalamet-center"/>
    <summary>Daily Cartoon: Tuesday, March 10th - A drawing that riffs on the latest news and happenings.</summary>
    <category term="Cartoons"/>
    <category term="Daily Cartoon"/>
    <category term="Humor"/>
  </entry>
</feed>