What Will Bari Weiss Do to CBS News? - A change in leadership at the network has been seen as part of an effort to appease Donald Trump. But there may be other motivations. (www.newyorker.com)
The Guts and Glory of “Indian Rodeo” - For more than a decade, Jeremiah Murphy has been trying to capture the beauty of a deeply American sport. (www.newyorker.com)
Daily Cartoon: Monday, October 6th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
The Violent, Hilarious Return of “Hothead Paisan” - Diane DiMassa’s “homicidal lesbian terrorist” was a star of underground comics in the nineties, but her “rage therapy” has lost none of its edge. (www.newyorker.com)
A Season of Rage at the Philharmonic and the Met - Gustavo Dudamel conducts John Corigliano’s blistering First Symphony; Chuck Schumer faces a hostile crowd at the opening night of “Kavalier & Clay.” (www.newyorker.com)
Brian Stauffer’s “Winds of Change” - A gust of fall. (www.newyorker.com)
Tonatiuh Refashions Old Hollywood - The “Promised Land” actor goes window shopping as he stars in his first big movie role, opposite Jennifer Lopez, in “Kiss of the Spider Woman.” (www.newyorker.com)
Andrew Yang Goes Off the Grid - The former Presidential candidate, once endorsed by Elon Musk, has been hosting phone-free parties. But can his guests actually stop looking at their screens? (www.newyorker.com)
Keri Russell’s Emotional Transparency Has Anchored Three Decades of TV - But, offscreen, sheâs not even sure that she wants to be an actress. (www.newyorker.com)
How the Killing of Robert Brooks and a Strike Convulsed New York’s Prisons - How two murders and a strike exposed a system at its breaking point. (www.newyorker.com)
“Shapeshifter,” by Joy Harjo - “The white deer appeared on the road to his sister / As she returned from looking for him.” (www.newyorker.com)
These Black Boots Are Different from Those Black Boots - These have an almond toe. Those have a rounded toe. These have a Vibram sole. Those have a leather sole. These are suède. Those are waterproof. (www.newyorker.com)
Briefly Noted Book Reviews - “If Anyone Builds It, Everyone Dies,” “The Improbable Victoria Woodhull,” “The Wilderness,” and “The Unbroken Coast.” (www.newyorker.com)
Pan-African Dreams, Post-Colonial Realities - Two new books, on Kwame Nkrumah’s promise and Idi Amin’s tyranny, capture the soaring hopes and bitter aftermath of Africa’s age of independence. (www.newyorker.com)
Donald Trump’s Big Pharma Showdown Ends with a Whimper - Wall Street is celebrating the White House’s deal with Pfizer on drug prices. Patients shouldn’t be. (www.newyorker.com)
Charlie Puth’s Overdue Jam Session - The singer of “See You Again” trained as a jazz musician but was trapped in the pop machine. Finally, he’s at home at the Blue Note. (www.newyorker.com)
The Prime Minister Who Tried to Have a Life Outside the Office - As the thirtysomething leader of Finland, Sanna Marin pursued an ambitious policy agenda. The press focussed on her nights out and how she paid for breakfast. (www.newyorker.com)
Before Kimmel, the Smothers Brothers Ate It - President Nixon got the brothers’ variety show cancelled after they wouldn’t let up on Vietnam. In the wake of the new late-night wars, Dick Smothers is having flashbacks. (www.newyorker.com)
“Bird Song,” by José Antonio Rodríguez - “A bird sings and I don’t know its name.” (www.newyorker.com)
Letters from Our Readers - Readers respond to Daniel Immerwahr’s piece about the fires that plagued the Bronx in the nineteen-seventies. (www.newyorker.com)
Do We Still Like Taylor Swift When She’s Happy? - The weak lyricism in the Travis Kelce-inspired songs on “The Life of a Showgirl” has led to some of the most virulent and sexist anti-Swift discourse in years. (www.newyorker.com)
Brandon Taylor on the Quandary of Black Art - The author discusses his latest novel, “Minor Black Figures,” and the discourse around racial subjectivity. (www.newyorker.com)
The Tangled Case of Karim Khan and the I.C.C. - The chief prosecutor has obtained warrants against Israeli leaders for war crimes—but faces allegations of sexual misconduct. (www.newyorker.com)
Catherine Lacey Reads “Coconut Flan” - The author reads her story from the October 13, 2025, issue of the magazine. (www.newyorker.com)
“Coconut Flan,” by Catherine Lacey - Wherever Daria went, all over the world, strangers stopped her on the street for directions, as if she were such a neutral presence that she belonged almost anywhere. (www.newyorker.com)
Catherine Lacey on the Uses of Estrangement - The author discusses her story “Coconut Flan.” (www.newyorker.com)
Donald Trump, Pete Hegseth, and the “War from Within” - Peace abroad and war at home? It’s an unusual note to strike in an electoral democracy. (www.newyorker.com)
Rebecca Mead on Mary Ellen Mark’s Photo from the Puerto Rican Day Parade - The longtime contributor sought out New Yorkers who were defiantly original. (www.newyorker.com)
Restaurant Review: Bartolo - Bartolo asks something of you, in the way that a good Spanish dining room does. (www.newyorker.com)
At the Edge of Peace - As a ceasefire deal between Israel and Hamas takes shape, the long shadow of the war in Gaza gives way to a flicker of hope. (www.newyorker.com)
What Happens to School Lunches in the MAHA Era? - R.F.K., Jr., promised healthier food for kids, but the Trump Administration is cutting programs that achieve this goal. (www.newyorker.com)
Why Did We Love “To Catch a Predator”? - A new documentary explores how the show turned troubled individuals’ actions into a quasi-pornographic exhibit meant for an audience’s titillation. (www.newyorker.com)
The Original Brooklyn Selfie King - In the nineteen-thirties and forties, my grandfather constantly, carefully photographed himself. What was he trying to see? (www.newyorker.com)
How Russell Vought Broke the U.S. Government - An architect of Project 2025 is now at the center of the government shutdown. (www.newyorker.com)
How Lionel Richie Mastered the Love Song - The artist discusses touring with Tina Turner, what he learned from Marvin Gaye, and the “most important note” to hit—in music and in life. (www.newyorker.com)
A Conservative Professor on How to Fix Campus Culture - Robert P. George opposed Roe v. Wade, same-sex marriage—and the rise of MAGA. “I say to my [liberal] colleagues,” he claims, “it was you guys who gave us Donald Trump!” (www.newyorker.com)
Taylor Swift’s New Album, “The Life of a Showgirl,” Reviewed - “The Life of a Showgirl,” the artist’s new album, is full of cringey sexual innuendo, millennial perfectionism, and an obsession with her haters that wears thin. (www.newyorker.com)
How New Mexico Became a Sanctuary State for Health Care - Since Roe v. Wade was overturned, the number of abortion clinics there has doubled. With strong protections for gender-affirming treatment, and now universal child care, the state is betting on a progressive vision. (www.newyorker.com)
