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人気のニュース速報記事を日本語で閲覧

ソース: バージョン: 他の言語: 購読: ソーシャル: 最終更新日: 2024-03-29T08:23:10.645+08:00   統計を見る
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The Enchanting Archaeological Romance of “La Chimera” - The ghosts of the past haunt Alice Rohrwacher’s fourth feature, which stars Josh O’Connor as a tomb raider nursing a broken heart. (www.newyorker.com)
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Daily Cartoon: Thursday, March 28th - A city landmark prepares for the end of the month. (www.newyorker.com)
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How Andy Kim Took on New Jersey’s Political Machine - In his bid for the Senate, the third-term congressman had to overcome a challenge from the state’s First Lady—and a Democratic Party system that favors the powers that be. (www.newyorker.com)
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Kate Middleton and the Internet’s Communal Fictions - In the months leading up to the announcement of Kate Middleton’s cancer diagnosis, online sleuths created a vivid fictional world explaining her absence. When conspiracy steps in, where does that leave reality? (www.newyorker.com)
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“The Who’s Tommy” Plays the Old Pinball - The 1993 musical’s already bizarre story, derived from Pete Townshend’s beautiful 1969 album, is even less clear in Des McAnuff’s reanimation for Broadway. (www.newyorker.com)
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Can We Get Kids Off Smartphones? - We know that social media is bad for young people, who need more time—and freedom—offline. But the collective will to fix this problem is hard to find. (www.newyorker.com)
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Cillian Murphy’s Bedtime Routine - 5 P.M.: Call ’round to the pub and dine on a hearty meal of potatoes, bangers, and the knowledge that you are Christopher Nolan’s favorite. (www.newyorker.com)
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The Shameless Oral Arguments in the Supreme Court’s Abortion-Pill Case - Even some conservative Justices seemed unpersuaded by the Alliance for Hippocratic Medicine’s claims. (www.newyorker.com)
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Daily Cartoon: Wednesday, March 27th - It’s time for a holiday tradition everyone can enjoy! (www.newyorker.com)
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Flipping the Script on Trans Medical Encounters - Noah Schamus and Brit Fryer’s short film offers a vision of how physicians and trans patients can meet one another on equal footing. (www.newyorker.com)
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Why We Can’t Stop Arguing About Whether Trump Is a Fascist - In a new book, “Did it Happen Here?,” scholars debate what the F-word conceals and what it reveals. (www.newyorker.com)
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Daily Cartoon: Tuesday, March 26th - “I hate being the first one to the party!” (www.newyorker.com)
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The Aftermath of China’s Comedy Crackdown - Standup flourished during the pandemic. Now performers fear the state—and audience members. (www.newyorker.com)
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“The Real Housewives of Roku City” - These ladies bring tons of drama and are no strangers to a TV screen. (www.newyorker.com)
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Canoeing in a Superfund Site - Paddling in the Gowanus Canal, in Brooklyn, has inspired one recovering lawyer to write poetry about toxic sludge, floating condoms, and gentrification. (www.newyorker.com)
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Why the Biden Administration Is Suing Apple and Investigating Big Grocers - A new generation of trustbusters is trying to use anti-monopoly laws to roll back concentrations of economic power. (www.newyorker.com)
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New York City Travel Posters Through the Decades - Images from a century past showcase colorful dreams of a magnetic metropolis. (www.newyorker.com)
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Daily Cartoon: Monday, March 25th - A last resort. (www.newyorker.com)
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Mark Ulriksen’s “Standing Guard” - The artist depicts the tail-wagging occasion of the first signs of spring. (www.newyorker.com)
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Bryan Stevenson Reclaims the Monument, in the Heart of the Deep South - The civil-rights attorney has created a museum, a memorial, and, now, a sculpture park, indicting the city of Montgomery—a former capital of the domestic slave trade and the cradle of the Confederacy. (www.newyorker.com)
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You Say You Want a Revolution. Do You Know What You Mean by That? - Two new books, by Fareed Zakaria and Nathan Perl-Rosenthal, demonstrate the concept’s allure and perils. (www.newyorker.com)
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Briefly Noted Book Reviews - “Ashoka,” “Pax Economica,” “Here in Avalon,” and “Bitter Water Opera.” (www.newyorker.com)
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Lila Neugebauer Interrogates the Ghosts of “Uncle Vanya” - A director of the modern uncanny steers the first Broadway production of Chekhov’s masterpiece in twenty years. (www.newyorker.com)
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What Have Fourteen Years of Conservative Rule Done to Britain? - Living standards have fallen. The country is exhausted by constant drama. But the U.K. can’t move on from the Tories without facing up to the damage that has occurred. (www.newyorker.com)
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The Escher Quartet and Igor Levit Test Musical Limits - The chamber ensemble played all six of Bartók’s string quartets, and the pianist played devilishly difficult transcriptions of symphonic scores by Mahler and Beethoven. (www.newyorker.com)
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“Allah Have Mercy,” by Mohammed Naseehu Ali - I was aware that my daring escape had made Uncle look like a fool, and I knew that from that evening on I would be in the crosshairs of his vengeance. (www.newyorker.com)
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Regina King (No Relation to M.L.K.!) Takes on Shirley Chisholm - The actress hikes in Shirley Chisholm State Park and explains why she felt moved to spend fifteen years on her Netflix bio-pic, “Shirley.” (www.newyorker.com)
