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“April” Is an Unflinching Portrait of a Doctor’s Fight for Reproductive Justice - In Dea Kulumbegashvili’s film, Ia Sukhitashvili plays a Georgian obstetrician who views a woman’s right to choose as an unshakable moral imperative. (www.newyorker.com)
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What’s Legally Allowed In War - How U.S. military lawyers see Israel’s invasion of Gaza—and the public’s reaction to it—as a dress rehearsal for a potential conflict with a foreign power like China. (www.newyorker.com)
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A Historical Epic of the Chinese in America - Chinese immigrants in the U.S. have been fighting for centuries against racial prejudice, the author Michael Luo says; their story should be seen as an American epic. (www.newyorker.com)
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Cory Booker: “America Needs Moral Leadership, and Not Political Leadership” - The senator talks with David Remnick about his record-breaking speech in Congress, and why he resists calls for Democrats to act alone in standing up to Donald Trump. (www.newyorker.com)
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A Long, Hard Look at America - As the transatlantic alliance falters, a major exhibition of U.S. photography offers Europeans a dizzying array of perspectives. (www.newyorker.com)
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Daily Cartoon: Friday, April 25th - “I have nothing positive to cheers to, so I don’t think I should cheers at all.” (www.newyorker.com)
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The Conservative Lawyer Defending a Firm from Donald Trump - Paul Clement complained that Big Law was becoming “increasingly woke.” Now he’s defending one firm’s right to do just that. (www.newyorker.com)
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Rema and the Evolution of the Afrobeats Sound - Also: reviews of Broadway’s “Smash” and “John Proctor Is the Villain”; New York’s financial crisis of 1975 in “Drop Dead City”; and more. (www.newyorker.com)
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Where Are Trump’s Big, Beautiful Deals? - Whether a trade pact with China or a peace accord with Russia, the President doesn’t seem to know what he’s actually asking for, never mind how to actually achieve it. (www.newyorker.com)
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The Guerrilla Marketing Campaign Against Elon Musk - As Tesla’s profits drop, a group called Everyone Hates Elon is going viral for plastering London with fake advertisements for the company, infiltrating a car showroom, and inviting the public to trash a Model S. (www.newyorker.com)
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Daily Cartoon: Thursday, April 24th - “It’s not the pollen—it’s the political climate.” (www.newyorker.com)
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The Show Can’t Go On - Funding shifts at three of the largest philanthropic foundations have brought turbulence and uncertainty to the intricate New York support system for the performing arts. (www.newyorker.com)
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Thinking of You - So horrible, I heard the news. Well, I heard an echo of the news from aboveground—the sinkhole gets neglected by the media. (www.newyorker.com)
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“Drop Dead City” Spotlights a Lost Era of Liberal Government - This documentary examines the economic changes and managerial missteps that brought the city to the brink of bankruptcy in 1975 and the political creativity and enduring cost of the rescue. (www.newyorker.com)
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Pope Francis’s Legacy and the Coming Conclave - “The traditionalist side of the Catholic Church in the United States has tolerated Francis, resented him, denigrated him, ignored him,” the writer Paul Elie says. “But also attached themself to his popularity when it suited their purposes.” (www.newyorker.com)
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Mark Zuckerberg Says Social Media Is Over - During testimony at Meta’s antitrust trial, the Facebook founder’s argument was, in so many words, that platforms like his are not what they used to be. (www.newyorker.com)
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Renzo Piano’s Light Touch - The architect behind London’s Shard, New York’s Whitney Museum, and Paris’s Centre Pompidou discusses the beauty of weightlessness. (www.newyorker.com)
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David St. John Reads Larry Levis - The poet joins Kevin Young to read and discuss “Picking Grapes in an Abandoned Vineyard,” by Larry Levis, and his own poem “The Shore.” (www.newyorker.com)
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What America Means to Latin Americans - In a new book, the Pulitzer Prize winner Greg Grandin tells the history of the hemisphere from south of the border. (www.newyorker.com)
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Daily Cartoon: Wednesday, April 23rd - “It’s not a popularity contest—that’s what the Oscars are for.” (www.newyorker.com)
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The Torment of a Neighbor’s Noise in “Beeps” - Kirk Johnson’s documentary short follows two young men, one of whom is driven to distraction by a nearby dying smoke alarm, on their quest to make things right. (www.newyorker.com)
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The Immigrant Families Jailed in Texas - Children have long been put in migrant detention if they were apprehended at the border. Today, lawyers have found, families are being removed from stable lives in the United States. (www.newyorker.com)
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What “America First” Could Cost Us - As the Trump Administration forces the U.S. to retreat from labor-protection programs abroad, American workers might end up suffering, too. (www.newyorker.com)
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The Biden Official Who Doesn’t Oppose Trump’s Student Deportations - Why the Holocaust historian Deborah Lipstadt blames universities for “opening the door” to the Trump Administration’s professed campaign to tackle antisemitism. (www.newyorker.com)
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Personal Ads from the One Horse in This One-Horse Town - Me: happy-go-lucky, helpful, healthy, honest, handsome, hopeful. You: a horse. (www.newyorker.com)
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Daily Cartoon: Tuesday, April 22nd - “You do realize that just because you stopped watching the news doesn’t mean it stopped happening.” (www.newyorker.com)
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Pope Francis’s Tangled Relationship with Argentina - Amid the extreme political polarization in his home country, the Pope found himself at odds with nearly every President. (www.newyorker.com)
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The Supreme Court Finally Takes on Trump - In an overnight ruling, the Justices defended the rule of law. Will their toughness last? (www.newyorker.com)
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The Cost of Defunding Harvard - If you or someone you love has cancer, cardiovascular disease, dementia, Parkinson’s disease, or diabetes, you have likely benefitted from the university’s federally funded discoveries in care and treatment. (www.newyorker.com)
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The Down-to-Earth Pope - In a historic moment characterized by autocrats and would-be autocrats, Francis was the antithesis of a strongman. (www.newyorker.com)
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Why Harvard Can Afford to Stand Up to Donald Trump - The university’s 53.2-billion endowment has positioned it to resist the bullying tactics of an increasingly authoritarian President. (www.newyorker.com)
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Subtitling Your Life - Hearing aids and cochlear implants have been getting better for years, but a new type of device—eyeglasses that display real-time speech transcription on their lenses—are a game-changing breakthrough. (www.newyorker.com)
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Curb Alert! Junk Lugging for Art’s Sake - Ser Serpas, a trash-art “assemblagist” who has been in the Whitney Biennial, takes her pick of New York’s litter, ahead of a new show at MOMA PS1. (www.newyorker.com)
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Activism for Introverts! Copying the Constitution - Every month at the Old Stone House, in Brooklyn, citizens are invited to find consolation in troubled times by writing out the nation’s founding document, by hand. (www.newyorker.com)