Daily Cartoon: Friday, October 3rd - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
Man Ray’s Deadpan Wit on Display at the Met - Also: an immersive “Phantom of the Opera” follow-up, the Rock in “The Smashing Machine,” Paris Opera Ballet, and more. (www.newyorker.com)
The Complexities of Trans Gun Ownership - In the face of threats and harassment, some trans Americans are becoming gun owners—only to be targeted by the same movements that claim to defend gun rights. (www.newyorker.com)
“After the Hunt” Is a Pleasurably Ludicrous House of Cards - In Luca Guadagnino’s film, Julia Roberts plays a Yale professor forced to choose sides when a student accuses a colleague of sexual assault. (www.newyorker.com)
Can the Democrats Take Free Speech Back from the Right? - The opportunity is there, but the Party’s establishment would have to confront the issue that has prompted more recent censorship than any other. (www.newyorker.com)
What to See in the 2025 New York Film Festival’s Second Week - This year’s Revivals section spotlights a hidden classic by a major modern filmmaker whose new movie is equally great. (www.newyorker.com)
Donald Trump’s Shutdown Power Play - The President learned in 2019 how to undercut Congress in a funding fight, and he’s been making the same move ever since. (www.newyorker.com)
Daily Cartoon: Thursday, October 2nd - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
The Unexpected Sweetness of Bill and Ted’s “Waiting for Godot” - The British buzz merchant Jamie Lloyd directs Alex Winter and Keanu Reeves in Samuel Beckett’s 1954 tragicomedy; plus, “All Right. Good Night.,” from Rimini Protokoll. (www.newyorker.com)
One Paul Thomas Anderson Film After Another - With “One Battle After Another,” the beloved auteur is working outside his typical period-film framework. What is he trying to say about America today? (www.newyorker.com)
My Cat Is Gen Z - She has only ever known a life with the internet. (www.newyorker.com)
Will the Supreme Court Hand Trump Another Slate of Victories? - The docket for the Court’s upcoming term includes major disputes that could reshape election law and redefine the limits of Presidential power. (www.newyorker.com)
Exploring the Intricacies of Memory with Ada Limón - The former U.S. Poet Laureate, who has a new book out this week, recommends five texts that interrogate how we narrate the past. (www.newyorker.com)
Daily Cartoon: Wednesday, October 1st - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
The Age of Enshittification - In a new book, the technology critic Cory Doctorow expands on a coinage that has become bleakly relevant, in Silicon Valley and beyond. (www.newyorker.com)
Is Donald Trump’s Sweeping Gaza Peace Plan Really Viable? - Many doubts prevail, but the deal is “political gold” for Benjamin Netanyahu either way. (www.newyorker.com)
Why Democrats Shut Down the Government - Having the fight is the point. Winning it is a different matter. (www.newyorker.com)
Why We Know So Little About Medicines During Pregnancy - Trump’s attacks on Tylenol come after decades in which many women were excluded from medical studies, which has created uncertainty about which drugs are safe. (www.newyorker.com)
Adebunmi Gbadebo and the Mysteries of Clay - The aftereffect of a new ceramics show, “Watch Out for the Ghosts,” at the Nicola Vassell Gallery, is of feeling . . . pricked. (www.newyorker.com)
Klutz Activity Books for Adults - This book comes with some quick-dry clay and instructions on how to make a shitty little ashtray that you can show your friends and say, “Yeah, I really love pottery—I’m thinking of starting a business.” (www.newyorker.com)
Karen Russell Reads Louise Erdrich - The author joins Deborah Treisman to read and discuss “The Stone,” which was published in The New Yorker in 2019. (www.newyorker.com)
“The Smashing Machine” Pulls Its Punches - Despite Dwayne (the Rock) Johnson’s taut performance, Benny Safdie’s bio-pic about the mixed-martial-arts fighter Mark Kerr proves distanced and passionless. (www.newyorker.com)
Trump Has Seen the Enemy - And it is U.S. (www.newyorker.com)
Daily Cartoon: Tuesday, September 30th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
Inside the “Love is Blind” Notebooks - Revealing the fraught thought process behind falling in love with someone, sight unseen. (www.newyorker.com)
The Stunning Reversal in U.S.-India Relations - Why is Donald Trump turning on his ideological ally Narendra Modi? (www.newyorker.com)
Bruce Smith Reads Mary Ruefle - The poet joins Kevin Young to read and discuss “Open Letter to My Ancestors” by Mary Ruefle, and his own poem “The Game.” (www.newyorker.com)
Should College Get Harder? - A.I. is coming for knowledge work, and yet college seems to be getting easier. Does something need to change? (www.newyorker.com)
Daily Cartoon: Monday, September 29th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
Donald Trump’s TikTok Deal Looks Like Crony Capitalism - The sale demonstrates the President’s personal brand of industrial policy—transactional, opaque, and designed to politically benefit him and his allies. (www.newyorker.com)
Have Cubans Fled One Authoritarian State for Another? - In the past few years, as many as two million people have escaped the island’s repressive regime and collapsing economy. Those who’ve made it to the U.S. face a new reckoning. (www.newyorker.com)
Letters from Our Readers - Readers respond to Jerome Groopman’s review of “The Headache,” by Tom Zeller, Jr., and Paige Williams’s article on Bill Belichick. (www.newyorker.com)
As Siberia Gets Another Round, Fallon’s a No-Show - The dive bar hidden in a subway entrance was the go-to spot for Anthony Bourdain and Quentin Tarantino. After a two-decade hiatus, it’s popped up in Columbus Circle. (www.newyorker.com)
Now That I Run the Zoo - The tigers eat tofu. “Child care!” / chant kang’roos. / And the sea slugs debate the best / pronouns to use. (www.newyorker.com)
“New Here,” by Nick Laird - “Is there anything / lovelier?” (www.newyorker.com)
Gertrude Stein’s Love Language - How a self-appointed genius found her ideal helpmate. (www.newyorker.com)
Carol Burnett Plays On - The ninety-two-year-old comedy legend has influenced generations of performers. In a string of recent TV roles, she has been co-starring with some of her closest comedic heirs. (www.newyorker.com)
From “Handkerchief,” by Robin Coste Lewis - “Is there anything / lovelier?” (www.newyorker.com)
R. Kikuo Johnson’s “Free Play” - The overwhelming delights of parenting. (www.newyorker.com)
The New York Historical Looks Down East for Its Facelift - Along with a general rebrand, the Central Park West institution is getting clad in pink granite, found—and quarried by manly men—on a wild island in Maine. (www.newyorker.com)