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Signs You Should Give Up on a Book - You’re using the book to squash bugs; you’re waiting for the book to initiate physical contact; you can’t stop thinking about Gary Oldman movies. (www.newyorker.com)
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Mohammed Naseehu Ali Reads “Allah Have Mercy” - The author reads his story from the April 1, 2024, issue of the magazine. (www.newyorker.com)
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The Face of Donald Trump’s Deceptively Savvy Media Strategy - The former President and his spokesman, Steven Cheung, like to hurl insults at their political rivals, but behind the scenes the campaign has maintained a cozy relationship with much of the mainstream press. (www.newyorker.com)
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How Will Putin Respond to the Terrorist Attack in Moscow? - The Russian President has a long history of spinning lapses in security for his own political gain. (www.newyorker.com)
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The Heartbreak of an English Football Team - The Netflix series “Sunderland ’Til I Die” serves as a thesis both for fandom and for the inevitability of its disappointments. (www.newyorker.com)
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What the Abortion-Pill Battle Is Really About - The Supreme Court hears oral arguments in a case set in a reproductive-rights landscape upended by the Dobbs decision. (www.newyorker.com)
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Michael Imperioli Knows Art Can’t Save Us - The “White Lotus” and “Sopranos” star discusses his formative first encounter with Martin Scorsese, his philosophy of acting, and the climate protest that just disrupted his Broadway début. (www.newyorker.com)
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The Political Books That Help Us Make Sense of 2024 - The works of fiction and nonfiction that offer clarity on the Trump-Biden rematch, U.S. foreign policy, and even Vladimir Putin. (www.newyorker.com)
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The Moral Plea Behind Kate Middleton’s Cancer Disclosure - After weeks of conspiracy theories and online calls for her private medical information, the Princess of Wales offered an appeal for basic public decency. (www.newyorker.com)
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The Form-Blurring Fury of “Do Not Expect Too Much from the End of the World” - Radu Jude’s TikTok-tinged movie can be breathtakingly funny, but the absurdity is rooted in a powerful sense of outrage. (www.newyorker.com)
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Daily Cartoon: Friday, March 22nd - “Why is it that you only start to worry about the flames once they reach you?” (www.newyorker.com)
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Masterstroke Casting in “An Enemy of the People” - Jeremy Strong finds urgency and conversational menace in Ibsen’s 1882 drama, also with Michael Imperioli, in a new version by Amy Herzog, directed by Sam Gold. (www.newyorker.com)
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The Misguided Attempt to Control TikTok - The freedom to use social media is a First Amendment right, even if it’s one we should all avail ourselves of less often. (www.newyorker.com)
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Why Robert Hur Described Joe Biden as an “Elderly Man with a Poor Memory” - Jeannie Suk Gersen discusses her interview with the special counsel in the classified-documents investigation of President Biden, the first since he sparked an uproar with his description of Biden as having a deficient memory. (www.newyorker.com)
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Exquisite Beach Vibes at Quique Crudo - A seafood-focussed counter from the owners of Casa Enrique—the first Mexican restaurant in the city to earn a Michelin star—opens in the West Village. (www.newyorker.com)
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The Clown Suit of Middle Age - We all have a beast inside us, right? Well, middle age takes that beast and makes it wear a clown suit. Everything in you that was fun is now foolish and gross. (www.newyorker.com)
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Why Robert Hur Called Biden an “Elderly Man with a Poor Memory” - In his first interview after the release of his controversial report, the former special counsel insists that it was not his job to write for the public. (www.newyorker.com)
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Is It Finally Donald Trump’s Time to Pay Up? - The ex-President, triggered by the thought of losing Trump Tower, contemplates a 2024 reckoning. (www.newyorker.com)
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The Brutal Conditions Facing Palestinian Prisoners - Since the attacks of October 7th, Israel has detained thousands of people from Gaza and the West Bank in detention camps and prisons. (www.newyorker.com)
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Why Does the “Road House” Remake Pull Its Punches? - There’s lots of violence in Doug Liman’s update of the 1989 slugfest, but, despite the menacing presence of Jake Gyllenhaal, it’s more timid than its predecessor. (www.newyorker.com)
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Daily Cartoon: Thursday, March 21st - A new culinary trend, a new rising star. (www.newyorker.com)
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The Children Who Lost Limbs in Gaza - More than a thousand children who were injured in the war are now amputees. What do their futures hold? (www.newyorker.com)
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Is Science Fiction the New Realism? - In an era of life-altering pandemics, advanced A.I., and climate catastrophe, anticipating the future can seem like a futile exercise. Is sci-fi our best chance at making sense of what’s to come? (www.newyorker.com)
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Med Hondo’s Vital Political Cinema Comes to New York - The Mauritanian filmmaker, long active in France, reveals the legacy of colonialism in society at large and in the art of movies. (www.newyorker.com)
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The Unkillable Appeal of Multilevel Marketing - The M.L.M. presents an ingenious—and very American—marriage of prosperity theology and conservative gender roles. (www.newyorker.com)