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Billy Idol: Still in Leather, Still Hot in the City - With a big year ahead, the British rocker visited his old West Village haunts and remembered the bourbon-soaked night when Mick and Keith didn’t think much of his idea for a song title, “Rebel Yell.” (www.newyorker.com)
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Our University’s Commitment to You - To students, faculty, and staff who may be wondering, Will our endowment face law-enforcement raids as it goes about its business, accruing further wealth? Absolutely not. (www.newyorker.com)
Letters from Our Readers - Readers respond to Dhruv Khullar’s essay on the Trump Adminstration’s threat to scientific progress and to Carrie Battan’s piece about Zyn. (www.newyorker.com)
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Amanda Hess’s “Second Life: Having a Child in the Digital Age,” Reviewed - In “Second Life,” the journalist Amanda Hess navigates the stratified landscape of contemporary reproductive technology. (www.newyorker.com)
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Adrian Tomine’s “Lucky Dogs” - At least some of us are happy. (www.newyorker.com)
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How Trump Worship Took Hold in Washington - The President is at the center of a brazenly transactional ecosystem that rewards flattery and lockstep loyalty. (www.newyorker.com)
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Was the Civil War Inevitable? - Before Lincoln turned the idea of “the Union” into a cause worth dying for, he tried other means of ending slavery in America. (www.newyorker.com)
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The Mexican President Who’s Facing Off with Trump - Can Claudia Sheinbaum manage the demands from D.C.—and her own country’s fragile democracy? (www.newyorker.com)
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New York to Ford: NOT DEAD - After a screening of “Drop Dead City,” a new documentary on N.Y.C.’s 1975 fiscal crisis, a crew of old union stalwarts—sanitation workers, Bernie Sanders’s art teacher—reminisced about saving the city from bankruptcy. (www.newyorker.com)
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The Quest to Build a Perfect Protein Bar - A great number of Americans wish to optimize their diets—and their lives. (www.newyorker.com)
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Daily Cartoon: Monday, April 21st - “Great Scott! The past is no longer distinguishable from the future.” (www.newyorker.com)
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“Beforetimes,” by Margot Kahn - “And there were pieces / of love but it wasn’t love—it was the right / thing for the moment.” (www.newyorker.com)
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Briefly Noted Book Reviews - “Crumb,” “When the City Stopped,” “Mỹ Documents,” and “dd’s Umbrella.” (www.newyorker.com)
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Can “The Last of Us” Outlive Its Antihero? - The series’ most exhilarating episode yet ended with the brutal murder of a beloved character. Where does the show go from here? (www.newyorker.com)
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“Tortoiseshell,” by Domenico Starnone - The most elaborate—and the most fragile—lie I’ve ever come up with is me. (www.newyorker.com)
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Carrie Brownstein on Richard Avedon’s Portrait of Cat Power - The space between the singer and the photographer’s lens is slippery, inaccessible; you’re not sure you were even invited. (www.newyorker.com)
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Domenico Starnone on Lies and Storytelling - The author discusses his story “Tortoiseshell.” (www.newyorker.com)
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Restaurant Review: Bradley Cooper Makes an Awfully Good Cheesesteak - At Danny & Coop’s, the actor and director partners with a Philadelphia restaurateur to bring that city’s beloved sandwich to New Yorkers. (www.newyorker.com)
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Donald Trump’s Deportation Obsession - Right-wing ideologues have long fantasized about the prospect of mass self-deportation: the Trump Administration is attempting something far more radical. (www.newyorker.com)
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Pictures from Where the Senses Encounter the World - Cig Harvey’s “Emerald Drifters” is a rallying cry to exist in our bodies. (www.newyorker.com)
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Mistaking Mary Magdalene - The subject of numerous controversies, she is defined by ambiguity, welcoming outcasts to the Church and provoking more imaginative approaches to faith. (www.newyorker.com)
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Who Wants a Second Helping of “The Wedding Banquet”? - In Andrew Ahn’s remake of Ang Lee’s 1993 crowd-pleaser, two gay couples strike a bargain that turns both Faustian and farcical. (www.newyorker.com)
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The Terrorism Suspect Trump Sent Back to Bukele - An MS-13 leader knew key details of a secret deal that his gang allegedly made with the Salvadoran President—then the White House put him on a flight to El Salvador. (www.newyorker.com)
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Nikki Glaser at the Top of Her Game - Triumph hasn’t spoiled the comedian, or settled her insecurities. “It just never goes away—that feeling of not being worthy, or being thought of as less than,” she says. (www.newyorker.com)
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How Science Fiction Led Elon Musk to DOGE - Jill Lepore says that the SpaceX C.E.O., an avid sci-fi fan, misreads cautionary tales as instruction manuals—and that his obsessions will shape America’s future. (www.newyorker.com)
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The Power and Stakes of #TeslaTakedown - An organizer in the grassroots protest effort discusses why she joined the movement, and describes protesters’ fears of government interference. (www.newyorker.com)
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The Decline of Outside Magazine Is Also the End of a Vision of the Mountain West - After its purchase by a tech entrepreneur, the publication is now a shadow of itself. A letter signed by its illustrious contributors says as much about a way of life as it does about the media industry. (www.newyorker.com)
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Daily Cartoon: Friday, April 18th - “Too much for hiding eggs in a field?” (www.newyorker.com)
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The Last Hospitals in Gaza - Doctors are delivering lifesaving care in a ravaged health-care system—and risking their own lives in the process. (www.newyorker.com)
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“Invention” Probes the American Mind in the Post-Truth Era - In Courtney Stephens and Callie Hernandez’s dizzying docu-fiction, an Edenic landscape becomes a backdrop for duplicity and paranoia. (www.newyorker.com)
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This Easter, with the Pope Ailing, Will the Catholic Church Stand Up to Donald Trump? - Pope Francis has long advocated for immigrants, refugees, and the vulnerable—but the Church, like other institutions, may need to find new ways to sustain its commitments. (www.newyorker.com)
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Daily Cartoon: Thursday, April 17th - “Just wait till 2028 and things will go right back to how they were.” (www.newyorker.com)
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“Sinners” Is a Virtuosic Fusion of Historical Realism and Horror - Ryan Coogler’s vampire movie mines vampirism’s symbolic potential to tell a tale of exploitation and Black music in nineteen-thirties Mississippi. (www.newyorker.com)
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London Theatre Shimmers with Mirrors and Memory - New productions of Shakespeare’s “Richard II,” Annie Ernaux’s “The Years,” Robert Icke’s “Manhunt,” Tennessee Williams’s “The Glass Menagerie,” and more. (www.newyorker.com)
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War Movies: What Are They Good For? - “Warfare” reconstructs an ill-fated 2006 mission in Iraq from the memories of the Navy SEALs involved. Does this method bring us closer to the reality of combat? (www.newyorker.com)
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China’s Plan to Fight Trump’s Trade War - A professor at M.I.T. on how Xi Jinping is likely to respond to U.S. tariffs and why the standoff won’t weaken the Chinese Communist Party’s grip on power. (www.newyorker.com)
