An American Journalist Imprisoned as a Spy in Russia - Evan Gershkovich, a foreign correspondent for the Wall Street Journal who was convicted on false charges of espionage, talks about his time in a Russian prison. (www.newyorker.com)
Jeremy Strong on Playing Mark Zuckerberg and Other Unpopular Characters - One of the great actors of the era on finding sympathy for Mark Zuckerberg, Kendall Roy, and Roy Cohn—and why the New Yorker Profile still stings. (www.newyorker.com)
The New York Film Festival, Week Two: Loose Talk, Bold Action - New movies from around the world treat sharp-minded talkers of all ages as agents of drama and danger. (www.newyorker.com)
Daily Cartoon: Friday, October 2nd - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
Will A.I. Still Take Our Jobs? - The jobs apocalypse hasn’t arrived. Something else is happening instead. (www.newyorker.com)
Justine Kurland’s Photographs Keep Us on Edge - Also: the progressive R. & B. of Kelela, the art of Jessica Lange, the Australian Ballet on Oscar Wilde, and more. (www.newyorker.com)
The Quiet Unravelling of a Haitian Life in America - Emmanuella was the only one in her family on Temporary Protected Status. Now that it’s gone, she’s leaving her job without a word, desperately dating to find a husband, and beginning to go underground. (www.newyorker.com)
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The Well-Funded Fight to Keep Latinos Voting Republican - Amid deportations and Trump’s lagging popularity, one Koch-backed group has recruited Michigan Latinos to reach more than a hundred thousand voters for Mike Rogers. (www.newyorker.com)
Why the War in Iran Is Likely to Heat Up Again - Oil exports in the Gulf have rebounded as the U.S. escorts ships through the Strait of Hormuz. But the obstacles to a lasting peace are greater than ever. (www.newyorker.com)
Pete Hegseth Just Declared Victory in the Wrong War - The combative culture warrior in the Pentagon may soon be Congress’s top target. (www.newyorker.com)
Daily Cartoon: Thursday, October 1st - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
The Washington Roundtable Live: Can D.C. Get a Grip on A.I.? - With Xi Jinping visiting Washington for a major summit, American politicians are deeply divided over how to approach potential regulation of artificial intelligence. (www.newyorker.com)
Zoe Kazan’s Heady and Bighearted “East of Eden” - While Christopher Abbott and Mike Faist duke it out as John Steinbeck’s Trask brothers, Florence Pugh’s Cathy is a gothic villain you can’t help but root for. (www.newyorker.com)
How the “Cornell Seven” Rape Case Became a National Scandal - The dismal responses from both the D.A. and the university reveal a larger pattern of institutional carelessness. (www.newyorker.com)
Colm Tóibín Reads Tobias Wolff - The author joins Deborah Treisman to read and discuss “Awaiting Orders,” which was published in The New Yorker in 2005. (www.newyorker.com)
16. “汤姆·克鲁斯大集结”——经典角色和惊险刺激的特技表演，让汤姆·克鲁斯的名字成为了电影魔力的代名词。在《Digger》中，他打破了以往的动作片惯例，向我们展示了崭新的一面——无论结果是好是坏。
Tom Cruise-a-Palooza - Iconic roles and death-defying stunts have made Tom Cruise’s name synonymous with movie magic. In “Digger,” he breaks his action streak to show us something new—for better or for worse. (www.newyorker.com)
Voter Fraud We’ve Identified So Far - After scouring billions of ballots, we have identified countless instances of voter fraud. They are countless, in part, because we are unwilling and unable to count past thirty-four. (www.newyorker.com)
Why Susan Collins Has Lasted So Long - Even if Maine’s longtime senator is finally defeated by a Democrat, her lengthy tenure speaks to the power of bringing federal money home—and asking voters to overlook other misgivings. (www.newyorker.com)
Why Trump Delayed Cancelling Legal Status for Salvadorans - The White House has quietly paused an order to end Temporary Protected Status for thousands of immigrants from El Salvador, a move that came after months of lobbying from the construction industry and other interest groups. (www.newyorker.com)
“Verity” Is a Criminal Waste of Talent - The melodramatic power of Dakota Johnson and Anne Hathaway is squandered in a romantic tale that’s ludicrously muddled by suspicions of monstrous misdeeds. (www.newyorker.com)
Daily Cartoon: Wednesday, September 30th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
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Carolyn Forché Reads Mahmoud Darwish - The poet joins Kevin Young to read and discuss “The Owl''s Night,” by Mahmoud Darwish, and her own poem “The Museum of Stones.” (www.newyorker.com)
The Humanism Driving the Anti-A.I. Movement - At the Pro-Human Assembly in Washington, D.C., attendees talked less about jobs and policy, and more about their philosophy of life. (www.newyorker.com)
What Barbara Kingsolver Is Reading - The Pulitzer Prize winner’s intimate new novel, “Partita,” is out next week. (www.newyorker.com)
Tom Cruise Is a Scream—and a Gas—in “Digger” - In Alejandro G. Iñárritu’s conceptually elaborate apocalyptic farce, hectoring satire and visual sublimity fight to a draw. (www.newyorker.com)
Mayors vs. Nationalists - Leaders of cities around the world are standing up for democracy, even if the leaders of their countries are not. (www.newyorker.com)
Daily Cartoon: Tuesday, September 29th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
When “Gender Deception” Is a Crime - A new book revisits a notorious British sexual-assault trial in which a woman was convicted of posing as a man in bed. (www.newyorker.com)
Individual Choices Won’t Fix America’s Public Schools - Nikole Hannah-Jones sent her daughter to a struggling local school and has come to regret it. But personalizing the problem is the wrong approach. (www.newyorker.com)
New Kinds of Trad Wife I Could Be - Outfit Only: I totally look like I’m in a sexy version of “Little House on the Prairie,” but I refuse to do a single chore. (www.newyorker.com)
Is What We’re Watching True or False? - A.I. is everywhere, and it’s often hard to tell what’s even real. (www.newyorker.com)
Daily Cartoon: Monday, September 28th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
Cartoon Recession Indicators - Is your life savings a single moth? Are you afflicted with moola eyes? It might be a sign we’re in a downturn. (www.newyorker.com)
Why America Looks the Way It Does - From vast grids to winding suburbs, Americans have spent two centuries remaking the landscape around property. (www.newyorker.com)
Hockey Dads and Hockey Sons - Parenting is a practice. You learn from your mistakes and then repeat them anyway. (www.newyorker.com)
Your Guide to Navigating the Parent Group Chat - From the kind and competent to the scheming and lost, meet all the characters blowing up your phone. (www.newyorker.com)