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For Black Women, Embracing Natural Hair Is About More Than Style - Lindsay Opoku-Acheampong’s film “Textures” follows three women through the private and meaningful rituals of caring for their hair. (www.newyorker.com)
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Daily Cartoon: Wednesday, March 20th - “After dancing and embroidery, you’ll have to learn Photoshop.” (www.newyorker.com)
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The Art of the Robocall - “Lennox Mutual,” a one-on-one immersive theatrical experience, raises questions about performance, A.I., and corporate culture. (www.newyorker.com)
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Boston’s Mayor Makes Friends—and Enemies—with Her Focus on Housing - In one of the country’s most expensive cities, Michelle Wu is pursuing ambitious policies intended to reverse inequality and a declining population. (www.newyorker.com)
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A Financial Reckoning for Donald Trump - The former President’s inability to secure a $464-million bond in his New York civil fraud case is a reminder of the deep legal and financial peril he’s in. (www.newyorker.com)
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Daily Cartoon: Tuesday, March 19th - “March is great. You can binge all four seasons in one day.” (www.newyorker.com)
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Films That Have Been Rewritten Now That Everyone Is Talking About Polyamory - “Lord of the Rings”: The four hobbits all move in together. No judgy hobbit can say anything, because they did save Middle Earth. (www.newyorker.com)
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The Lifelike Illusions of A.I. - Animators, toy designers, and video-game creators have spent decades creating believable fictional characters. Are artificial-intelligence researchers doing the same? (www.newyorker.com)
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The Best Bio-Pics Ever Made - The genre presents very particular artistic challenges, but here are thirty-three films that transcend them. (www.newyorker.com)
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Daily Cartoon: Monday, March 18th - “Sigh. . . . That was a relaxing weekend, but now it’s time to dive back into royal conspiracy theories.” (www.newyorker.com)
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Gustav Klimt at the Neue Galerie, Reviewed - The artist can still dazzle, but his achievements sometimes come at the cost of passion or purpose. (www.newyorker.com)
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“Untitled,” by Nasser Rabah (translated, from the Arabic, by Emna Zghal, Khaled al-Hilli, and Ammiel Alcalay) - “And a day goes by, and tanks, and the sky a festival of kids flying kites, and blood / flowed behind a panting car.” (www.newyorker.com)
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Klaas Verplancke’s “On the Grid” - The artist blends the preferred pastimes and stylish attire of New York’s commuters. (www.newyorker.com)
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“Neighbors,” by Zach Williams - Here was his chance to descend the stairs and exit the house. But he didn’t do it. (www.newyorker.com)
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“3 Body Problem” Is a Rare Species of Sci-Fi Epic - The Netflix adaptation of Liu Cixin’s trilogy mixes heady theoretical questions with genuine spectacle and heart. (www.newyorker.com)
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The Forgotten History of Hitler’s Establishment Enablers - The Nazi leader didn’t seize power; he was given it. (www.newyorker.com)
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The Crime Rings Stealing Everything from Purses to Power Tools - In Los Angeles, a task force of detectives is battling organized retail theft, in which boosted goods often end up for sale online—or commingled on store shelves with legitimate items. (www.newyorker.com)
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Judith Butler on the Global Backlash to L.G.B.T.Q. Rights - The philosopher popularized new ideas about gender—and has been burned in effigy for it. They talk with David Remnick about their new book, “Who’s Afraid of Gender?” (www.newyorker.com)
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Zach Williams on Making a Story Travel - The author discusses his story “Neighbors.” (www.newyorker.com)
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Why New York Restaurants Are Going Members-Only - Ultra-exclusive places, like Rao’s and the Polo Bar, once seemed like rarities in the city’s dining scene. Now clubbiness is becoming a norm. (www.newyorker.com)
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Zach Williams Reads “Neighbors” - The author reads his story from the March 25, 2024, issue of the magazine. (www.newyorker.com)
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“Edward Hopper (Yellow and Red),” by W. S. Di Piero - “The windows inflect an ethic of the watched, / the overseen, the secretive.” (www.newyorker.com)
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Who Are Latino Americans Today? - A big new book dispels stereotypes in an effort to get beyond Latino 101. (www.newyorker.com)
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Briefly Noted Book Reviews - “Errand Into the Maze,” “A Map of Future Ruins,” “Wild Houses,” and “The Road from Belhaven.” (www.newyorker.com)
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How Foreign Policy Became a Campaign Issue for 2024 - This year, looking at Gaza and Ukraine, what happens in the rest of the world seems to matter a bit more than usual to Americans. (www.newyorker.com)
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What Do the Polls Really Mean for Joe Biden? - With nearly eight months to go before the election, recent polling data shouldn’t be taken as gospel, but it illustrates the electoral challenge facing the President. (www.newyorker.com)
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How Gaza, Ukraine, and TikTok Are Influencing the Election - “Donald Trump’s vision, or lack of vision, of what the United States can be in the world is a risk of a kind we really haven’t had in any of our lifetimes,” Evan Osnos says. (www.newyorker.com)
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Has Putin’s Invasion of Ukraine Improved His Standing in Russia? - As Russians go to the polls, the economy is booming and the public feels hopeful about the future. But the politics of Putinism still depend on the absence of any means to challenge it. (www.newyorker.com)