Briefly Noted Book Reviews - “The Einstein of Sex,” “Stan and Gus,” “Heart the Lover,” and “Muscle Man.” (www.newyorker.com)
Tim Berners-Lee Invented the World Wide Web. Now He Wants to Save It - In 1989, Sir Tim revolutionized the online world. Today, in the era of misinformation, addictive algorithms, and extractive monopolies, he thinks he can do it again. (www.newyorker.com)
Disney World’s New Rides Are Sick - Make sure to wash your hands after Viruses of the Caribbean. (www.newyorker.com)
Glowworms - In the punt on the river in the cave, beneath the dim light of glowing worms, it was thoughts of my own death that consumed me. (www.newyorker.com)
An Italian Geek in King Charles’s Court - Federico Marchetti, a fashion entrepreneur, was a confidant of Giorgio Armani, but he’s stumped by whether it’s O.K. to wear a kilt around the king. (www.newyorker.com)
Eric Adams Slips Out the Side Door - The Mayor makes official what has been obvious for some time, and ends his reëlection campaign. (www.newyorker.com)
The Politics of Faith After Charlie Kirk - The future of American democracy could depend on whether Christians see themselves as warriors or servants. (www.newyorker.com)
David Wright Faladé on Pushing Against Easy Notions of Identity - The author discusses his story “Amarillo Boulevard.” (www.newyorker.com)
“Amarillo Boulevard,” by David Wright Faladé - Jean stepped out of the car as Nia approached—lean and arrogant, a cigarette pinched between her lips. Then her swagger slipped, her expression unsettled. (www.newyorker.com)
Jonathan Blitzer on Roger Angell’s “Down the Drain” - In the summer of 1975, one of the great writers about baseball profiled the pitcher Steve Blass, whose career had recently imploded. (www.newyorker.com)
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Chris Kraus Reinvents the True-Crime Novel - Her début, “I Love Dick,” was an epistolary memoir of erotic obsession that redefined the form. In “The Four Spent the Day Together,” she turns another genre on its head. (www.newyorker.com)
Restaurant Review: Mommy Pai’s - Mommy Pai’s serves high-octane flavors out of a fast-casual takeout window. (www.newyorker.com)
David Wright Faladé Reads “Amarillo Boulevard” - The author reads his story from the October 6, 2025, issue of the magazine. (www.newyorker.com)
The Leftist Podcaster Who Studies Online Radicalization - Joshua Citarella sees his YouTube show “Doomscroll” as a “tactical media experiment” to funnel young internet users toward esoteric left-wing ideas. (www.newyorker.com)
What Catherine Leroy’s Fearless Photographs Reveal About the Vietnam War - Fifty years after its horrors, we know that the press helped to turn public opinion against the conflict. That’s because war is hell, and hell is photogenic. (www.newyorker.com)
Richard Linklater’s Uncompromising Artists - In two new historical films, “Blue Moon” and “Nouvelle Vague,” the director explores the challenges of staying true to a creative vision. (www.newyorker.com)
Grace and Disgrace - Hope lies not in expecting a late-in-life conversion experience in the Oval Office but in carrying out the ordinary work of civic life. (www.newyorker.com)
Putting ChatGPT on the Couch - When I played doctor with the chatbot, the simulated patient confessed problems that are real—and that should worry all of us. (www.newyorker.com)
Jimmy Kimmel and the Power of Public Pressure - The comedian has returned to late-night TV. What can the response to his suspension teach us about countering Trump? (www.newyorker.com)
The Flimsy, Dangerous Indictment of James Comey - The charges against the former F.B.I. director look weak. But they may be just the start of Donald Trump’s long-threatened drive to use the Justice Department to go after his enemies. (www.newyorker.com)
Ezra Klein Argues for Big-Tent Politics - The writer and podcast host on the Charlie Kirk discourse, Barack Obama’s distance from politics, Bari Weiss’s Gaza coverage, and the Democratic Party’s future. (www.newyorker.com)
Daily Cartoon: Friday, September 26th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
How Free Is Free Speech? - Doxing, deplatforming, defunding, persecuting, firing, and sometimes killing—all are part of an escalating war over words. What happens next? (www.newyorker.com)
Where Should the Democrats Go from Here? - Some reflections on the defining battle of contemporary American politics—between an all-consuming attentional force and a fractured opposition. (www.newyorker.com)
The Uneasy Prophecies of Cate Le Bon - The Welsh musician’s latest album, “Michelangelo Dying,” offers strange solace in chaotic times. (www.newyorker.com)
Is Trump’s Attack on the Media Following Putin’s Playbook? - What it was like to live through the takeover of one of Russia’s most influential television stations—and what the experience suggests about the state of free expression in the U.S. today. (www.newyorker.com)
“One Battle After Another” Is a Powerhouse of Tenderness and Fury - In Paul Thomas Anderson’s film, starring Leonardo DiCaprio and loosely inspired by Thomas Pynchon’s “Vineland,” the fight against American fascism is a family affair. (www.newyorker.com)
Richard Brody’s New York Film Festival Picks - Also: Kelefa Sanneh’s latest obsessions, the supernatural fantasy of “Weather Girl,” a Franz Liszt piano competition, and more. (www.newyorker.com)
What to See in the 2025 New York Film Festival’s First Week - This year’s edition teems with artistically ambitious movies that confront politics and mores in a wide variety of formats, from historical spectacles to intimate confessions. (www.newyorker.com)
Donald Doubles Down - POTUS pounds the podium. (www.newyorker.com)
Donald Trump Keeps Finding New Ways to Shock the World - Two speeches—one endorsing hate and another warning foreign nations “you will fail”—encapsulate a Presidential agenda that is like no other. (www.newyorker.com)
Daily Cartoon: Thursday, September 25th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
An Intimate Chronicle of Kanye West’s Fall from Grace - The rapper and producer has become a pariah, running for President and praising Hitler. A new documentary gives insight into what went wrong. (www.newyorker.com)
Graham Platner Hopes to Win Susan Collins’s Maine Senate Seat in 2026 - Graham Platner, a local veteran, is angling to take on Susan Collins, who may be vulnerable in her 2026 reëlection bid—and is drawing support from both sides of the aisle. (www.newyorker.com)
A Children’s Book That Actually Feels Like Childhood - In “Sato the Rabbit,” the aim is not to educate but to surrender to the rhythms of daily life. (www.newyorker.com)