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Caleb Hammer’s Humiliation Economy - The host of “Financial Audit,” a popular YouTube series, claims that his goal is to make his viewers more financially literate, with his down-and-out interviewees serving as extreme test cases for what not to do. (www.newyorker.com)
The Cellmate Who Taught Me the Codes of Russian Prison - On the outside, we would have never been friends. But in our small shared space we established a delicate rapport. (www.newyorker.com)
More Sunshine with Joey Arias and Basil Twist - The performance artist and the puppeteer are reviving their avant-garde cabaret show, a leggy fantasia beloved by Cyndi Lauper and the late Paul Reubens. (www.newyorker.com)
At the Department of Justice, Many Lawyers Are Wondering If It’s Time to Quit - The quandary faced by government lawyers who think that the Trump Administration is subverting justice. (www.newyorker.com)
Why Doesn’t Anyone Want to Fix One of America’s Scariest Roads? - The Million Dollar Highway, prone to rockfall and avalanches, is the site of horrific crashes and courageous rescues. (www.newyorker.com)
Victoria Tentler-Krylov’s “Flower District” - An oasis in the middle of the city. (www.newyorker.com)
How Paweł Pawlikowski Learned to Film Europe’s Fractures - The Polish director has made a career out of examining the mysteries of borders, both spiritual and political. (www.newyorker.com)
Briefly Noted Book Reviews - “The Radiance,” “Cloudthief,” “Dear Dealer,” and “Citizen Beast.” (www.newyorker.com)
Letters from Our Readers - Readers respond to M. R. O’Connor’s story about smokejumpers, Kelefa Sanneh’s piece about A.I. music, Jennifer Wilson’s article about lingerie, and Anna Holmes’s home-ownership essay. (www.newyorker.com)
Cookie Monster Tries to Meet His A.I. Mandate - Me confused. Me know cookie inside and out! Now me has to use A.I. for cookie work? (www.newyorker.com)
Detecting Notes of . . . Citi Field? - In the parking lot outside a Mets game, the TikTok sommeliers Ryan and Chris Goydos, of SuperVinoBros, crack open a mystery wine and guess its provenance. (www.newyorker.com)
How America Became Antifascist - Franklin D. Roosevelt was slow to confront the threat of Fascism. A new history explores how he—and the country—finally came around. (www.newyorker.com)
The President vs. the Press - Donald Trump’s behavior cannot be called unexpected at this point. What was noteworthy last week, however, was the way that the media responded. (www.newyorker.com)
“Narrow Escape,” by Aleksandr Solzhenitsyn - The police lieutenant appeared to be writing down exactly what Gleb was telling him, but relying upon completely different words. (www.newyorker.com)
“Weeping Willow, Nantucket,” by Stephanie Burt - “They can’t get off the island either.” (www.newyorker.com)
Fiction by Aleksandr Solzhenitsyn, in English for the First Time - A conversation with Aleksandr Solzhenitsyn’s son Ignat Solzhenitsyn. (www.newyorker.com)
“D’Angelo in Starlight,” by Ishion Hutchinson - “Good God, the devil is up to his old tricks.” (www.newyorker.com)
Iran’s Bitterness and Bewilderment Over How to Make Peace with Trump - After a heated week at the U.N. General Assembly, a new ceasefire proposal came and apparently went. (www.newyorker.com)
Nolan Wells’s Family Still Wants Answers - A Mississippi grand jury declined to bring charges in connection with the death of a Black teen-ager during a boating trip, but it’s still unclear exactly how he died. (www.newyorker.com)
Taryn Simon’s Father Figures - In a new show at the Guggenheim, the artist grapples with patriotism and patriarchy through the long career of an anonymous F.B.I. agent. (www.newyorker.com)
Are Public Spaces Really for the Public? - A group of locals is trying to reclaim city spots for the people—including lobbying to turn vacant lots into gardens and fighting the event venue Guastavino’s over a courtyard. (www.newyorker.com)
The Teen Portraits That Captivated Sofia Coppola - Joseph Szabo’s pictures capture American adolescents’ spontaneous presence and loose-limbed, insouciant grace. (www.newyorker.com)
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A Night Living in Penn Station - For the outreach workers trying to place homeless New Yorkers in shelters, each evening presents familiar faces and fresh challenges. (www.newyorker.com)
Susan Collins’s Maine Money Machine - The senator uses her seniority in Congress to bring significant resources to her state. Is that enough for voters who hate her party? (www.newyorker.com)
Ari Emanuel on Donald Trump, Elon Musk, and Mixing Business with Politics - The entertainment agent and executive talks with David Remnick about his dealings with the President, the tech mogul, and Mohammed bin Salman, and operating within “shades of gray.” (www.newyorker.com)
The New York Film Festival, Week One: Better Late Than Never - This year’s prime offerings include the festival début of an overlooked great director and startling new work by acclaimed filmmakers. (www.newyorker.com)
Min Jin Lee on “American Hagwon,” Her First Novel After the Phenomenon of “Pachinko” - The author talks with David Remnick about leaving corporate law to become a novelist, and making Korean culture and experiences legible to readers around the globe. (www.newyorker.com)
I’ll Have What Xi’s Having - When Donald met Jinping. (www.newyorker.com)
Daily Cartoon: Friday, September 25th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
The Predator Catcher Turns Predatory in “Primetime” - A dazzling, wolfish performance from Robert Pattinson anchors Lance Oppenheim’s period piece about the rise and fall of a reality-TV host. (www.newyorker.com)
The Sublime Somi Bridges African and Western Jazz - Also: David Greenspan and Lupita Nyong’o onstage, the found-object art of Narcissister, a Hong Kong-born filmmaker’s exploration of family history, and more. (www.newyorker.com)
“Resident Evil” Is Fun, but Soulless. What Else Could It Be? - Zach Cregger has made a great video-game movie, in part by leaving out the things that make a Zach Cregger movie great. (www.newyorker.com)
The Week Republicans Finally Panicked About Trump - The President’s party, facing a midterm reckoning, is begging for a way out of his Iran-war doom loop. (www.newyorker.com)
Gut Renos of Ionesco and Chekhov - In “Delirium” and “The Cherry Orchard,” experimental directors smash up and rebuild classic plays. (www.newyorker.com)
Daily Cartoon: Thursday, September 24th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
What Survival Stories Tell Us (and Should We Listen?) - Tales of human resilience in nature bring the thrill of the wild to the comfort of the couch. In our hyper-developed day and age, why do we return to stripped-down tales of survival? (www.newyorker.com)