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Why Is the Sea So Hot? - A startling rise in sea-surface temperatures suggests that we may not understand how fast the climate is changing. (www.newyorker.com)
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Fani Willis Survives the Effort to Disqualify Her - A judge ruled that the Fulton County D.A. can stay on the case against Trump, as long as her special prosecutor steps aside, but noted that “an odor of mendacity remains.” (www.newyorker.com)
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Daily Cartoon: Friday, March 15th - “Et tu, Brute? Et tu, Sam? Et tu, Zink of the Zinky-Dink Clan? Et tu, Nip-Nip and Nip-Nun? Et tu, et tu, everyone!” (www.newyorker.com)
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Mike Johnson, the First Proudly Trumpian Speaker - Though he has adopted a “nerd constitutional-law guy” persona, he is in lockstep with the law-flouting former President. (www.newyorker.com)
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Kim Gordon Is at the Peak of Her Powers - Also: Adventurous shows at Carnegie Hall, “The Effect” at the Shed, and more. (www.newyorker.com)
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An Animal-Rights Activist and the Problem of Political Despair - Has the increasing isolation of modern life made us less willing to make sacrifices for a greater good? (www.newyorker.com)
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I Listened to Trump’s Rambling, Unhinged, Vituperative Georgia Rally—and So Should You - The ex-President is building a whole new edifice of lies for 2024. (www.newyorker.com)
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Why Biden’s Floating Pier Is Unlikely To Meet Gaza’s Needs - A veteran humanitarian on what it will take to feed civilians in the region. (www.newyorker.com)
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The Kate Middleton Photo That Was Too Good to Be True - A doctored image of the Princess of Wales and her children has become the most captivating episode of her entire public career. (www.newyorker.com)
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Mitch McConnell, Out of His Shell - Celebrating the soon-to-be-former Senate Leader’s force of personality. (www.newyorker.com)
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Daily Cartoon: Thursday, March 14th - A spring ritual. (www.newyorker.com)
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Where One Tax Dollar Actually Goes - “Infrastructure” ($0.05): We’re unclear on the significance of the quotation marks, but we can all agree that it’s high time the U.S. railway system caught up to the twentieth century. (www.newyorker.com)
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Alan Cumming Wants Us All to Let Go - The actor, author, cabaret performer, and host of the hit reality series “The Traitors” says, “I think American people, especially, are slightly ashamed of abandon.” (www.newyorker.com)
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The New Coming-of-Age Story - Vinson Cunningham discusses his début novel, “Great Expectations,” a bildungsroman that captures a particular moment in American life—and that offers some clues about where the genre is heading. (www.newyorker.com)
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What Biden’s Budget Means for His Reëlection Battle with Trump - The staff writer John Cassidy discusses the evolution of “Bidenomics” and why the President’s successes don’t seem to be resonating with voters. (www.newyorker.com)
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“Eternal Sunshine,” Reviewed: Ariana Grande Takes Romantic Inventory - The pop star’s latest album charts the longing that accompanies the end of a relationship, but she also can’t resist playing the role of plucky provocateur. (www.newyorker.com)
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Are Gangs About to Take Over Haiti? - The nation remains in chaos after the unelected Prime Minister said that he would step down, as violence and famine threaten the population. (www.newyorker.com)
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Daily Cartoon: Wednesday, March 13th - “Shall I uncover you when the election is over?” (www.newyorker.com)
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A Teen-Ager’s Quest to Manage His O.C.D. in “Lost in My Mind” - In Charles Frank’s short film, a young man offers a candid look at life with O.C.D. and his experiences with exposure therapy. (www.newyorker.com)
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The Problem with Defining Antisemitism - Kenneth Stern helped write a definition now endorsed by more than forty countries. Why does he believe it’s causing harm? (www.newyorker.com)
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“Martyr!” Plays Its Subject for Laughs but Is Also Deadly Serious - In his first novel, the Iranian American poet Kaveh Akbar asks whether our pain matters, and to whom, and how it might be made to matter more. (www.newyorker.com)
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Remembering William Whitworth’s Editorial Eye - An editor who could see around corners and deep into thorny manuscripts. (www.newyorker.com)
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Vinson Cunningham on His New Book, “Great Expectations” - The journalist’s autobiographical novel reflects his time working on Barack Obama’s campaign, and in his White House. Has the former President lived up to his expectations? (www.newyorker.com)
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Medieval Oxford’s Murder Problem - The university town used to have a murder rate roughly equal to that of present-day New Orleans. What can it tell us about the nature of violence today? (www.newyorker.com)
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An Explicitly Redistributive Budget for an Election Year - Joe Biden wants to expand the social safety net and reduce the deficit by raising taxes on the top two per cent and particularly the top 0.01 per cent. (www.newyorker.com)
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Daily Cartoon: Tuesday, March 12th - “According to our latest polls, voters trust me seven per cent more than either of the leading candidates.” (www.newyorker.com)
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Color Theory, Explained - If you don’t know much about color, it’s a good idea to just pick the second least expensive color on the menu. (www.newyorker.com)