What’s Cooking? - The internet has put tens of thousands of recipes at our fingertips—and the art of the dinner party is now the subject of books, blogs, and debate. How did the kitchen become a showcase for the self? (www.newyorker.com)
Preparing for the Impending Apocalypse - Like, you may need to bike to Canada at some point. (www.newyorker.com)
How MAHA Is Sowing Vaccine Confusion - Trump’s second-term overhaul of the C.D.C. and the H.H.S. has turned vaccine policy into a partisan battleground and has left states to fill the void. (www.newyorker.com)
The Mother as Antihero - Sasha Bonét, the author of “The Waterbearers,” shares four books about mothers who are both incredible and imperfect. (www.newyorker.com)
The A.I. Bubble Is Coming for Your Browser - Artificial-intelligence startups, like the makers of the “smart” web browser Dia, are being acquired for vast sums. But it’s not yet clear which products can transcend the hype. (www.newyorker.com)
Daily Cartoon: Wednesday, September 24th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
Gary Shteyngart’s Tragicomedy of the Penis in “The Guy Who Got Cut Wrong” - The author opens up—with pathos, humor, and props—about his experience receiving a botched circumcision. (www.newyorker.com)
How One J6er Has Been Emboldened by His Pardon - Some insurrectionists have re-offended. Others have run for office. Cleveland Grover Meredith, Jr., is campaigning to get reparations—from “the deep state” and his parents. (www.newyorker.com)
A New Era of Vaccine Federalism - As confidence in the C.D.C. wanes, states are asserting more control over their vaccine policies, creating a fragmented public-health system. (www.newyorker.com)
“Once Upon a Time in Harlem” Is a Film for the Ages - William Greaves’s great historical documentary, centered on a 1972 reunion of Harlem Renaissance luminaries, is still awaiting completion. (www.newyorker.com)
Can Progressive Mayors Redeem the Democratic Party? - Zohran Mamdani isn’t the only candidate challenging the status quo—and having fun doing it. (www.newyorker.com)
Daily Cartoon: Tuesday, September 23rd - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
We’re Still Living in Man Ray’s Shadow - A show at the Met reveals not just the wonders of the artist’s rayographs—photographs taken without a camera—but the relentless creativity of the man himself. (www.newyorker.com)
Can Liberalism Be Saved? - The legal scholar Cass Sunstein argues for a more expansive definition of an ideology under threat. (www.newyorker.com)
A Brief Memoir in Snack Recipes - Put two Eggos in a toaster set to the desired level of crispiness. Suggested use: inexplicable meltdowns you’ll think about forever. (www.newyorker.com)
Daily Cartoon: Monday, September 22nd - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
“The Race” by Seamus Heaney - “Who’s that on his bike / Tears on cold cheeks.” (www.newyorker.com)
Letters from Our Readers - Readers respond to Louis Menand’s essay about James Baldwin, Leslie Jamison’s article about perfectionism, and Tad Friend’s report on biohackers. (www.newyorker.com)
The Uses and Abuses of “Antisemitism” - How a term coined to describe a nineteenth-century politics of exclusion would become a diagnosis, a political cudgel, and a rallying cry. (www.newyorker.com)
Mahmoud Khalil, Back Home - Cooking his mother’s maqluba recipe, the Palestinian activist describes his detention in Louisiana: losing fifteen pounds and a cleaning contest with pizza as a prize. (www.newyorker.com)
Ian McEwan Casts the Climate Crisis as a Story of Adultery - His new novel, “What We Can Know,” imagines the historians of the twenty-second century, who long for the world that they’ve missed out on. (www.newyorker.com)
The Art of the Impersonal Essay, by Zadie Smith - In my experience, every kind of writing requires some kind of self-soothing Jedi mind trick, and, when it comes to essay composition, the rectangle is mine. (www.newyorker.com)
Nepal’s Violent Gen Z Uprising - Fed up with élite corruption and widening inequality, a youth-led movement toppled the government in forty-eight hours. Now what? (www.newyorker.com)
Why Won’t America’s Business Leaders Stand Up to Trump? - From Disney’s capitulation on Jimmy Kimmel to tech moguls’ White House dinner, corporate élites are choosing self-preservation over principle. (www.newyorker.com)
The Exacting Magic of Film Restoration - Each year, at a festival in Bologna, movies that were once lost or damaged come back to life. (www.newyorker.com)
New York Civil Servants Strut Their Stuff - Andrew Cuomo, Carolyn Maloney, and other public officials hit the runway in a bipartisan Fashion Week defile. Naomi Campbell for comptroller? (www.newyorker.com)
Briefly Noted Book Reviews - “Swallows,” “Information Age,” “Cryptic,” and “No Sense in Wishing.” (www.newyorker.com)
If A.I. Can Diagnose Patients, What Are Doctors For? - Large language models are transforming medicine—but the technology comes with side effects. (www.newyorker.com)
Jeremy Irons’s Walk of Fame - The “Morning Show” actor strolls the theatre district, remembering his star turn in Tom Stoppard’s “The Real Thing” and recalling the way Mike Nichols always joked that he was Jewish. (www.newyorker.com)
“What I Might Sing,” by Donika Kelly - “Last Friday, I was thinking of Whitney Houston, / and, because of you, I was thinking too of America.” (www.newyorker.com)
H. W. Fowler, the Autocrat of English Usage - Henry W. Fowler believed he knew how sentences should read—and his judgments have shaped The New Yorker’s style for a century. (www.newyorker.com)
“Black Walnuts,” by Seamus Heaney - “Black walnuts hitting a barn roof / Fairly rapped the morning.” (www.newyorker.com)
R.F.K., Jr.: A Day in the Life - Why riding underneath the car is safer than riding inside the car, and other neato things to learn from the Secretary of Health and Human Services. (www.newyorker.com)
“The Lowdown” Is a Noir for Our Era - Sterlin Harjo’s new series, starring Ethan Hawke as a citizen journalist determined to expose the crimes of the élite, is at once rollicking and timely. (www.newyorker.com)
Jeanine Tesori, Young-Adult Whisperer - The award-winning composer of “Fun Home” gave her Juilliard students a prompt for a song-writing assignment: “How do you view the world?” (www.newyorker.com)
My House Burned in the L.A. Fires. What Happens Now? - A devastated community fights for rebirth. (www.newyorker.com)
Reading the New Pynchon Novel in a Pynchonesque America - “Shadow Ticket,” Pynchon’s first book in a dozen years, unfolds its conspiracies in Depression-era Milwaukee and beyond, but it lands in a moment when reality seems to have caught up with his fictions. (www.newyorker.com)
Donald Trump’s Firing of a Federal Prosecutor Crosses the Reddest of Lines - The dismissal of Erik Siebert sends yet another ominous message about the risks of refusing to do the President’s bidding, and the lengths to which he will go to punish perceived enemies. (www.newyorker.com)