There Is No A.I. “Race” - We’re constantly told that Chinese advances would have catastrophic consequences. But the first to innovate is rarely the one who wins. (www.newyorker.com)
Currently on View in an Art-Fair Booth - If the art market ceases to exist, you’ll at least have a painting of Bart Simpson. (www.newyorker.com)
How MAHA Tore One Family Apart - As measles cases reach a thirty-five-year high, disagreements over vaccines are putting new strains on families—and bringing the politics of MAHA into the home. (www.newyorker.com)
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“NAZA” Puts Israel Face to Face with the War in Gaza - In this documentary, Israeli military and intelligence sources reveal systems, policies, and practices that have resulted in high numbers of civilian deaths and widespread destruction. (www.newyorker.com)
What China’s Vibe-Coding Capital Can Tell Us About the A.I. Boom - Tech workers have flocked to Liangzhu, a small town outside Hangzhou, looking to escape China’s corporate culture and build their future with A.I. (www.newyorker.com)
An OpenAI Engineer and His Friends Debate the Future - In Brent Katz’s short documentary “Josh’s Wedding,” a group of groomsmen reckon with a technology that one of them is building. (www.newyorker.com)
Daily Cartoon: Wednesday, September 23rd - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
Kate Atkinson’s Obsession with History - “Our Noble Selves,” the author’s latest novel, is an object-obbsessed murder mystery, of a sort. (www.newyorker.com)
The Worlds That Donald Trump and Xi Jinping Want - As the President stages a gala welcome for the Chinese leader, it appears that, in curious ways, the two men mirror each other. (www.newyorker.com)
Is Trump’s Latest Press Attack Just Another Distraction? - After CNN, MS NOW, and Politico were barred from the White House, the entire TV press pool announced a boycott of the President. (www.newyorker.com)
Annie Dillard’s Subject Was the Whole World - We met decades after “Pilgrim at Tinker Creek” took her from the slush pile to literary celebrity, in a flash. (www.newyorker.com)
Daily Cartoon: Tuesday, September 22nd - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
Even Ed Sheeran’s Apology Took Both Sides - After allowing Macklemore to be removed from his tour for pro-Palestinian remarks, the pop star took the stage in Philadelphia alone, said he was sorry, and then apologized for apologizing. (www.newyorker.com)
How the Absence of Shame Weakens Democracy - A sense of shame binds us together—and can hold the powerful in check. (www.newyorker.com)
Some Ways A.I. Might Do It - A.I. tells fifty per cent of people that knee-high socks are in and the other fifty per cent that no-show socks are in, and everyone dies in the Sock Wars. (www.newyorker.com)
Daily Cartoon: Monday, September 21st - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
The Lost Descendants of Thomas Jefferson - Scientists have new proof that the President had children with his enslaved chambermaid Sally Hemings—and that their bloodline endures across the country. (www.newyorker.com)
The Fallout of a Charlie Kirk Campus Scandal - Students and faculty across the country were punished for their reactions to the conservative activist’s murder. A recent graduate of Texas Tech’s law school is still trying to clear her name. (www.newyorker.com)
Waiting for Jay-Z - In a sold-out run at Yankee Stadium and an eight-part documentary on HBO, the rapper makes the latest case for his own singularity. (www.newyorker.com)
What Barbara Kingsolver Believes the Novel Can Do - One of the country’s most popular novelists writes what she calls socially engaged fiction. In her new book, she considers the role of art—and who it’s for. (www.newyorker.com)
Hernan Diaz’s Grand Experiment - In the novel “Ply,” the Pulitzer Prize winner imagines a ruined New York, a fractured society, and the ultimate structure of existence. (www.newyorker.com)
The Curious Power of Punctuation - Commas, dashes, semicolons, and spaces have shaped how we read for centuries. What happens when machines start crafting the sentences? (www.newyorker.com)
What’s Really Behind the Baby Bust? - People say they want more children than they’re having. Is modern life stopping them—or have our ideas about a good life changed? (www.newyorker.com)
Barry Blitt’s “Pulling the Plug” - Is an A.I. kill switch possible? (www.newyorker.com)
What Life Is Actually Like in Gaza Today - Nearly a year after the ceasefire, the analyst Jaser Abu Mousa explains the impediments to rebuilding, and the devastation of his own family. (www.newyorker.com)
A Populist Revival in Iowa - In close contests for governor and a Senate seat, candidates from both parties claim that they’re fighting a corrupt system. (www.newyorker.com)
Inside Shaq’s League of Dunkers - The basketball legend’s dunking tournament launched this summer, with a clear star—a twenty-seven-year-old poetry lover named Mac McClung. (www.newyorker.com)
Learning to Yearn with Georgia Oakley - The director of the new “Sense and Sensibility” film chats about marketing Jane Austen for Gen Z, with a little help from “Normal People” ’s Daisy Edgar-Jones. (www.newyorker.com)
The Return of “Salt” - Mark Kurlansky’s 2002 best-seller is back on the list, all thanks to a young TikToker who’s never had a latke. (www.newyorker.com)
Is A.I. Above the Law? - Our legal system isn’t ready for machines that act on their own. (www.newyorker.com)
Briefly Noted Book Reviews - “The Maltese Version,” “That Summer’s End,” “Berlin Before and After,” and “Jean Toomer.” (www.newyorker.com)
Tom Brady’s Endgame - A new biography argues that the star quarterback’s divorce was his biggest fumble. (www.newyorker.com)
Why I Free-Solo El Capitan - When some of you asked if I’d record my thoughts as I hang by my fingertips over my impending death, I thought, Why not? (www.newyorker.com)
Our A.I. Problem - Why can’t the people who produced the technology, which has already shown that a different world is possible, just do the things that would prevent extinction? (www.newyorker.com)
Restaurant Review: Ugly Baby - The beloved Brooklyn restaurant is back to serve a city in the thrall of Thai spiciness. (www.newyorker.com)
“Debt,” by Daniel Poppick - “What debt is this whose currency is sleep?” (www.newyorker.com)
“Dark Horse,” by Sarah Anderson - At least once a day I press the Thought like a bruise, and if I don’t it eventually starts to play anyway. (www.newyorker.com)
Sarah Anderson on Relief from Intrusive Thoughts - The author discusses her story “Dark Horse.” (www.newyorker.com)
Sharon Horgan, Autofiction Auteur - The TV writer-actor on the sandwich generation, finding love onscreen, and growing older with her shows. (www.newyorker.com)