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America’s Last Top Models - For decades, U.S. inventors sent in models with their patent applications—gizmos that reveal a secret history of unmet needs and relentless innovation. (www.newyorker.com)
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An Oscar-Night Diary: The Kenergy Was Palpable - “Barbie” received only one award, but the ceremony—and even the after-parties—brimmed with a simple ebullience. (www.newyorker.com)
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What a Top U.N. Official Sees on His Weekly Trips to Gaza - James McGoldrick describes the challenges of delivering aid during Israel’s bombardment. (www.newyorker.com)
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The Oscars Are More Barbie Than They’ll Admit - The show wasn’t bad, but a shortsighted Academy was hard on this year’s best movies. (www.newyorker.com)
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At the “Oppenheimer” Oscars, Hollywood Went in Search of Lost Time - After the pandemic, the strikes, and years of small-scale pictures in the spotlight, the triumph of a brainy blockbuster seemed like a nod to a bygone heyday. (www.newyorker.com)
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Joseph O’Neill Reads “The Time Being” - The author reads his story from the March 18, 2024, issue of the magazine. (www.newyorker.com)
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“Men’s Sexual-Trauma Support Group,” by José Antonio Rodríguez - “I think I’ve gone through life / Observing it rather than living it.” (www.newyorker.com)
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How Arnold Schoenberg Changed Hollywood - He moved to California during the Nazi era, and his music—which ranged from the lushly melodic to the rigorously atonal—caught the ears of everyone from George Gershwin to James Dean. (www.newyorker.com)
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The Open-Air Prison for ISIS Supporters—and Victims - Since the Islamic State fell, tens of thousands of people—many of them children—have been herded into Al-Hol, a giant fenced-in camp in Syria, and effectively given life sentences. (www.newyorker.com)
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At the Ballpark: I See London, I See France! - Fashion experts weigh in on Major League Baseball’s new inadvertently see-through uniforms, which leave nothing to the imagination. (www.newyorker.com)
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For Sale: Busy Philipps’s Marriage Stuff. Yes, Used - The actor and her ex-husband, the filmmaker Marc Silverstein, host a “divorce sale” to sell their Le Creuset and her wedding veil. (www.newyorker.com)
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How an Enthusiast of Soviet Socialism Fell Afoul of the Authorities - Andrei Platonov’s “Chevengur” depicts a Communist utopia, but Stalin loathed his writing, calling the author “scum.” (www.newyorker.com)
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“Late Shift,” by Amy Woolard - “Years later I will / Still feel most at home when I eat standing up.” (www.newyorker.com)
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Briefly Noted Book Reviews - “The Survivors of the Clotilda,” “Goodbye Russia,” “Held,” and “The Fetishist.” (www.newyorker.com)
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Daily Cartoon: Monday, March 11th - “Where were you on the morning of Sunday, March 10th, between 2 and 3 A.M.?” (www.newyorker.com)
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Joseph O’Neill on Overwhelming Wonder - The author discusses his story “The Time Being.” (www.newyorker.com)
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John Patrick Shanley Wrestles with God and Destiny - The playwright stages boxerly confrontations in a revival of “Doubt,” starring Liev Schreiber and Amy Ryan, and in the new show “Brooklyn Laundry,” with Cecily Strong. (www.newyorker.com)
The Mail - Letters respond to Michael Ondaatje’s poem “Definition,” Jia Tolentino’s piece about weed legalization, and Claudia Roth Pierpont’s essay about books in wartime. (www.newyorker.com)
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Have the Liberal Arts Gone Conservative? - The classical-education movement seeks to fundamentally reorient schooling in America. Its emphasis on morality and civics has also primed it for partisan takeover. (www.newyorker.com)
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Will the Supreme Court Now Review More Constitutional Amendments? - After their ruling on a Fourteenth Amendment case, which keeps Donald Trump on the ballot, will the Justices be willing to revisit Dobbs, or Second Amendment cases? (www.newyorker.com)
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The Cryptic Crossword: Sunday, March 10, 2024 - Mae West smuggles some farm animals (4). (www.newyorker.com)
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Team Trump’s Merger with the R.N.C. Begins in Texas - At a Houston meeting, the Republican National Committee elected Lara Trump and Michael Whatley to lead the organization into the general election. (www.newyorker.com)
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A Begrudgingly Affectionate Portrait of the American Mall - “We’re all being manipulated in the mall,” the photographer Stephen DiRado says. But his photos elicit a certain nostalgia, almost in spite of themselves. (www.newyorker.com)
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My Anxiety - Is what’s wrong with me what’s wrong with everyone else? (www.newyorker.com)
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At the State of the Union, Biden Came Out Swinging - “He wasn’t looking to convince anybody. What he was looking to do was to tell his own side, ‘Stop freaking out. I’m in the fight,’ ” Susan B. Glasser says. (www.newyorker.com)
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Daily Cartoon: Friday, March 8th - “And the award for staying up later than you should have just to see if anything gossip-worthy happened goes to . . .” (www.newyorker.com)
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So Much for “Sleepy Joe”: On Biden’s Rowdy, Shouty State of the Union - The spectre of Trump’s return loomed large over the President’s unusually partisan annual address. (www.newyorker.com)