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It’s the Economy, Idiom! - You are all magnetic and user-centric examples of how, when we benchmark blue-sky thinking, even in a pre-tax, low-hanging-fruit environment, we leverage actionable, best-of-breed streamlining, period. (www.newyorker.com)
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Clare Carlisle and the Genre-Bender - The philosopher and biographer analyzes works of life-writing that straddle fact and fiction, and what makes them art. (www.newyorker.com)
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Daily Cartoon: Wednesday, April 16th - “Today, the Supreme Court is expected to rule in the case of People v. Guy Who Will Ignore the Ruling.” (www.newyorker.com)
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Recession Indicators Are Everywhere - Kyle Chayka writes about the various indicators, psychological and economic, of a potential recession. (www.newyorker.com)
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I’m Really Dating Myself Here - My hair is parted to the side—it looks so nerdy parted in the middle! I know I’m still dating myself, but what do I care? At least the person I’m dating thinks I look hot. (www.newyorker.com)
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Why Harvard Decided to Challenge Donald Trump - Universities are accustomed to acquiescing to the government, but Trump made Harvard an offer it couldn’t not refuse. (www.newyorker.com)
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How the Supreme Court Misunderstands Donald Trump - A legal scholar argues that the judiciary’s “passive-aggressive approach” to the Trump Administration is doomed to fail. (www.newyorker.com)
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Daily Cartoon: Tuesday, April 15th - “Brace yourself—here come the C.P.A.s!” (www.newyorker.com)
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What Do You Remember? - The more you explore your own past, the more you find there. (www.newyorker.com)
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Just How Badly Does Donald Trump Want Access to Critical Minerals? - Nick Niarchos reports on the Democratic Republic of the Congo’s attempts to use its vast mineral resources as leverage in foreign policy amid military threats. (www.newyorker.com)
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The Plight of the Taxman - As I.R.S. employees toil through tax season, their agency is being dismantled by the government it powers. (www.newyorker.com)
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Existential Kids - How did I get inside my body? (www.newyorker.com)
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Will the Supreme Court Stop Donald Trump? - By defying the Justices’ ruling on a man mistakenly sent to El Salvador, the Administration has shown that it is not owed the deference typically shown to the executive branch. (www.newyorker.com)
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Daily Cartoon: Monday, April 14th - “No need to worry about our retirement funds—have you seen what these Trader Joe’s tote bags are reselling for?” (www.newyorker.com)
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“Midnight Nest,” by Arthur Sze - “Instead of parts / of a world, I carry worlds within this world.” (www.newyorker.com)
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What Comes After D.E.I.? - Colleges around the country, in the face of legal and political backlash to their diversity programs, are pivoting to an alternative framework known as pluralism. (www.newyorker.com)
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Starved in Jail - Why are incarcerated people dying from lack of food or water, even as private companies are paid millions for their care? (www.newyorker.com)
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R. Crumb Looks Back - The underground-comic artist visits the Whitney with his biographer, Dan Nadel, and considers some old friends: his own psychedelic skulls, placemat sketches, and muscly women. (www.newyorker.com)
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Donald Trump’s Tariffs and the Price of Calm - The view from northern Europe, which, until very recently, had long seen the United States as a land of hope. (www.newyorker.com)
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Does a Fetus Have Constitutional Rights? - After Dobbs, fetal personhood has become the anti-abortion movement’s new objective. (www.newyorker.com)
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Frank Viva’s “Hot Air” - The chaos on Capitol Hill. (www.newyorker.com)
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Kurt Weill Kept Reinventing Himself - Fresh New York stagings of “The Threepenny Opera” and “Love Life” show off the composer’s daring and range. (www.newyorker.com)
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David Byrne Takes the Stairs - The Talking Heads front man brought his acrylic markers to the Pace gallery recently to make some art—dancing ovals, a glamorous blob—on the stairwell walls. (www.newyorker.com)
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The “Lady Preacher” Who Became World-Famous—and Then Vanished - Aimee Semple McPherson took to the radio to spread the Gospel, but her mysterious disappearance cast a shadow on her reputation. (www.newyorker.com)
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Briefly Noted - “The Maverick’s Museum,” “The Franklin Stove,” “The Dream Hotel,” and “Hunchback.” (www.newyorker.com)
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After Forty Years, Phish Isn’t Seeking Resolution - People who love Phish do so with a quasi-religious devotion. People who dislike Phish do so with an equal fervor. (www.newyorker.com)
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“Fireflies,” by Maya C. Popa - “The new air is empty, and who knew / we’d miss even what afflicted us?” (www.newyorker.com)
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How to Survive the A.I. Revolution - The Luddites lost the fight to save their livelihoods. As the threat of artificial intelligence looms, can we do any better? (www.newyorker.com)
Letters from Our Readers - Readers respond to Gideon Lewis-Kraus’s piece about the near-universality of declining birthrates. (www.newyorker.com)
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Bagels, Ranked - Jalapeño and Cheddar: This is not a bagel. This is what you order to signal to the guy at the counter that you need him to call a cop. (www.newyorker.com)
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Adam Levin on How to Exacerbate Trauma - The author on his story “Jenny Annie Fanny Addie.” (www.newyorker.com)
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“Jenny Annie Fanny Addie,” by Adam Levin. - “Terminator 2” was a good choice. Throughout the whole movie I forgot about the groping. (www.newyorker.com)
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Jeff Bridges Is Digging It - The actor and musician discusses how to “let it do you,” why almost dying was a gift, and his new album, “Slow Magic.” (www.newyorker.com)
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Steve Martin on Marshall Brickman’s “Who’s Who in the Cast” - From Brickman, I learned that satire can be friendly, even cheerful, and that anything was a suitable target. (www.newyorker.com)
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Restaurant Review: Gjelina Imports the Fantasy of L.A. - The famous Venice Beach restaurant finally has an outpost in New York, but something is inevitably lost in the migration. (www.newyorker.com)
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Michael Gandolfini Worries About Brawn and Bravado - To prepare for his role on the TV show “Daredevil: Born Again,” the son of Tony Soprano gave Staten Island a try. (www.newyorker.com)
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Adam Levin Reads “Jenny Annie Fanny Addie” - The author reads his story from the April 21, 2025, issue of the magazine. (www.newyorker.com)
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The Miraculous Fate of a Photographer of Miracles - Kate Friend set out to make a series about the places where the Virgin Mary is said to have appeared. Her pilgrimage took a curious turn. (www.newyorker.com)
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Living Through the Market Crash? Ask a Centenarian - Charlie Duncan, a hundred-and-five-year-old Georgia resident, recalls the mood in 1929. (www.newyorker.com)
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What the World Learned from Donald Trump’s Tariff Week - The danger behind the President’s posturing is that, by so emphatically insisting on America’s indispensability, he may be undermining it. (www.newyorker.com)