Rivka Galchen Reads “Unreasonable” - The author reads her story from the September 29, 2025, issue of the magazine. (www.newyorker.com)
Restaurant Review: I Cavallini - I Cavallini sits right across the street from its sibling establishment, but charts a course of its own. (www.newyorker.com)
Britain Is Manifesting Nigel Farage as Its Next Prime Minister - Donald Trump’s state visit only added to the seeming inevitability of the right-wing Reform Party. (www.newyorker.com)
“Unreasonable,” by Rivka Galchen - I was raised to believe that no human is inherently evil, that evil is a surface disturbance caused by fear, misunderstanding, or ignorance. I’m now reconsidering. (www.newyorker.com)
Rivka Galchen on Raymond Carver’s “Elephant” - The author on the New Yorker story that inspired her story “Unreasonable.” (www.newyorker.com)
Picturing a Chinatown Family Across Twenty-Two Years - More than two decades ago, the Lams invited Thomas Holton, a photographer, to their apartment for dinner. He’s been part of the family ever since. (www.newyorker.com)
The Strange, Cinematic Life of Charlie Sheen - The actor’s new memoir and documentary offer little real vulnerability. But there is undeniable fun in his tales of bad behavior. (www.newyorker.com)
Seeing Enemies Everywhere - The government’s working definition of “hate speech” now seems to include anything that offends Donald Trump personally—including late-night comedy. (www.newyorker.com)
What Trump Wants from a TikTok Deal with China - The Chinese-owned social-media app was banned by Congress because of national-security concerns, but the President seems more interested in leveraging its future for his personal gain. (www.newyorker.com)
What It’s Like to Get Really, Really High - Climbers are often chasing a rush. Was I cheating by using some help to get there? (www.newyorker.com)
Hillary Clinton on the Psychology of Autocrats - The former Secretary of State discusses the Trump Administration’s efforts to reshape American politics and culture. (www.newyorker.com)
Is the 2026 Election Already in Danger? - Donald Trump has long claimed elections are rigged; now he gets to do the rigging. The election lawyer Marc Elias explains what the Administration can and can’t do to impact voting. (www.newyorker.com)
The Cartoonist Liana Finck Picks Three Favorite Children’s Books - The illustrator explains how kids’ books made her an artist, and shares favorites from William Steig, Maira Kalman, and Lore Segal and Harriet Pincus. (www.newyorker.com)
Daily Cartoon: Friday, September 19th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
How Donald Trump’s Culture-Wars Playbook Felled Jimmy Kimmel - The late-night host’s show was pulled from the air after an F.C.C. pressure campaign—one that’s part of a much broader Presidential agenda. (www.newyorker.com)
The Illusion of Joe Manchin’s “Common Sense” - How an old cliché has been warped and weaponized in contemporary American politics. (www.newyorker.com)
Raul Lopez Wants to Be American Fashion - In the first decade of his career, the Brooklyn-born designer retired three times. Now everything seems to be clicking. (www.newyorker.com)
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The Metropolitan Opera Delves Into Comic Books - Also: Long-running culture podcasts having a moment, David Byrne’s art-rock palette, Robert Rauschenberg’s photographs, and more. (www.newyorker.com)
The Great Student Swap - For years, public universities have aggressively recruited out-of-state and international students, charging them higher tuition. But those pipelines may be drying up. (www.newyorker.com)
The Grave Threat Posed by Donald Trump’s Attack on Jimmy Kimmel - The President and his allies are using the power of the state to silence speech they dislike. (www.newyorker.com)
J. D. Vance, Charlie Kirk, and the Politics-as-Talk-Show Singularity - Broadcasting from the White House, the Vice-President seemed to complete the merger of politics and red-meat live streams—and to threaten more ominous crackdowns ahead. (www.newyorker.com)
Robert Redford and the Perils of Perfection - The most golden of golden boys, he was too burnished by Hollywood but kept a lonely chill that was all his own. (www.newyorker.com)
Barry Blitt’s “Remote Control” - The President’s watch list. (www.newyorker.com)
“A Big Bold Beautiful Journey” Is None of Those Things - Kogonada’s new fantasy film, starring Colin Farrell and Margot Robbie, suggests that a great directorial talent is losing his way. (www.newyorker.com)
Israel’s New Occupation - Benjamin Netanyahu says that Israel must become Sparta, hardened against the world. What does that mean for the country’s future? (www.newyorker.com)
Daily Cartoon: Thursday, September 18th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
Yasmina Reza’s “Art” Feeds Our Appetite for Argument as Entertainment - Bobby Cannavale, James Corden, and Neil Patrick Harris play friends who spar over almost everything. (www.newyorker.com)
“The Paper,” “The Lowdown,” and the Drama of Journalism - Reporters were the undisputed heroes of such classics as “All the President’s Men” and “Spotlight.” A new crop of shows—and a growing number of real-life skeptics and detractors—paint a different picture. (www.newyorker.com)
Respectfully, Oasis Sucks - Their songs sound like children’s music. (www.newyorker.com)
How Bad Is It?: Political Violence in the U.S., and What We Can Learn from Brazil - Brazil’s reckoning with authoritarianism may hold lessons for a U.S. system under strain. (www.newyorker.com)
Great Gay Novels Recommended by the Director of “The History of Sound” - Oliver Hermanus—whose latest film stars Paul Mescal and Josh O’Connor—recommends three books by queer writers who hid their sexualities. (www.newyorker.com)
183. 查理-柯克（Charlie Kirk）和泰勒-罗宾逊（Tyler Robinson）来自同一个扭曲的网络世界--右翼活动家和他被指控的杀手都是不惜一切代价奖励病毒式参与的数字生态系统的产物。
Charlie Kirk and Tyler Robinson Came from the Same Warped Online Worlds - The right-wing activist and his alleged assassin were both creatures of a digital ecosystem that rewards viral engagement at all costs. (www.newyorker.com)
Daily Cartoon: Wednesday, September 17th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
What the Video of Charlie Kirk’s Murder Might Do - Parents have less and less control over what their children see. Our children will likely understand history, and the world, very differently as a result. (www.newyorker.com)
How Samin Nosrat Learned to Love the Recipe - The chef’s first book, “Salt, Fat, Acid, Heat,” famously resisted the form. Her follow-up, “Good Things,” reflects a new appreciation for what it can teach us. (www.newyorker.com)
Daily Cartoon: Tuesday, September 16th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