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“Love Lies Bleeding” and the Perils of Genre - Crackling performances from Kristen Stewart and Katy O’Brian can’t quite disguise a thinness of characterization in Rose Glass’s neo-noir. (www.newyorker.com)
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The Kate Middleton Conspiracy-Theory Swirl - The Princess of Wales is at home recovering from surgery. But that’s not what the Internet thinks. (www.newyorker.com)
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What’s Left of Reagan Republicanism After the Demise of Nikki Haley’s Campaign? - Old-style free-market conservatism lives on at think tanks and among the G.O.P.’s donor class, but Donald Trump’s grip on the Party’s voters is viselike. (www.newyorker.com)
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Why America Isn’t Using Its Leverage with Israel - Senator Chris Van Hollen on the catastrophe in Gaza, and his differences with the Biden Administration. (www.newyorker.com)
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Daily Cartoon: Thursday, March 7th - Filing taxes: a most perilous quest. (www.newyorker.com)
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Why We Love an Office Drama - From Adelle Waldman’s novel “Help Wanted” to the sci-fi-inflected Apple TV+ show “Severance,” fictional depictions of work are getting darker, or at least stranger. What can the state of the workplace in art tell us about the workplace in life? (www.newyorker.com)
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The Terrifying A.I. Scam That Uses Your Loved One’s Voice - A Brooklyn couple got a call from relatives who were being held ransom. Their voices—like many others these days—had been cloned. (www.newyorker.com)
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A Novelist of Privileged Youth Finds a New Subject - In “Help Wanted,” Adelle Waldman turns her lens from literary Brooklyn to retail work. (www.newyorker.com)
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Watching Super Tuesday Returns at Mar-a-Lago - Heading into the general election, the mood in Trump world is buoyant. (www.newyorker.com)
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Can Joe Biden Fight from Behind in a Rematch Against Donald Trump? - As the general election is set to begin, there is a new protagonist in American politics: not the man seeking to take back the White House as retribution but its current, outwardly placid occupant. (www.newyorker.com)
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Daily Cartoon: Wednesday, March 6th - “Once I finish the books, I’ll watch the movies, and once I finish those I’ll laugh at the memes.” (www.newyorker.com)
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Where Stars Keep Their Oscars - Anonymous Academy Award-winners sound off on where in their homes, properties, or tax shelters they store the industry’s most prestigious object. (www.newyorker.com)
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The Magic of Bird Brains - Crows are smart enough to pick up trash. Why won’t they? (www.newyorker.com)
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What Biden Should Say About the Economy During the State of the Union - With the President’s economic approval rating standing at just forty per cent, it’s imperative for him to highlight some of his substantive achievements and talk about the future. (www.newyorker.com)
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Daily Cartoon: Tuesday, March 5th - “To be honest, nothing feels particularly super about this Tuesday.” (www.newyorker.com)
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How I Learned to Concentrate - Twenty years ago, I had an intellectual experience that changed how I think about thinking. (www.newyorker.com)
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The Supreme Court Keeps Donald Trump on the Ballot - The ruling in Trump v. Anderson is a win for the former President, but it also opens up new battles. (www.newyorker.com)
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In “Hometown Prison,” Richard Linklater Looks at Life on Both Sides of the Wall - The wide-ranging documentary about Huntsville, Texas, where the filmmaker grew up, evokes the city’s carceral system through interviews, archival footage, and his own reminiscences. (www.newyorker.com)
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A New Era of Moon Exploration Is Upon Us - The wildly ambitious Artemis program aims to get us back to the moon for good. (www.newyorker.com)
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Daily Cartoon: Monday, March 4th - “Chirp your heart out—we’re back, baby!” (www.newyorker.com)
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Barry Blitt’s “Slappenheimer” - The artist revisits the infamous Oscars slap to riff on the tensions of this year’s ceremony. (www.newyorker.com)
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“Invitation,” by Daniel Halpern - “Should we take a trip?” (www.newyorker.com)
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Briefly Noted Book Reviews - “Smoke and Ashes,” “Remembering Peasants,” “In Ascension,” and “Martyr!” (www.newyorker.com)
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Joe Biden’s Last Campaign - Trailing Trump in polls and facing doubts about his age, the President voices defiant confidence in his prospects for reëlection. (www.newyorker.com)
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“Hostel,” by Fiona McFarlane - All the time there was a stranger in the house with them, a girl who might have been anyone, whose name they didn’t even know. (www.newyorker.com)
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John Kerry Thinks We’re at a Critical Moment on Climate Change - As he steps down from office, the first Presidential envoy on the climate says that we have made progress, but we’re not moving fast enough. (www.newyorker.com)
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Scenes from My Open-ish Marriage - My wife and I have an arrangement. I mean, I think we do. We also have an arrangement about the grocery shopping and the recycling (I do both). (www.newyorker.com)
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Fiona McFarlane Reads “Hostel” - The author reads her story from the March 11, 2024, issue of the magazine. (www.newyorker.com)
The Mail - Letters respond to Adam Kirsch’s review of a new book about Spinoza and Louisa Thomas’s piece about Nikola Jokić. (www.newyorker.com)