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Trump Gets a “Spanking” from the Bond Market - “His tolerance for chaos is perhaps going to end up running up against China’s tolerance for pain,” the staff writer Evan Osnos says. (www.newyorker.com)
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So You Want to Be a Dissident? - A practical guide to courage in Trump’s age of fear. (www.newyorker.com)
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Can Reality TV Redeem Jake and Logan Paul? - On their new show, “Paul American,” the controversial influencers try to show a softer side. (www.newyorker.com)
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Ryan Coogler on “Sinners” - The director talks with the staff writer Jelani Cobb about his influences and mentors, and how he made a vampire story “uniquely personal.” (www.newyorker.com)
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Will the Supreme Court Yield to Donald Trump? - The contributor Ruth Marcus looks at federal judges’ resistance to executive orders—and whether the Supreme Court will ultimately allow the President to remake the government in his image. (www.newyorker.com)
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Daily Cartoon: Friday, April 11 - “Sure, the superintelligence has its flaws. But think about how much the technology will improve even just a year from now.” (www.newyorker.com)
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“The Handmaid’s Tale” Reflects the Exhaustion of Liberal Feminism - What’s most striking about the show, now in its final season, is not its hysteria but its lack of conviction. (www.newyorker.com)
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The Mystery of ICE’s Unidentifiable Arrests - In early March, the agency announced that it had arrested forty-eight people in New Mexico—a month later, their identities and whereabouts remain unknown. (www.newyorker.com)
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“The Shrouds” Is a Casket Case—and an Unsettling Vision of Techno-Paranoia - In David Cronenberg’s film, billed as his most personal work, Vincent Cassel plays a grieving husband who has devised a novel way of never letting go. (www.newyorker.com)
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Elizabeth Warren Is Trying to Stop “The Dumbest Financial Crisis Ever” - The Massachusetts Democrat argues that Trumponomics is wrecking the American economy. (www.newyorker.com)
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Trump’s Do-Over Presidency - It’s not just tariffs—from ending low-pressure showerheads to pulling troops out of Europe, the President’s second-term obsession is pushing through the unfinished business of his first. (www.newyorker.com)
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The Conservative Legal Advocates Working to Kill Trump’s Tariffs - The New Civil Liberties Alliance is mounting a constitutional challenge to one of the biggest policy questions of our time. Will others follow? (www.newyorker.com)
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The New Yorker Wins Three National Magazine Awards - As it celebrates its hundredth anniversary, the magazine receives the most honors of any eligible publication, for criticism, photography, and documentary film. (www.newyorker.com)
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Daily Cartoon: Thursday, April 10th - “It was at this point, gentlemen, that the President decided it was his plan all along to reverse course.” (www.newyorker.com)
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Are You There, Zeus? It’s Me, Hermes - I think the other gods see me as your assistant, rather than as an equal. And you know how they can be brats! (www.newyorker.com)
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“The Studio” Pokes Fun at Hollywood’s Existential Struggle - The new Apple TV show follows a bumbling studio executive who’s caught between making great movies and making marketable ones. The industry itself faces a similar challenge. (www.newyorker.com)
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Regrets, the YouTube Moms Have a Few - The parents who exploit their kids for clicks in Netflix’s “Bad Influence” want you to think they couldn’t have known better. (www.newyorker.com)
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How Trump’s Tariffs Fit the Autocrat’s Playbook - The President thrives on confrontation and demands supplication. Politicizing the economy creates opportunities for both. (www.newyorker.com)
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Sherrod Brown on Trump’s Tariffs and the Future of Economic Populism - The former Ohio senator thinks the President’s tariff platform, though disastrous, appeals to an increasingly desperate working class. (www.newyorker.com)
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Will Donald Go Down with the Ship? - Dancing on the deck of the Titanic. (www.newyorker.com)
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Trump and the Favoritism Grift - For this President, all policy is personal. (www.newyorker.com)
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Merve Emre Ventures Into the Age Gap - The scholar and literary critic examines a relationship dynamic that has inspired some of the most significant, and provocative, novels of the past three centuries. (www.newyorker.com)
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TikTok and the Retreat from Technological Globalization - Global technology companies are becoming table stakes in the struggle to establish whatever new world order is emerging. (www.newyorker.com)
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Daily Cartoon: Wednesday, April 9th - “Of all the times not to be extinct.” (www.newyorker.com)
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Can A.I. Writing Be More Than a Gimmick? - Vauhini Vara consulted ChatGPT to help craft her new book, “Searches.” But the most moving sections are the ones she wrote herself. (www.newyorker.com)
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What Do Adopted Children Owe Their Birth Parents? - In “Filho,” the filmmaker Tomas Ponsteen, who was adopted from Brazil, grapples with whether or not to search for his biological mother. (www.newyorker.com)
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“A Minecraft Movie” Is a Tale of Two Cinematic Universes - Even a child is unlikely to be entertained by the film’s stream of Minecraft in-jokes—but fans of the director Jared Hess may find something else to excavate. (www.newyorker.com)
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What Pauline Kael Failed to See About Young Film Lovers - The first piece Kael wrote for The New Yorker, “Movies on Television,” suggests why she remains a vexing influence in cinema more than a half century later. (www.newyorker.com)
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Daily Cartoon: Tuesday, April 8th - Tariffs, tariffs, go away. (www.newyorker.com)
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“I Am Seeing My Community of Researchers Decimated” - Across the country, the Trump Administration’s assault on public institutions and its cuts to government funding are forcing scientists to abandon their work and the patients who benefit from it. (www.newyorker.com)
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An A.I.-Generated Article on How to Tell If the Article You’re Reading Is A.I.-Generated - If artificial intelligence wrote it, redundancies won’t be there. I repeat, if artificial intelligence wrote it, redundancies won’t be there. (www.newyorker.com)
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The Other Side of Signalgate - The Trump Administration’s extraordinary security breach has elicited shock, amusement, and anger. An eyewitness in Yemen describes what happened when the bombs started to fall. (www.newyorker.com)
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The Trump Show Comes to the Kennedy Center - Can the fifty-four-year-old arts hub weather the next four years? (www.newyorker.com)
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Will A.I. Save the News? - Artificial intelligence could hollow out the media business—but it also has the power to enhance journalism. (www.newyorker.com)
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In “Dying for Sex,” Cancer and Kink Are Just the Beginning - Inkoo Kang reviews the FX/Hulu miniseries “Dying for Sex,” starring Michelle Williams as a woman seeking erotic fulfillment amid a terminal cancer diagnosis. (www.newyorker.com)
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Daily Cartoon: Monday, April 7th - Which is it? (www.newyorker.com)