Sarah Anderson Reads “Dark Horse” - The author reads her story from the September 28, 2026, issue of the magazine. (www.newyorker.com)
“Garden,” by Melissa Broder - “I was in Eden. God’s light / Tongued the leaves.” (www.newyorker.com)
The Thomas and Kavanaugh Hearings Restaged as a Theatre of Fact - “The Ford/Hill Project,” a documentary play, may capture recent events, but it’s a product of the present: activist theatre in a moment when the idea of civic urgency is losing purchase. (www.newyorker.com)
The Unknowable Miley Cyrus - The singer has been raunchy, folksy, psychedelic, Disney-clean. On her new album, “Bass Persuades,” she disappears onto the dance floor. (www.newyorker.com)
Why the Houthis Are Saudi Arabia’s Problem - The U.S. opted not to intervene as Yemen’s Houthi rebels seized a major choke point for Saudi oil shipments on the Red Sea. (www.newyorker.com)
Lena Dunham’s “Famesick” Is a Cautionary Tale of Filmmakers Doing TV - In chronicling the making of “Girls,” Dunham’s memoir reveals the cost of moving from the freedom of independent filmmaking to the corporate demands of television. (www.newyorker.com)
Israel’s Qatargate Scandal - Did Benjamin Netanyahu’s aides peddle influence to a foreign power? (www.newyorker.com)
Should the Classroom Be More Like the Gym? - As A.I. presses harder on the academic enterprise, we might look to a place where process is its own reward. (www.newyorker.com)
Who’s on Susanna Hoffs’s List? - On the eve of her residence at Café Carlyle, the Bangles singer dishes on her set list, which includes a Prince song and tracks from her new album, “The List,” inspired by a string of old boyfriends. (www.newyorker.com)
Grandmaster Flash on “Birth of a Culture” - The d.j. explains how he worked out some of the turntable innovations that led to hip-hop as we know it, and why the Furious Five’s biggest hit was the beginning of the end. (www.newyorker.com)
Malcolm Gladwell on “The American Way of Killing” - The New Yorker staff writer examines America’s unique problem with gun violence, and why he thinks under-policing is at the root of our problem. (www.newyorker.com)
The New Lucy Letby Report Misses the Point - The Thirlwall Inquiry looked at why the nurse wasn’t prevented from murdering babies. But it didn’t address the question of whether she had actually done so. (www.newyorker.com)
Daily Cartoon: Friday, September 18th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
A Never Trumper and a Democrat on Beating MAGA for Good - Sarah Longwell’s “How to Eat an Elephant” and Adam Jentleson’s “Supermajority” grapple with how to defeat Trumpism. (www.newyorker.com)
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The Sheep That Stop Wildfires - Herds of livestock are munching through overgrown, hard-to-reach vegetation that could otherwise become fuel for firestorms. (www.newyorker.com)
Why China Isn’t Getting Existential About A.I. - China’s fears about the technology are increasingly distinct from those of the U.S. What does that mean for international coöperation? (www.newyorker.com)
New York Film Festival’s World of Cinema - Also: the punk-rock ruckus of Bikini Kill, New York City Ballet’s fall season, the Australian solo comedy “Garry Starr: Classic Penguins,” and more. (www.newyorker.com)
What We Lost When Big Tech Took Over the Classroom - Natasha Singer’s book “Coding Kids” tracks how public schools were bewitched by private corporations, setting the stage for the ed-tech backlash of today. (www.newyorker.com)
Is Beef the Next Internal-Combustion Engine? - Robert F. Kennedy, Jr., eats it every day, but more Americans, faced with rising prices and another climate warning, might want something else for dinner. (www.newyorker.com)
The New Yorker’s Coverage of the 2026 National Book Award Fiction Nominees - Marlon James, Louise Erdrich, Edwidge Danticat, and more. (www.newyorker.com)
Daily Cartoon: Thursday, September 17th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
That Back-to-School Feeling - With teachers and students returning to the classroom, the hosts of Critics at Large reflect on the art of education itself. (www.newyorker.com)
Your Parents’ Fall TV Preview - Have you considered “Six Hours a Day of MSNBC” on MS NOW (or Fox News, depending on your specific parents)? (www.newyorker.com)
Donald Trump Returns to the U.N. Amid the Collapse of the Old Order - Trump is at the heart of this geopolitical moment, catalytic in his alliance-fraying bullying, unprovoked warmongering, and protectionist demagoguery. (www.newyorker.com)
How, Exactly, Could A.I. Kill Us? - Employees of A.I. companies are increasingly sounding the alarm. What should we make of their warnings? (www.newyorker.com)
Daily Cartoon: Wednesday, September 16th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
Emily St. John Mandel’s Fluid New Novel - “Exit Party” is an elegant crime story with sci-fi shadings. (www.newyorker.com)
The Unsettling Ambiguity of Early Pregnancy - Binary tests offer an illusion of certainty, but pregnancy is a nonlinear experience, and confirming one is a process of slowly ruling out all other possibilities. (www.newyorker.com)
Updated Jane Austen Titles - Including “Brain-Rot Third Space” and “Based and Vibey.” (www.newyorker.com)
“The History of Concrete” Humanizes the Material World - John Wilson’s whimsical first documentary feature reveals the social essence, and the political stakes, of the ubiquitous stuff of construction. (www.newyorker.com)
My Weekend with an A.I. Agent - What agentic A.I. is best at is optimizing processes that, not too long ago, were presented as the already maximally optimized version of a once analog experience. (www.newyorker.com)
The Long Doomsday of A.I. - After industry-wide calls for regulation, what’s concerning isn’t that the problems are real. It’s that there are no guaranteed solutions. (www.newyorker.com)
Bob Mackie Was Serious About Sequins - The designer, known for dressing Carol Burnett, Cher, and Elton John in feathers and fringe, excelled at Old Hollywood craftsmanship. (www.newyorker.com)
Mail-In Voting Survives - In an unsigned ruling, the Supreme Court demonstrated that it is willing to limit Donald Trump’s agenda. (www.newyorker.com)
Daily Cartoon: Tuesday, September 15th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
The 2026 National Book Awards Longlist - The New Yorker presents the longlists for Young People’s Literature, Translated Literature, Poetry, Nonfiction, and Fiction. (www.newyorker.com)
“The Journey,” Episode 5: The Children - Will the children be returned to the couple’s mansion? As the judge reaches a decision, Ava examines a confidential court file and makes a startling discovery. (www.newyorker.com)