White House Job Openings - The President’s driver should be able to go vroom-vroom fast without getting scared, and must be at least sixteen years old with a valid driver’s license. (www.newyorker.com)
Your First Call After You Shoot Someone - In the era of Stand Your Ground, self-defense insurance is increasingly popular. Does it promote gun violence? (www.newyorker.com)
Can You Really Live One Day at a Time? - Productivity culture encourages us to live inside our tasks and projects. But nature offers its own organizational system. (www.newyorker.com)
Donald Trump’s Assault on Disability Rights - Federal offices and programs that insure equal treatment are being shuttered and scaled back. (www.newyorker.com)
Where Political Violence Comes From - Is our era of extreme partisanship to blame? (www.newyorker.com)
Daily Cartoon: Monday, September 15th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
How Far Could Donald Trump’s Assault on the Federal Reserve Go? - Some central-bank veterans are concerned about a scenario in which the President’s appointees gain effective control of the institution and end its independence. (www.newyorker.com)
New Yorker Covers, Brought to Life! - To celebrate the magazine’s hundredth anniversary, photographers collaborated with Spike Lee, Julia Garner, Sadie Sink, and other notable figures to update covers from the archive. (www.newyorker.com)
The U.S. Government’s Extraordinary Pursuit of Kilmar Ábrego García - The Trump Administration’s maneuvers are rising to a political prosecution. (www.newyorker.com)
Bouldering Beside the Harlem River Drive - After learning to climb by scaling his family’s Park Slope town house, a nineteen-year-old likes to tackle the ledges of upper Manhattan, unless the cops get in the way. (www.newyorker.com)
Inside Uniqlo’s Quest for Global Dominance - The brand conceives of itself as a distribution system for utopian values as much as a clothing company. Can it become the world’s biggest clothing manufacturer? (www.newyorker.com)
How Other Things End - With apologies to T. S. Eliot, clocking the dénouement of your kid’s bedtime ritual, the energy-drink craze, and your career, to name a few. (www.newyorker.com)
“Above Plakias, Crete” - “You will see a small, white chapel on the ridgeline miles away.” (www.newyorker.com)
“Our Elsewhere,” by Maxine Scates - “I wanted to tell you about what it’s like here now, / I wrote to my friend David.” (www.newyorker.com)
Where the Waters Once Flowed - A local photographer tracks down the ghosts of former springs and wells in New York City. (www.newyorker.com)
Debbie Gibson’s Pavarotti Period - The eighties pop princess returns to the Metropolitan Opera, where she sang in the Children’s Chorus, and shows off her new memoir, “Eternally Electric.” (www.newyorker.com)
Bad Bunny’s Puerto Rican Homecoming - The Latin-trap performer is probably the most important pop musician of our time. Key to his success is that the bigger he gets, the more local he seems. (www.newyorker.com)
Letters from Our Readers - Readers respond to John Seabrook’s piece on floods, Eyal Press’s article on the National Restaurant Association, and Adam Gopnik’s essay on the history of gambling in New York. (www.newyorker.com)
Maira Kalman’s “Stéphane Mallarmé with Shawl” - The never-ending novelty of style. (www.newyorker.com)
Duck, Cover, and Pass: The Atomic Bowl - A former Crawdaddy editor produced a documentary on a peculiar postwar military football game in Nagasaki. (www.newyorker.com)
Briefly Noted Book Reviews - “Breakneck,” “Threads of Empire,” “God and Sex,” and “Dominion.” (www.newyorker.com)
In Philadelphia’s Calder Gardens, a Dynasty Comes Home - A new sanctuary on the Benjamin Franklin Parkway assembles a deliberately whimsical variety of materials, where sculpture moves and is moved in turn. (www.newyorker.com)
Is the Sagrada Família a Masterpiece or Kitsch? - In the century since Antoni Gaudí died, his wild design has been obsessively realized, creating the world’s tallest church—and an endlessly debated icon. (www.newyorker.com)
How Jessica Reed Kraus Went from Mommy Blogger to MAHA Maven - The founder of “House Inhabit” has grown her audience during the second Trump Administration with political gossip and what she calls “quality conspiracy.” (www.newyorker.com)
How Jane Birkin Handled the Problem of Beauty - She possessed a mysterious charisma and a seemingly effortless sense of style. Both obscured her relentless, often painful search for meaning. (www.newyorker.com)
T. Coraghessan Boyle Reads “The Pool” - The author reads his story from the September 22, 2025, issue of the magazine. (www.newyorker.com)
T. Coraghessan Boyle on Danger and Self-Delusion - The author discusses his story “The Pool.” (www.newyorker.com)
What I Wanted, What I Got - Lifelong lessons in yearning and style. (www.newyorker.com)
Jennifer Wilson on Susan Orlean’s “Orchid Fever” - The writer worried that the story was “too niche, too odd,” the crime of flower theft “too minor.” To think, I had loved it for precisely those qualities. (www.newyorker.com)
Restaurant Review: Bong - Bong, in Crown Heights, combines chaotic party energy with thrillingly funky cooking. (www.newyorker.com)
“The Pool,” by T. Coraghessan Boyle - If I’d been oblivious to the multidimensional dangers seething below the surface of suburban life, the kids and the pool and the hillside out back brought them home to me. (www.newyorker.com)
A Campus Mourns Charlie Kirk - Students at Texas A. & M. organized a vigil for the conservative activist, just months after he visited the university. (www.newyorker.com)
Kash Patel Plays a G-Man on TV - In his press conference announcing the capture of Charlie Kirk’s killer, the F.B.I. director revealed himself. (www.newyorker.com)
A Major Advance in the Search for Life on Mars - NASA published tantalizing evidence that the red planet once harbored life. But Trump’s proposed budget could leave the mystery unsolved. (www.newyorker.com)
The Ritual of Civic Apology - More than a century after driving out their Chinese residents, cities across the West are saying sorry, with parks, plaques, and proclamations. But it’s seldom clear who they’re talking to—or what they’re remembering. (www.newyorker.com)
Charlie Kirk and the Long Shadow of Political Violence - “We’ve lived through moments of more violence,” the staff writer Jane Mayer notes. “So we know it’s possible to quiet this.” (www.newyorker.com)
“Megadoc” Shows Francis Ford Coppola Going for Broke on “Megalopolis” - Mike Figgis’s documentary reveals the risky freedom of Coppola’s approach to his self-financed political fantasy. (www.newyorker.com)
R.F.K., Jr., Spotted on Capitol Hill - His message has gone viral! (www.newyorker.com)