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How Donald Trump Crushed the Stock Market - The President’s tariff policy isn’t strategic protectionism; it’s economic self-harm. (www.newyorker.com)
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The Dire Wolf Is Back - Colossal, a genetics startup, has birthed three pups that contain ancient DNA retrieved from the remains of the animal’s extinct ancestors. Is the woolly mammoth next? (www.newyorker.com)
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Seth Rogen Has Some Notes - Over a power lunch with some of his castmates from “The Studio,” the actor considers the job description of a studio head: must love movies but be willing to ruin them. (www.newyorker.com)
Letters from Our Readers - Readers respond to Rebecca Mead’s review of menopause literature, Michael Cunningham’s piece about Annie Proulx’s short story “Brokeback Mountain,” and Namwali Serpell’s article about the New Literalism plaguing today’s biggest movies. (www.newyorker.com)
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Briefly Noted - “The Crossing,” “Powers of Reading,” “Dream State,” and “Tilt.” (www.newyorker.com)
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Another Round with Peter Wolf - In a corner of McSorley’s, the J. Geils Band survivor unspools some tales: sharing pants with Bob Dylan, being David Lynch’s art-school roommate, and putting away a record thirty-seven mugs of beer. (www.newyorker.com)
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Your Handy Road Map to Authoritarianism - Turn right at Toxic Masculinity and continue straight through Weakening Checks and Balances. (www.newyorker.com)
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Environmentalists Are Rethinking Nuclear. Should They? - Fourteen years after the Fukushima disaster, nuclear power is being rebranded as a climate savior, and fission is in fashion. (www.newyorker.com)
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The Evolution of a Folk-Punk Hero - Nine years after retiring his alter ego, Pat the Bunny, Patrick Schneeweis is ready to sing again. (www.newyorker.com)
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“What I Meant to Say Was,” by Sophie Cabot Black - “Let the house burn again; / Already I outlive the New World.” (www.newyorker.com)
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Bluesky’s Quest to Build Nontoxic Social Media - X and Facebook are governed by the policies of mercurial billionaires. Bluesky’s C.E.O., Jay Graber, says that she wants to give power back to the user. (www.newyorker.com)
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James C. Scott’s “In Praise of Floods,” Reviewed - The late political scientist enjoined readers to look for opposition to authoritarian states not in revolutionary vanguards but in acts of quiet disobedience. (www.newyorker.com)
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Richard McGuire’s “Zooming In” - Peering at our relationship to technology. (www.newyorker.com)
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Protecting the National Airspace, Post-DOGE - For nearly seventy years, the F.A.A.’s experimental safety lab near Atlantic City has run turbulence tests, set fire to seat cushions, and dropped crash-test dummies. Will it survive Elon Musk? (www.newyorker.com)
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It’s a Typical Small-Town Novel. Except for the Nazis - In “Darkenbloom,” by the Austrian novelist Eva Menasse, the citizens of a European border town have secrets they’d prefer to forget. (www.newyorker.com)
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Sayaka Murata’s Alien Eye - The author of “Convenience Store Woman” has gained a cult following by seeing the ordinary world as science fiction. (www.newyorker.com)
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Return of the Plastic Straw - Paper straws are out at the Department of Justice. Also banned: Dijon mustard, flimsy paper napkins, and the word “Whiffenpoof.” (www.newyorker.com)
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“Cirrus,” by Rosanna Warren - “ ‘I don’t have time,’ I told / myself, ‘To kill myself: I have / to write a paper on Rimbaud.’ ” (www.newyorker.com)
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David Bezmozgis on Ancestral and Adversarial Pain - The author discusses his story “From, To.” (www.newyorker.com)
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David Bezmozgis Reads “From, To” - The author reads his story from the April 14, 2025, issue of the magazine. (www.newyorker.com)
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Katie Kitamura Knows We’re Faking It - The novelist discusses her new book, “Audition,” the role of performance in everyday life, and the trick of crafting a narrative that functions as a “Rorschach blot.” (www.newyorker.com)
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Margaret Atwood on Mavis Gallant’s “Orphans’ Progress” - Gallant observed with the “cold eye” that Yeats recommended for writers, even when drawing on her own life in fiction. (www.newyorker.com)
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“From, To,” by David Bezmozgis - How little it takes for people to feel “unsafe”—that glib euphemistic construction. The opposite of safe is not unsafe, as the opposite of love is not unlove. (www.newyorker.com)
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The Frick Returns, Richer Than Ever - After a few years away, the Frick Collection reopens with a renovated grandeur that marries Old Master power portraits to a domestic intimacy. (www.newyorker.com)
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At the Smithsonian, Donald Trump Takes Aim at History - The urge to police the past is hardly an invention of the Trump Administration. It is the reflexive obsession of autocrats everywhere. (www.newyorker.com)
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The Shameless Redemption Tour of Jonathan Majors - In “Magazine Dreams,” the actor—who was found guilty of assault—plays a bodybuilder undone by the pressures of image-making. Majors has relied on the slippage between character and actor to facilitate his rebrand. (www.newyorker.com)
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Desperate for Botox - A fiftysomething writer’s quest to get injectables. (www.newyorker.com)
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Capturing the Spirit of a City on Fire - The photographer Andrew Friendly watched Los Angeles burn, and then come together. (www.newyorker.com)
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Trump Finally Gets His Way on Tariffs - With a single act, the President has upended the entire global economic order. (www.newyorker.com)
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Why the Tech Giant Nvidia May Own the Future. Plus, Joshua Rothman on Taking A.I. Seriously - Stephen Witt on the microchip maker’s rise, and the geopolitical challenges it faces. And Rothman thinks people outside the tech world should help shape the impact of A.I. (www.newyorker.com)
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The Writer Katie Kitamura on Autonomy, Interpretation, and “Audition” - The novelist speaks with the staff writer Jennifer Wilson about her newest book, “Audition,” a nuanced story about desire, agency, and creative craft. (www.newyorker.com)
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Daily Cartoon: Friday, April 4th - Ding, ding, ding! (www.newyorker.com)
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Neige Sinno Doesn’t Believe in Writing as Therapy - The French author’s award-winning memoir, “Sad Tiger,” is a richly literary and starkly shattering account of childhood sexual abuse. (www.newyorker.com)
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Has Trump’s Legal Strategy Backfired? - Federal judges do not take well to being lied to or treated, as one put it, like idiots. (www.newyorker.com)
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The Evolution of Dance Theatre of Harlem - Also: Rachel Syme on the latest in charms, the Chicago rapper Saba, turtle races in Bed-Stuy, Caspar David Friedrich paired with Schumann, and more. (www.newyorker.com)
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The Play Where Everyone Keeps Fainting - Dozens of audience members have lost consciousness watching Eline Arbo’s adaptation of “The Years.” The internet has come to believe that a conspiracy is afoot. (www.newyorker.com)
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“Warfare” Offers a Hyperrealist Rebuke of the American War Movie - Alex Garland’s latest film, which he co-directed with the former Navy SEAL Ray Mendoza, dramatizes a little-known 2006 episode from the Iraq War. (www.newyorker.com)