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Biden Reveals His Thoughts on the 2024 Election - The staff writer Evan Osnos went to the White House for a rare, frank talk with the President about his reëlection battle. Can he persuade voters that his accomplishments outweigh his age? (www.newyorker.com)
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Lucy Prebble’s Dramas of High Anxiety - In plays such as “The Effect” and TV shows such as “I Hate Suzie” and “Succession,” the writer has become an expert at getting deep inside worried characters’ heads. (www.newyorker.com)
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Forty-Three Mexican Students Went Missing. What Really Happened to Them? - One night in 2014, a group of young men from a rural teachers’ college vanished. Since then, their families have fought for justice. (www.newyorker.com)
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When Marilynne Robinson Reads Genesis - “Smoke and Ashes,” “Remembering Peasants,” “In Ascension,” and “Martyr!” (www.newyorker.com)
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The Fight Over I.V.F. Is Only Beginning - The fertility treatment has wide support, even among Republican voters, but it is at odds with key elements in the pro-life movement. (www.newyorker.com)
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Yet More Donald Trump Cases Head to the Supreme Court - The Court takes up two cases that could do a great deal of damage to one or more of the four criminal cases that the former President faces. (www.newyorker.com)
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Helen Oyeyemi Thinks We Should Read More and Stay in Touch Less - The author talks about travel, letters you shouldn’t open, and how she chose Prague as the setting for her latest novel. (www.newyorker.com)
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UNESCO’s Quest to Save the World’s Intangible Heritage - For decades, the organization has maintained a system that protects everything from Ukrainian borscht to Jamaican reggae. But what does it mean to “safeguard” living culture? (www.newyorker.com)
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Visiting Places That No Longer Exist - The artist Ellen Harvey takes a tour of disappeared New York City landmarks that appear in her project “The Disappointed Tourist.” (www.newyorker.com)
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Leaving Bellevue Behind - I remember being told that I was not allowed to leave the hospital until I admitted that what I did was “wrong.” (www.newyorker.com)
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Why the Primary System Is “Clearly Failing” - Primary contests have so far done little to change the expected Trump-Biden rematch in November, but they have revealed one troubling sign: voter apathy. (www.newyorker.com)
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How to Picture A.I. - To understand its strengths and limitations, we may need to adopt a new perspective. (www.newyorker.com)
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What Biden Is Thinking About the 2024 Election - The staff writer Evan Osnos had a rare, frank talk with the President about his battle for a second term. Plus, Kara Swisher falls out of love with tech in “Burn Book.” (www.newyorker.com)
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Daily Cartoon: Friday, March 1st - “You wouldn’t know it, but I’m manifesting spring with a seasonal pedicure.” (www.newyorker.com)
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Greg Jackson Reads Jennifer Egan - The author joins Deborah Treisman to read and discuss the story “Safari,” which was published in a 2010 issue of The New Yorker. (www.newyorker.com)
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Beginner-Friendly Cryptic No. 1 - We’ve added some hints and explainers to make this puzzle a little less cryptic. (www.newyorker.com)
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Beginner-Friendly Cryptic No. 4 - We’ve added some hints to make this puzzle a little less cryptic. (www.newyorker.com)
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Beginner-Friendly Cryptic No. 3 - We’ve added some hints to make this puzzle a little less cryptic. (www.newyorker.com)
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How the Village Voice Met Its Moment - The paper championed a new style of journalism at a time when the persistence of silence and constraint was more plausibly imagined than a world awash in personal truths. (www.newyorker.com)
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Beginner-Friendly Cryptic No. 2 - We’ve added some hints to make this puzzle a little less cryptic. (www.newyorker.com)
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The Legacy of RuPaul’s “Drag Race” - The drag star brought the form mainstream, and made an empire out of queer expression. Now he fears “the absolute worst.” (www.newyorker.com)
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The Scandal of Clarence Thomas’s New Clerk - Crystal Clanton became notorious for sending outlandishly racist texts. Now she’s been hired to work for the Justice—and a dubious new story has surfaced to clear her name. (www.newyorker.com)
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Daily Cartoon: Thursday, February 29th - “But then to make it all work you add an extra day in February.” (www.newyorker.com)
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The Politics of the Oscar Race - The Academy Awards often say less about a film’s artistic merits than about the lengthy—and expensive—P.R. campaigns being orchestrated behind the scenes. So why do we care who wins? (www.newyorker.com)
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Does the Biden Administration Want a Long-Lasting Ceasefire in Gaza? - More than four months into the war, John Kirby, the National Security Council spokesman, explains why U.S. support for an extended pause in fighting may not translate to an endorsement of an end of hostilities. (www.newyorker.com)
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Michigan’s “Uncommitted” Democrats Send a Message to Biden - The President won the Democratic primary easily, with more than eighty per cent of the vote, but more than a hundred thousand protest voters have made the war in Gaza an issue in his campaign. (www.newyorker.com)
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Aaron Bushnell’s Act of Political Despair - What does it mean for an American to self-immolate? (www.newyorker.com)
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Daily Cartoon: Wednesday, February 28th - “I can’t wait for it to be warm enough for them to want to go outside.” (www.newyorker.com)