Kevin Young on His Book “Night Watch,” Inspired by Death and Dante - The New Yorker’s poetry editor discusses his new collection of poems, and how the pandemic brought him to themes of grief, political outrage, and our susceptibility to hoaxes. (www.newyorker.com)
How the “Dangerous Gimmick” of the Two-State Solution Ended in Disaster - The veteran negotiators Hussein Agha and Robert Malley spent decades trying to broker peace in the Israeli-Palestinian conflict, and they know why it failed. (www.newyorker.com)
Daily Cartoon: Friday, September 12th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
Pause at One Hundred Miles per Hour - Can liminal-space therapy be a thing? I think many Ukrainians need that. (www.newyorker.com)
Brittany Howard and Alabama Shakes Return with Audacious New Music - Also: Julio Torres’s “Color Theories,” Tiona Nekkia McClodden’s paintings of bondage, Rachel Syme’s stylish movie picks, and more. (www.newyorker.com)
The Intertwined Legacies of Rupert Murdoch and Donald Trump - What the Wall Street Journal’s Epstein reporting and the end of the Murdoch succession battle mean for one of the most important relationships in twenty-first-century media. (www.newyorker.com)
Did Trump Just Declare War on the American Left? - After Charlie Kirk’s tragic killing, the President speaks not of ending political violence but of seeking political vengeance. (www.newyorker.com)
The Muted, Melancholy Synesthetics of “The History of Sound” - In Oliver Hermanus’s period drama, Paul Mescal and Josh O’Connor play music lovers whose passions prove less tempestuous than isolating. (www.newyorker.com)
Daily Cartoon: Thursday, September 11th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
MAGA Reacts to the Assassination of Charlie Kirk - In Washington, D.C., and online, people mourned the right-wing activist—and some called for vengeance. (www.newyorker.com)
Why New Yorkers Yearn for Barneys - A dishy memoir by the department-store scion Gene Pressman recounts an era of elusive, irreverent cool. (www.newyorker.com)
Charlie Kirk’s Murder and the Crisis of Political Violence - After a shooting with obvious political resonance, news about the perpetrator’s motives rarely brings clarity. (www.newyorker.com)
Please Like, Share, Subscribe, and a Few Other Things, if You Don’t Mind - We’re trying to capture the hearts and minds of every citizen of the cyberworld and beyond. We wouldn’t hate some brand deals, either. (www.newyorker.com)
The Epstein Birthday Book Is Even Worse Than You Might Realize - Reading the two-hundred-and-thirty-eight-page document from start to finish is like examining a crudely illustrated contract with the devil. (www.newyorker.com)
Tarell Alvin McCraney’s “The Brothers Size” and Suzanne Bocanegra’s “Honor” - A gifted cast elevates the poetic drama at the Shed. (www.newyorker.com)
Why We’re All In on Gambling - Betting is not a new pastime, but the rise of platforms such as Polymarket and DraftKings has made it more pervasive than ever. In an increasingly unstable world, what’s the appeal of risking it all? (www.newyorker.com)
The New Yorker’s Head of Fact Checking on Our Post-Truth Era - Donald Trump’s second term has turned the fight over facts into a war over the authority to define reality itself. (www.newyorker.com)
Mark Hamill’s All-Time Favorite Books by Stephen King - The “Star Wars” actor, who appears in the new King adaptation “The Long Walk,” digs into his favorite books by the prolific American author. (www.newyorker.com)
One of Chantal Akerman’s Best Films Is in Legal Limbo - The Belgian-born director’s 1994 coming-of-age masterwork, about a precocious teen-ager’s romantic audacity, can’t be reissued because of its needle drops. (www.newyorker.com)
Daily Cartoon: Wednesday, September 10th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
“Cashing Out” Examines an Investment Strategy That Profited from AIDS Deaths - Matt Nadel’s documentary short explores the moral complexities of buying the life-insurance policies of H.I.V.-positive gay men. (www.newyorker.com)
Social Media Is Navigating Its Sectarian Phase - Many liberals who had fled X for Bluesky seem to be embracing the Elon Musk-owned platform once more. Why? (www.newyorker.com)
Brazil Braces for a Verdict on Its Ex-President—and on Its Democracy - Jair Bolsonaro faces decades in prison for allegedly attempting a coup after he lost an election. President Trump, like millions of Brazilians, is watching closely. (www.newyorker.com)
Does Society Have Too Many Rules? - When regular people seem burdened by bureaucracy, and the powerful act as they choose, it’s worth asking whether we’ve forgotten what makes rules effective. (www.newyorker.com)
Stephen Shore’s Precocious Adolescent Eye - A new book titled “Early Work” reveals that the acclaimed American photographer barrelled into the medium fully formed. (www.newyorker.com)
Daily Cartoon: Tuesday, September 9th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
The 2025 National Book Awards Longlist - Through Friday, The New Yorker presents the longlists for Young People’s Literature, Translated Literature, Poetry, Fiction, and Nonfiction. (www.newyorker.com)
Inside the Chaos at the C.D.C. - A former senior official and two current employees describe the turmoil at the agency under R.F.K., Jr.,’s stewardship. (www.newyorker.com)
Intimate Daily Moments with Strangers - Accidentally making eye contact with someone through a bathroom stall. (www.newyorker.com)
Daily Cartoon: Monday, September 8th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
Briefly Noted Book Reviews - “Augustine the African,” “Hollywood High,” “The Old Man by the Sea,” and “Dusk.” (www.newyorker.com)
Texas’s Gerrymander May Not Be the Worst Threat to Democrats in 2026 - Nate Cohn, the New York Times’ chief political analyst, on a consequential Supreme Court case and why Republicans are registering so many new voters. (www.newyorker.com)
Letters from Our Readers - Readers respond to Rachel Aviv’s report on a schizophrenia patient who turned out to have an autoimmune disease, Zach Helfand’s Talk of the Town story about Youman Wilder, and Hua Hsu’s article on A.I. and education. (www.newyorker.com)
N.Y.U.’s Dumpster-to-Dorm Boutique - A group of students collected all the leather jackets, rice cookers, microwaves, and disco balls abandoned in last semester’s dorms to create the free Swap Shop. (www.newyorker.com)
How ICE Turned Venezuelan Migrants Into Enemies of the State - How the Trump Administration declared war on Venezuelan migrants in the U.S. (www.newyorker.com)
A Round of Gulf? - Golf in Scotland or the Gulf of Mexico, and how the President keeps them straight. (www.newyorker.com)
Tracks from Taylor Swift’s Wed Album - Swifties are going crazy for “All You Had to Do Was R.S.V.P.” (www.newyorker.com)
Kadir Nelson’s “The Soloist” - A concert en plein air. (www.newyorker.com)