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Donald Trump’s Ego Melts the Global Economy - On a chilly Wednesday afternoon, the President announced he would single-handedly blow up a century’s worth of globalization. (www.newyorker.com)
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The Dreamlike Journeys of “Việt and Nam” and “Grand Tour” - Two new dramas—from the Vietnamese director Truong Minh Quy, and from the Portuguese director Miguel Gomes—embark on hypnotic, mind-bending treks between past and present. (www.newyorker.com)
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Daily Cartoon: Thursday, April 3rd - Happy Liberation Day! (www.newyorker.com)
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Corrections and Clarifications to Everything I’ve Ever Said - I said that because I was possessed by an ancient, malevolent spirit who I’m also really mad at. (www.newyorker.com)
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Gossip, Then and Now - For much of history, gossip has functioned as a regulating force—one with the power to burnish its subjects’ reputations or to cast them from society. Have new technologies changed the game? (www.newyorker.com)
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A University President Makes a Case Against Cowardice - The Trump Administration wants to punish schools for student activism. Michael Roth, of Wesleyan, argues that colleges don’t have to roll over. (www.newyorker.com)
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The Truth About Donald Trump’s “Liberation Day” - The President’s one-man trade war was already hurting the economy. His expansive new tariffs will make things worse. (www.newyorker.com)
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How Tesla Dealerships Became the Epicenter of the Trump Resistance - More than two hundred protests against Elon Musk and DOGE took place worldwide over the weekend. The staff writer Sarah Larson attended one. (www.newyorker.com)
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Fredrik Backman on the Art of Scandinavian Storytelling - The best-selling author of “A Man Called Ove,” “Anxious People,” and the “Beartown” trilogy highlights four novels from his native Sweden that are making their English débuts this year. (www.newyorker.com)
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Daily Cartoon: Wednesday, April 2nd - “Wow—I’d just assumed your profile picture was A.I.-generated.” (www.newyorker.com)
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You Love the Office - “My deskmate smells like roadkill, just like my roommate. It’s like I never left home.” (www.newyorker.com)
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The Limits of A.I.-Generated Miyazaki - The launch of GPT-4o inspired a rash of A.I.-generated Studio Ghibli-style images. They may bode worse for audiences than for artists. (www.newyorker.com)
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What Marine Le Pen’s Conviction Means for French Democracy - After the far-right leader was found guilty of embezzlement and barred from running for office, her supporters cried foul. Was justice served or politicized? (www.newyorker.com)
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Today on “Tariff, Conquer, or Buy” - Spinning out of control. (www.newyorker.com)
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The “Snow White” Controversy, Like Our Zeitgeist, Is Both Stupid and Sinister - Placing the failure of the live-action remake largely at Rachel Zegler’s feet is almost perversely flattering to her. (www.newyorker.com)
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“Fiume o Morte!” Brilliantly Dramatizes the Rise of a Demagogue - Igor Bezinović’s film thrusts century-old archival footage into the present, restaging the brazen reign of an autocrat whose tactics feel startlingly resonant today. (www.newyorker.com)
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The Fired Student-Debt Relievers at the Department of Education - As Donald Trump guts the Department of Education, a vastly diminished staff attempts to keep the wheels on the government’s 1.6-trillion loan portfolio. (www.newyorker.com)
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Daily Cartoon: Tuesday, April 1st - “I’ve decided to focus less on cardio and more on strength to get out of bed in the morning.” (www.newyorker.com)
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David Wright Faladé Reads Madeleine Thien - The author joins Deborah Treisman to read and discuss “Lu, Reshaping,” which was published in The New Yorker in 2021. (www.newyorker.com)
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America!: Wake Up, This Decade Has Just Been an Elaborate April Fools’! - Since 2015, you’ve been part of a cinéma-vérité project directed by Jordan Peele, and you’re playing Hapless Liberal No. 61. (www.newyorker.com)
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Are We Taking A.I. Seriously Enough? - There’s no longer any scenario in which A.I. fades into irrelevance. We urgently need voices from outside the industry to help shape its future. (www.newyorker.com)
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How Donald Trump Is Teaching Christians to Abandon Empathy - The head of the Southern Baptist Theological Seminary says that it is “used politically in ways that are very destructive and manipulative.” (www.newyorker.com)
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The Makeup Artist Donald Trump Deported Under the Alien Enemies Act - The President has invoked the law to send Venezuelans to prison in El Salvador without due process—and, in many cases, under false pretenses. (www.newyorker.com)
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Fighting Elon Musk, One Tesla Dealership at a Time - “It’s ironic that, as a pro-democracy and pro-climate group, we’re protesting against electric cars,” one activist said. “But you cannot sacrifice our democracy for one piece of the thing.” (www.newyorker.com)
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Li’l Kayla Endures It All - A young Texas girl who loves solitude and honey buns navigates a cruel and indifferent world. (www.newyorker.com)
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“Day One,” by Bon Iver (with Dijon and Flock of Dimes) - “Been a long while now coming up / Thought we were past it, thought we’d patched it up.” (www.newyorker.com)
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John Thune and the Senate’s Age of Irrelevance - Elon Musk’s DOGE and Trump’s executive orders are pushing Congress’s upper chamber from ineffectiveness to obsolescence. Will John Thune, the new Majority Leader, let them? (www.newyorker.com)
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Kevin McDonald, Superstar! - In his new rock opera, the Canadian comedian and Kids in the Hall veteran conjures a boozy night from the nineties, with an assist from Dave Hill on electric guitar. (www.newyorker.com)
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Why Is Elon Musk Trying to Buy a Wisconsin Supreme Court Seat? - Tuesday’s election, as the only statewide race in the country before November, is a crucial test for the growing backlash against the Trump Administration’s agenda. (www.newyorker.com)
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Two Over Easy, with a Side of Xanthan Gum - With egg prices soaring, New York bodegas are asking if liquid eggs can save the bacon, egg, and cheese. (www.newyorker.com)
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The Instagrammer Who Floats Like James Harden and Shoots Like Shaq - Maxim Peranidze, a twenty-six-year-old Angeleno from Moldova, has a knack for impersonating basketball stars, aided by fake beards, embellished jerseys, and his twin, Gene. (www.newyorker.com)
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It’s Always the Other Side That’s Been Brainwashed - What talk of brainwashing helps us not to talk about. (www.newyorker.com)
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Daily Cartoon: Monday, March 31st - “It’s your bracket—I’m afraid it’s busted.” (www.newyorker.com)
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Mixed Signals - Who says there are no historical precedents for accidentally including a journalist on top-secret war plans? (www.newyorker.com)
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“Refusal,” by Cynthia Ozick - “Acclaim / Nature’s hues / in fall and spring.” (www.newyorker.com)
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Joan Didion’s Notes on Therapy - Notes to John Gregory Dunne. (www.newyorker.com)