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“Dune” and the Delicate Art of Making Fictional Languages - The alien language spoken in Frank Herbert’s novels carries traces of Arabic. Why has that influence been scrubbed from the films? (www.newyorker.com)
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The Sterile Spectacle of “Dune: Part Two” - Denis Villeneuve’s sequel is better than its predecessor, but only in a few extravagant moments does it rise above proficiency and flirt with transcendence. (www.newyorker.com)
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Thinking About A.I. with Stanisław Lem - The science-fiction writer didn’t live to see ChatGPT, but he foresaw so much of its promise and peril. (www.newyorker.com)
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The Increasing Attacks on Kamala Harris - The Vice-President is trying to cast herself as a leader and connect with voters who are not excited about the Democratic ticket. (www.newyorker.com)
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How People with Dietary Restrictions See Menus - Vegan options: Mound of celery and carrots (no dip); the garnish parts of the charcuterie board. (www.newyorker.com)
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Mourning Flaco, the Owl Who Escaped - The Eurasian eagle-owl lived for a year outside captivity, learning to hunt and travelling widely in Manhattan. “I felt like I lost a friend,” one birder said. (www.newyorker.com)
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Two African Migrants’ Fantastical, Harrowing Odyssey in “Io Capitano” - Matteo Garrone’s epic about two young Senegalese cousins attempting to reach Italy is his finest film since “Gomorrah.” (www.newyorker.com)
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Can You Really Want an Oscar Too Much? - It’s the ultimate paradox of campaigning: an actor must somehow be dedicated but not try-hard, authentic but not award-hungry. (www.newyorker.com)
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The Vatican and the War in Gaza - A rhetorical dispute between the Church and the Israeli government shows the limits—and the possibilities—of the Pope’s role in times of conflict. (www.newyorker.com)
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Daily Cartoon: Monday, February 26th - Stanley cups require trust. (www.newyorker.com)
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Thomas Korsgaard Reads “The Spit of Him” - The author reads his story from the March 4, 2024, issue of the magazine. (www.newyorker.com)
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Thirty-Thousandths of a League Under the Hudson - Daniel Goswick, Sr., is the diver you call when you lose something in the river: a contact lens, a wedding ring, or a car that mysteriously drove off a pier recently. (www.newyorker.com)
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Things I Heard at the Armory’s Print Fair - “My father would have loved for you to be me.” (www.newyorker.com)
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Victoria Tentler-Krylov’s “All Clear” - The artist captures New York’s smallest pedestrians as they make their way through the big city. (www.newyorker.com)
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An Opera for the Wrongfully Convicted - The Ohio Innocence Project has freed forty-two people. A couple of them attend a performance of “Blind Injustice,” which tells their stories. (www.newyorker.com)
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The Arrested Development of Carson McCullers - She was one of the great writers of American girlhood—possibly because she spent her life being tended to like a child. (www.newyorker.com)
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Lord Byron Was More Than Just Byronic - Two centuries after his death, the works of the great Romantic poet reveal a sensibility whose restless meld of humor and melancholy feels thoroughly contemporary. (www.newyorker.com)
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“Eat,” by Joy Harjo - “Grasshoppers devour the sunflowers / Petal by petal to raggedy yellow flags.” (www.newyorker.com)
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In “Shōgun,” an Update Is a Double-Edged Sword - The FX series attempts to tailor its source material—a 1975 novel about an English sailor turned samurai—for modern audiences, but gives them little to seize on emotionally. (www.newyorker.com)
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What a Major Solar Storm Could Do to Our Planet - Disturbances on the sun may have the potential to devastate our power grid and communication systems. When the next big storm arrives, will we be prepared for it? (www.newyorker.com)
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Briefly Noted Book Reviews - “Bitter Crop,” “Our Moon,” “The Adversary,” and “Life on Earth.” (www.newyorker.com)
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Ty Cobb on Trump’s Admiration for Putin - The former Trump White House attorney is sounding the alarm on the consequences of ignoring the ex-President’s rhetoric on Russia, and his actions on January 6th. (www.newyorker.com)
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The Israeli Settlers Attacking Their Palestinian Neighbors - With the world’s focus on Gaza, settlers have used wartime chaos as cover for violence and dispossession. (www.newyorker.com)
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“Light Ghazal,” by Hala Alyan - “I want you moved by what moves me: God, glass, light.” (www.newyorker.com)
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Restaurant Review: Velvet Hauteur at Angie Mar’s Le B. - At her new venture in the former Les Trois Chevaux space, the chef returns to her downtown roots, leaning into vivacity and drama. (www.newyorker.com)
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Inside North Korea’s Forced-Labor Program in China - Workers sent from the country to Chinese factories describe enduring beatings and sexual abuse, having their wages taken by the state, and being told that if they try to escape they will be “killed without a trace.” (www.newyorker.com)
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Russia After Alexei Navalny - Speculative history can be hollow, and a country in need of martyrs and saints is not to be envied, and yet it is hard to overstate the loss of Navalny. (www.newyorker.com)