“The Journey,” Episode 4: The Courts - One of the surrogates secretly takes home the baby she carried. And, in an unprecedented circumstance, it seems like she might have the chance to keep her. (www.newyorker.com)
“The Journey,” Episode 3: The Industry - It takes a village to create such a large family. Ava uncovers how the stunning lack of regulation in the surrogacy industry enabled the couple’s plans. (www.newyorker.com)
“The Journey,” Episode 2: Intended Parents - Ava investigates what is going on inside the Arcadia mansion. What is the couple actually up to? And why do they want so many kids? (www.newyorker.com)
Arrangements I Would Accept - Marriage is hard; an arrangement is sexy, bold, mature. Getting married says, “I’m a romantic.” Having an arrangement says, “I know how the world works.” (www.newyorker.com)
“The Journey,” Episode 1: Gifts - A woman in Texas agrees to carry a child for a wealthy couple in California. She thinks she’s helping a family in need. Then she becomes a whistle-blower. (www.newyorker.com)
Will A.I. Overwrite Our Sense of Shame? - The tech world has long been run by iconoclasts whose ideas about right and wrong are self-consciously different from those of most people. (www.newyorker.com)
Trailer: “The Journey” - Why did a mysterious couple collect babies in a Los Angeles mansion? A five-part series from In the Dark investigates. (www.newyorker.com)
John Wilson’s Poetry of the Mundane - The director of “The History of Concrete” discusses the value of comedy, NIMBYs, and making films out of both found moments and the rules that govern the Hallmark Channel. (www.newyorker.com)
Daily Cartoon: Monday, September 14th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
The Violent Feud That Shocked the Horse World - A prominent dressage trainer shot a belligerent student—and now maintains that he’s the real victim. (www.newyorker.com)
The Incredible Journey of a Migratory Shorebird - Godwits make the longest non-stop migration in the bird world. That might be the least of their marvels. Can they survive a changing planet? (www.newyorker.com)
My Surefire, Can’t-Lose Polymarket Bets - Spot on my neck: Cancer? 88% Yes. 12% More tests are needed, none of which are covered by my insurance. (www.newyorker.com)
In “Situated,” Angela Duckworth, the Author of “Grit,” Does an About-Face - In “Situated,” Angela Duckworth challenges the conventional wisdom that says we shouldn’t run away from our problems. (www.newyorker.com)
The Hearing Aid That Plays It by Ear - A company called Fortell made an A.I.-powered device that tries to tune out background noise in real time. Does it work? Ask Fortell’s test subject, Steve Martin. (www.newyorker.com)
The Wealthiest—and Stealthiest—Class in America - America’s everywhere millionaires built fortunes from hot dogs, car dealerships, medical practices, and convenience stores. Then they learned how to protect them. (www.newyorker.com)
The Sisters Buying Homes Together - As marriage rates fall and housing prices climb, adult siblings are betting on the family they already have. (www.newyorker.com)
Paula Cole Doesn’t Want to Wait - At the Conservatory Garden, the singer reflects on her new two-album set, “Sonic Memoir: Demos 1989-1998”; launching Lilith Fair with Sarah McLachlan; and the time Jay Leno made fun of her armpit hair. (www.newyorker.com)
Ke Huy Quan Keeps Smiling - On a trip to Liberty Island, the actor chats about his new memoir, “Never Say Die,” which chronicles his journey from refugee to child star in “Indiana Jones” to winning an Oscar, for “Everything Everywhere All at Once.” (www.newyorker.com)
Jared Kushner’s Dollar Diplomacy - Donald Trump’s son-in-law represents the kind of Washington figure for whom public office serves as a means to extraordinary wealth. (www.newyorker.com)
The American Religion of Self-Storage Facilities - Why are we so obsessed with putting our belongings in metal boxes and then never looking at them again? (www.newyorker.com)
Dean Rohrer’s “Beginnings” - The city as a blank canvas. (www.newyorker.com)
Briefly Noted Book Reviews - “Dèy,” “Etna,” “Are They Dead Yet?,” and “Unbelonging.” (www.newyorker.com)
What the Met’s John Galliano Reversal Reveals - The Costume Institute’s decision to scrap its controversial exhibition for the British fashion designer is a reminder that a few checks on power still exist. (www.newyorker.com)
Joyce Carol Oates Reads “Lost Child” - The author reads her story from the September 21, 2026, issue of the magazine. (www.newyorker.com)
Is Zionism’s Moral Crisis About Roads Not Taken—or Original Sin? - Where Benjamin Moser replaces one story of Jewish exceptionalism with another, Omer Bartov shows what’s lost when polemic takes the place of history. (www.newyorker.com)
“Late September,” by Jodie Hollander - “Now the air / is darker; my garden plots are empty.” (www.newyorker.com)
“Lost Child,” by Joyce Carol Oates - It almost returned to Kit then—what this place was, and who was waiting for them inside. (www.newyorker.com)
What’s Left of the Back-to-the-Landers - A new book captures the hard-headed and hearty few who have kept the movement alive. (www.newyorker.com)
How to Protect Democracy - The emergence of Germany’s far right as a political force represents an old dilemma. (www.newyorker.com)
Joyce Carol Oates on Embedded Memories - The author discusses her story “Lost Child.” (www.newyorker.com)
“Driveway,” by Stephanie Horvath - “In the gut, / In the mouth, / In the irreducible / ‘Bile’ humor.” (www.newyorker.com)
On Not Being a Homeowner - Generational wealth shapes our futures and friendships, whether we talk about it or not. (www.newyorker.com)
Ric Burns, N.Y.C. Optimist - The director—and brother of Ken Burns—is releasing two new episodes of his long-running “New York: A Documentary Film,” this time covering Superstorm Sandy, COVID, and Eric Adams. (www.newyorker.com)
Is a Blue Wave Really Coming? - Democrats have the numbers on their side, but their success in the midterms is far from a sure thing. (www.newyorker.com)
“The Uprising” Is a Grim But Scattershot History Lesson - In Paul Greengrass’s dramatization of the Peasants’ Revolt of 1381, the imperatives of historical re-creation and hyperkinetic action filmmaking fight each other to a draw. (www.newyorker.com)
Daily Cartoon: Friday, September 11th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
Colin Kaepernick, Ten Years After Taking a Knee - In his new memoir, “The Perilous Fight,” the former N.F.L. star recounts the backlash he faced from the league. (www.newyorker.com)
John Wilson and “The History of Concrete” - The documentary filmmaker met up with the New Yorker staff writer Andrew Marantz at Wilson’s independent movie theatre to discuss his newest endeavor. (www.newyorker.com)