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Leslie Bibb Goes Indigo - Stateside again, the “White Lotus” star discusses life with her partner, Sam Rockwell, and whether Patrick Schwarzenegger really eats two breakfasts. (www.newyorker.com)
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Does the Knot Have a “Fake Brides” Problem? - The popular wedding website helps d.j.s, caterers, and florists find spouses-to-be. Some venders say they’re finding something else. (www.newyorker.com)
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Why the Court Hit the Brakes on School Desegregation - Two decades after Brown v. Board, the Supreme Court struck down a desegregation order—and paved the way for today’s retrenchment efforts. (www.newyorker.com)
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Why Catullus Continues to Seduce Us - Imbuing his work with a volatile mix of tenderness, aggression, sophistication, and obscenity, the Roman poet left a record of a divided and fascinating self. (www.newyorker.com)
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Briefly Noted Book Reviews - “Taking Manhattan,” “Mornings Without Mii,” “Goddess Complex,” and “Death Takes Me.” (www.newyorker.com)
Letters from Our Readers - Readers respond to Kelefa Sanneh’s Profile of Mike White, Lawrence Wright’s article about the spiritual alliance between nuns and women on Texas’s death row, and Kathryn Schulz’s review of “The Lives of Spiders,” by Ximena Nelson. (www.newyorker.com)
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Ayşegül Savaş Reads “Marseille” - The author reads her story from the April 7, 2025, issue of the magazine. (www.newyorker.com)
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Restaurant Review: Crevette Makes Great Seafood Look Easy - A new restaurant from the team behind Dame and Lord’s doesn’t so much enter the seafood conversation as elegantly commandeer it. (www.newyorker.com)
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Ayşegül Savaş on Friendship and Friction - The author discusses her story “Marseille.” (www.newyorker.com)
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“Marseille,” by Ayşegül Savaş - Alba stretched her arms dramatically. “I mean, I guess it would be fun to have an amoureux in Marseille. Handy for holidays.” (www.newyorker.com)
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The Second Season of “Wolf Hall” Surpasses Its Acclaimed Predecessor - In the culmination of the Hilary Mantel adaptation, Mark Rylance’s Thomas Cromwell becomes a more poignant figure, weighed down by regrets. (www.newyorker.com)
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Welcome to the Preschool Plague Years - Young children bring so much joy into their parents’ lives—and so, so many germs. (www.newyorker.com)
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An Ingénue’s Intimate Snapshots of the New Hollywood - Candy Clark’s Polaroid closeups of familiar faces—Steven Spielberg, Carrie Fisher, Jeff Bridges—evoke a looser, more freewheeling time in show business. (www.newyorker.com)
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Why Do We Want to Believe That Jim Morrison Is Still Alive? - The singer died in 1971. A new documentary series posits that he faked his death to escape the burden of fame, and is living in hiding. (www.newyorker.com)
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Elaine Pagels on the Mysteries of Jesus - After a lifetime spent studying Christianity, the scholar and best-selling author talks with David Remnick about why there’s still controversy over the religion’s foundational texts. (www.newyorker.com)
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Senator Chris Murphy: “This Is How Democracy Dies—Everybody Just Gets Scared” - The Trump Administration is moving to prevent fair elections in 2026, the Connecticut Democrat says. “It won’t matter if we’re more popular than them.” (www.newyorker.com)
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When Marvel Meets “Much Ado About Nothing” - A splashy new production of the play may give a sense of where Shakespeare productions are heading. (www.newyorker.com)
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Daily Cartoon: Friday, March 28th - “This is great! I’ve got so much sand in my eyes and mouth, I’m not thinking about politics at all.” (www.newyorker.com)
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Why Benjamin Netanyahu Is Going Back to War - The public’s fears for the fate of the ceasefire and the hostages have become a struggle over the rule of law. (www.newyorker.com)
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Barry Blitt’s “Left to Their Own Devices” - The Trump Administration’s not-so-classified group chat. (www.newyorker.com)
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The Six-Figure Nannies and Housekeepers of Palm Beach - An influx of ultra-high-net-worth newcomers has increased demand for experienced—and discreet—household staff. (www.newyorker.com)
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Richard Brody’s New Directors/New Films Picks - Also: The hundred-year-old jazz saxophonist Marshall Allen, Baz Luhrmann’s dramatic new East Village bar, Alice Childress’s “Wine in the Wilderness,” and more. (www.newyorker.com)
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Will Trump’s Gulf of America Power Trip Break the White House Press Corps? - The Associated Press had its day in court on Thursday, but free speech in this Presidency is already a big loser. (www.newyorker.com)
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How Donald Trump Throttled Big Law - The President has two goals: to seek revenge and to intimidate lawyers challenging his agenda. Is a top firm’s deal with him a necessary act of survival or a damaging blow to the entire profession? (www.newyorker.com)
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Bonus Daily Cartoon: Extracurricular Activity - “What time did they say this kid gets out of class again?” (www.newyorker.com)
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Daily Cartoon: Thursday, March 27th - “The court has spoken—let’s see if anyone listens.” (www.newyorker.com)
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The Millennial Exit - We were raised on red-40 cereals and people-pleasing! Shouldn’t any of that count for something?! (www.newyorker.com)
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Joe Rogan, Hasan Piker, and the Art of the Hang - New forms of media that invite intense parasociality are capturing the attention of young men. What does it portend for our politics? (www.newyorker.com)
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Will Trump’s Obsession with Space Save NASA? - “NASA is going to be politicized in a way that it’s never been politicized before,” the reporter David W. Brown says. “And I’m afraid there’s no way to undo that once it’s happened.” (www.newyorker.com)
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The Cinematic Glories of Manoel de Oliveira’s Endless Youth - The Portuguese director, who made twenty-two features after the age of eighty, rejuvenated the art of movies by linking personal experience to the arc of history. (www.newyorker.com)
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The Greater Scandal of Signalgate - The spectacle of incompetence and the attempts to smear a reporter are a misery; even worse is the encroaching threat of autocracy that cannot be concealed or encrypted. (www.newyorker.com)
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Edward Hirsch Reads Gerald Stern - The poet joins Kevin Young to read and discuss “96 Vandam,” by Gerald Stern, and his own poem “Man on a Fire Escape.” (www.newyorker.com)
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Women Who Made Amanda Seyfried Feel Less Alone - The Emmy- and Golden Globe-winning actress discusses four books that examine some of the struggles that come with being a daughter, wife, and mother. (www.newyorker.com)
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“Airless Spaces” Captures the Nadir of the Second Wave - If Shulamith Firestone’s last work haunts the feminist movement, it may be because it suggests something disturbing about feminism itself. (www.newyorker.com)
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Deadlifting in Your Nineties, in “Strong Grandma” - An elderly powerlifter trains for competition, in Cecilia Brown and Winslow Crane-Murdoch’s short documentary. (www.newyorker.com)
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Daily Cartoon: Wednesday, March 26th - “OMG, I got into my first-choice college currently being dismantled by the government!” (www.newyorker.com)