Playing the Field with My A.I. Boyfriends - Nineteen per cent of American adults have talked to an A.I. romantic interest. Chatbots may know a lot, but do they make a good partner? (www.newyorker.com)
Anthony Roth Costanzo Finds His Diva - The countertenor searches for the right look to conjure Maria Callas for his starring role in the new production of “Galas.” (www.newyorker.com)
They’ll Take You to the Candy Shop - The Composer Laureate twins Adeev and Ezra Potash team up with the actor Martin Starr to build the perfect gummy. (www.newyorker.com)
The Czech Composer Bohuslav Martinů Is One of Music’s Great Chameleons - The Czech composer energetically explored form after form. (www.newyorker.com)
From “Sometimes Tropic of New Orleans,” by Rickey Laurentiis - “Honey in my walk, & I lean, now down the Avenue, pseudo-pioneer to a seized / City, liege to a bee.” (www.newyorker.com)
Rivals Rub Shoulders in the World of Competitive Massage - Each year, massage therapists from around the globe gather to face off, collaborate, and make sure that no body gets left behind. (www.newyorker.com)
Why Christopher Marlowe Is Still Making Trouble - Spy, murder victim, and the boldest poet of his day, the transgressive Elizabethan dramatist taps into the gravely comical troubles into which humans tumble. (www.newyorker.com)
The War on Trans Art - Politics and aesthetics have an uneasy alliance. Too often, trans expression is on the losing end. (www.newyorker.com)
Nostalgic Cravings at the Minnesota State Fair - Many of the staffers at Sweet Martha’s Cookie Jar start as teen-agers. Some of them are committed for life. (www.newyorker.com)
MAGAnomics Isn’t Working - A dismal jobs report affirms earlier warnings about the economic impact of Donald Trump’s tariffs, immigration restrictions, and DOGE-led firings. (www.newyorker.com)
Bella Freud’s Podcast, “Fashion Neurosis,” Offers a Talking Cure - A great-granddaughter of Sigmund—and a child of Lucian—has had a lot to unpack. She’s working through it, mesmerizingly, on “Fashion Neurosis.” (www.newyorker.com)
“I speak with gravity,” by Jane Hirshfield - “With your one, unchanging thought, what could you say?” (www.newyorker.com)
What’s the Deal with U.F.O.s? - Scientists consider whether we’ve been visited by aliens or their technology. (www.newyorker.com)
Philip Gourevitch on Gilles Peress’s Photo from September 11th - Peress reached the World Trade Center just as the second tower collapsed. (www.newyorker.com)
“Voyagers!,” by Bryan Washington - You didn’t want to go on this trip, Ronny said. You just wanted to get away from your boring husband. (www.newyorker.com)
Bryan Washington on Road Trips and Friendship - The author discusses his story “Voyagers!” (www.newyorker.com)
Bryan Washington Reads “Voyagers!” - The author reads his story from the September 15, 2025, issue of the magazine. (www.newyorker.com)
R.F.K., Jr., Brings More Chaos to COVID Policy and the C.D.C. - When MAGA met MAHA, Donald Trump vowed that Kennedy would “go wild on health.” Promises made, promises kept. (www.newyorker.com)
Harvard’s Mixed Victory - A resounding win for the university in court still leaves the Trump Administration with plenty of ways to force schools into submission. (www.newyorker.com)
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The Mystery of the Cat Mystery - Why was I reading all these cat-detective novels—was I, like the animal itself, trying to cheat death? (www.newyorker.com)
The Photographer Who Looked Past the Idea of Italy - Gianni Berengo Gardin spent a lifetime revealing the real people, real ironies, and real beauty of a country that people only think they know. (www.newyorker.com)
Donald Trump, Architecture Critic - With a new executive order, the President has turned his attention to remaking our federal buildings—and it’s not a good look for a democratic state. (www.newyorker.com)
Trump Has Grabbed Emergency Powers. How Will He Use Them? - The President is acclimating Americans to a state of emergency. (www.newyorker.com)
Anna Wintour’s Interview About Appointing a New Editor of American Vogue - The longtime editor and executive talks about appointing her successor, the arc of her career, and what she thought of “The Devil Wears Prada.” (www.newyorker.com)
Jeff Tweedy on His New Triple Album, “Twilight Override” - Wilco’s front man on his forthcoming solo record—a triple album, but “whittled down from five,” as he tells Amanda Petrusich. “I’ve made single records that feel longer.” (www.newyorker.com)
The Political Trickery of “Eddington” - Ari Aster’s drama, set in 2020, about conflict between a New Mexico town’s sheriff and its mayor, rips plotlines from the headlines and leaves them in shreds. (www.newyorker.com)
Daily Cartoon: Friday, September 5th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
“I Who Have Never Known Men” Is a Warning - The slim, disquieting novel, which has become a sensation on TikTok, imagines a child who finds herself at the end of the world. (www.newyorker.com)
What “The Paper” Has to Say About Journalism - The new “Office” spinoff is a love letter to newspapers—if not the reporting inside them. (www.newyorker.com)
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The Ministry of Joyce McDonald’s Sculptures - Also: New York City Ballet and New York Philharmonic kick off their fall seasons, Nourished by Time brings “The Passionate Ones” to Irving Plaza, and more. (www.newyorker.com)
How Many Court Cases Can Trump Lose in a Single Week? - From tariffs and immigration to the National Guard, federal judges are rejecting Trump’s ridiculous cover stories. (www.newyorker.com)
“Erupcja” Starts Charli XCX’s Acting Career on a High Note - The musician stars in the American filmmaker Pete Ohs’s thrillingly inventive drama, about a London couple’s trip to Warsaw and the rekindling of a passionate friendship there. (www.newyorker.com)
Daily Cartoon: Thursday, September 4th - A drawing that riffs on the latest news and happenings. (www.newyorker.com)
Reëxamining the American Dream in “The Last Carnival” - On the last day of carnival season, migrant workers keep the rides up and running for joyful kids, while they mourn lost time with their own families. (www.newyorker.com)
Our Fads, Ourselves - Labubus are the latest hard-to-find objects to capture the popular imagination. What can speculative manias of the past tell us about the enduring appeal of collectibles? (www.newyorker.com)
Ranking Things from Quiet Luxury to Loud Luxury - Organic blueberries. Buying organic blueberries from a weekday farmers’ market. (www.newyorker.com)
Why Pam Bondi Is the Attorney General of Trump’s Dreams - The upheaval under Bondi has left the Justice Department hollowed out, with consequences likely to outlast her tenure and reshape the institution itself. (www.newyorker.com)