Can A.I. “Go Rogue”? - In the wake of turmoil at OpenAI and Anthropic, it’s become common to describe A.I. as a kind of person, hatching plans and pursuing desires. The truth is a little trickier. (www.newyorker.com)
The U.S. Was Never Going to Win the “War on Terror” - In the twenty-five years since 9/11, the U.S. has waged several military campaigns against extremism around the world, resulting in the deaths of almost a million people. What has it accomplished? (www.newyorker.com)
The Sartorial Riches of the Silent-Film Era - Also: the neo-soul of Erykah Badu, a festival of Indian classical dance, John Wilson’s ode to concrete, and more. (www.newyorker.com)
“My Brilliant Career” Is the Best Show of the Summer - A new pop-feminist interpretation of Miles Franklin’s 1901 Australian novel is both fizzy and intelligent. (www.newyorker.com)
Troy Jackson Is Still Surprised That He’s Running for Senate - The former state senator replaced Graham Platner as Maine’s Democratic nominee. But as he reminded voters over Labor Day weekend, “it could have been anyone else.” (www.newyorker.com)
Canada and the U.S.A. Face Off - A former friendship on ice. (www.newyorker.com)
Daily Cartoon: Thursday, September 10th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
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Is the Democratic Party Still Too Woke? - The political operative Adam Jentleson once believed “the way for Democrats to win was to get your base really riled up.” He’s now trying to wrest the Party away from its far-left flank. (www.newyorker.com)
Late-Night Dorm-Room Conversation Topics, Updated for Middle Age - Fuck, Marry, Kill: Income-tax returns, life-insurance policies, that folder explaining benefits that you received from H.R. when you were onboarded, and then immediately lost? (www.newyorker.com)
“Favorite Bodies,” by Lydia Davis - I told her that I’d been reading an article about morticians. One of the morticians interviewed had said something that was a revelation. (www.newyorker.com)
The Right’s Crusade to “Make America Hot Again” - After years of championing modesty and purity, conservatives are embracing a new cause: cleavage. (www.newyorker.com)
In “The Sun Never Sets,” Joe Swanberg Strips Romance to Its Bones - The filmmaker’s first feature in six years turns a love triangle in Anchorage into a philosophical experiment. (www.newyorker.com)
Daily Cartoon: Wednesday, September 9th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
Five Books for Lingerie Lovers - Recommended reading for anyone who wears underwear. (www.newyorker.com)
Remembrance of September 11th - It became immediately evident that this was terrorism on an unexampled scale. The twentieth century had ended, and the twenty-first had begun. (www.newyorker.com)
Some Legacy Sequels We Hope Are Never Made - But if you’re reading this and want to green-light one, please don’t hesitate to be in touch. (www.newyorker.com)
Can You Write a Memoir in the Third Person? - In Brian Dillon’s bewitching new book, “Ambivalence: An Education,” the author’s younger self is depicted as an inscrutable, fumbling figure named B. (www.newyorker.com)
Flock Wants a Closely Surveilled World with No Exit - The company, which has a hundred and thirty thousand cameras monitoring the streets of the U.S., frames privacy as a worthwhile trade-off for safety and security, echoing the language of the post-9/11 surveillance boom. (www.newyorker.com)
Can East Germany’s Cold War History Explain the Rise of the AfD? - After winning a state election this past weekend, the German far right is closer to power than it has been in decades. (www.newyorker.com)
The Warning Benjamin Netanyahu Ignored - New reporting from Haaretz shows that, before October 7th, the Israeli Prime Minister was told to expect an “earthquake” from Gaza—and didn’t tell his security chiefs. (www.newyorker.com)
Daily Cartoon: Tuesday, September 8th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
Danny McBride’s Solution to the Masculinity Crisis - In a new story collection, the actor and comedian injects a refreshing breeziness into a discourse that can lean toward self-seriousness. (www.newyorker.com)
“The Journey,” a Five-Part Audio Investigation from The New Yorker - Why did a mysterious couple collect babies in a Los Angeles mansion? Examining a scandal that threatens to undermine the surrogacy industry. (www.newyorker.com)
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Destroying Books to Build a Mind - Anthropic is trying to “destructively scan all the books in the world.” How worried should we be? (www.newyorker.com)
The Death of Shame Is Tearing Us Apart - Increasingly, people are ignoring social norms in favor of a narrow self-interest. The results are disastrous. (www.newyorker.com)
Instructions for Watching My Girlfriend While I’m Out of Town - Make sure that water is always available to Blythe, but don’t freak out if she doesn’t drink much. Blythe believes that hydration is “a conspiracy invented by Gatorade.” (www.newyorker.com)
“Paranormal Activity” Creeps Onto Broadway - Oren Peli, the creator of the original horror-film series, stops by the new stage production and dishes on the creaky house that spooked—and inspired—him back in 2005. (www.newyorker.com)
Gloria Steinem Gave It All - The feminist icon understood that you may spend your whole life walking toward a world you will never enter, but that does not relieve you of the obligation to walk. (www.newyorker.com)
The Fall Style & Design Issue - The forces transforming fashion, dining, and the arts. (www.newyorker.com)
Saudi Arabia’s Pursuit of Michelin Stardom - The kingdom, seeking to rebrand as a culinary juggernaut, has bankrolled new restaurants and conscripted big-name chefs. Will it succeed? (www.newyorker.com)
How Hermès Unharnessed Fashion - Under the stewardship of Nadège Vanhée, the artistic director of women’s wear, a house known for craftsmanship is exploring the risqué. (www.newyorker.com)
Willem de Kooning’s Excavations of Intimacy - The first major show of the artist’s drawings articulates his pain and anger and the frightful era he lived in. (www.newyorker.com)
What Carla Lalli Cooked After Her Divorce - With “Food Is a Feeling,” the cookbook author joins a lineage of writers who have explored the appetites of the newly unmarried. (www.newyorker.com)
The Scourge of A.1. - For A.1. to cause such fear is understandable, because many of us are not comfortable with condiments. (www.newyorker.com)
The Prolific Storytelling of This Is Lorelei - Nate Amos writes songs that both embrace and lampoon dusty singer-songwriter tropes. (www.newyorker.com)
Has the A.I. Job Apocalypse Been Postponed? - So far, the proliferation of A.I. models such as Claude and ChatGPT hasn’t led to mass displacement of workers. But deployment is accelerating and economic pressures are rising. (www.newyorker.com)