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How John Roberts Has Empowered a Lawless Presidency - The Chief Justice’s rebuke of Donald Trump over his calls to impeach judges obscures Roberts’s own role in fostering the destruction in Washington. (www.newyorker.com)
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Resisting Trump 2.0 with Brain-Rot Memes - We participate in political memes to express our anxiety that whatever is coming next might be even more chaotic than what is already happening. (www.newyorker.com)
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Raising Felix: Google Misunderstood - Hey Google! Where can I buy a brother? (www.newyorker.com)
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Is Turkey’s Declining Democracy a Model for Trump’s America? - After purging the judiciary, cracking down on the media, and jailing political opponents, President Recep Tayyip Erdoğan faces protests on a scale not seen in a decade. (www.newyorker.com)
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The Zambian Sensibility of “On Becoming a Guinea Fowl” - Our art reflects a commitment to the pleasant, a subtlety and delay in how we communicate, and an easygoing acceptance of contradiction. (www.newyorker.com)
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Daily Cartoon: Tuesday, March 25th - Nat Sec here, WYD? (www.newyorker.com)
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Bernie Sanders and Alexandria Ocasio-Cortez Fight the Oligarchy - In Arizona, a crowd of thousands suggested that the left still has a pulse. (www.newyorker.com)
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The Government’s Rock Librarian - Her work was so quiet and fundamental—to academia and industry, all over the world—that she believed her job would be safe. (www.newyorker.com)
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The Long Shadow of the Kennedys - The latest release of J.F.K. assassination files so far doesn’t show much—except for the Kennedy name’s continued hold on the country. (www.newyorker.com)
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Sunday in the Amusement Park with Elon - Who knows who you’ll bump into? (www.newyorker.com)
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Daily Cartoon: Monday, March 24th - “I called you here to share my ‘White Lotus’ theories.” (www.newyorker.com)
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How Police Let One of America’s Most Prolific Predators Get Away - When a prosecutor began chasing an accused serial rapist, she lost her job but unravelled a scandal. Why were the police refusing to investigate Sean Williams? (www.newyorker.com)
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“Arms” - “We heard about the boy / Who drowned while swimming / With a dolphin.” (www.newyorker.com)
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Carol Leifer Can Make You Funny - In a new book, the “Seinfeld” and “S.N.L.” writer shares the secrets to the perfect toast: don’t drink too much, and, remember, the Gettysburg Address was only two minutes long. (www.newyorker.com)
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Haley Mlotek’s “No Fault: A Memoir of Romance and Divorce,” Reviewed - The battle for custody of a contested institution. (www.newyorker.com)
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Story Time with the Man Who Oversaw SEAL Team Six - After a military career that included helping take out bin Laden, Admiral William McRaven has assembled a new squad: Caring Cow, Persevering Penguin, and Forgiving Frog. (www.newyorker.com)
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Don’t Believe Trump’s Promises About Protecting the Social Safety Net - The Social Security Administration is shuttering offices, and the Republicans’ own math suggests that they are planning big cuts to Medicaid and SNAP. (www.newyorker.com)
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Alabaster DePlume Grapples with It - The saxophonist and jazz poet (real name Angus Fairbairn) hit the jujitsu mat at a Wall Street dojo. (www.newyorker.com)
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Why We Can’t Quit Talking About Jesus - Scholars debate whether the Gospel stories preserve ancient memories or are just Greek literature in disguise. But there’s a reason they won’t stay dead and buried. (www.newyorker.com)
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The Elements of Style, 2025 - Updating Strunk and White. Link two thoughts with a semicolon, as in: He’s not even the real President; the other, even weirder billionaire seems to be in charge. (www.newyorker.com)
Letters from Our Readers - Readers respond to Adam Gopnik’s piece about Lillian Ross’s Profile of Ernest Hemingway and Burkhard Bilger’s article about high-school marching bands. (www.newyorker.com)
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Medical Benchmarks and the Myth of the Universal Patient - From growth charts to anemia thresholds, clinical standards assume a single human prototype. Why are we still using one-size-fits-all health metrics? (www.newyorker.com)
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R. Kikuo Johnson’s “Upstairs, Downstairs” - A tale of two schlepps. (www.newyorker.com)
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Briefly Noted Book Reviews - “Seeking Shelter,” “Dust and Light,” “What You Make of Me,” and “Casualties of Truth.” (www.newyorker.com)
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The Quintessentially American Story of Indian Pizza - In the eighties, a Punjabi immigrant bought an old Italian restaurant in San Francisco. The dish he pioneered became a phenomenon. (www.newyorker.com)
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The Art Works in Flannery O’Connor’s Attic - In an old Georgia mansion, a team of the writer’s devotees found a dusty wooden box: inside were two dozen of her never-seen oil paintings. (www.newyorker.com)
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Dirty Projectors Creates a Symphony for a Burning World - Between brutal fire seasons in Los Angeles, David Longstreth wrote “Song of the Earth,” an album that captures the beauty, and the peril, of nature. (www.newyorker.com)
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“Woman in a Landscape,” by Robin Becker - “Naked, I wanted / to be useful to her in the color fields / of July and August.” (www.newyorker.com)
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Bryan Washington on Writing Toward Optimism - The author discusses his story “Hatagaya Lore.” (www.newyorker.com)
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The Deaths—and Lives—of Two Sons - The truth is that however I choose to express myself will not live up to the weight of these facts: Vincent died, and then James died. (www.newyorker.com)
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Bryan Washington Reads “Hatagaya Lore” - The author reads his story from the March 31, 2025, issue of the magazine. (www.newyorker.com)
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Richard Brody on Pauline Kael’s “Notes on Heart and Mind” - The movie critic’s informal manifesto reflects both her brilliance and her blind spots during a revolutionary period in Hollywood. (www.newyorker.com)
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The E.P.A. vs. the Environment - With the help of the agency, the Trump Administration is doing everything it can to make emissions grow again. (www.newyorker.com)
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“Hatagaya Lore,” by Bryan Washington - The bar was mostly empty, but Aaliyah was playing, so I passed the bartender some yen, and after he mixed my drink he lingered in front of me. (www.newyorker.com)
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Helen, Help Me: Should I Be Cooking with Ostrich Eggs? - Our food critic answers a reader’s question about alternatives to the beleaguered chicken egg. (www.newyorker.com)
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Disney’s “Snow White” Remake Whistles But Doesn’t Work - Loathed even before its release, the latest live-action version of an animated classic embodies many of the cynical moves of the remake racket. (www.newyorker.com)
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Will Judges Stick Together to Face Trump’s Defiance? - “If they don’t stand up to Trump right now on this kind of power grab, then the pretenses of what the courts are for will be really exposed,” Michael Waldman, the C.E.O. of the Brennan Center for Justice, says. (www.newyorker.com)
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The Flawed Heart of “Adolescence” - The creators of the British miniseries think of the contemporary English boy as a fragile creature, abandoned by society. (www.newyorker.com)