Can You Feel the Dub Tonight? - For years, a Peruvian voice actor has tried to get Disney to sign off on his Quechuan translation of “The Lion King.” The new documentary “Runa Simi” follows his path unwinding. (www.newyorker.com)
Grandmaster Flash’s Remix of Hip-Hop History - In his new book, “Birth of a Culture,” the trailblazing d.j. tells his version of how it all began. (www.newyorker.com)
The Art of American Sophistication - How striving, self-invention, and charm became a national style. (www.newyorker.com)
The Culture Wars Have Come for Lingerie - The culture wars have come for lingerie as the right, once the advocates of promise rings and purity culture, embarks on a crusade to “Make America Hot Again.” (www.newyorker.com)
Tom Sachs Channels Chanel - At his downtown studio, the perennially provocative artist makes a lo-fi version of the brand’s flagship Parisian store. (www.newyorker.com)
Letters from Our Readers - Readers respond to Becca Rothfeld’s review of Rachel Cusk’s latest novel, Alexandra Schwartz’s piece about death doulas, and Zach Helfand’s Talk story about the Old News Newsstand. (www.newyorker.com)
Daily Cartoon: Monday, September 7th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
Briefly Noted Book Reviews - “The Breakup,” “All Them Dogs,” “Sex and Dissent,” and “We Want to Believe.” (www.newyorker.com)
Lennart Gäbel’s “Showstopper” - Commuter couture. (www.newyorker.com)
Helen Help Me: Juice That’s Worth the Squeeze - A food critic answers readers’ questions about a citrus-related relationship dispute and restaurant birthday dinners. (www.newyorker.com)
9/11 at Twenty-Five - A quarter century after the attacks, the grief, wars, and political furies of their aftermath still shape American life. (www.newyorker.com)
“Ode to Being Born with Teeth and Sharpening Them Every Day,” by Barbara Hamby - “If you like surprises, being born has to be the best.” (www.newyorker.com)
A Political Operative on the Verge of Self-Deportation - Daysi González, who works to elect Democrats, is gearing up to leave the U.S. as soon as this month. She wants her own party to pay attention. (www.newyorker.com)
“New Shoes,” by Hisham Matar - My life in London, the life I had cobbled together with the barest of routines, grew thin and unconvincing. It now seldom felt real. (www.newyorker.com)
Hisham Matar Reads “New Shoes” - The author reads his story from the September 14, 2026, issue of the magazine. (www.newyorker.com)
Hisham Matar on the Outsider in London - The author discusses his story “New Shoes.” (www.newyorker.com)
“Worst,” by Dorothea Lasky - “I am the worst kind of person.” (www.newyorker.com)
The Bayeux Tapestry’s Long Journey Home - It’s perhaps the most famous textile in the world. But getting it to England required years of diplomacy, a horde of engineers, and a touch of kindness from the French. (www.newyorker.com)
The Netflix Show That Airs from the Great Beyond - The promise of “Famous Last Words”—which just released its Gloria Steinem episode—is that the show’s subjects can finally speak freely, knowing that the interview won’t come out until they’ve died. (www.newyorker.com)
The Art of Getting Lost in Minnie Evans - There comes a moment, looking at the artist’s dense worlds, in a new exhibit at the Whitney, when the eye stops decoding and the mind begins to surrender. (www.newyorker.com)
A College Caught in the Middle of America’s Football Obsession - Oberlin’s football team was winless last season, sparking discourse over whether anyone at the small liberal-arts school should care. (www.newyorker.com)
How a Skateboarder Sees Los Angeles - Jerry Hsu captures the city’s manic extremes, with photographs of overturned cars, collisions, and a bank building ablaze. (www.newyorker.com)
The Anti-A.I.-Ad Ad Campaign - The comedians Harris Alterman and Dave Ross have been putting up posters for fake tech products across the city, including a wearable grandpa, underwear that thinks, and A.I. cutlery. (www.newyorker.com)
Why Is Donald Trump Picking a Fight with Canada? - How the President’s instinct for escalation is costing him politically. (www.newyorker.com)
Why the Lindsay Clancy Trial Ended in a Deadlock - Both the prosecution and the defense tried to tell tidy stories. But, in the end, five weeks of testimony from more than eighty witnesses couldn’t resolve the central mystery of Clancy’s state of mind. (www.newyorker.com)
Sarah Longwell, a Former Republican, on “How to Eat an Elephant” - Working with focus groups, Longwell keeps a bead on what voters are really thinking, and how to combat Trumpism. She presents the playbook to the New Yorker staff writer Evan Osnos. (www.newyorker.com)
Edwidge Danticat on Haitian Americans in a Time of Peril - The writer, who recently released a new novel, speaks with The New Yorker’s Doreen St. Félix about the meaning of home in an era when Haitian Americans are targeted for mass deportation. (www.newyorker.com)
Daily Cartoon: Friday, September 4th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
East Hampton’s Secret Garden of Unusual Trees - During a residency at the Folly Tree Arboretum, I encountered significant specimens including a clone of a “tree” that went to the moon on Apollo 14. (www.newyorker.com)
Jocelyn Bioh’s “Mean Girls” at a Ghana Beauty Pageant - Also: Harry Styles takes up residence at M.S.G., “Paranormal Activity” terrifies Broadway, Dakota Fanning and Jake Johnson star in a new movie, and more. (www.newyorker.com)
Donald Trump’s Capital Makeover - A coterie of advisers, planners, and architects is enabling the President’s passion project—renovating D.C. in his own image. (www.newyorker.com)
How Donald Trump Outmaneuvers the Supreme Court - In both the ballroom and the mail-in-ballot cases, the President has tested the Justices’ willingness to stop him in his tracks. (www.newyorker.com)
The Principled Cynicism of “By Any Means” - Elegance Bratton’s second feature, starring Mark Wahlberg and Yahya Abdul-Mateen II, brings a gangland perspective to the legal battle for civil rights in the nineteen-sixties. (www.newyorker.com)
Have We Destroyed Childhood? - We blame smartphones—but the problem might be us. (www.newyorker.com)
The Blockbuster Audacity of “Hope” - In Na Hong-jin’s monster movie, violent small-town comedy and big-budget Hollywood imperialism collide. (www.newyorker.com)
Gloria Steinem’s Final Essay - When you’re lucky enough to have lived a long life, as I have, your role is to remind us how far we have come. (www.newyorker.com)
Daily Cartoon: Thursday, September 3rd - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
Remembering Dolly Parton - The New Yorker’s critics take stock of the star’s life and legacy. (www.newyorker.com)
Seeing It All Hang Out at the Fringe - Twenty-odd shows from Edinburgh’s annual avant-garde rumspringa. (www.newyorker.com)
“Motherji,” by Akhil Sharma - Radha had always believed that the world was evil and people malicious. But her sense of evil had been that of an ordinary person. (www.newyorker.com)
Trump’s Neocolonialism Will Backfire - The President is touting his big Venezuelan oil deal, but his interventions abroad are stirring anger and having unintended consequences. (www.newyorker.com)
Welcome to Career Day - I spend two-ish hours messing around with an A.I. chatbot, as per the company’s new mandate, teaching it how to do my job so that it can replace me. Any questions? (www.newyorker.com)
Reporting the Big World - Neal Ascherson found himself at the center of the great crises of Cold War Europe. Do careers like his exist anymore? (www.newyorker.com)
Taking In the Scene at Daisy Chain Fields, the Zoomer Lilith Fair - Olivia Rodrigo’s daylong, woman-led event felt at times like any other corporate music festival. But, if music is the measure, it was up to something stunning. (www.newyorker.com)
Carrying Water for the President - Tech titans are all over the map. (www.newyorker.com)
Daily Cartoon: Wednesday, September 2nd - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
Five Great Campus Novels - Our critic’s picks for going back to school. Plus: an Edith Wharton novella for a last gasp of the season. (www.newyorker.com)
The Unique Horrors of A.I. Food Slop - Why does it feel so unsettling when restaurants use generative A.I. to create their menus and promotional materials? (www.newyorker.com)
The Strange Power of the Dance-Floor Novel - A new run of books embrace the literary potential of underground electronic music. (www.newyorker.com)
“Days and Nights in the Forest” Emerges from the Shadows - This passionate melodrama by Satyajit Ray, about four middle-class men on a heedless spree in a rural village, is a teeming panorama of social divisions and inequities. (www.newyorker.com)
Daily Cartoon: Tuesday, September 1st - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
Min Jin Lee Reads Wendi Kaufman - The author joins Deborah Treisman to read and discuss “Helen on Eighty-Sixth Street,” which was published in The New Yorker in 1997. (www.newyorker.com)
Seven Steps to Financial Success, According to a Guy Who Won a Multimillion-Dollar Lawsuit Against the Circus - You can optimize your chances by insuring that you’re in the best possible position to get whacked in the face by wealth and prosperity. (www.newyorker.com)
George W. Bush’s Code of Silence - He lovingly paints immigrants, praises free trade and diplomacy, and rues the coarsening of American politics. Why won’t he talk about Donald Trump? (www.newyorker.com)
Was “Defund the Police” Crazy? - A reckoning with the “woke” years. (www.newyorker.com)
Daily Cartoon: Monday, August 31st - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
“The Disappearers,” Reviewed - Marlon James’s new novel follows a group of gay men who seek love, connection, and restitution after a bloody homophobic attack. (www.newyorker.com)
All Rise! Coyote Court Is Now in Session - In the new film “Coyote vs. Acme,” starring Will Forte, Wile E. Coyote demands justice from the company that keeps blowing him up. Here to weigh in is the personal-injury attorney Motorcycle Mike. (www.newyorker.com)
Smokejumpers Leap Out of Planes to Fight Wildfires - Since the nineteen-forties, smokejumpers have been parachuting into remote parts of the U.S. to contain dangerous blazes. (www.newyorker.com)
Who’s Afraid of A.I. Music? - When the rapper Fenix Flexin débuted a new accent on his single “Rubberz,” he stumbled into a century-old fight over musical fraudulence. (www.newyorker.com)
“Matisse’s Femme au Chapeau: A Modern Scandal,” Reviewed - More than a century after its incendiary début, “Woman with a Hat” remains wonderfully resistant to the dictates of beauty and taste. (www.newyorker.com)
Briefly Noted Book Reviews - “The Black Shield,” “Endless Endings,” “Solstice,” and “I Was Bonnie & Clyde.” (www.newyorker.com)
The MAHA Custody Battle - A father wanted to vaccinate his children. Their mother didn’t. Then the kids got sick. (www.newyorker.com)
“The Barman of the Ritz” Is No “Casablanca” - The best-selling novel by the French author and podcaster Philippe Collin, which is set during the German Occupation of Paris, has a great premise but suffers in the execution. (www.newyorker.com)
How Much Is the Iran War Costing Americans? - A proper calculation must take in more than just the military costs. (www.newyorker.com)
Jim Nollman’s Orca-stra - The sound artist spent thirteen years playing guitar alongside singing whales in British Columbia. Now he’s releasing their collaboration, on “Orcas’ Greatest Hits.” (www.newyorker.com)
What Happened in Minneapolis - Living through Operation Metro Surge, and what came after. (www.newyorker.com)
Has the Supreme Court Sandbagged Democracy? - A new legal history argues that the Justices should be stripped of their power to overrule coequal branches of government. It arrives at an awkward moment. (www.newyorker.com)
Mark Zuckerberg’s Social Reckoning - The Meta settlement will force meaningful changes on Facebook and Instagram. It also reflects the degree to which public outrage is outmatched by the speed and size of Big Tech. (www.newyorker.com)
Rivers Cuomo Is Piecing It All Together - The singer-songwriter and Weezer front man on the making of the band’s new LP, the Gold Album, his relationship with his father, and the stories we tell about ourselves. (www.newyorker.com)
Helen Simpson Reads “Lub Dub Lub Dub Lub Dub” - The author reads her story from the September 7, 2026, issue of the magazine. (www.newyorker.com)
“Lub Dub Lub Dub Lub Dub,” by Helen Simpson - A sense of impending doom—that was how Weary had described the feeling many people got, like a heaviness in the chest. (www.newyorker.com)
Helen Simpson on Our Timeline on This Planet - The author discusses her story “Lub Dub Lub Dub Lub Dub.” (www.newyorker.com)
“Horse Song of a Nightmare,” by Joy Harjo - “It is raining, raining, raining. / The sky is falling, falling, falling.” (www.newyorker.com)
Pop Smoke’s “Welcome to the Party” Was an Anthem, Then an Elegy - For a crew of young musicians in New York, the Brooklyn rapper’s killing was more than just a headline. (www.newyorker.com)
Susan Te Kahurangi King’s Way of Seeing - At seventy-five, she may be New Zealand’s greatest living artist. (www.newyorker.com)
“Just Kidding,” by Rita Dove - “A priest, a rabbi, and a poet walk into a bar / and we’re laughing already, calculating their clashing philosophies.” (www.newyorker.com)
Cinema Lessons from a Trash-Movie Auteur - Why do we love trash and hate slop? Neil Breen’s so-bad-they’re-great movies elucidate the difference. (www.newyorker.com)